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Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.38 €
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Orchestra
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Montenegrin folk song
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.09 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.59 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.3 €
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Alto Saxophone and Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.4 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.4 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
The Last Time I Saw Paris
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.09 €
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Piano solo
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101 String Orchestra
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Following The Sun
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1034294 By Neek…
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Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1034294 By Neeka. By George Tizzard, Katy Tizzard, Negin Djafari, Rich Parkhouse, and Richard James Parkhouse. Arranged by Michael Habrom. Pop. Individual part. 2 pages. Michael Habrom #639637. Published by Michael Habrom (A0.1034294). For Soprano Recorder With the addition of the chords, an experienced pianist or guitarist can accompany the player. Have fun!
$4.99
4.49 €
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Descant (Soprano) Recorder
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Neeka
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Following The Sun
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Michael Habrom
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SheetMusicPlus
Following The Sun
Treble (Alto) Recorder
Alto Recorder,Recorder Solo - Level 2 - Digital Download SKU: A0.1034296 By Neeka. …
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Alto Recorder,Recorder Solo - Level 2 - Digital Download SKU: A0.1034296 By Neeka. By George Tizzard, Katy Tizzard, Negin Djafari, Rich Parkhouse, and Richard James Parkhouse. Arranged by Michael Habrom. Pop. Individual part. 2 pages. Michael Habrom #639639. Published by Michael Habrom (A0.1034296). For Alto Recorder With the addition of the chords, an experienced pianist or guitarist can accompany the player. Have fun!
$5.99
5.39 €
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Treble (Alto) Recorder
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Neeka
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Following The Sun
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Michael Habrom
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SheetMusicPlus
Following The Sun
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.1034297 By Neeka. By George Tizzard…
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Flute Solo - Level 2 - Digital Download SKU: A0.1034297 By Neeka. By George Tizzard, Katy Tizzard, Negin Djafari, Rich Parkhouse, and Richard James Parkhouse. Arranged by Michael Habrom. Pop. Individual part. 2 pages. Michael Habrom #639640. Published by Michael Habrom (A0.1034297). For Flute With the addition of the chords, an experienced pianist or guitarist can accompany the player. Have fun!
$5.99
5.39 €
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Flute
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Neeka
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Following The Sun
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Michael Habrom
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SheetMusicPlus
Following The Sun
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1034311 By Neeka. By Georg…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1034311 By Neeka. By George Tizzard, Katy Tizzard, Negin Djafari, Rich Parkhouse, and Richard James Parkhouse. Arranged by Michael Habrom. Pop. Individual part. 2 pages. Michael Habrom #639654. Published by Michael Habrom (A0.1034311). For Alto Saxophone With the addition of the chords, an experienced pianist or guitarist can accompany the player. Have fun!
$5.99
5.39 €
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Alto Saxophone
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Neeka
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Following The Sun
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Michael Habrom
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SheetMusicPlus
Following The Sun
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.957676 By Neeka. By George Tizzard,…
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Easy Piano - Level 2 - Digital Download SKU: A0.957676 By Neeka. By George Tizzard, Katy Tizzard, Negin Djafari, Rich Parkhouse, and Richard James Parkhouse. Arranged by Michael Habrom. Pop. Score. 4 pages. Michael Habrom #563401. Published by Michael Habrom (A0.957676). For Kids and people who would like to play pop pieces in the style of Einaudi. Easy to play and still great to listen to.
$4.99
4.49 €
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Easy Piano
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Neeka
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Following The Sun
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Michael Habrom
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SheetMusicPlus
Songs and Dances from Another Time (Suite 1) (Elementary piano solos)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatric…
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Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3410943. Published by Colin Kirkpatrick Publications (A0.522203). Youngsters are sure to enjoy these tuneful pieces, crafted especially for the young learner. The music follows on from the much easier pieces in The River at the End of Day. They are ideal for elementary pianists, but of course could be used with beginners of all ages. More experienced students will find them ideal and enjoyable sight-reading exercises or to develop the useful skill of transposing at sight. The colorful pieces are arranged in approximate order of difficulty, so you can feel free to pick and mix according to the needs of the students. Most of the pieces use eighth notes (quavers), quarter notes (crotchets), half notes (minims) and whole notes (semibreves). Each piece takes up just one page. With attractive melodies and interesting harmonies several of them could be strung together to create a suite for a student recital. Many of the fingerings are provided but sometimes the choice of fingering is left for the teacher and student to decide. For more advanced students, these pieces can serve a useful function either as sight-reading exercises or for transposing at sight, a skill that is sometimes neglected. The sample audio clip contains the following pieces from the collection: (1) Dance to the Rising Sun; (2) Song of the Tree Spirits; (3) Mountain Dance; (9) Hymn to the Stars and (10) Night Dance.
$3.99
3.59 €
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Piano solo
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Colin Kirkpatrick
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(2) Song of the Tree Spirits
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Songs and Dances from Another Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Short Anthems
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851263 Composed by Tim Att…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851263 Composed by Tim Attride. Christian,Christmas,Sacred. Octavo. 7 pages. Tim Attride #12549. Published by Tim Attride (A0.851263). Cantate Domino uses words from the start of Psalm 96. Sung cheerfully - mostly in 6/8, but with occasional 5/8 bars - the music reflects the joy of the Psalmist. Gloria in Excelsis joyously proclaims the angels' words at Christmas, firstly on the organ alone, then with the organ accompanying the same theme in the voices ending on an added 2nd chord. Now fully re-set in Musescore. NB, following the title page are two sample pages - the first page of each anthem. To save paper, print page 1, then 4-7. (To save even more paper, omit the first page as well.).
$2.99
2.69 €
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Choral SATB
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Tim Attride
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Two Short Anthems
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Tim Attride
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SheetMusicPlus
You Are The Sunshine Of My Life
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465823 By Stevie Wonder. By Stevie Wonder. Arranged by Will Corbin. Pop. 20 pages. Will Corbin #1044416. Published by Will Corbin (A0.1465823). This song first appeared on Stevie Wonder's 1972 (50 years ago!) album Talking Book and was released as a single the following year. The sunshine of the title was his wife, Syreeta Wright, who married him in 1970. The sun didn't take long to set; they were divorced not long after You Are The Sunshine topped the Billboard Hot 100 and earned Wonder a Grammy for best male pop vocal.If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
13.49 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stevie Wonder
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You Are The Sunshine Of My Life
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Will Corbin
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SheetMusicPlus
Fantasy on "The Itsy Bitsy Spider"
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1028182 Composed by Rawn Boulden.…
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Concert Band - Level 3 - Digital Download SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. Published by R. Boulden (A0.1028182). A programmatic piece depicting the tale of the Itsy Spider. The composition starts out very bright and joyful (the itsy bitsy spider climbed up the water spout). Quickly, it becomes darker, as the clouds and thunder emerge (down came the rain and washed the spider out). After the period of darkness and melancholy, the song's key gets brighter and brighter, symbolizing the clouds slowly dissipating and sunlight emerging (out came the sun and dried up all the rain). The song ends joyously (and the itsy bitsy spider climbed out the spout again), celebrating the spider's survival of the perilous weather. Fantasy on Itsy Bitsy Spider has the following instrumentation: Flue/Piccolo, Oboe, Clarinet, French Horn, Trumpet, Trombone, Euphonium, Tuba, Timpani, Bass Drum, Snare Drum, Cymbal. The song features an oboe solo, in the middle. I hope you enjoy this thrilling piece that is sure to be a pleasure to perform and hear!
$30.00
26.99 €
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Concert band
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Rawn Boulden
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Fantasy on "The Itsy Bitsy Spider"
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R. Boulden
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SheetMusicPlus
Denmark: The Two National Anthems
Concert band
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.09 €
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Concert band
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Ditlev Ludvig Rogert
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
Share the Easter Joy
Choral Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA851 Composed by Mark Patterson…
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Unison/Two-part chorus - Digital Download SKU: C7.CGA851 Composed by Mark Patterson. Easter. With 3 octaves handbells or handchimes, descant. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA851. Published by Chorister's Guild - Digital (C7.CGA851). UPC: 749193005934.Unison/Two-part Opt Handbells or Handchimes (3 oct). Eastertide This festive anthem can be used on Easter Sunday or on any of the Sundays immediately following, and would be especially effective as a sending forth anthem at the end of a service. Because the optional descant is learned within the piece itself, the two-part section is easy to put together.
$2.10
1.89 €
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Choral Unison
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Mark Patterson
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Share the Easter Joy
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Chorister's Guild - Digital
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SheetMusicPlus
Voices of Sun (SATB Chorus & Piano)
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.988177 Compo…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.988177 Composed by Christian Fortner. Chamber,Classical,Contest,Festival,Film/TV. 12 pages. Christian Fortner Music #5993837. Published by Christian Fortner Music (A0.988177). Want a better deal for this sheet music? Purchase on christianfortnermusic.com!This piece is a letter to Fear, as if fear were a person itself, following the narrative of someone who has turned their back on Fear as a result of their life being changed by an extraordinary experience with an incredible group of people - the Voices of Sun. They are no longer blind with anguish, no longer cold with fear, no longer dead without purpose - they can now see with the light, are warm with joy and love, and are alive without fear of the future. Accompanied by piano, this emotional choral work features splits within each voice part at various points, but only houses a maximum of a six-part split at once.
$4.50
4.05 €
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Choral SATB
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Christian Fortner
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Voices of Sun
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Christian Fortner Music
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SheetMusicPlus
Sunday's Joy Will Come, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1273512 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1273512 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 13 pages. Kevin G. Pace #865651. Published by Kevin G. Pace (A0.1273512). A stunningly beautiful choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.  The subject of this piece is the joy felt at Christ's resurrection following the darkness of his crucifixion.Text:Though Jesus raised the dead in his mortal life,He would die a shameful death caused by angered strife.On that fateful day when clouds covered sun,Jesus’ enemies rejoiced, thinking they had won.This Friday, dark like stain, never came again.Jesus Christ was in the tomb, killed by spiteful men.Soon a miracle honored all mankind:Jesus burst the bonds of death, bringing life past time.Christ’s resurrection claims all will live once more.His gift renders unity for each soul restored.This is Christ’s pure love giv’n on Sunday morn.Now, throughout eternity, new life will be born.Hereafter we will praise Jesus Christ, our Lord,Thanking Him for giving us life forevermore.With those gone in death, we will reunite.Sunday’s joy will come to all filled with heaven’s light.We will be with those we love all because of One.Sunday’s joy will ever come; Sunday’s joy will come!
$1.99
1.79 €
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Choral SATB
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Kevin G
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Sunday's Joy Will Come, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Themes from the Beach Tuba
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1011741 Composed by Peter Westin.…
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Concert Band - Level 4 - Digital Download SKU: A0.1011741 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449681. Published by Peter's Publishing House (A0.1011741). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.Themes from the Beach Tuba Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
3.59 €
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Concert band
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Peter Westin
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Themes from the Beach Tuba
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Peter's Publishing House
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SheetMusicPlus
Themes from the Beach Marimba
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1011743 Composed by Peter Westin.…
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Concert Band - Level 4 - Digital Download SKU: A0.1011743 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449685. Published by Peter's Publishing House (A0.1011743). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.Themes from the Beach Marimba Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
3.59 €
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Concert band
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Peter Westin
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Themes from the Beach Marimba
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Peter's Publishing House
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SheetMusicPlus
Themes from the Beach Suspended Cymbals and Snare Drum
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1011744 Composed by Peter Westin.…
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Concert Band - Level 4 - Digital Download SKU: A0.1011744 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449691. Published by Peter's Publishing House (A0.1011744). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.Themes from the Beach Suspended Cymbals and Snare Drum Parts. 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately). May Require separation of parts.
$3.99
3.59 €
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Concert band
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Peter Westin
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Themes from the Beach Suspended Cymbals and Snare Drum
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Peter's Publishing House
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SheetMusicPlus
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