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Get On the Bus
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Get on the Bus (Instrumental Accompaniment Score & Parts)
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1447123 By Michael Lee Jackson and …
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Jazz Combo - Level 4 - Digital Download SKU: A0.1447123 By Michael Lee Jackson and the Gatos Malos. By Michael Lee Jackson. Arranged by Garrett Breeze. Broadway,Funk,Musical/Show,Singer/Songwriter. 69 pages. Lagom Music #1026902. Published by Lagom Music (A0.1447123). The lyrics of this powerfully positive number are built around the metaphor of getting on the bus and moving on when facing challenges. An important message for audiences to internalize, and made so fun by the funky bass lines and snappy rhythms. Features a vocal solo, guitar solo, and impressive horn parts. Available in SATB, SAB, or SSA choir with piano. Show band accompaniment score and parts sold separately.From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.
$150.00
135.33 €
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Jazz combo
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Michael Lee Jackson and the Gatos Malos
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Get on the Bus
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Lagom Music
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SheetMusicPlus
Get on the Bus (SATB)
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1447125 By Mic…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1447125 By Michael Lee Jackson and the Gatos Malos. By Michael Lee Jackson. Arranged by Garrett Breeze. Broadway,Funk,Musical/Show,Singer/Songwriter. 11 pages. Lagom Music #1026904. Published by Lagom Music (A0.1447125). The lyrics of this powerfully positive number are built around the metaphor of getting on the bus and moving on when facing challenges. An important message for audiences to internalize, and made so fun by the funky bass lines and snappy rhythms. Features a vocal solo, guitar solo, and impressive horn parts. Available in SATB, SAB, or SSA choir with piano. Show band accompaniment score and parts sold separately.From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.
$2.50
2.26 €
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Choral SATB
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Michael Lee Jackson and the Gatos Malos
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Get on the Bus
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Lagom Music
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SheetMusicPlus
Get on the Bus (SAB)
Choral 3-part
Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1447126 By Mich…
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Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1447126 By Michael Lee Jackson and the Gatos Malos. By Michael Lee Jackson. Arranged by Garrett Breeze. Broadway,Funk,Musical/Show,Singer/Songwriter. 11 pages. Lagom Music #1026905. Published by Lagom Music (A0.1447126). The lyrics of this powerfully positive number are built around the metaphor of getting on the bus and moving on when facing challenges. An important message for audiences to internalize, and made so fun by the funky bass lines and snappy rhythms. Features a vocal solo, guitar solo, and impressive horn parts. Available in SATB, SAB, or SSA choir with piano. Show band accompaniment score and parts sold separately.From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.
$2.50
2.26 €
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Choral 3-part
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Michael Lee Jackson and the Gatos Malos
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Get on the Bus
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Lagom Music
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SheetMusicPlus
Get on the Bus (SSA)
Choral 3-part
Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1447124 By Mich…
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Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1447124 By Michael Lee Jackson and the Gatos Malos. By Michael Lee Jackson. Arranged by Garrett Breeze. Broadway,Funk,Musical/Show,Singer/Songwriter. 11 pages. Lagom Music #1026903. Published by Lagom Music (A0.1447124). The lyrics of this powerfully positive number are built around the metaphor of getting on the bus and moving on when facing challenges. An important message for audiences to internalize, and made so fun by the funky bass lines and snappy rhythms. Features a vocal solo, guitar solo, and impressive horn parts. Available in SATB, SAB, or SSA choir with piano. Show band accompaniment score and parts sold separately.From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.
$2.50
2.26 €
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Choral 3-part
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Michael Lee Jackson and the Gatos Malos
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Get on the Bus
#
Lagom Music
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.14 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.14 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Get On the Bus (We're Goin' Downtown) Piano Accompaniment Track
Piano Accompaniment
Choir - Digital Download SKU: A0.1065557 Composed by Carol Troutman Wiggins. Childr…
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Choir - Digital Download SKU: A0.1065557 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 77. Carol Troutman Wiggins #3479057. Published by Carol Troutman Wiggins (A0.1065557). GET ON THE BUS (We're Goin' Downtown) Piano TrackUnisonGet on the bus! We're going downtown to see the sights!Excellent for any age elementary and younger middle school studentsA little wordy, but so much fun to sing!Lyrics describe the sights you'll see when downtown in the cityChords included for additional instruments
$5.99
5.4 €
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Piano Accompaniment
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Carol Troutman Wiggins
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Get On the Bus
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Carol Troutman Wiggins
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SheetMusicPlus
Toasting Mother Earth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.58 €
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Piano, Voice
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
The Westwood Harmonic Summer Dance
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. …
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Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
4.51 €
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Violin
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Jacob Litoff
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The Westwood Harmonic Summer Dance
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Jacob Litoff
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SheetMusicPlus
The Wheels on the Bus - EASY Piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1460963 Composed by Traditional. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1460963 Composed by Traditional. Arranged by Glauco Fernandes. Instructional,Traditional. Score. 1 pages. Glauco Fernandes #1039872. Published by Glauco Fernandes (A0.1460963). Sheet Music for Easy Piano Beginners - The Wheels on the BusAre you looking for easy and accessible sheet music for your beginner piano students? We present the arrangement of the classic traditional song The Wheels on the Bus, ideal for pianists who are just starting their musical journey.Characteristics of the Arrangement:- Level: Easy/Beginner- Format: Piano solo- Clear and easy-to-read notation- Ideal for beginner piano students- Excellent teaching resource for instructorsThis arrangement has been carefully crafted to ensure that new pianists can play with confidence and joy. The familiar melody of The Wheels on the Bus provides a pleasant and motivating musical experience for children and adults alike.Discover More:Also available: Book 10 Easy Traditional Songs for Piano Beginners!If you enjoyed this sheet music, be sure to check out our special book that contains The Wheels on the Bus and 9 other traditional songs arranged for easy piano. The book 10 Easy Traditional Songs for Piano Beginners is an essential resource for any piano teacher or beginner student looking for a varied and accessible repertoire. Look for this title on the site and expand your musical collection!Get the sheet music for The Wheels on the Bus now and offer your students a charming and educational piece. Provide enjoyable and motivating learning moments with this delightful traditional melody.
$1.99
1.8 €
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Easy Piano
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Traditional
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The Wheels on the Bus - EASY Piano
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Glauco Fernandes
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SheetMusicPlus
Four Brothers (SATB or AATB Saxophone Quartet arrangement)
Saxophone Quartet: 4 saxophones
By Jimmy Giuffre. Arranged by James Pybus. Score, Set of Parts. 24 pages. Published by…
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By Jimmy Giuffre. Arranged by James Pybus. Score, Set of Parts. 24 pages. Published by James Pybus
Woody Herman recorded this song with his second Herd on December 27,1947 for Columbia records. Jimmy Giuffre wrote it and arranged it based on the chord changes of Jeepers Creepers. It originally featured the reedsection: three tenors and one baritone saxophone. The order of solos was ZootSims, Serge Chaloff, Herbie Steward, and Stan Getz. All four played in thelight vibrato style of their idol, Lester Young. This arrangement is playable by either SATB or AATB Saxophone Quartet. Each voice gets a chance to solo. This would be a good way to feature your saxophone section on a band concert program. Duration is 2:57. Contact me at james.pybus@rogers.com.
$17.99
16.23 €
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Saxophone Quartet: 4 saxophones
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Jimmy Giuffre
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Four Brothers
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James Pybus
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SheetMusicPlus
The Wheels on the Bus
2 Violins (duet)
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1411587 Compose…
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1411587 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993814. Published by Andre_Nusa (A0.1411587). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for violin and viola. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Journey through the beloved nursery rhyme while mastering essential techniques on these iconic string instruments. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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2 Violins (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Violin, Bassoon (duet)
Bassoon,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411590 Compo…
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Bassoon,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411590 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993821. Published by Andre_Nusa (A0.1411590). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for violin and bassoon. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Journey through the beloved nursery rhyme while mastering essential techniques on these iconic instruments. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Violin, Bassoon (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411588 Compose…
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411588 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993816. Published by Andre_Nusa (A0.1411588). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for violin and cello. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Journey through the beloved nursery rhyme while mastering essential techniques on these iconic string instruments. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Violin, Cello (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
“Wheels on the Bus” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565440 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 9 pages. Sharon Wilson #4357211. Published by Sharon Wilson (A0.565440). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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“Wheels on the Bus” for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
“The Wheels on the Bus” for 13-note Bells and Boomwhackers (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565432 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 9 pages. Sharon Wilson #4357009. Published by Sharon Wilson (A0.565432). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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“The Wheels on the Bus” for 13-note Bells and Boomwhackers
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Sharon Wilson
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
67.67 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
The Wheels on the Bus
2 Cellos (duet)
Cello Duet Cello - Level 2 - Digital Download SKU: A0.1411594 Composed by Tradition…
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Cello Duet Cello - Level 2 - Digital Download SKU: A0.1411594 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. Score. 3 pages. Andre_Nusa #993826. Published by Andre_Nusa (A0.1411594). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for two cellos. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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2 Cellos (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
2 Flutes (duet)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1411599 Composed by Tradition…
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1411599 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. Score. 3 pages. Andre_Nusa #993831. Published by Andre_Nusa (A0.1411599). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for two flutes. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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2 Flutes (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Flute, Bassoon (duet)
Bassoon,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1411616 Compos…
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Bassoon,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1411616 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993847. Published by Andre_Nusa (A0.1411616). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for flute and bassoon. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Flute, Bassoon (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Clarinet, Bassoon (duet)
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1411625
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1411625 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993857. Published by Andre_Nusa (A0.1411625). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for clarinet and bassoon. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Clarinet, Bassoon (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Trumpet, Trombone (duet)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1411598
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1411598 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993830. Published by Andre_Nusa (A0.1411598). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for trumpet and trombone. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Trumpet, Trombone (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
Clarinet, Violin (duet)
B-Flat Clarinet,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411619
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B-Flat Clarinet,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411619 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. 3 pages. Andre_Nusa #993850. Published by Andre_Nusa (A0.1411619). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for clarinet and violin. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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Clarinet, Violin (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
The Wheels on the Bus
2 Violas (duet)
Viola Duet Viola - Level 2 - Digital Download SKU: A0.1411592 Composed by Tradition…
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Viola Duet Viola - Level 2 - Digital Download SKU: A0.1411592 Composed by Traditional. Arranged by André Nusa. Children,Folk,Traditional. Score. 3 pages. Andre_Nusa #993824. Published by Andre_Nusa (A0.1411592). Experience the timeless charm of The Wheels on the Bus with this engaging arrangement crafted for two violas. Designed for both beginner and intermediate players, this adaptation offers a delightful musical experience suitable for honing fundamental skills and exploring new techniques. Whether you're just starting your musical journey or seeking to enhance your proficiency, this arrangement provides a fun and rewarding opportunity to play together and bring this classic melody to life.
$1.99
1.8 €
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2 Violas (duet)
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Traditional
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The Wheels on the Bus
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Andre_Nusa
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SheetMusicPlus
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