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Fugue for Thought
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26
TIENTO PARA UN PENSADOR for guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
9.23 €
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Guitar
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Daniel Cueto
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TIENTO PARA UN PENSADOR for guitar
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Daniel Cueto
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.92 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fugue No.3
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
1.84 €
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Piano solo
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David Tsvariani
#
Fugue No.3
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David Tsvariani
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SheetMusicPlus
Fugue No.4
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
1.84 €
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Piano solo
#
David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Fugue No.2
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
1.84 €
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Piano solo
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Fugue No.1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By Davi…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
1.84 €
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Piano solo
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David Tsvariani
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Fugue No.1
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David Tsvariani
#
SheetMusicPlus
Bach - 70 Fugues for Piano - Complete scores
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1348180 By Santino Cara. By Johann …
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Piano Solo - Level 3 - Digital Download SKU: A0.1348180 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 377 pages. Santino Cara #932998. Published by Santino Cara (A0.1348180). Complete scores of 70 Fugues rewritten and transcribed for piano from single works by Johann Sebastian Bach on Preludes and Fugues, Fantasies and Fugues, Sonatas, from the two books of the Well-Tempered Clavier and from the first Fugues composed for organ by Bach. Furthermore, we have also transcribed other Fugues arranged by Bach himself by his contemporary composers. The transcriptions of the 70 Fugues began way back in 1974 in Rome by Santino Cara, and only in 2020 in agreement with the Baroque Academy of Musical Scores of Rome, we thought of bringing together all these works in a book to print and in 2023 it was published for the first time in Rome and online on music industry websites.
$45.40
41.94 €
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Piano solo
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Santino Cara
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Bach - 70 Fugues for Piano - Complete scores
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Santino Cara
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SheetMusicPlus
Toccata & Fugue in D minor BWV 565 for 8-part Trombone Ensemble
Trombone ensemble
Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792066 Composed by Bac…
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Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792066 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque. Score and parts. 50 pages. Gordon Cherry #3075963. Published by Gordon Cherry (A0.792066). Bach's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn. The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire. Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.
$40.00
36.95 €
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Trombone ensemble
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Bach, J
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Toccata & Fugue in D minor BWV 565 for 8-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Prelude and Fugue Op28 No1 for Flute Trio
Flute Trio: 3 flutes
Flute Trio,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.560216…
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Flute Trio,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.560216 Composed by Oskar Bohme. Arranged by Lisa Ochoco. Romantic Period. 14 pages. Lisa L Ochoco #6695535. Published by Lisa L Ochoco (A0.560216). Oskar Böhme was a trumpet player who wrote a handful of pieces for brass ensembles of various sizes. This work is quite lovely, and one that I thought should be transcribed for other ensembles to enjoy.
$12.00
11.09 €
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Flute Trio: 3 flutes
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Oskar Bohme
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Prelude and Fugue Op28 No1 for Flute Trio
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Lisa L Ochoco
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SheetMusicPlus
Prelude and Fugue Op28 No1 for Clarinet Trio (Eb, 2Bb)
3 Clarinets (trio)
Clarinet Trio,Woodwind Ensemble E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Clarinet Trio,Woodwind Ensemble E-Flat Clarinet - Level 3 - Digital Download SKU: A0.560218 Composed by Oskar Bohme. Arranged by Lisa Ochoco. Romantic Period. 14 pages. Lisa L Ochoco #6697695. Published by Lisa L Ochoco (A0.560218). Oskar Böhme was a trumpet player who wrote a handful of pieces for brass ensembles of various sizes. This work is quite lovely, and one that I thought should be transcribed for other ensembles to enjoy.
$12.00
11.09 €
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3 Clarinets (trio)
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Oskar Bohme
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Prelude and Fugue Op28 No1 for Clarinet Trio
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Lisa L Ochoco
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SheetMusicPlus
Prelude and Fugue Op28 No1 for Clarinet Trio (2Bb, B)
3 Clarinets (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.5602…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.560219 Composed by Oskar Bohme. Arranged by Lisa Ochoco. Romantic Period. 17 pages. Lisa L Ochoco #6697739. Published by Lisa L Ochoco (A0.560219). Oskar Böhme was a trumpet player who wrote a handful of pieces for brass ensembles of various sizes. This work is quite lovely, and one that I thought should be transcribed for other ensembles to enjoy.
$12.00
11.09 €
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3 Clarinets (trio)
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Oskar Bohme
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Prelude and Fugue Op28 No1 for Clarinet Trio
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Lisa L Ochoco
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SheetMusicPlus
Prelude and Fugue Op28 No1 for Low Flute Trio (2A, B)
Flute Trio: 3 flutes
Flute Trio,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0…
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Flute Trio,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.569763 Composed by Oskar Bohme. Arranged by Lisa Ochoco. Romantic Period. 14 pages. Lisa L Ochoco #6700933. Published by Lisa L Ochoco (A0.569763). Oskar Böhme was a trumpet player who wrote a handful of pieces for brass ensembles of various sizes. This work is quite lovely, and one that I thought should be transcribed for other ensembles to enjoy.
$12.00
11.09 €
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Flute Trio: 3 flutes
#
Oskar Bohme
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Prelude and Fugue Op28 No1 for Low Flute Trio
#
Lisa L Ochoco
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SheetMusicPlus
Prelude and Fugue Op28 No1 for Saxophone Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Soprano Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Trio,Woodwind Ensemble Soprano Saxophone - Level 3 - Digital Download SKU: A0.560220 Composed by Oskar Bohme. Arranged by Lisa Ochoco. Romantic Period. 14 pages. Lisa L Ochoco #6697789. Published by Lisa L Ochoco (A0.560220). Oskar Böhme was a trumpet player who wrote a handful of pieces for brass ensembles of various sizes. This work is quite lovely, and one that I thought should be transcribed for other ensembles to enjoy.
$12.00
11.09 €
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3 Saxophones (trio)
#
Oskar Bohme
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Prelude and Fugue Op28 No1 for Saxophone Trio
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Lisa L Ochoco
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SheetMusicPlus
Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792611 Composed by Johannes Bra…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792611 Composed by Johannes Brahms. Arranged by Cherry Classics Music. Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5011019. Published by Gordon Cherry (A0.792611). Cherry Classics has acquired Ralph Sauer's earlier edition of the Brahms (Cello) Sonata No. 1, Op. 38 for Trombone and Piano from Balquhidder Music. Mr. Sauer has taken this opportunity to make a second edition with his latest thoughts on the piece. This major work of over 25 minutes in length is suitable for advanced players. The E minor Sonata Op. 38 by Brahms was composed between 1862 and 1865. He intended the Cellist and Pianist to be equal musical partners. The Sonata is an homage to Bach, the principal theme of the First movement and the Fugue are based on Contrapunctus 4 and 13 of the Art of Fugue. If you've ever wanted to play a solo piece by the great Johannes Brahms, this is it!!!
$22.50
20.79 €
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Trombone and Piano
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Johannes Brahms
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Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Birthday Thoughts - Piano Solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.945577 Composed by Tony Matthews. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.945577 Composed by Tony Matthews. Classical,Contemporary. Score. 10 pages. Archway Publications #6319375. Published by Archway Publications (A0.945577). Seven short piano pieces, all derived from the Good Morning to All, written by Patty and Mildred J. Hill, in 1893. Many years later, the lyrics were changed to Happy Birthday etc., and the rest is history.Sometimes obvious, sometimes not: Happy Birthday’s chopped a lot!All the main themes are derived from parts of that tune. In short, it's in there a lot more than you think. Oh, by the way, there are a couple of guest tunes as well.HammerversaryNight BeforeLa Folia's turning 40 experience at St Anthony's Birthday!18th Century DiscoBygone AnniversariesAll together Now?Three Old Friends Fugueing it.Youtube: https://youtu.be/zF8fG7_d5_o
$9.99
9.23 €
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Piano solo
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Tony Matthews
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Birthday Thoughts - Piano Solo
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Archway Publications
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SheetMusicPlus
"Quartet for Flute, Clarinet, Bassoon and Harp" [Set of Parts]
Harp
Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - Digital Download SKU: A0.976039
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Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - Digital Download SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and parts. 110 pages. Lior Navok Music #4725313. Published by Lior Navok Music (A0.976039). QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP (1994) Set of PartsDURATION: 27 minutes MOVEMENTS: 4 movements INSTRUMENTATION: Flute/Piccolo; Clarinet; Bassoon; Harp PROGRAM NOTES: The composer writes about his work: The Quartet for flute, clarinet bassoon and harp is influenced by impressionistic French music and Jazz, which was my main influence at the time. The first movement starts with a pastoral character, somewhat naive, but soon starts to raise some concerned thoughts, and so, ends dark. The second movement is a light flowing movement built on pentatonic scale theme. A Bassoon cadenza bridges between the second and the third movement, which is a long Passacaglia with lamento character. In the last movement, piccolo is used instead of flute. This movement opens with a fugue between the four instruments, which leads to a lyrical second theme followed by harp solo and ends with a Grand Finale. INFO: Item: Set of Parts (scan) Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 102 Ink: Black & White Paper Size: DIN A4 / Letter *** IMPORTAT NOTE *** The parts are engraved, with some handwritten corrections / erases.
$36.00
33.26 €
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Harp
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Lior Navok
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Clarinet
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"Quartet for Flute, Clarinet, Bassoon and Harp" [Set of Parts]
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Lior Navok Music
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SheetMusicPlus
"Six Short Stories" - for Woodwind Quintet (1996)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.97…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00
14.78 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Lior Navok
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Oboe
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"Six Short Stories" - for Woodwind Quintet
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Lior Navok Music
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SheetMusicPlus
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.97…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00
16.63 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Lior Navok
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Oboe
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"Six Short Stories" - for Woodwind Quintet
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Lior Navok Music
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SheetMusicPlus
Agnus Dei
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881136 Composed by Johann …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881136 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Baroque,Sacred. Octavo. 12 pages. Cesar Alejandro Carrillo #5969941. Published by Cesar Alejandro Carrillo (A0.881136). Based on Contrapunctus I of The Art of FugueDespite the cantabile character of this work, it must be taken into account that, although Bach did not determine it, The Art of the Fugue was thought to be performed with instruments. For this vocal version of the first fugue in the series, I have used the Agnus Dei text, which fits very well with the character of the music.
$4.00
3.7 €
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Choral SATB
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Johann Sebastian Bach
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Agnus Dei
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Cesar Alejandro Carrillo
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (score)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
7.39 €
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String Quartet: 2 violins, viola, cello
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (parts)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
9.24 €
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String Quartet: 2 violins, viola, cello
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
Short Stories
Piano solo
Piano Solo - Digital Download SKU: A0.966219 Composed by John Carbon. 20th Century,…
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Piano Solo - Digital Download SKU: A0.966219 Composed by John Carbon. 20th Century,Contemporary. Score. 92 pages. John Carbon #3586213. Published by John Carbon (A0.966219). The 24 pieces contained in my Short Stories for piano were composed between 2013-2018. I had originally grouped the pieces into a collection titled The Well-Blended Primer (subsequently withdrawn). I substantially revised, in some cases reconceived, the entire collection in 2017-18. Because my original intention was to include pieces that exhibited pitch centricity around each of the 24 possible major and minor keys, the earlier title, refering to J. S. Bach's 2-volume Das wohltemperierte Klavier, seemed to fit. As in Bach's work, some of the pieces in my collection exhibited a pronounced contrapuntal attitude. During the development of the work I had planned to alternate prelude and fugue-like pieces, but the end result was more of a hybrid collection that could be thought of as being influenced by Bach, but even more so by Chopin's group of 24 one-of-each-key Preludes, and systematically key-centered contrapuntal collections by Hindemith and Shostakovich. I was also influenced by shorter character pieces by composers such as Schumann, Debussy and Prokofiev that exhibit a more lyrical, narrative nature, to name only a few composers. In Short Stories, my plan to alternate preludes and fugues, or at least to systematically vary the degree of contrapuntal density, isn't readily perceived. There is certainly enforced variety in pitch centricity, but this feature isn't arranged symmetrically, and there is a range of tonal, modal, chromatic and atonal languages explored in the collection. Stylistically, there are many influences to be heard here. In fact, some of the titles of the individual pieces refer to other piano composers (for example Tea with Claude and Maurice, Czerny's Id, George Sand's Dream and Joplin's Tick). The name of the present work, Short Stories, describes these modest narratives better than the original title and the revised collection is less abstract than the 2013 version. From a pianist's standpoint, I would venture to say, these reconceived pieces are more concerned with color, register and voicings particular to the instrument. Some of the more extensive revisions I made to the original pieces were stylistic ones involving changes in the harmonic language and articulation. In other cases I fleshed out sketch- like miniatures into more substantially developed portraits, or conversely, I deleted what I thought might be considered to be extraneous material that obscured the abbreviated sketch-like nature of the narration. John Carbon
$12.99
12 €
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Piano solo
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John Carbon
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Short Stories
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John Carbon
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SheetMusicPlus
Ricercare a6 - BMV 1079
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1005603 Composed by Johann Seba…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1005603 Composed by Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkmann #6015881. Published by Rudy Volkmann (A0.1005603). This is the only known six-voice fugue in music literature; and despite the title, Bach himself thought of it as such, often referring to it as his Prussian Fugue. By the time of Bach, distinctions had nearly disappeared between ricercari and fugues. Most organists, however, stick to the painfully slow tempi of ricercari in performance, and speeding it up a bit in this arrangement makes it much more accessible to players and listeners alike. The FINALE audio extract is a bit misleading, as there is no sound bank for flugelhorns; but you certainly get the drift. It's a bit of a haul; a C trumpet part has been included as a substitute for the Eb trumpet called for in the score. This piece would work well as a brass ensemble chart.
$45.00
41.57 €
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Brass ensemble
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the time of Bach, distinctions had nearly disappeared between ricercari and fugues
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Johann Sebastian Bach
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Ricercare a6 - BMV 1079
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Rudy Volkmann
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SheetMusicPlus
Fugue for Thought
Flute and Piano
Composed by E. V. Martinez. Contemporary Classical, Movies, TV, Recital. Score. 4 pages. P…
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Composed by E. V. Martinez. Contemporary Classical, Movies, TV, Recital. Score. 4 pages. Published by Terry Berry Music (S0.280085). - Score - Contemporary Classical,Movies,TV,Recital - Terry Berry Music
$10.00
9.24 €
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Flute and Piano
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E
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Fugue for Thought
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Terry Berry Music
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SheetMusicPlus
Canzon II a 4 - No. 187
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.870391 Composed by Giovanni Gab…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.870391 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 24 pages. Randy A. Steinberg #1984027. Published by Randy A. Steinberg (A0.870391). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. One of the most popular of his smaller instrument works are the 4 Canzonas. Presented here is the second of them written around 1608. Quite popular among brass players, this work starts with a running theme that is almost fugue-like as it passes from one instrument to the next. A great work from Gabrieli, it is complex in structure yet never loses its pleasing sonorities that build until the final climax.
$3.99
3.69 €
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Brass ensemble
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Giovanni Gabrieli
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Canzon II a 4 - No. 187
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Randy A. Steinberg
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SheetMusicPlus
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