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Great Beginnings: Part 1 - C Instruments
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Great Beginnings: Part 1 - E-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_EFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_EFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART1_EFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART1_EFLAT). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 1 - E-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 1 - B-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_BFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_BFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART1_BFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART1_BFLAT). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 1 - B-flat Instruments
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Alfred Music - Digital Sheet Music
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Great Beginnings: Part 1 - F Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_F Instructional. 1 page…
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART1_F Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART1_F. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART1_F). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 1 - F Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 3 - E-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_EFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_EFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART3_EFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART3_EFLAT). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 3 - E-flat Instruments
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Alfred Music - Digital Sheet Music
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Great Beginnings: Part 4 - E-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_EFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_EFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART4_EFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART4_EFLAT). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 4 - E-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 3 - F Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_F Instructional. 1 page…
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_F Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART3_F. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART3_F). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 3 - F Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 2 - E-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_EFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_EFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART2_EFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART2_EFLAT). UPC: 038081563596.
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2.76 €
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Concert band
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Great Beginnings: Part 2 - E-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 4 - B-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_BFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_BFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART4_BFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART4_BFLAT). UPC: 038081563596.
$3.00
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Concert band
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Great Beginnings: Part 4 - B-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 2 - F Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_F Instructional. 1 page…
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_F Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART2_F. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART2_F). UPC: 038081563596.
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2.76 €
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Concert band
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Great Beginnings: Part 2 - F Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 3 - B-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_BFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART3_BFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART3_BFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART3_BFLAT). UPC: 038081563596.
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Concert band
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Great Beginnings: Part 3 - B-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 4 - F Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_F Instructional. 1 page…
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART4_F Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART4_F. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART4_F). UPC: 038081563596.
$3.00
2.76 €
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Concert band
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Great Beginnings: Part 4 - F Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Great Beginnings: Part 2 - B-flat Instruments
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_BFLAT Instructional. 1 …
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Concert Band - Digital Download SKU: AX.00-PC-0018495_PART2_BFLAT Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018495_PART2_BFLAT. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018495_PART2_BFLAT). UPC: 038081563596.
$3.00
2.76 €
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Concert band
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Great Beginnings: Part 2 - B-flat Instruments
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549781…
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549781 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 11 pages. Jmsgu3 #3535059. Published by jmsgu3 (A0.549781). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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2 Bassoons (duet)
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Baritone Horn & Piano
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: …
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.549787 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 11 pages. Jmsgu3 #3536975. Published by jmsgu3 (A0.549787). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549777 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549777 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 11 pages. Jmsgu3 #3535033. Published by jmsgu3 (A0.549777). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549687 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520299. Published by jmsgu3 (A0.549687). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
#
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549778 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549778 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 11 pages. Jmsgu3 #3535037. Published by jmsgu3 (A0.549778). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549688 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520331. Published by jmsgu3 (A0.549688). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Ensembles by the Book Collection A
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.877932 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.877932 Composed by Giachomo Rossini, Johannes Brahms, and Rebecca Bogardus. Arranged by Rebecca Bogardus. Children,Classical,Folk,Romantic Period,Standards. 105 pages. Lillwy Publishing #4780813. Published by Lillwy Publishing (A0.877932). Beginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 and Blocki Methods. Creating an ensemble for your beginning flute students is one of the best things you can do for them; intonation, phrasing, and dynamics are all more effectively taught when reinforced through ensemble work. Since these are multi-level ensembles, your students will quickly find role models within your studio who are playing at a higher level, increasing motivation to practice so they can play the harder parts the next time! *Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students with less beginner-friendly flute notes.Collection ACollection A includes two trios, two quartets, and one trio with a split first part. The pieces work well together if you are looking for a great concert program. They are presented here roughly in ascending order of difficulty.As a special bonus, extra parts for alto flute, bass flute, Bb instruments, Eb instruments, French Horn, and Bass clef instruments are included for The Water Is Wide and the William Tell Overture if you would like to expand your ensembleIncluded in Collection ARobins' DanceLullabyThe Water Is WideBare BranchesThe William Tell Overture
$16.99
15.6 €
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Flute, Oboe, Clarinet, Bassoon
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Giachomo Rossini, Johannes Brahms, and Rebecca Bogardus
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Ensembles by the Book Collection A
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Lillwy Publishing
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SheetMusicPlus
Deck the Halls Piano Eight-Hands
Small Ensemble Piano - Level 5 - Digital Download SKU: A0.936744 Composed by Tradit…
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Small Ensemble Piano - Level 5 - Digital Download SKU: A0.936744 Composed by Traditional Christmas Carol. Arranged by Benjamin Batalla. 20th Century,Children,Christmas. Score and parts. 57 pages. Benjamin Batalla #5887965. Published by Benjamin Batalla (A0.936744). This is an exhilarating arrangement of the famous Christmas Carol for Two-Piano, Eight-Hands. An exciting new twist on this popular song, this arrangement is inspired by the compositional style of Prokofiev and Ravel and incorporates a fun choreography that will delight and surprise audiences at any holiday concert.Included: Full Score, Piano 1, Piano 2, Piano 3, Piano 4Performance Notes: P1 and P2 will begin on one piano. P3 and P4 will begin on the other piano. The pianos must be positioned in which the manuals of the instruments are facing each other towards the center of the stage in order for the musicians to move freely between each piano. The score is notated with the choreography for each musician in boxed text.Duration: 4:42Level: Advanced Intermediate - AdvancedUses: Great for Christmas/holiday concerts, school events, student ensembles
$14.99
13.77 €
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Traditional Christmas Carol
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Deck the Halls Piano Eight-Hands
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Benjamin Batalla
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SheetMusicPlus
Freewill Fanfare
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918220 Composed by Sam…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918220 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 37 pages. Coffee Seal Music #5988871. Published by Coffee Seal Music (A0.918220). Purchase Includes Score and 1 Set of PartsInstrumentation: 8 Part Trombone ChoirDifficulty: Intermediate-Advanced (perfect for advance high school or College level ensembles)About the piece:Jim [ten Bensel] graciously invited me to write a piece for the 2018 Minneapolis Trombone choir and I willingly accepted. In the span of a night before our next rehearsal (inspired by inadvertent procrastination and an explosion of ideas, not to mention an overabundance of coffee), I came up with this fanfare. The name comes from the Rush song Freewill, in which I quoted a line from Geddy Lee's melodic bass playing. It is hidden in plain sight. If you know the song, see if you can find it! The form of the song is a metaphor for life, the greatest test of free will. An ostinato that carries throughout the piece starts with only the first trombones. Eventually, you meet other people and influences that begin shape who you are, which is why the remaining trombones add more musical ideas as the piece continues. The middle section fluctuates between time signatures and tone colors (confusion, emotions) and the ensemble and conductor choose how the tempo ebbs and flows. It is never played the same way twice. Eventually, everything comes together at the end, which is why the ensemble ends, with the original ostinato, together.
$24.00
22.04 €
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Samantha Hogan
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Freewill Fanfare
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Coffee Seal Music
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SheetMusicPlus
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