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Four on Six - Conductor Score
Sheetmusic to print
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Four On Six
Bass guitar
Small Ensemble Bass Guitar - Level 2 - Digital Download SKU: A0.934884 By Wes Montg…
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Small Ensemble Bass Guitar - Level 2 - Digital Download SKU: A0.934884 By Wes Montgomery. By John L. (Wes) Montgomery. Arranged by Joel Forth. Jazz. Score and parts. 10 pages. Joel Forth #4985083. Published by Joel Forth (A0.934884). Arranged with an intermediate high school guitar ensemble in mind, this arrangement of the Wes Montgomery's 'Four on Six' is ideal for guitarists with 1-2 years experience. The score is highly detailed with suggested positions, fingerings, and strings to assist guitarists with the reading component. Open section for solos gives each member of the ensemble a chance to improvise. No written drum part is provided, but a simple swing accompaniment works well.
$12.99
11.68 €
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Bass guitar
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Wes Montgomery
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Four On Six
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Joel Forth
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
17.94 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
String Quartet No 0 SCORE
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938424 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
8.99 €
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String Quartet: 2 violins, viola, cello
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Colin Bayliss
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String Quartet No 0 SCORE
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Colin Bayliss
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SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
22.44 €
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Cello, String Bass (duet)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
"Four Inventions" for alto saxophone and cembalo
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1329826 Composed by Pa…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1329826 Composed by Panagiotis Theodossiou. 21st Century,Baroque,Contemporary,Early Music,Medieval. Score and part. 18 pages. Panagiotis Theodossiou #917810. Published by Panagiotis Theodossiou (A0.1329826). Four Inventions for alto saxophone and cembalo, op.99 (2023)The work follows the early baroque style in a new tonal perspective. It is based on Six Inventions for cembalo solo op.94 (2023). It is a commission by Thomas Tamvakos Greek Composers Archive and dedicated to Thomas Tamvakos.The parts:I. Andantino (...like a French Overture!)II. Con moti (Recitaivo)III. Allegretto (Canon)IV. Allegro.
$15.00
13.49 €
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Soprano Saxophone and Piano
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Panagiotis Theodossiou
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"Four Inventions" for alto saxophone and cembalo
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Panagiotis Theodossiou
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SheetMusicPlus
His Eye Is On the Sparrow
Handbells
Handbell - Level 2 - Digital Download SKU: A0.1278799 Composed by Charles H. Gabrie…
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Handbell - Level 2 - Digital Download SKU: A0.1278799 Composed by Charles H. Gabriel. Arranged by David M Thompson. Christian,Sacred,Spiritual. Score. 13 pages. David M Thompson #870363. Published by David M Thompson (A0.1278799). This turn-of-the-century gospel song has been popular since its composition in 1905. Here it is, arranged for flute solo, handbells, and piano. The handbell choir can be as small as four ringers, or as large as six. Score and parts are included.
$2.95
2.65 €
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Handbells
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Charles H
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His Eye Is On the Sparrow
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David M Thompson
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SheetMusicPlus
When I'm Sixty-Four, by The Beatles, for Oboe and Clarinet Duet
Oboe, Clarinet (duet)
Oboe and Clarinet Duet - Intermediate - Digital Download By The Beatles. Arranged by …
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Oboe and Clarinet Duet - Intermediate - Digital Download By The Beatles. Arranged by David McKeown. Score. 5 pages. Published by David McKeown
When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone.<br> <br> This version of When I’m Sixty-Four is arranged as a duet for one Oboe and one Clarinet. The full YouTube performance above is the Clarinet version of this duet.
$5.99
5.39 €
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Oboe, Clarinet (duet)
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The Beatles
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When I'm Sixty-Four, by The Beatles, for Oboe and Clarinet Duet
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David McKeown
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SheetMusicPlus
When I'm Sixty-Four, by The Beatles, for Clarinet Duet
2 Clarinets (duet)
Clarinet Duet - Intermediate - Digital Download By The Beatles. Arranged by David McK…
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Clarinet Duet - Intermediate - Digital Download By The Beatles. Arranged by David McKeown. Score. 5 pages. Published by David McKeown
When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone.<br> <br> This version of When I’m Sixty-Four is arranged as a duet for two Clarinets.
$5.99
5.39 €
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2 Clarinets (duet)
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The Beatles
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When I'm Sixty-Four, by The Beatles, for Clarinet Duet
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David McKeown
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SheetMusicPlus
Six Open String Solos
Double bass, Piano (duet)
Double bass and piano - Grade 1 - Digital Download For Double Bass and Piano. Composed b…
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Double bass and piano - Grade 1 - Digital Download For Double Bass and Piano. Composed by Michael Montgomery. Original works. Score and solo part. 10 pages. LudwigMasters Digital #52740002. Published by LudwigMasters Digital
ISBN 9781682966037. 9 x 12 inches. For the very beginning of study, when learning the open string of the double bass and basic rhythms. Intended to be played pizzicato, and then arco, to build endurance. Bryton's G-String Groove; Three String Hop; The Lowdown on E; Early Morning Dance; Drifting; Hittin' All Four.
$6.95
6.25 €
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Double bass, Piano (duet)
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Michael Montgomery
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Six Open String Solos
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LudwigMasters Digital
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.03 €
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Orchestra
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$17.50
15.74 €
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Piano, Vocal and Guitar
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nat…
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String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
22.17 €
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String Orchestra
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
27.84 €
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Orchestra
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Four Seasons (Spring): Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet: 3 Bb clarinets and bass clarinet. - Intermediate - Digital Downloa…
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Clarinet Quartet: 3 Bb clarinets and bass clarinet. - Intermediate - Digital Download Composed by A, Vivaldi. Arranged by Keith Gemmell. Baroque Period, Repertoire, Recital. Score, Set of Parts. 10 pages. Published by Keith Gemmell
Here we have an abridged version of ‘Spring’ from Vivaldi’s famous ‘The Four Seasons’ suite, arranged for a clarinet quartet. A little challenging perhaps but instantly recognisable and enjoyable to play. Suitable for intermediate players and above - no fiendishly difficult bits - the main points to watch out for are the tempo changes at bar 28 (where the first clarinet slows the tempo before a slight accelerando) and bars 32 (rall.) and 34 (a new tempo, slightly down on the opening one, is established). These tempo markings are not obligatory and the piece can ebb and flow rubato fashion at these points, if you wish. Also, note the rallentando at the end.In a few places where long sixteenth-note passages occur, breath marks may be needed. These have been deliberately omitted to enable the players to work out what’s best for them.Enjoy yourselves!
$19.95
17.94 €
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Clarinet Quartet: 4 clarinets
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A, Vivaldi
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The Four Seasons
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Keith Gemmell
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SheetMusicPlus
Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Aroud Cañon City
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954995 Composed by Jim …
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954995 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 68 pages. Jim Bosse #4592947. Published by Jim Bosse (A0.954995). Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City was originally scored for 5 parts, but this version is for classical guitar ensemble - four parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. The first three movements are the easiest and have been performed by very young Suzuki and Childbloom guitar ensembles at their recitals in Colorado. They have been used for sight reading exercises at the Colorado Springs Guitar Society and at several college student guitar ensembles. Performance time is 16 minutes. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$9.99
8.98 €
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Jim Bosse
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Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Aroud Cañon City
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Jim Bosse
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SheetMusicPlus
Ankylosaur Walking on the Hog Backs
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954991 Composed by Jim …
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954991 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 18 pages. Jim Bosse #4592931. Published by Jim Bosse (A0.954991). This is the third movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City. Originally scored for 5 parts, this version is for classical guitar ensemble - four parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. The first three movements are the easiest and have been performed by very young Suzuki and Childbloom guitar ensembles at their recitals in Colorado. Performance time is 3 minutes and 46 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99
1.79 €
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Jim Bosse
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Ankylosaur Walking on the Hog Backs
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Jim Bosse
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SheetMusicPlus
Four Winds
Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chi…
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Digital Download SKU: A0.990176 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 105 pages. Dolphin Don's Music School #6475223. Published by Dolphin Don's Music School (A0.990176). The title refers to the Four Winds of the Apocalypse. This single movement work is based entirely on a six-note synthetic scale including the notes C, D, E, G, Ab, A. Every other note of this scale is combined into two different triads, one augmented and the other suspended. The alternation of these two triads serves as the only harmonic structure for the piece.The trombone begins by stating a simple idea, which is blown around the ensemble until it develops into the first theme when the woodwinds take over. Following a driving ostinato percussion transition, the trumpet states the second theme.The chimes state the third theme, a twisted interpretation of the Medieval hymn, Dies Irae. The bass instruments join the chimes in repeating the third theme, while the rest of the winds restate the second theme and the percussion continue their ostinato.Each section states and repeats its own motive in a group effort that constitutes the fourth theme, then the woodwinds gently return to the first theme, accompanied by a subdued and rhythmically altered version of the third theme.The percussion ostinato returns, though rhythmically altered. The trumpets and horns bring back an altered version of the second theme, while the woodwinds do the same for the first theme. Just before the end, the trombone tries to return to the calm that began the performance. A final strong gust from the entire ensemble puts an end to this idea, simultaneously signaling the end of the piece.
$39.99
35.97 €
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Don Bowyer
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Four Winds
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Dolphin Don's Music School
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SheetMusicPlus
Intermezzo (from Six Pieces for Piano, Op. 118)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808687 Composed by Johannes Bra…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
4.45 €
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Brass ensemble
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Johannes Brahms
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there are several of those
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Four Sacred Russian Chorales for Trombone Choir Ensemble
Trombone ensemble
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811257 Composed by Ser…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811257 Composed by Sergei Rachmaninoff. Arranged by Jeff Reynolds. 20th Century,Christmas,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Gordon Cherry #6615391. Published by Gordon Cherry (A0.811257). Jeff Reynolds has beautifully arranged Four Sacred Russian Chorales for Trombone Choir. They are as follows:Chesnokov - I. Hosanna in the Highest, IV. Salvation is CreatedRachmaninoff - II. Ave Maria, III. To Thee, O LordThey are scored five and six-part Trombone Choir of Tenor, Bass and optional Contrabass Trombone (in No. IV) and are appropriate for moderately advanced performers with good endurance needed on the Trombone 1 part.These may be played at various religious services including Christmas and Easter.The four Chorales are about 9 minutes total in length and may be performed successfully as an entire unit or separately.
$22.50
20.24 €
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Trombone ensemble
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Sergei Rachmaninoff
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Four Sacred Russian Chorales for Trombone Choir Ensemble
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Gordon Cherry
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SheetMusicPlus
Variations and Fugue on a Christmas Carol (Downloadable)
Organ
Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 …
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Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet Music #8764-E. Published by MorningStar Music Publishers - Digital Sheet Music
This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme; the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noel written as an homage to Daquin; the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance; and the sixth is a Handelian rigaudon. The seventh variation is a "carillion" in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during which Von Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.
$11.00
9.89 €
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Organ
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Byron Adams
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Variations and Fugue on a Christmas Carol
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Six Hungarian Dances for Two Trombones and Piano
Trombone and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period. Score and parts. 80 pages. Pete Strohm Music #6758789. Published by Pete Strohm Music (A0.928182). The first six of Johannes Brahms' Hungarian Dances, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. The individual dances are three to five minutes long. Performance time for the complete set of Six Hungarian Dances for Two Trombones and Piano would be about 21:00. You can watch and hear the score video for each of the Six Hungarian Dances on this site or on my YouTube channel, as well as by visiting https://petestrohm.com. Difficulty is Medium-Advanced. Member, ASCAP
$27.95
25.14 €
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Trombone and Piano
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Johannes Brahms
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Six Hungarian Dances for Two Trombones and Piano
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Pete Strohm Music
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SheetMusicPlus
Four Calm Interludes
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1160855 Composed by Nick Norton. Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Published by Bathysphere Music (A0.1160855). The four calm interludes (should that be capitalized?) are Four One, On Nothing, About Sixths, and On Sol. They are intended as simple, meditative pieces, perhaps good for student pianists to attempt.In spring of 2020, as the COVID-19 pandemic took hold, I suffered a massive manic episode followed by a debilitating depression that lasted over a year. During this time I found my relationship with music fraught—I could not compose, and could barely even listen to music for enjoyment, relaxation, or whatever other reasons people listen to music. It was terrifying, thinking my life’s work was over.The shift to being unable to compose or listen, however, was a gradual, like the shift from mania to depression. I found my listening habits following what seemed like a massive ritardando, as they moved away from the upbeat music I was used to toward more and more ambient, very slow music. Hiroshi Yoshimura’s album Music For Nine Postcards was on repeat for a long while before the total break. Its calm repetitions must have influenced what I was doing, because I sometimes found myself at the piano playing the same note or chord over and over again, just listening to the details in the resonance. Out of this came the first of these four pieces, On Nothing.Eight months later I found myself doing it again, the result of which is Four One. Another eight months went by before About Sixths, and then, as my recovery became more and more apparent, only two months passed until On Sol. I am grateful to say I am now composing every day again, though my music has, without conscious intention, taken on a far more introspective feel than ever before.I have not given the pieces numbers, because I don’t mind if they are played in a different order, alone, or—as the title suggests—as interludes between other pieces. I do like the printed order though.
$20.00
17.99 €
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Piano solo
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Nick Norton
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Four Calm Interludes
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Bathysphere Music
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SheetMusicPlus
Variations on Gordon ('My Jesus, I Love Thee')
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 11 pages. John Burkett #937604. Published by John Burkett (A0.1352800). My Variations on the hymn tune Gordon (My Jesus, I Love Thee) are intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The four variations in this set display increasing rhythmic complexity as one plays them from beginning to end, ranging from continuous streams of eighth notes to eighth-note triplets to sixteenths. The first, and simplest, variation can be played alone. Variations 2-4 are written as a continuous group, though they too can be played individually if desired, by adding a conclusive tonic note in the bass. For the most part the pitches of the hymn tune are presented without ornamentation, though there are occasional exceptions. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
10.79 €
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Piano solo
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John Burkett
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Variations on Gordon
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John Burkett
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SheetMusicPlus
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