George Sand Sheet Music to download and print

George Sand

À Aurore

Voice Duet Mezzo-Soprano Voice - Level 3 - Digital Download SKU: A0.1450891 By Geor…(+)

Voice Duet Mezzo-Soprano Voice - Level 3 - Digital Download SKU: A0.1450891 By George Sand (poet). By Λrthvr. 21st Century,A Cappella,Chamber,Classical. 2 pages. Arthur #1030340. Published by Arthur (A0.1450891). A setting of the poem À Aurore by George Sand, for 2 voices. You are free to transpose the score.If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:La nature est tout ce qu’on voit,Tout ce qu’on veut, tout ce qu’on aime.Tout ce qu’on sait, tout ce qu’on croit,Tout ce que l’on sent en soi-même.Elle est belle pour qui la voit,Elle est bonne à celui qui l’aime,Elle est juste quand on y croitEt qu’on la respecte en soi-même.Regarde le ciel, il te voit,Embrasse la terre, elle t’aime.La vérité c’est ce qu’on croitEn la nature c’est toi-même.
$3.49 3.21 € #George Sand #À Aurore #Arthur #SheetMusicPlus

#George Sand

Chopin: Prelude Op. 28 No. 6 for Bass Trombone & Piano Bass Trombone and Piano

Bass Trombone,Piano - Level 3 - Digital Download SKU: A0.1476138 Composed by Freder…(+)

Bass Trombone,Piano - Level 3 - Digital Download SKU: A0.1476138 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053662. Published by jmsgu3 (A0.1476138). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95 30.26 € #Bass Trombone and Piano #Frederic Chopin #Chopin: Prelude Op. 28 No. 6 for Bass Trombone & Piano #jmsgu3 #SheetMusicPlus

Chopin: Prelude Op. 28 No. 6 for Bass Clarinet & Piano Cello, Piano

Cello,Piano - Level 3 - Digital Download SKU: A0.1475808 Composed by Frederic Chopi…(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.1475808 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053366. Published by jmsgu3 (A0.1475808). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this Prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95 30.26 € #Cello, Piano #Frederic Chopin #Chopin: Prelude Op. 28 No. 6 for Bass Clarinet & Piano #jmsgu3 #SheetMusicPlus

Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano Baritone Saxophone, Piano

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by F…(+)

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95 30.26 € #Baritone Saxophone, Piano #Frederic Chopin #Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano #jmsgu3 #SheetMusicPlus

Chopin: Prelude Op. 28 No. 6 for Bassoon & Piano Bassoon, Piano (duet)

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1475827 Composed by Frederic Cho…(+)

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1475827 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053386. Published by jmsgu3 (A0.1475827). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95 30.26 € #Bassoon, Piano (duet) #Frederic Chopin #Chopin: Prelude Op. 28 No. 6 for Bassoon & Piano #jmsgu3 #SheetMusicPlus

Chopin: Prelude Op. 28 No. 6 for Cello & Piano Cello, Piano

Cello,Piano - Level 2 - Digital Download SKU: A0.1399669 Composed by Frederic Chopi…(+)

Cello,Piano - Level 2 - Digital Download SKU: A0.1399669 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 7 pages. Jmsgu3 #982944. Published by jmsgu3 (A0.1399669). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$28.95 26.59 € #Cello, Piano #Frederic Chopin #Chopin: Prelude Op. 28 No. 6 for Cello & Piano #jmsgu3 #SheetMusicPlus

Neuf Ésquisses ... Hommage à C.V.A. (2023) 2 Pianos, 8 hands

2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed b…(+)

2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 38 pages. Thomas Oboe Lee #961575. Published by Thomas Oboe Lee (A0.1377886). I was recently invited to a farewell cocktail party for Robert Levin and Ya Fei Chuang on the occasion of their move from Cambridge, Massachusetts, to Salzburg where Ya Fei got a job teaching at the Mozarteum. John Harbison wrote a little piano duet for them, and it inspired me to looking into writing a grand duo for two pianos.Â Looking around, I discovered that Charles-Valentin Alkan (1813-1888) wrote a work with the title, Grand Duo Concertant for violin and piano. I immediately launched into a search for Alkan the composer and I discovered that he was a contemporary of Chopin, Franz Liszt, George Sand, and Victor Hugo. Like Liszt and Chopin, he wrote tons of music for the piano, and he was at the cusp of fame when he withdrew from society and remained a recluse for the last years of his life.Aside from the Grand Duo Concertant, I found his 49 Ã‰squisses to be especially lovely and beguiling.Â My work for two pianos is based on ideas from both works. I especially thought the beginning of the GDC fascinating because the LH sounded like a walking jazz bass line. That got me started on the Prelude, and then I organized the remaining movements of the work around the GDC with materials I found attractive in the 49 Ã©squisses.I. PrÃ©lude ... Assez animÃ©II. La Vision ... Assez lentementIII. La Staccatissimo ... Allegro, TRIOIV. Barcarollette ... LentementV. L'enfer ... Lentement, PrestoVI. GrÃ¢ces ... Assez lentementVII. Contredanse ... VivaceVIII. Petit Air Dolente ... AdagiettoIX. Fuguette ... TrÃ¨s carrÃ©mentThis work is dedicated to Jung-A and Min on the occasion of their wedding ceremony in December of 2023.
$9.99 9.18 € #2 Pianos, 8 hands #Thomas Oboe Lee #Neuf Ésquisses ... Hommage à C.V.A. #Thomas Oboe Lee #SheetMusicPlus

Piano Solo - Digital Download SKU: A0.966219 Composed by John Carbon. 20th Century,Contemporary. Score. 92 pages. John Carbon #3586213. Published by John Carbon (A0.966219). The 24 pieces contained in my Short Stories for piano were composed between 2013-2018. I had originally grouped the pieces into a collection titled The Well-Blended Primer (subsequently withdrawn). I substantially revised, in some cases reconceived, the entire collection in 2017-18. Because my original intention was to include pieces that exhibited pitch centricity around each of the 24 possible major and minor keys, the earlier title, refering to J. S. Bach's 2-volume Das wohltemperierte Klavier, seemed to fit. As in Bach's work, some of the pieces in my collection exhibited a pronounced contrapuntal attitude. During the development of the work I had planned to alternate prelude and fugue-like pieces, but the end result was more of a hybrid collection that could be thought of as being influenced by Bach, but even more so by Chopin's group of 24 one-of-each-key Preludes, and systematically key-centered contrapuntal collections by Hindemith and Shostakovich. I was also influenced by shorter character pieces by composers such as Schumann, Debussy and Prokofiev that exhibit a more lyrical, narrative nature, to name only a few composers. In Short Stories, my plan to alternate preludes and fugues, or at least to systematically vary the degree of contrapuntal density, isn't readily perceived. There is certainly enforced variety in pitch centricity, but this feature isn't arranged symmetrically, and there is a range of tonal, modal, chromatic and atonal languages explored in the collection. Stylistically, there are many influences to be heard here. In fact, some of the titles of the individual pieces refer to other piano composers (for example Tea with Claude and Maurice, Czerny's Id, George Sand's Dream and Joplin's Tick). The name of the present work, Short Stories, describes these modest narratives better than the original title and the revised collection is less abstract than the 2013 version. From a pianist's standpoint, I would venture to say, these reconceived pieces are more concerned with color, register and voicings particular to the instrument. Some of the more extensive revisions I made to the original pieces were stylistic ones involving changes in the harmonic language and articulation. In other cases I fleshed out sketch- like miniatures into more substantially developed portraits, or conversely, I deleted what I thought might be considered to be extraneous material that obscured the abbreviated sketch-like nature of the narration. John Carbon

Chopin: Largo from Op. 65 for Alto Sax & Piano Alto Saxophone and Piano

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Freder…(+)

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848.Â The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95 30.26 € #Alto Saxophone and Piano #Frederic Chopin #Cello, Op #Chopin: Largo from Op. 65 for Alto Sax & Piano #jmsgu3 #SheetMusicPlus

Prelude op.28#8 ("Desperation") Piano solo

Piano - Digital Download SKU: A0.1069149 Composed by Frederic Chopin. Arranged by P…(+)

Piano - Digital Download SKU: A0.1069149 Composed by Frederic Chopin. Arranged by Paul Taylor. Romantic Period. Full Performance. Duration 197. Paul Taylor #3102257. Published by Paul Taylor (A0.1069149). Pianist Paulus Tailurian performs Chopin's Prelude in f# minor. This prelude by Chopin according to his biographer, depicted Chopin's desperation about his companion's (George Sand) failure to return home as scheduled. The seasonal storms were particularly heavy at that time of year, and he feared that her coach may have been lost in the storm.
$1.99 1.83 € #Piano solo #Frederic Chopin #Prelude op.28#8 #Paul Taylor #SheetMusicPlus