Download Digital Sheet Music of Guns for Orchestra

By Guns N' Roses. Arranged by Larry Moore. Orchestra. Pop; Rock. Orchestra. 8 pages. …(+)

Guns

November Rain Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1364565 By Guns N' Roses. By Da…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1364565 By Guns N' Roses. By Darren Reed, Duff McKagan, Izzy Stradlin', Matt Sorum, Slash, and W. Axl Rose. Arranged by Daryl McKenzie. Pop,Rock. 145 pages. Daryl McKenzie #947225. Published by Daryl McKenzie (A0.1364565). Arranged in the style of Guns 'N Roses for Vocal with Pops Orchestra - Voice, Choir/Vocal Group, 2Fl/Picc, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of BNote: Playable without SaxesFull audio demo (Sibelius Sounds): Click HereÂ Â Â Â Â More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 89.77 € #Orchestra #Guns N' Roses #November Rain #Daryl McKenzie #SheetMusicPlus

#Guns N' Roses

Estranged Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.809257 By Guns N' Roses. By W. …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.809257 By Guns N' Roses. By W. Axl Rose. Arranged by Betsuel Uesile Prado. Metal,Rock. Score and parts. 31 pages. BETSUEL UESILE DO PRADO #6421573. Published by BETSUEL UESILE DO PRADO (A0.809257). The iconic Estranged by Guns N' Roses now arranged for Strings and Piano. Score and Parts included.
$24.99 22.43 € #Orchestra #Guns N' Roses #Estranged #BETSUEL UESILE DO PRADO #SheetMusicPlus

November Rain Orchestra

Full Orchestra - Level 4 - Digital Download By Guns N' Roses. By Darren Reed, Du…(+)

Full Orchestra - Level 4 - Digital Download By Guns N' Roses. By Darren Reed, Duff McKagan, Izzy Stradlin', W. Axl Rose, Slash, and Matt Sorum. Arranged by Bojan Mladenović. 20th Century, Multicultural, Rock, World. 104 pages. Bojan Mladenovic #858370. Published by Bojan Mladenovic
$160.00 143.64 € #Orchestra #Guns N' Roses #Roses #November Rain #SheetMusicPlus

November Rain (Ending part) - Gun's n' Roses Orchestra

By Guns N' Roses. Arranged by Armand Broshka. Score, Set of Parts. 43 pages. Publ…(+)

By Guns N' Roses. Arranged by Armand Broshka. Score, Set of Parts. 43 pages. Published by Armand Broshka
“November Rain” (Ending part of the song) For Guitar Solo, Rock Band, Back Vocals & Symphonic Orchestra.
$39.99 35.9 € #Orchestra #Guns N' Roses #Roses #November Rain # Armand Broshka #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the Britishâ€“American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.

Sweet Child O' Mine Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.1302950 By Guns N' Roses. By Du…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1302950 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jennifer Lindberg. Classical,Rock. Score and Parts. 110 pages. Jennifer Lindberg #892559. Published by Jennifer Lindberg (A0.1302950). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums.Instrumentation:3 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon2 horn2 trumpet2 trombonetubaelectric bassdrum setkeyboardharp (electric lever harp, but can use pedal harp)voicesviolins 1 and 2violacellocontrabass.
$49.99 44.88 € #Orchestra #Guns N' Roses #Sweet Child O' Mine #Jennifer Lindberg #SheetMusicPlus

Sweet Child O' Mine Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.809282 By Guns N' Roses. By Duf…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.809282 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Betsuel Uesile Prado. Metal,Rock. Score and parts. 19 pages. BETSUEL UESILE DO PRADO #6442479. Published by BETSUEL UESILE DO PRADO (A0.809282).
$29.99 26.92 € #Orchestra #Guns N' Roses #Sweet Child O' Mine #BETSUEL UESILE DO PRADO #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles. â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles.â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

By Guns N' Roses. Arranged by Larry Moore. Orchestra. Pop; Rock. Orchestra. 8 pages. Published by Hal Leonard - Digital Sheet Music

Roger Emerson: 21 Guns (from Green Day's American Idiot) (arr. Roger Emerson) (complete set of parts) - orchestra/band

David Bowie: 21 Guns (from American Idiot) (arr. Roger Emerson) - orchestra/band (drums)

David Bowie: 21 Guns (from American Idiot) (arr. Roger Emerson) - orchestra/band (guitar 2)

David Bowie: 21 Guns (from American Idiot) (arr. Roger Emerson) - orchestra/band (guitar 1)

David Bowie: 21 Guns (from American Idiot) (arr. Roger Emerson) - orchestra/band (synthesizer)

David Bowie: 21 Guns (from American Idiot) (arr. Roger Emerson) - orchestra/band (tenor sax)

Billie Joe Armstrong: 21 Guns (from Green Day's American Idiot) (COMPLETE) for orchestra