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For All You've Done - Percussion
Sheetmusic to print
170 sheet music found
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Thank You
Bass guitar
Bass Guitar - Level 4 - Digital Download SKU: A0.1173044 Composed by Walter Hawkins…
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Bass Guitar - Level 4 - Digital Download SKU: A0.1173044 Composed by Walter Hawkins. Arranged by Daniel Roberts. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 6 pages. Daniel P Roberts #773243. Published by Daniel P Roberts (A0.1173044). Arranged for 5 string Bass with TAB. Tragedies are common placeAll kinds of diseases, people are slipping awayEconomies down, people can't get enough payAs for me all I can say isThank you Lord for all you've done for meYeah, yeah, yeahFolks without homesLiving out in the streets and the drug habit some sayThey just can't beatMuggers and robbers, no place seems to be safeBut You've been my protection every step of the wayI wanna say, thank you Lord for all You've done for meYeah, yeahIt could have been me (thank you)Outdoors (thank you)No food (thank you)No clothes (thank you)Or left alone (thank you)Without a friend (thank you)Or just another number (thank you)With a tragic end (thank you)But you didn't see fit (thank you)To let none of these things be (thank you)'Cause everyday by your power (thank you)You keep on keeping me (thank you)And I wanna say(Thank you) for all you've done for meHey, heyIt could have been me (thank you)Outdoors (thank you)With no food (thank you)And no clothes (thank you)Or left alone (thank you)Without a friend (thank you)Or just another number (thank you)With a tragic end (thank you)But you didn't see fit (thank you)To let none of these things be, hey'Cause everyday by your power (thank you)You keep on, you keep on keeping meI wanna say (Thank you lord for all you've done for me)Yeah, yeah-yeahI just wanna say thank you jesus (Thank you lord for all you've done for me)Yeah, yeah-yeahI wanna say thank you lord (Thank you lord for all you've done for me)Thank you (Thank you for your power)Thank you (Thank you for protection)Thank you (every hour)Thank you jesus (I wanna to say thank your for love.
$4.99
4.67 €
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Bass guitar
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Walter Hawkins
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Thank You
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Daniel P Roberts
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SheetMusicPlus
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
5.6 €
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Piano solo
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Charles-Louis Hanon
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Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Martin Woodward
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SheetMusicPlus
Take Me Out To The Ball Game
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. By Words by Jack Norworth Music by Albert Von Tilzer. Arranged by Dave Gingras and John E. Dosher. Early Music,Jazz. Score. 2 pages. DAVID LEE GINGRAS #942648. Published by DAVID LEE GINGRAS (A0.1358160). Take Me Out to the Ball Game is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the unofficial anthem of North American baseball, although neither of its authors had attended a game before writing the song. The song's chorus is traditionally sung as part of the seventh-inning stretch of a baseball game. Fans are generally encouraged to sing along, and at some ballparks, the words home team are replaced with the team name. This arrangement was developed from the original 1908 sheet music, but simplified so that someone of average ability can perform it and sound great doing so! We hope you like what we've done with this classic tune!
$3.99
3.73 €
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Piano, Voice
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Trixie Friganza
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Take Me Out To The Ball Game
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DAVID LEE GINGRAS
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SheetMusicPlus
Veterans Day (for solo voice)
Vocal Solo,Voice - Digital Download SKU: A0.1005546 Composed by Jill Hudson. Concer…
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Vocal Solo,Voice - Digital Download SKU: A0.1005546 Composed by Jill Hudson. Concert,Holiday,Patriotic. 7 pages. Jill Hudson #6621391. Published by Jill Hudson (A0.1005546). Veterans Day honors all of those who have served the country in war or peace, and thanks them for their sacrifices. This song was written for them, in gratitude for all they've done and continue to do. Can you imagine singing this song with pictures of Veterans from your community on a big screen? Veterans Day - a song of Gratitude is the perfect piece for your patriotic program. We celebrate Veterans Day on November 11, but this song would be appropriate for Memorial Day, the fourth of July, and any other time you wish to be patriotic and honor your favorite veterans.
$4.99
4.67 €
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Jill Hudson
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Veterans Day
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Jill Hudson
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SheetMusicPlus
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Ren…
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Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
7.48 €
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Piano solo
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Renee Hyche McKee
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Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Renee H. McKee
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SheetMusicPlus
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
19.6 €
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Choral SATB
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James Nathaniel Holland
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An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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James Nathaniel Holland
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.77 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.49 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.49 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
For All You've Done
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.492519 Composed by Do…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.492519 Composed by Don Moen. Arranged by Jayson Richardz. Contemporary,Pop,Praise & Worship,Spiritual. Score. 3 pages. Alden #107778. Published by Alden (A0.492519).
$7.99
7.48 €
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Piano, Vocal and Guitar
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Don Moen
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For All You've Done
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Alden
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SheetMusicPlus
For All You've Done
C Instruments
C Instrument - Digital Download SKU: HX.394338 By Hillsong Worship. This edition: s…
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C Instrument - Digital Download SKU: HX.394338 By Hillsong Worship. This edition: scorch. Christian,Easter,Sacred. Easy Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #114724. Published by Hal Leonard - Digital (HX.394338).
$3.99
3.73 €
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C Instruments
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Hillsong Worship
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For All You've Done
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Hal Leonard - Digital
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SheetMusicPlus
Stormy Weather (keeps Rainin' All The Time)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1300821 By Various Artists. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1300821 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #890519. Published by DAVID LEE GINGRAS (A0.1300821). Stormy Weather is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called The Cotton Club Parade of 1933 but for the road tour it was changed to Stormy Weather Revue; it contained the song Stormy Weather, which was sung by Adelaide Hall. This version was developed from the original 1933 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
$4.99
4.67 €
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Piano, Voice
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Various Artists
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Stormy Weather
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DAVID LEE GINGRAS
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SheetMusicPlus
Carrickfergus for Guitar Ensemble
Guitar Ensemble
Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Compo…
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Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Composed by Traditional, Ireland. Arranged by Dan Jones www.danjonesguitarist.com. Neo-Classical, World, Folk. Score, Set of Parts, Tablature. 41 pages. Published by danjonesguitarist.com
Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.<br> <br> This download contains:<br> <br> A full score<br> <br> All individual parts in notes<br> <br> All individual parts in TAB<br> <br> The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE<br> <br> This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I’ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.<br> <br> My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).<br> <br> Technical Requirements<br> <br> · Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.<br> <br> · Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.<br> <br> · Guitar5 is suitable for a player of about Grade 2 (beginner) standard.<br> <br> · Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.<br> <br> · Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.<br> <br> Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.<br> <br> Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.<br> <br> Dan Jones, March 2019
$6.95
6.5 €
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Guitar Ensemble
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Traditional, Ireland
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Carrickfergus for Guitar Ensemble
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danjonesguitarist.com
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
23.39 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 17
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Socrates Arvanitakis
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SheetMusicPlus
Thank You Lord
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.855200
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.855200 Composed by Joseph Pugh. Christian,Concert,Jazz,Pop. Score and parts. 9 pages. Joseph Pugh #6440705. Published by Joseph Pugh (A0.855200). Original tune ,by Joseph Pugh arranged here for brass quintet.This original tune only had 2 verses but since written a 3rd verse was added. Lyrics available-1st verseThank You, Lord, for all the many blessings in my life, for all the happiness you've let me have. Thank You, Lord for now I realize it took them all ,to live in You, to grow in You. Thank You, Lord2nd. verseThank You, Lord, for all the many heartaches in my life. For all the many sorrows and the strife, for through them Lord, I've learned just what it means to follow You, to live in You, to grow in You. Thank You, Lord.3rd verseThank You, Lord, for battles and the victories we've won, for all the many great things You have done, for through them Lord, I've learned just what it means to call You Lord, to live in You, to worship You.Thank You, Lord.
$7.99
7.48 €
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Brass quartet : 2 trumpets, trombone, tuba
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Joseph Pugh
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written a 3rd verse was added
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Thank You Lord
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Joseph Pugh
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SheetMusicPlus
Because Of You
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273465 Composed by Arthur H…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273465 Composed by Arthur Hammerstein and Dudley Wilkinson. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #865604. Published by DAVID LEE GINGRAS (A0.1273465). Because of You is a popular song written by Arthur Hammerstein and Dudley Wilkinson in 1940. A 1951 recording by Tony Bennett was his first major hit, reaching number one on the Billboard charts and staying there for 10 weeks. Due to its importance in establishing his fame, he continued to perform the song for the rest of his career, even singing it at his final concert performances 70 years after its release. It was one of the last songs rehearsed at his piano before he died. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this Tony Bennett ballad unique.
$4.99
4.67 €
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Piano, Voice
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Arthur Hammerstein and Dudley Wilkinson
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Because Of You
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DAVID LEE GINGRAS
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SheetMusicPlus
Echo Taps for Trumpet Ensemble
Trumpet ensemble
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894407 Composed by Dani…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 17 pages. Zack Richards #5754059. Published by Zack Richards (A0.894407). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to those and all Veterans and Service Members. It is also a way of helping the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. I was fortunate to play as a part of this during Armed Forces Day celebrations in Ashtabula for several years. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service.All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesEach of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series.S0.1059735 Echo Taps for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesTrumpet Ensemble5-10 B-flat TrumpetsIntermediateApprox. 2:30Visit zackrichards.com for more from this composer!
$9.99
9.35 €
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Trumpet ensemble
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Daniel Butterfield
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Echo Taps for Trumpet Ensemble
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Zack Richards
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SheetMusicPlus
Title String quartet nº9-Toni Tudurí (instr. of Domenico dall'Oglio violin Sonata Op1 nº6 in G Maj)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1348285 Composed by Domenico dall'Oglio / Toni TudurÃ. Arranged by Toni TudurÃ. Baroque,Classical. 19 pages. Antonio Tuduri #933069. Published by Antonio Tuduri (A0.1348285). This piece is the 7th string quartet isntrumentation that I've done of Domenico dall'Oglio violin sonates. I love his music because he had a composing style very similir to me.The last movement (tema & variations) I have changed the mode of the viola variation and I have composed melodic lines for each instrument (violin 2, viola and ccello) in some variations to improve the playing experience of all musicians.I hope you like it !!!.
$14.95
13.99 €
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String Quartet: 2 violins, viola, cello
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Domenico dall'Oglio / Toni TudurÃ
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Title String quartet nº9-Toni Tudurí
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Antonio Tuduri
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SheetMusicPlus
I've Gotta Get A Message To You
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.91 €
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Brass quartet : 2 trumpets, trombone, tuba
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Bee Gees
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
We're All Alone
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1133771 By Boz Scaggs. By Bo…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1133771 By Boz Scaggs. By Boz Scaggs. Arranged by Dave Gingras and John E. Dosher. Rock. Score. 3 pages. DAVID LEE GINGRAS #733881. Published by DAVID LEE GINGRAS (A0.1133771). We're All Alone is a song written by Boz Scaggs, which became a hit for Frankie Valli in 1976. The next year it was a top-ten hit for Rita Coolidge in the US and the UK. Scaggs introduced it on his 1976 album Silk Degrees, and included it as the B-side of two of the four single releases from that LP, including Lido Shuffle. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm moving, we added some pretty cool left-hand fills. We hope you like what we've done with the song!
$4.99
4.67 €
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Piano, Voice
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Boz Scaggs
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We're All Alone
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DAVID LEE GINGRAS
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SheetMusicPlus
I Don't Stand A Ghost Of A Chance With You
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230362 Composed by Bing Cro…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230362 Composed by Bing Crosby, Ned Washington, and Victor Young. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #826074. Published by DAVID LEE GINGRAS (A0.1230362). I Don't Stand a Ghost of a Chance With You is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done with beautiful 1932 ballad!
$4.99
4.67 €
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Piano, Voice
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Bing Crosby, Ned Washington, and Victor Young
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I Don't Stand A Ghost Of A Chance With You
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DAVID LEE GINGRAS
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original clarinet solo -
Clarinet and Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.761555 Composed by Chris Lawry,…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.761555 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424387. Published by Masquerade Music (A0.761555). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Bb clarinet and piano. As well as the classic Grieg theme, there is also a fully written out original clarinet solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.73 €
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Clarinet and Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original flute solo - fl
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Ke…
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Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424397. Published by Masquerade Music (A0.761556). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for flute (in C) and piano. As well as the classic Grieg theme, there is also a fully written out original flute solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.73 €
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Flute and Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original sax solo - Eb s
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.76155…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761553 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424375. Published by Masquerade Music (A0.761553). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Alto (or baritone) saxophone and piano. As well as the classic Grieg theme, there is also a fully written out original saxophone solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.73 €
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Alto Saxophone and Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original sax solo - Teno
Tenor Saxophone and Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.761554 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424377. Published by Masquerade Music (A0.761554). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Tenor (or soprano) saxophone and piano. As well as the classic Grieg theme, there is also a fully written out original saxophone solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.73 €
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Tenor Saxophone and Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
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