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Good Time Charlie
Sheetmusic to print
23 sheet music found
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1
Old Time Come Again
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3519 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3519 Composed by Charlie C. Converse. Sadness, Love, Death, Grief, Weeping, Time, Nostalgia. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3519). Old Time Come Again. Authorized Edition. Christy's Plantation Melodies. Written and Composed by Charlie C. Converse. Published 1853 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Sadness, Love, Death, Grief, Weeping, Time, Nostalgia. First line reads Old Times, Old Times, those good old times! When I was young and free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Charlie C
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Old Time Come Again
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Have A Good One! For Jazz Big Band, from the CD Guided Tour by Michael BB Quartet
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862541 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862541 Composed by Michael Bomier. Instructional,Jazz,Standards. Score and parts. 87 pages. Michael Butkus-Bomier #13335. Published by Michael Butkus-Bomier (A0.862541). Have A Good One is a track from the bop quartet CD Guided Tour. WINNER of the 2014 SMP/ Hal Leonard Publishing Contest for Best Jazz Combo submission. The piece is a Charlie Parker-Style blues with a modal bridge. After the theme, a short tutti leads to a series of solos with backgrounds for various saxes and brass, finishing with a full ensemble chorus out. The chart can be opened up for additional solos if desired. GateWay Editions Jazz Ensemble Series titles feature SampleSolos for most improvisational sections, so your band can learn to play the section material AND blow on changes at the same time. Each soloist's part is included without the sample as well, for the experienced player. All charts are straight through, with no D.S.'s back to the top or awkward pageturns. A rhythm section Uni-Part comes with each chart, which the optional guitar, bass, piano and even drums can play from! Drumset parts are fully notated versions of the MIDI audio clips. Piano voicings AND chord symbols are provided. Running time without additional soloists is approx. 5 mins 30 secs. Brass ranges are conservative at both the high and low ends. A low-A baritone sax is NEVER required for any GateWay Editions Jazz Ensemble Series chart. MBB 2014 Labor of Love Contest Winner.
$20.00
18.49 €
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Jazz Ensemble
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Michael Bomier
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Have A Good One! For Jazz Big Band, from the CD Guided Tour by Michael BB Quartet
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Michael Butkus-Bomier
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SheetMusicPlus
Good Time Charlie's Got The Blues
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1102967 By Danny O'Ke…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1102967 By Danny O'Keefe. By Danny O'Keefe. Arranged by Jeff Tincher. Country,Folk. Score. 8 pages. Jeff Tincher #706293. Published by Jeff Tincher (A0.1102967). Here is a forgotten gem from 1972. In the original key from Danny O'Keefe's O'Keefe LP, this is a great country ballad. This arrangement includes the live ending from Danny's 5/25/12 concert at McCabe's. Duration = 3:17. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
5.54 €
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Piano, Vocal and Guitar
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Danny O'Keefe
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Good Time Charlie's Got The Blues
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Jeff Tincher
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SheetMusicPlus
Swim Good
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1268303 By Frank Ocean. By Charli…
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C Instrument - Level 1 - Digital Download SKU: A0.1268303 By Frank Ocean. By Charlie Gambetta, Christopher Breaux, Kevin Risto, and Waynne Nugent. Arranged by Manuel Elastic. Hip-Hop,Pop,R & B,Soul. Lead Sheet / Fake Book. 2 pages. Manuel Elastic #860862. Published by Manuel Elastic (A0.1268303). Dive into the Melodic Brilliance of Frank Ocean's Swim Good with our Clear and Comprehensive Music Score!Embark on a musical journey like no other with our meticulously crafted music score for the Frank Ocean masterpiece, Swim Good. This chart not only includes the captivating melody but also the chords, making it a perfect choice for those who wish to play either the melody or the soul-stirring chords of the song.Moreover, this invaluable resource serves as an excellent starting point for creating your own arrangement. Save precious time by avoiding the need to transcribe the melody and chords from the original tune. With our music score in hand, you can focus on unleashing your creativity and infusing your unique flair into this iconic composition. Â
$4.99
4.61 €
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Easy Piano
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Frank Ocean
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Swim Good
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Manuel Elastic
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SheetMusicPlus
Christmas Time Is Here
Trombone - Level 3 - Digital Download SKU: A0.782100 Composed by Vince Guaraldi. Ar…
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Trombone - Level 3 - Digital Download SKU: A0.782100 Composed by Vince Guaraldi. Arranged by Steve Ash. Children,Christmas,Contemporary,Film/TV,Holiday. 15 pages. Aaron Hettinga #6709645. Published by Aaron Hettinga (A0.782100). This melancholy Christmas standard from the 1960’s A Charlie Brown Christmas television special gets a low brass treatment in Steve Ash’s lovely arrangement for trombone quintet. While every part takes its turn with the melody for at least a short time, this is a good vehicle for showcasing a solid jazzy-ballad lead trombonist. Other accompanying moving lines around the entire ensemble will keep things interesting for everybody. While the lead trombone part spends a little bit of time in the upper register, and there are a few characteristic lower notes for the bass trombonist, there aren’t many other technical challenges making for an accessible chart for a broad range of skill levels. This fantastic chart belongs in the book for every trombone ensemble’s Christmas program as it brings a smile to everyone’s face! * Recorded by the Glenwood Moravian Trombone Choir during their Advent Concert, Dec. 2021.
$19.99
18.48 €
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Vince Guaraldi
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Christmas Time Is Here
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Aaron Hettinga
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SheetMusicPlus
I Didn't Know What Time It Was
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196258 By Charlie Pa…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196258 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #795412. Published by John Fries (A0.1196258). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$4.99
4.61 €
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Piano, Vocal and Guitar
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Charlie Parker
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I Didn't Know What Time It Was
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John Fries
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SheetMusicPlus
I Didn't Know What Time It Was
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352816 By Charlie Parker. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937629. Published by DAVID LEE GINGRAS (A0.1352816). I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!
$4.99
4.61 €
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Piano, Voice
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Charlie Parker
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I Didn't Know What Time It Was
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DAVID LEE GINGRAS
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SheetMusicPlus
Good Time Charlie's Got the Blues by Dwight Yoakam - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Dwight Yoakam: Good Time Charlie's Got the Blues Digital Sheetmusic - i…
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Performed by: Dwight Yoakam: Good Time Charlie's Got the Blues Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Country~~Alternative Country~~Contemporary Country~~New Traditionalist
$5.79
5.35 €
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Piano, Vocal and Guitar
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Dwight Yoakam
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Piano/Vocal/Guitar
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Musicnotes
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
12.01 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
Suppertime - 10 Prints from You're a Good Man Charlie Brown - SAB Choir + Piano
Choral 3-part
Clark Gesner - Suppertime - from You're A Good Man Charlie Brown Digital Sheetmusic -…
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Clark Gesner - Suppertime - from You're A Good Man Charlie Brown Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SAB Choir + Piano, instruments: SAB Choir;Piano Accompaniment; 9 pages -- Show/Broadway~~Musical
$2.25
2.08 €
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Choral 3-part
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10 Prints from You're a Good Man Charlie Brown
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Musicnotes
Suppertime - 10 Prints from You're a Good Man Charlie Brown - 2-Part Choir + Piano
Choral 2-part
Clark Gesner - Suppertime - from You're A Good Man, Charlie Brown Digital Sheetmusic …
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Clark Gesner - Suppertime - from You're A Good Man, Charlie Brown Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: 2-Part Choir + Piano, instruments: 2-Part Choir;Piano Accompaniment; 9 pages -- Musical~~Show/Broadway
$2.25
2.08 €
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Choral 2-part
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10 Prints from You're a Good Man Charlie Brown
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Musicnotes
Goodtime Charlie from Cabaret - Piano/Vocal/Chords
Piano, Voice
John Kander - Goodtime Charlie Digital Sheetmusic - instantly downloadable sheet music plu…
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John Kander - Goodtime Charlie Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 12 pages -- Movie/TV~~Show/Broadway~~Soundtrack~~Musical
$5.50
5.08 €
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Piano, Voice
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Piano/Vocal/Chords
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Musicnotes
Suppertime from You're a Good Man Charlie Brown - Piano/Vocal/Chords
Piano, Voice
Clark Gesner - Suppertime Digital Sheetmusic - instantly downloadable sheet music plus an …
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Clark Gesner - Suppertime Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 6 pages -- Show/Broadway~~Musical
$5.50
5.08 €
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Piano, Voice
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Piano/Vocal/Chords
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Musicnotes
Good Time Charlie's Got The Blues
Piano, Vocal and Guitar
By Elvis Presley and Danny O'Keefe. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published…
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By Elvis Presley and Danny O'Keefe. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Vocal and Guitar
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Elvis Presley and Danny O'Keefe
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Rock
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Good Time Charlie's Got The Blues
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Danny O'Keefe: Good Time Charlie's Got the Blues - guitar or voice (lead sheet)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Danny O'Keefe for guitar or voice (lead sheet) of …
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Instantly printable sheet music by Danny O'Keefe for guitar or voice (lead sheet) of EASY/MEDIUM skill level. / pop,rock
$4.97
4.59 €
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Melody line, (Lyrics) and Chords
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Danny O'Keefe
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Virtualsheetmusic
Danny O'Keefe: Good Time Charlie's Got the Blues - piano, voice or other instruments
Piano, Voice
Instantly printable sheet music by Danny O'Keefe for piano, voice or other instrument…
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Instantly printable sheet music by Danny O'Keefe for piano, voice or other instruments of EASY/MEDIUM skill level. / country
$6.97
6.44 €
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Piano, Voice
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Danny O'Keefe
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Virtualsheetmusic
Good Time Charlie's Got the Blues
Piano, Vocal and Guitar
By Dwight Yoakam. By Danny O'Keefe. For Piano/Vocal/Chords. Country. 5 pages. Publish…
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By Dwight Yoakam. By Danny O'Keefe. For Piano/Vocal/Chords. Country. 5 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.69 €
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Piano, Vocal and Guitar
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Dwight Yoakam
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Good Time Charlie's Got the Blues
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Good Time Charlie's Got the Blues
Melody line, (Lyrics) and Chords
By Danny O'Keefe. By Danny O'Keefe. For Lead Sheet. Pop/Rock. 3 pages. Published…
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By Danny O'Keefe. By Danny O'Keefe. For Lead Sheet. Pop/Rock. 3 pages. Published by Alfred Music - Digital Sheet Music
$1.99
1.84 €
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Melody line, (Lyrics) and Chords
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Danny O'Keefe
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Good Time Charlie's Got the Blues
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.35 €
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Brass ensemble
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.36 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Suppertime - 10 Prints from You're a Good Man Charlie Brown - SATB Choir + Piano
Choral SATB
Clark Gesner - False Digital Sheetmusic - instantly downloadable sheet music plus an inter…
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Clark Gesner - False Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SATB Choir + Piano;Piano/Vocal, instruments: SATB Choir;Piano Accompaniment; 9 pages -- Show/Broadway~~Musical
$2.25
2.08 €
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Choral SATB
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10 Prints from You're a Good Man Charlie Brown
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Musicnotes
Greensleeves 2012
Piano solo
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.54 €
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Piano solo
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Public Domain, as performed and recorded by Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
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