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Give Us Music
Sheetmusic to print
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1051
Give Us This Day, Our Daily Bread
Choral SATB
SATB choir - Easy SKU: LO.10-2052S Composed by Joe Cox. Choral. Sacred Anthem, Gene…
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SATB choir - Easy SKU: LO.10-2052S Composed by Joe Cox. Choral. Sacred Anthem, General, Thanksgiving. Octavo. Sacred Music Press #10/2052S. Published by Sacred Music Press (LO.10-2052S). UPC: 000308048353.With the simplest of musical means and the gentlest of words, the composer has written an altogether diverting and poignant anthem for a service of thanksgiving. The haunting melody, quiet choral writing, and the unhurried, simple accompaniment, all combine into a reverent musical prayer.
Song List: Give Us This Day Our Daily Bread
$2.75
2.54 €
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Choral SATB
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Joe Cox
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Give Us This Day, Our Daily Bread
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Sacred Music Press
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SheetMusicPlus
Give Us Music (Downloadable)
Choral TTBB
TTBB choir unaccompanied - Medium - Digital Download SKU: MQ.8436-E Composed by Dav…
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TTBB choir unaccompanied - Medium - Digital Download SKU: MQ.8436-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Music. Octavo. 8 pages. E. C. Schirmer Music Company - Digital #8436-E. Published by E. C. Schirmer Music Company - Digital (MQ.8436-E). UPC: 600313484360. English.Commissioned by the University of Notre Dame Men’s Glee Club, Daniel Stowe, conductor, in celebration of the 400th anniversary of the death of William Shakespeare, and the 100th anniversary of the Notre Dame Men’s Glee Club. Shakespeare refers to music many times in his works. The text of Give Us Music is a compilation of texts from Henry IV, As You Like It, and Antony and Cleopatra, and celebrates music’s ability to nourish, console, and inspire. Duration: 3:00.
$2.25
2.07 €
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Choral TTBB
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David Conte
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Give Us Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Amani Utupe (Swahili-Grant Us Peace, Give Us Courage)
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0002143 Amani Utupe (Swahili-Grant Us Pe…
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Chorus - Digital Download SKU: AX.00-PO-0002143 Amani Utupe (Swahili-Grant Us Peace, Give Us Courage) - SATB. Composed by Patsy Ford Simms. Secular Choral. 8 pages. Alfred Music - Digital Sheet Music #00-PO-0002143. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002143). UPC: 038081173344.Here's an African-style piece which includes a combination of English and Swahili text: As we travel down this weary road, amani utupe na ustawi. Outstanding SoundTrax has an African feel.Movement and Staging; Recorded Acc. Available.
$2.25
2.07 €
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Choral SATB
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Patsy Ford Simms
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Recorded Acc. Available.
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Amani Utupe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Amani Utupe (Swahili-Grant Us Peace, Give Us Courage)
Choral 2-part
Chorus - Digital Download SKU: AX.00-PO-0003135 Amani Utupe (Swahili-Grant Us Pe…
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Chorus - Digital Download SKU: AX.00-PO-0003135 Amani Utupe (Swahili-Grant Us Peace, Give Us Courage) - 2-Part. Composed by Patsy Ford Simms. Secular Choral. 8 pages. Alfred Music - Digital Sheet Music #00-PO-0003135. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003135). UPC: 038081173368.Here's an African-style piece which includes a combination of English and Swahili text: As we travel down this weary road, amani utupe na ustawi. Outstanding SoundTrax has an African feel.Movement and Staging; Recorded Acc. Available.
$2.05
1.89 €
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Choral 2-part
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Patsy Ford Simms
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Recorded Acc. Available.
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Amani Utupe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Cheerful Giver, a sacred hymn
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1295732 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1295732 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #886032. Published by Kevin G. Pace (A0.1295732). A joyful, cheerful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.  The text is in reference to 2 Corinthians 9:7 for God loveth a cheerful giver.Text:The Lord has given us His all,His miracles and ministry.We show our gratitude and love,By helping others that we see.Sore trials and tribulationsMeet us on the path of life.We can lift another’s burdens,Providing comfort, settling strife.A hug, a smile, a listening ear,A call, a treat, a simple thing,A gift, a card, a meal or two,We’ll never know the good it brings.May the Holy Spirit guide us,To perceive another’s needs,That through our great abundance,We’ll join thoughts with loving deeds.So, we’ll give our imperfect offering,With willing heart and hands,And the Lord in His great mercyWill help feeble knees to stand.Yes, be a cheerful giver,With the charity of God’s pure love,That in equality and strengthWe’ll be united up above.Chorus:The Lord loves a cheerful giver,Don’t begrudge the mite you share.Open your heart with gladness,Showing others that you care.
$1.99
1.83 €
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Choral SATB
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helping others that we see
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Kevin G
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A Cheerful Giver, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Musica, Dei donum optimi (Downloadable)
Choral SSAATTBB
SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download S…
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SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1.3506-E Composed by Carol Barnett. 21 pages. Duration 4 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3506-E. Published by Galaxy Music Corporation - Digital (MQ.1.3506-E). English, Latin.The composer writes: When asked to write a work for The Rose Ensemble's 20th Anniversary Season, I looked for a text that would resonate with this special occasion, perhaps something to help 'crown' the May Day celebration. But I kept coming back to music: 'Music, gift of the highest God,' music with the power to 'untune the sky,' music that refreshes and gives us strength, 'affording solace to all.' The music begins mysteriously with the John Dryden text split among the voices and ending with Alleluias. A sort of scherzo section follows, concluding with a declamation, The dead shall live, the living die, and music shall untune the sky. Then follows the setting of the Latin text of the title. The music is challenging, the textures interesting and varied. Duration: 4:30.
$3.20
2.95 €
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Choral SSAATTBB
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Carol Barnett
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Musica, Dei donum optimi
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Give Us Peace
Chorus - Digital Download SKU: AX.00-PO-0005898 Composed by Robert DeCormier. Lawso…
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Chorus - Digital Download SKU: AX.00-PO-0005898 Composed by Robert DeCormier. Lawson Gould Choral. 4 pages. Alfred Music - Digital Sheet Music #00-PO-0005898. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005898). UPC: 038081539973.
$2.05
1.89 €
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Robert DeCormier
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Give Us Peace
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Give Us Glad and Generous Hearts
Choral (SATB) SKU: HL.8748563 Composed by Larry Shackley. Fred Bock Publications. G…
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Choral (SATB) SKU: HL.8748563 Composed by Larry Shackley. Fred Bock Publications. General Worship, Sacred. Octavo. 8 pages. Fred Bock Music Company #BG2523. Published by Fred Bock Music Company (HL.8748563). UPC: 884088236908. 6.75x10.5x0.018 inches. Larry Shackley/Herb Frombach.This Larry Shackley melody is celebratory and prayerful, while the Herb Frombach text is a prayer for “a generous heart.†Combined, they create a stirring anthem for use at Thanksgiving or other occassions with a focus on missions, stewardship or service to others.
$1.95
1.8 €
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Larry Shackley
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Give Us Glad and Generous Hearts
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Fred Bock Music Company
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SheetMusicPlus
No Other Gift, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1211642 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1211642 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #809256. Published by Kevin G. Pace (A0.1211642). A beautiful, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:No other gift than Christ’s perfect love; no other gift came down from above.No other gift gives guidance with grace. No other gift lends God’s pure embrace.No other gift, no other vowed gift guides all to Him and saves us from sin.No other gift than Jesus’ blessed course rescues a soul from cripp’ling remorse.No other life, no, no other man suffered to give us God’s perfect plan.No other eyes viewed what He foresaw. No other life can heal ev’ry flaw.No other life redeems all who fall; no other life was given for all.No other life can cure ev’ry pain. No other life has suffered for gain.No other gift, no, no other gift proves his great love; He came from above.No other gift can save us today; He is the One who’s shown us the way.All for our sakes He came from above, bearing great love. He gives us his love.No other gift, there’s no greater gift than Jesus Christ, our Savior . . . the Christ.
$1.99
1.83 €
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Choral SATB
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Kevin G
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No Other Gift, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
O Sons and Daughters, Let Us Sing - Brass and Piano
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.784663 Composed by P. F. Tillen…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.784663 Composed by P. F. Tillen. Arranged by PFTMusic. Contemporary,Easter,Sacred. Score and parts. 7 pages. PFTMusic #4405424. Published by PFTMusic (A0.784663). O Sons and Daughters, Let Us SingHymn tune O FILII ET FILIAE, arranged for brass quintet and piano (trumpets 1-2, trombones 1-2. tuba) and piano. Triumphant, stately, and festive arrangment of the hymn, perfect for Easter morning, the season of Easter, or throughout the church year. Brass parts are accessible for good high school brass players, and the piano part is late intermediate to advanced. The arrangement gives each musician a few featured moments, while ending in a triumphant fanfare.
$18.50
17.05 €
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Brass ensemble
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P
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O Sons and Daughters, Let Us Sing - Brass and Piano
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PFTMusic
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SheetMusicPlus
You're the Top (from the musical Anything Goes)
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0003173 You're the Top (from the musical…
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Chorus - Digital Download SKU: AX.00-PO-0003173 You're the Top (from the musical Anything Goes) - SATB. Composed by Cole Porter. Arranged by Mark Hayes. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003173. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003173). UPC: 038081360935.This famous list song from the musical Anything Goes demonstrates Cole Porter's incredible rhyming ability and gives us a partial listing of what was popular in the '30s. (How about an extra credit assignment for your singers?) Charmingly arranged by Mark Hayes.Inst. Parts Available (choral); Recorded Acc. Available.
$1.85
1.71 €
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Choral SATB
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Cole Porter
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Recorded Acc. Available.
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You're the Top
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Give Us a Drink of Water
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.140…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402908 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 36. Heather Mueller Music #6zLz0VNOd6hngJ5mWMyOVe. Published by Heather Mueller Music (A0.1402908). Key: G major.Title: Give Us a Drink of Water Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Dive into the lively rhythms of Give Us a Drink of Water, a spirited slip jig deeply rooted in the musical traditions of Ireland. This energetic tune, known for its graceful melodies and lively rhythms, captures the essence of Irish music and evokes images of lively sessions and gatherings. Whether you're playing at a session or honing your skills at home, Give Us a Drink of Water invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this slip jig transport you to the heart of Ireland's musical landscape. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99
2.76 €
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Traditional Fiddle Tunes
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Give Us a Drink of Water
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Heather Mueller Music
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SheetMusicPlus
A New Heart, sacred music for SATB choir
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1394475 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1394475 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #977960. Published by Kevin G. Pace (A0.1394475). A powerful choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Inspired by the words in Matthew: . . . forgive us our debts, as we forgive our debtors. (Matthew 6:12).Text:When you feel resentment, jealousy, or strife,Take the time to ponder motives in your life.You will be astonished as you pray to God . . .How He helps to cleanse ideas you once thought.When injustice enters quickly in your soul,When hostility and hatred take ahold,Know that God can change your views from dark to light.As your heart is softened, He will give new sight.When it’s difficult to reconcile a hurt,And it’s hard to love when others have been curt,See the Savior as your guide. . . He lends His grace.As you pardon others, you can see His face.Chorus:Oh, forgive and you will be forgiv’n.You can gain a cherished place in heav’n.As an heir of Father, you will have a part . . .He will give to you a purified, new heart.
$1.99
1.83 €
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Choral SATB
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Kevin G
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A New Heart, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.11 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Give Us grace
Choral 2-part
Choral Choir (SA) - Digital Download SKU: A0.1027707 Composed by Ryan K. Lake. Chri…
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Choral Choir (SA) - Digital Download SKU: A0.1027707 Composed by Ryan K. Lake. Christian. Octavo. 2 pages. Ryan Lake Music #2950367. Published by Ryan Lake Music (A0.1027707). This is a new song i wrote about the grace that God gives us https://www.youtube.com/watch?v=4T3rYWhoJGQ this song can be used as a solo choir anthem or hymn/song of praise
$2.50
2.3 €
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Choral 2-part
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Ryan K
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Give Us grace
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Ryan Lake Music
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SheetMusicPlus
150 Gems of Irish Music for Flute
Flute
Flute, fife and oboe - Advanced - Digital Download Composed by Grey E. Larsen. Tunebo…
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Flute, fife and oboe - Advanced - Digital Download Composed by Grey E. Larsen. Tunebook. Style. E-book and online audio. 132 pages. Mel Bay Publications - Digital Sheet Music #98216BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114159.<br> <br> Grey Larsen, in the 150 Gems collections, has given us a most welcome follow-up to his encyclopedic volume, The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications, 2003) and The Essential Tin Whistle Toolbox (Mel Bay Publications, 2004). The Gems feature not only meticulously-selected tunes, but represent the first major offerings that use Larsen's innovative system of notating Irish ornamentation. These books and online audio will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike. Includes access to online audio.
$19.99
18.43 €
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Flute
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Grey E
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150 Gems of Irish Music for Flute
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
God Has Given Us the Earth
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.786042 Composed by Berna…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.786042 Composed by Bernard Sexton. Children,Contemporary,Praise & Worship,Sacred. Octavo. 8 pages. Trinity Music Press #3586873. Published by Trinity Music Press (A0.786042). An easy multi-gernational anthem for unison voices based on Pope Francis' Laudato Si. The gentle verses describing the marvel of God's work give way to a rousing refrain which urges us to save our planet for future generations. The work was originally commissioned for the Grow in Love Programme (Veritas).
$2.25
2.07 €
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Choral Unison
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Bernard Sexton
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God Has Given Us the Earth
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Trinity Music Press
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SheetMusicPlus
Give Me Jesus
Easy Piano
Piano Solo - Early Intermediate - Digital Download Composed by Traditional Spiritua…
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Piano Solo - Early Intermediate - Digital Download Composed by Traditional Spiritual. Arranged by Michael Ware. Christian, Spiritual, Sacred, General Worship, Folk. 4 pages. Published by MusicWare Press
Give Me Jesus has such a simple yet powerful message, reminding the believer that the Savior is with us through every trial and circumstance. Michael Ware captures the essence of this thought in his poignant but somewhat understated setting of the beloved spiritual. Encourage the heart of the worshipper during a quiet time of reflection or offertory.
$4.99
4.6 €
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Easy Piano
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Traditional Spiritual
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Give Me Jesus
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MusicWare Press
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SheetMusicPlus
God, Our Maker, Give Us Peace
Choral Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA632 Composed by Dorothy Christ…
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Unison/Two-part chorus - Digital Download SKU: C7.CGA632 Composed by Dorothy Christopherson. General. With Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA632. Published by Chorister's Guild - Digital (C7.CGA632). UPC: 749193001073.From Jane Marshall comes a fresh and musically appealing setting of a Philippine folk melody, another addition to the WE SING THE WORLD ROUND Series. This gentle, lyrical anthem is scored for unison voices with keyboard and optional flute.
$1.95
1.8 €
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Choral Unison
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Dorothy Christopherson
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God, Our Maker, Give Us Peace
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Chorister's Guild - Digital
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SheetMusicPlus
So You Graced Us
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818299 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818299 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 32 pages. Stephen R Dalrymple #5044389. Published by Stephen R Dalrymple (A0.818299). So You Graced Us ♫ original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ CCLI Song # 7144137 ♫ music © 2012 (© registered in 'Sacred Songs 2009-2012’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ based on Ephesians 4:32 ♫ Ephesians 4:32 gives us a valuable lesson in the meaning of grace. In English we use grace as a noun, but seldom as a verb. The term translated ‘forgive’ in this verse is not the common Greek term found in the New Testament for forgiveness. It is the verb form of grace. We are commanded to apply the same grace for others that God shows to us. We can only value grace when we truly understand the plight we are in. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
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4.15 €
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Piano, Voice
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Stephen R Dalrymple
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So You Graced Us
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Stephen R Dalrymple
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SheetMusicPlus
Lord, Give Us Wisdom - Choral Anthem
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874150 Composed by Mary Ro…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874150 Composed by Mary Rose Jensen. A Cappella,Christian,Contemporary,Easter,Sacred. Octavo. 13 pages. Garden Rose Music #5991009. Published by Garden Rose Music (A0.874150). 6 part a cappella choral anthem. This is a 6 part round, with additional vocal parts. The text and tune to, Lord, Give Us Wisdom were written in August of 2017, while grieving the evil, hatred, violence and tragedy of the clashes in Charlottesville, Virginia. It was a prayer that nothing like that would ever happen again. Text below:Lord, give us wisdom to love one another,See in each person the image of You,Grieve at our foolishness, pray for Your peace,Seek what is righteous seek what is true.Keep us faithful.Mercy, mercy, mercy on us all,Lord.
$1.99
1.83 €
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Choral SATB
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Mary Rose Jensen
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Lord, Give Us Wisdom - Choral Anthem
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Garden Rose Music
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SheetMusicPlus
Give Us Back Our Old Commander
Piano, Voice
Piano and voice - Digital Download SKU: LV.22112 Composed by Sep. Winner. Civil War…
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Piano and voice - Digital Download SKU: LV.22112 Composed by Sep. Winner. Civil War--Union, Patriotism, George Brinton McClellan, Heroes, Military officers. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22112). Give Us Back Our Old Commander. Words and Music by Sep. Winner. Published 1862 by Winner & Co., 933 Spring Garden St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, George Brinton McClellan, Heroes, Military officers. First line reads Give us back our old Commander, Little Mac, the peoples pride.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Sep
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Give Us Back Our Old Commander
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Amani Utupe (Swahili-Grant Us Peace, Give Us Courage)
Choral 3-part
Amani Utupe (Swahili-Grant Us Peace, Give Us Courage) - SAB. Composed by Patsy Ford Si…
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Amani Utupe (Swahili-Grant Us Peace, Give Us Courage) - SAB. Composed by Patsy Ford Simms. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003134. Published by Alfred Music - Digital Sheet Music
$2.05
1.89 €
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Choral 3-part
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Patsy Ford Simms
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Amani Utupe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choral - "Give Us Aid" SAB ACCOMPANIMENT Track
Choir - Digital Download SKU: A0.1069252 Composed by Dan Cutchen. Sacred. Accompani…
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Choir - Digital Download SKU: A0.1069252 Composed by Dan Cutchen. Sacred. Accompaniment. Duration 174. Dan Cutchen Music #3036697. Published by Dan Cutchen Music (A0.1069252). This is an accompaniment track for: Choral - Give Us Aid SABby Dan Cutchen
$1.99
1.83 €
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Dan Cutchen
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Choral - "Give Us Aid" SAB ACCOMPANIMENT Track
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Dan Cutchen Music
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SheetMusicPlus
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