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Follow the Dream
Sheetmusic to print
486 sheet music found
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476
LOVE DREAM OF YESTURDAY
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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LOVE DREAM OF YESTURDAY
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUT...
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Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Published by THEMIS KOUTRAS (A0.1066792). This song is about what happened in a dream GOD gave me i thought at that time i understood it and i did but not as much as when the dream actually took place after i wrote the song i end up passing away and taken in spirit by the holy spirit i was taken back in time to the days of JESUS CHRIST at the very old cross i saw him die i was in spirit joined to the holy spirit as 1 i followed him to his berrieal and it was i who prayed and the stone roled away and it was i who prayed again and my father JESUS CHRIST was risen alive he walked in my body and brought me to heaven where i saw him control the universe he bought me back here in our time the year around 2000 AD after praying i said what dose this all mean LORD he repplies he spent 3 days and nights of mans time in the grave then risen alive GOD said to me that in his time 1000 years is = to 1 day and 1 day is = to 1000 years thus it was the year 2000 and 2 or so in GODS time that i was sent back for the above mision JESUS CHRIST is here now in the return he is right in my heart so as GOD and the holy spirit as i can comunicate with him as offten as i like to or he likes to comunicate with me he said to me the kingdom of his has now been past on to me and appeared to me as he anointed me himself with a sword as KING ye true as i then saw lightning stuck from the east to the west in a perfectly straight line. ye bible prophesies points out to me all others saying they are the return are liers and no bible prophecy point to them I have four field most of its prophecy concerning the Christ in written in the book of revelation GOD says to me in due time I will four field the rest of it.
$3.99
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Cello - "And Can It Be?" Theme and Variations
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?" Theme
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
You Make My Dreams
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String Orchestra
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INTERMEDIATE
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Film/TV
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Hall & Oates
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Sherry Lewis
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You Make My Dreams
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.521765 By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Sherry Lewis. Film/T...
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String Orchestra - Level 3 - Digital Download SKU: A0.521765 By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Sherry Lewis. Film/TV. Score and Parts. 20 pages. Sherry Lewis Publishing #6439297. Published by Sherry Lewis Publishing (A0.521765). YOU MAKE MY DREAMS (COME TRUE) String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc.Score: YesParts: 9Time: 3:00ABOUT THIS DEMO: I omitted the beginning in the demo to get to the chorusMY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
You Make My Dreams
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Violin
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INTERMEDIATE
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Film/TV
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Hall & Oates
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Sherry Lewis
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You Make My Dreams
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Sherry Lewis Publishing
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.521769 By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Sherry Lewis. Film/TV. 5 ...
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Violin Solo - Level 3 - Digital Download SKU: A0.521769 By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Sherry Lewis. Film/TV. 5 pages. Sherry Lewis Publishing #6439679. Published by Sherry Lewis Publishing (A0.521769). YOU MAKE MY DREAMS (COME TRUE) Violin Solo, Intermediate Level Score: Yes Parts: 2 Time: 3:00 ABOUT THIS DEMO: I omitted the beginning in the demo to get to the chorus MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
Nearer My God To Thee (Titanic) for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Sarah Flower Adams
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terr...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.99
Nearer My God To Thee (Titanic) for Young Concert Band
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Concert band
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Over The Rainbow
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Guitar
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
The Dreaming Sea
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
The Mansion - for Guitar and Orchestra - reduction
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Piano, Guitar (duet)
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ADVANCED
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Britt Andrew Burns
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The Mansion - for Guitar and O
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Indie Classical Publications
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classica...
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Solo Guitar - Level 5 - Digital Download SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00
The History of Shells
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Piano solo
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INTERMEDIATE
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Sarah Bonsignore
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Sarah Bonsignore
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The History of Shells
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Sarah Bonsignore
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century...
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Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 11 pages. Sarah Bonsignore #772456. Published by Sarah Bonsignore (A0.1172232). Here is a brand new piece in five parts that has been haunting me for two days. It came to me at 3am yesterday and I went into my studio to notate it. It's a dreamy, soothing and sometimes soaring piece that reminded me of the octopus from the amazing documentary My Octopus Teacher. Part 1 is possibly more beginner intermediate, and I think some of the parts can be played as individual solos. I've included a link to the youtube demo on the score with an above hands view and a light up keyboard so that students can follow the score and listen.My husband and children loved this piece when they heard it, so I'm excited to have it published for others to learn and play. Part 3 was an idea from a piece I improvized in the Tottenham Court tube station a few years ago (yes, there was a piano in the tube station, and there should be a piano in every tube station as far as I'm concerned :) The theme I played that day never left me and it seemed to fit here. I wrote an expanded version of part 3 called Flight in D major that I hope to include on my website singplaystudios.com and here in a few weeks, so if you like part 3, I hope you'll check that piece out too. I plan to include this work in my 20 Beautiful Piano Solos book 3 (please find the first two books and many other repertoire and ear training books on Amazon). Thank you for considering learning this piece. It is very special to me, and you can read more about my inspiration and process at the youtube link.
$5.99
Dream Dream Dream Dream (from "The Adventures of Sharkboy and Lavagirl") - Piano Solo
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Piano solo
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INTERMEDIATE
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Film/TV
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The Adventures of Sharkboy a
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Mario Stallbaumer
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Dream Dream Dream Dream
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By The Adventures of Sharkboy and Lavagirl. Arranged by Mario Stallbaumer. 2 pages. Published by Mario S...
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Piano Solo - Intermediate - Digital Download By The Adventures of Sharkboy and Lavagirl. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Dream Dream Dream Dream" from "The Adventures of Sharkboy and Lavagirl" on piano!
It's an accurate, carefully created piano arrangement of the "Dream Song", just as it appears in the movie.
The whole melody is included in the piano part, so it makes for a perfect piano solo cover.
"The Adventures of Sharkboy and Lavagirl in 3-D" is a 2005 superhero film.
The "Dream Song" (officially titled "Dream Dream Dream Dream (Dream Dream)" on the film's soundtrack) is sung by Sharkboy (with a little support by Lavagirl" as a lullaby for Max...
The song gained popularity again in 2020, when Netflix released the film "We Can Be Heroes", a follow-up film to "The Adventures of Sharkboy and Lavagirl"!
"Dream Dream Dream Dream" is fun to play on the piano!
$4.99
An Elegy for Hopes and Dreams
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. ...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
All Good Things Start with A Dream
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Marimba
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INTERMEDIATE/ADVANCED
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Adam B
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All Good Things Start with A D
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Adam B. Grim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Marimba,Voice - Level 4 - Digital Download SKU: A0.939366 Composed by Adam B. Grim. Concert,Contemporary,Standards. S...
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Instrumental Duet Instrumental Duet,Marimba,Voice - Level 4 - Digital Download SKU: A0.939366 Composed by Adam B. Grim. Concert,Contemporary,Standards. Score and parts. 5 pages. Adam B. Grim #4331275. Published by Adam B. Grim (A0.939366). The marimba piece All Good Things Start With a Dream comes from seeing the sunrise and sunset across many places in the United States during Ohio Northern’s National Singers Tour of 2016. As I was sitting in the back of our host’s car, my friend Shawn was talking to our gracious host about his aspirations of becoming a teacher even though he was starting later in life. During the conversation, we were driving across the prairie to the home we would be staying in. As our host said, Follow your dreams, and your life will never be boring Shawn replied, Oh definitely. I believe that all good things start with a dream. That is the inspiration for this piece. Sunrise, inspiration, and a dream.
$9.00
That's How the Story Goes - A Christmas Musical for Children
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Choral 2-part
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BEGINNER
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas...
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
He Leadeth Me with I Have Decided to Follow Jesus
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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He Leadeth Me with I Have Deci
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Stephen R Dalrymple
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SheetMusicPlus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R...
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
In the Simple, In the Small: A Ceremony for Infant Dedication-Digital Download
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Joel Raney
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In the Simple, In the Small: A
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Hope Publishing - Digital
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SheetMusicPlus
Choral - Digital Download SKU: H1.C6375DP Arranged by Joel Raney. Piano Accompaniment. Ceremonies, Baptism, Dedication, Children, Salvation. Octavo. 12 p...
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Choral - Digital Download SKU: H1.C6375DP Arranged by Joel Raney. Piano Accompaniment. Ceremonies, Baptism, Dedication, Children, Salvation. Octavo. 12 pages. Hope Publishing - Digital #C6375DP. Published by Hope Publishing - Digital (H1.C6375DP). Baptism anthem This Ceremony for Infant Dedication or Baptism includes opening music for the choir, an optional liturgy for baptism or dedication - churches are encouraged to use their own liturgy or modify this to fit their needs. An optional piano underscore for the ceremony is included, and following the ceremony, the choir sings again drawing the whole presentation to a lovely close with words; We thank you, Lord, for children; help us teach them what we know as they live, and dream, and grow..
$2.95
Did You Ever Have A Dream? (A Major)
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Piano, Voice
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Robert J
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Original Piano/Vocal Arrangeme
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Did You Ever Have A Dream?
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.529579 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Bro...
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Piano,Vocal,Voice - Digital Download SKU: A0.529579 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 11 pages. Sherman Theatrical Entertainment Ltd. #117867. Published by Sherman Theatrical Entertainment Ltd. (A0.529579). Did You Ever Have a Dream is from the musical The Penguin Pirate. Arriving home very late for dinner, “Nicolai†(aka “Nickâ€) is relieved to have escaped punishment, finding his father, “Domi Nostro†fast asleep. Nick contemplates the emotional distance that has developed between the two of them as of late. Domi wants his son to focus on his studies but all Nick yearns for is a life of adventure, sailing the high seas. As the song progresses, Nick resolves to follow his dream, no matter the consequences. When printing, please scale to fit for standard US Letter or A4 size.
$3.99
Michael Relihan's Reel (The Maids In The Meadow) - Lead sheet in original key of D
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Celtic/Irish
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Folkloric/Traditional
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Irish Traditional
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Stephen Bulat
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Michael Relihan's Reel
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859291 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6698127. Published by Stephen Bulat Publishing (A0.859291). This traditional Irish reel goes by several titles including The Dream Of Home, Maid In The Meadow, The Maid In The Meadow, Michael Relihan’s, Relihan’s and The Smoky Chimney.It has been recorded and performed by many recording artists including Alison Perkins & Nicolas Brown, Theresa O’Grady, Bua, Anthony Quigney, The Tin Sandwich Band, Nathan Gourley & Joey Abarta, Declan Masterson, Brobdingnagian Bards, Marcas Ó Murchú, Yvonne Casey, Noel Battle, Iontach, Gavin Whelan, Declan Masterson and Kevin Crawford.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49
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