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You've selected:
Going The Distance
Sheetmusic to print
40 sheet music found
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1
26
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.52 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Going The Distance
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1037383 Composed by Bill Conti. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1037383 Composed by Bill Conti. Arranged by Piano Go Life. Film/TV. Score. 5 pages. Piano Go Life #642365. Published by Piano Go Life (A0.1037383). Bill Conti - Going The Distance from Rocky Piano Cover.
$9.99
9.01 €
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Piano solo
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Bill Conti
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Going The Distance
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Piano Go Life
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SheetMusicPlus
Going The Distance
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1203792 Composed by Bill Conti. Arranged by Mark Morgan. Classical,Film/TV. Score and parts. 16 pages. Mark Morgan #802354. Published by Mark Morgan (A0.1203792). This is an arrangement of Going the Distance by Bill Conti for brass quintet. It includes piccolo trumpet in A.
$30.00
27.07 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Bill Conti
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Going The Distance
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Mark Morgan
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SheetMusicPlus
Going The Distance
Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.7…
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Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.730743 Composed by Bill Conti. Arranged by Marc Papeghin. Contemporary. Score and parts. 7 pages. Marc Papeghin #6736601. Published by Marc Papeghin (A0.730743). The original symphonic orchestration rearranged for French Horns and Trumpets.Ideal to play along with the song !
$12.99
11.72 €
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Bill Conti
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Going The Distance
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Marc Papeghin
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SheetMusicPlus
Going The Distance
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1303178 Composed by Bill Conti.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1303178 Composed by Bill Conti. Arranged by Vince Leonard. 20th Century,Film/TV. Score and Parts. 66 pages. Invinceable Entertainment #892775. Published by Invinceable Entertainment (A0.1303178). This piece from the Rocky store has become a staple of sports highlight videos. Now you can play it live with your orchestra.
$150.00
135.33 €
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Orchestra
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Bill Conti
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Going The Distance
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Invinceable Entertainment
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SheetMusicPlus
Distances (solo)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.864574 Composed by Ellen Foncannon …
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Easy Piano - Level 1 - Digital Download SKU: A0.864574 Composed by Ellen Foncannon Stephenson. Instructional. Score. 2 pages. Ellen Foncannon Stephenson #4298675. Published by Ellen Foncannon Stephenson (A0.864574). Distances--measure the distance between the notes and keep the patterns going. Key of D-minor with left hand limited five-finger range, right hand up to an octave with clearly marked fingering. Dynamics, 8va markings and ties. 2 pages with 48 measures.
$3.99
3.6 €
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Easy Piano
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Ellen Foncannon Stephenson
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Distances
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Ellen Foncannon Stephenson
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SheetMusicPlus
The First Noel
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.954897 Composed by Traditional Engl…
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Piano Solo - Level 4 - Digital Download SKU: A0.954897 Composed by Traditional English Carol. Arranged by Natalyn Rodriguez. Christian,Christmas. Score. 3 pages. Natalyn Rodriguez Music #4404440. Published by Natalyn Rodriguez Music (A0.954897). This one is sure to surprise listeners at a winter recital or Christmas event! Not only does the piece begin in a minor key, but it starts out quick and exciting, with the melody in a rhythmically-altered state! Then, it gradually slows down and gets softer. Suddenly, the melody as we usually know it is there, in a major key, in a slow tempo. Sincere, simple, and solemn. Then, it grows in expression, and then, almost to the end of the melody, something unexpected happens: it goes back to the fast tempo and minor key once more! The piece finishes off quietly, back to the major key, with the melody off in the distance, and is left with a final note before going silent.
$3.99
3.6 €
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Piano solo
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Traditional English Carol
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The First Noel
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Natalyn Rodriguez Music
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SheetMusicPlus
Going Home on the Morning Train (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.7954-E Composed by Gwyneth…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.7954-E Composed by Gwyneth W. Walker. 17 pages. Duration 4 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #7954-E. Published by E. C. Schirmer Music Company - Digital (MQ.7954-E). English.A train whistle (high notes in piano or piccolo) is heard in the distance. Then, the train draws closer as the music grows in dynamics and tempo. By the time that the chorus enters, the music is filled with energy. This is a celebratory song of going home to the Promised Land ... (where) all my sins been taken away! Duration: 4:10.
$3.15
2.84 €
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Choral SATB
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the time that the chorus enters, the music is filled with energy
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Gwyneth W
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Going Home on the Morning Train
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Going The Distance
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By Bill Conti. Arranged by Marie-&Eg…
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String Quartet - Intermediate - Digital Download By Bill Conti. Arranged by Marie-Ève Mainguy. Individual Part, Score. 10 pages. Published by Marie-Eve Mainguy
Arrangement for string quartet (2 violins, viola and violoncello) of the Rocky's music Going the Distance composed by Bill Conti.<br> Arrangement by Marie-Ève Mainguy
$12.99
11.72 €
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String Quartet: 2 violins, viola, cello
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Bill Conti
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Going The Distance
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Marie-Eve Mainguy
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SheetMusicPlus
Sixteen Going On Seventeen (from The Sound Of Music)
Big Note Piano
Digital Download SKU: HX.457740 Broadway,Musical/Show. E-Z Play Today. 2 pages. Pub…
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Digital Download SKU: HX.457740 Broadway,Musical/Show. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.457740). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Big Note Piano
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Sixteen Going On Seventeen
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Hal Leonard - Digital
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SheetMusicPlus
Going Where The Lonely Go
Easy Piano
Piano - Digital Download SKU: HX.1120901 By Merle Haggard. This edition: scorch. E-…
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Piano - Digital Download SKU: HX.1120901 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 3 pages. Hal Leonard - Digital #284210. Published by Hal Leonard - Digital (HX.1120901). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Easy Piano
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Merle Haggard
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Going Where The Lonely Go
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Hal Leonard - Digital
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SheetMusicPlus
Going Over The Sea
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505275 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505275 This edition: scorch. E-Z Play Today. Children. Score. 2 pages. Published by Hal Leonard - Digital (HX.505275). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Organ
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Going Over The Sea
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Hal Leonard - Digital
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SheetMusicPlus
It's Going To Take Some Time
Big Note Piano
Digital Download SKU: HX.449664 By The Carpenters. Pop,Rock. E-Z Play Today. 3 page…
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Digital Download SKU: HX.449664 By The Carpenters. Pop,Rock. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.449664). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Big Note Piano
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The Carpenters
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It's Going To Take Some Time
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Hal Leonard - Digital
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SheetMusicPlus
You're Going To Lose That Girl
Big Note Piano
Digital Download SKU: HX.454619 By The Beatles. Pop,Rock. E-Z Play Today. 2 pages. …
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Digital Download SKU: HX.454619 By The Beatles. Pop,Rock. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.454619). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Big Note Piano
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The Beatles
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You're Going To Lose That Girl
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Hal Leonard - Digital
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SheetMusicPlus
Going To Marry Mom (from Mister Rogers' Neighborhood)
Big Note Piano
Digital Download SKU: HX.450896 By Fred Rogers. Children. E-Z Play Today. 2 pages. …
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Digital Download SKU: HX.450896 By Fred Rogers. Children. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.450896). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Big Note Piano
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Fred Rogers
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Going To Marry Mom
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Hal Leonard - Digital
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SheetMusicPlus
What's Going On In Your World
Keyboard
Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1319549 By George Strait…
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Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1319549 By George Strait. This edition: scorch. E-Z Play Today. Country. Score. 3 pages. Hal Leonard - Digital #917827. Published by Hal Leonard - Digital (HX.1319549). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Keyboard
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George Strait
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What's Going On In Your World
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Hal Leonard - Digital
#
SheetMusicPlus
Where Are You Going To My Pretty Maid?
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.506261 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.506261 This edition: scorch. E-Z Play Today. Children. Score. 1 pages. Published by Hal Leonard - Digital (HX.506261). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Organ
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Where Are You Going To My Pretty Maid?
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Hal Leonard - Digital
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SheetMusicPlus
How Long Has This Been Going On?
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.617911 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.617911 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 2 pages. Hal Leonard - Digital #344571. Published by Hal Leonard - Digital (HX.617911). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.7 €
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Organ
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How Long Has This Been Going On?
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Hal Leonard - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.64 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Going The Distance for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
By Bill Conti. Arranged by Andrea Bonaldo. Score, Set of Parts. 16 pages. Published by …
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By Bill Conti. Arranged by Andrea Bonaldo. Score, Set of Parts. 16 pages. Published by Andrea Bonaldo
$15.00
13.53 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Bill Conti
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Going The Distance for Brass Quintet
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Andrea Bonaldo
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SheetMusicPlus
Festival
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
49.62 €
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Orchestra
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Cadenza
Flute and Piano
Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le…
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Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. Published by Peter Le Tissier (A0.1216424). The 'Cadenza' for Flute, Cello, and Piano, was written in late 2018 and updated in the Spring of 2019 for its first performance in London of that year with the Epoch Ensemble. The work is written for highly skilled players, and utilises three sections where the Flute and Cello begin far apart, merge together and then distance onesful from one another again. The piano part is based on the note 'A', and this pitch locks the whole structure together.The piece should be performed with all players using the full score, as the simultaneous use of free-time and very strict coordination requires all players to be aware of what is going on around them. The cello will need to detune their lowest C-string so that its fundamental pitch is now A, and the part has been written such that the fourth string is a transposing line, so that the player can read as if it were in C for the purposes of fingerings, with the sounding pitch a minor third lower.Any performances, particularly those that are local or national premières, must be made aware of by the composer, who appreciates all opportunities for performances.
$16.99
15.33 €
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Flute and Piano
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Peter Le Tissier
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Cadenza
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Peter Le Tissier
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SheetMusicPlus
Beautiful
Choral 3-part
Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1402880 By Caro…
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Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1402880 By Carole King. By Carole King. Arranged by Elise Letourneau. Pop,Rock,Singer/Songwriter,Standards. 11 pages. Elise Letourneau #986103. Published by Elise Letourneau (A0.1402880). As sung by The Juliet Singers and Vox Eclectica Women's+ Choir. SSA arrangement of the powerful song composed and performed by Carole King. Rich harmonies, with lines carefully considered for approachability. Four-stave system with chord symbols. 11 pages. Duration about 3:28. Programming themes include: determination, self-actualization, inner beauty, human condition, resolve, heart, going the distanceElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
1.8 €
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Choral 3-part
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Carole King
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Beautiful
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Elise Letourneau
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SheetMusicPlus
Rocky Ii
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1088489 Composed by Bill Conti. Arranged by Chris Gorman. Film/TV. Brass Band. 105 pages. Chris Gorman #692760. Published by Chris Gorman (A0.1088489). Rocky II is a 1979 American sports drama film written, directed by, and starring Sylvester Stallone. It is the sequel to Rocky (1976) and is the second instalment in the Rocky franchise. In the film, Rocky Balboa (Stallone), struggling to adjust to family life, finds himself in a rematch fiercely demanded by Apollo Creed (Weathers). This arrangement features Gonna Fly, Redemption and Going The Distance.
$35.00
31.58 €
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Bill Conti
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Rocky Ii
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Chris Gorman
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SheetMusicPlus
Going the Distance by Jazzy Fabbry - Piano Solo
Piano solo
Sheet Music for Going the Distance from Rocky arranged for Instrumental Solo in A Minor. D…
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Sheet Music for Going the Distance from Rocky arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. --
$5.79
5.22 €
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Piano solo
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Piano Solo
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Musicnotes
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