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471
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110
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96
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93
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88
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85
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81
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81
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79
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79
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74
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73
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71
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70
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69
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67
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66
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64
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63
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59
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57
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54
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46
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40
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37
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31
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25
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24
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24
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18
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18
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18
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17
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17
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15
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9
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8
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7
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6
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6
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French horn
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16
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English Horn
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14
4 Cellos
14
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11
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10
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9
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6
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6
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5
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5
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Piano Trio: Violin, Viola, Piano
4
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3
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3
2 Double basses (duet)
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String Quintet: 2 violins, 2 violas, cello
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1
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1
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Concert band
1508
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329
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134
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48
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37
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19
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2
Bodhran
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Music Theory
2
Musical course - Solfege
1
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HMS Music
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9976
Advanced Rhythmic Concepts for Improvisation A Path to Fluency in Odd Meters and Polyrhythms for All Instruments
Musical course - Solfege
Improvising, Lines & Phrases. Jazz. Ebook and online audio. 97 pages. Mel Bay Publ…
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Improvising, Lines & Phrases. Jazz. Ebook and online audio. 97 pages. Mel Bay Publications - Digital Sheet Music #30923MEB. Published by Mel Bay Publications - Digital Sheet Music
$19.99
17.92 €
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Musical course - Solfege
#
Phrases
#
Advanced Rhythmic Concepts for Improvisation A Path to Fluency in Odd Meters and Polyrhythms for All Instruments
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Intermezzo, Op. 117 No. 3 (by Johannes Brahms)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.818353 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818353 By Stephen R Dalrymple. By Johannes Brahms. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical,Romantic Period. Score and parts. 60 pages. Stephen R Dalrymple #6384397. Published by Stephen R Dalrymple (A0.818353). Brahms Intermezzo 117 Movement 3 Andante con Moto ♫ by Johannes Brahms ♫ Piano solo transcribed and arranged for Concert Band by Stephen R. Dalrymple ♫ In contrast to the artists and musicians of the 18th Century whose music was deliberately formal, understated, and courtly, the artists and composers of the early and middle years of the 19th Century believed in sharing and experiencing deep emotions. We name this period the Romantic Period of Art and Music History, not merely alluding to feelings of love and affection, but the broader sense that includes all emotions (including joy, anger, calmness, amusement etc.) ♫ In his day, Brahms music was praised (and strongly criticized) for using the forms of the previous century for the structure of his music. He often used the patterns of Mozart and Beethoven to organize the flow of his musical ideas. But the expressive content that he shared within those boundaries was genius. ♫ As a freshman at university, I asked an older piano student whose piano music she most enjoyed playing. She answered, “I love to play Brahms because his music seems so intimate.†I agree. ♫ sequenced by the arranger ♫ arrangement © 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Snare Drum, Triangle/Cymbals, and Timpani. ♫ The YouTube video contains a full recording.
$19.00
17.03 €
#
Concert band
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Stephen R Dalrymple
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Intermezzo, Op. 117 No. 3
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Stephen R Dalrymple
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SheetMusicPlus
Overture to HMS Pinafore
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1008693 Composed by Sir Arthur Se…
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Concert Band - Level 2 - Digital Download SKU: A0.1008693 Composed by Sir Arthur Seymour Sullivan. Arranged by Steven Nunes. Contemporary,Musical/Show,Romantic Period,Standards. Score and parts. 109 pages. Nagamon Publications #4966251. Published by Nagamon Publications (A0.1008693). A wind band transcription of the light hearted overture to HMS Pinafore suitable for Early Intermediate wind bands and above. Perfect as a concert opener, but also a fun addition to any concert.
$30.00
26.89 €
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Concert band
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Sir Arthur Seymour Sullivan
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Overture to HMS Pinafore
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Nagamon Publications
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SheetMusicPlus
Romantic Piano Music
1 Piano, 4 hands
Piano (4 hands) - intermediate - Digital Download 23 Pieces for Piano Duet. This ed…
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Piano (4 hands) - intermediate - Digital Download 23 Pieces for Piano Duet. This edition: Sheet music. Klavier, Piano, Sammlung. Schott Piano Classics. Downloadable. Op. 1. Schott Music - Digital #Q18589. Published by Schott Music - Digital
The two-volume collection 'Romantic Piano Music' draws from the vast repertoire of 19th-century music for piano duet. The 23 pieces include real 'gems' - unjustly forgotten or lesser known works which shall be brought to mind again with these two volumes. As a consequence, rarely played works of great composers such as Schubert, Mendelssohn, Dvorak, Schumann, Brahms, Faure, and Moszkowski are next to hitherto undiscovered compositions by Johann Ludwig Bohner, Heinrich Hofmann, Friedrich Gernsheim or Julius Rontgen, among others. A creative collection to add to the piano duet repertoire.
$16.99
15.23 €
#
1 Piano, 4 hands
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Romantic Piano Music
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Schott Music - Digital
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SheetMusicPlus
Romantic Piano Music
1 Piano, 4 hands
Piano (4 hands) - intermediate - Digital Download 23 Pieces for Piano Duet. This ed…
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Piano (4 hands) - intermediate - Digital Download 23 Pieces for Piano Duet. This edition: Sheet music. Klavier, Piano, Sammlung. Schott Piano Classics. Downloadable. Op. 2. Schott Music - Digital #Q18590. Published by Schott Music - Digital
The two-volume collection .'Romantic Piano Music' draws from the vast repertoire of 19th-century music for piano duet. The 23 pieces include real 'gems' - unjustly forgotten or lesser known works which shall be brought to mind again with these two volumes. As a consequence, rarely played works of great composers such as Schubert, Mendelssohn, Dvorak, Schumann, Brahms, Faure, and Moszkowski are next to hitherto undiscovered compositions by Johann Ludwig Bohner, Heinrich Hofmann, Friedrich Gernsheim or Julius Rontgen, among others. A creative collection to add to the piano duet repertoire.
$16.99
15.23 €
#
1 Piano, 4 hands
#
Romantic Piano Music
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Schott Music - Digital
#
SheetMusicPlus
Brahms: Hungarian Dance No. 5 (Accordion Duet)
2 Accordions
Accordion Duet - Intermediate - Digital Download Composed by Johannes Brahms (1833-18…
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Accordion Duet - Intermediate - Digital Download Composed by Johannes Brahms (1833-1897). Arranged by Roar Kvam. Romantic Period, Recital. Score, Set of Parts. 8 pages. Published by KVAMusic Edition
Brahms famous piece transcribed for 2 accordions, equal difficulty in both parts.
$7.50
6.72 €
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2 Accordions
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Johannes Brahms (1833-1897)
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Brahms: Hungarian Dance No. 5
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KVAMusic Edition
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SheetMusicPlus
Algorhythms: (wp) 2nd B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN2TC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTN2TC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
#
Concert band
#
Gary Fagan
#
Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) B-flat Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPBBBC (wp) B-flat Baritone B.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPBBBC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
#
Concert band
#
Gary Fagan
#
Algorhythms:
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) B-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBBTC (wp) B-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTBBTC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
#
Concert band
#
Gary Fagan
#
Algorhythms:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Algorhythms: (wp) 2nd B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN2BC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTN2BC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPEH1 (wp) 1st Horn in E-flat. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPEH1). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTBEBC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTN1BC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) B-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTBBBC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) 1st B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTN1TC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Algorhythms: (wp) E-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBETC (wp) E-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001256_WPTBETC (wp) E-flat Tuba T.C.. Composed by Gary Fagan. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001256_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001256_WPTBETC). UPC: 038081289984.An algorithm is a procedure for solving a mathematical problem in a finite number of steps that frequently involves repetition of an operation. Algorithms are frequently used in programming sequences in computers. The driving rhythms and mathematical feel of Algorhythms lends a 'digital' quality to the piece, one that will quickly become a favorite for players and the audience. This title is available in SmartMusic.Concert/Contest.
$3.00
2.69 €
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Concert band
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Gary Fagan
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Algorhythms:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.5 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Johannes Brahms: Poco Allegretto for Clarinet and Piano (Arr. Seunghee Lee)
Clarinet and Piano
Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Johannes Brahms…
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Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Johannes Brahms (1833-1897). Arranged by Seunghee Lee. Romantic Period, Recital. Piano Reduction, Score, Solo Part. 12 pages. Published by Musica Solis
Composed by Johannes Brahms (1833-1897). Arranged for Clarinet in Bb and Piano by Seunghee Lee. Romantic Period. Published by Musica Solis. Copyright: All Rights Reserved. Piano (10 pages) Clarinet in Bb (2 Page).
$9.99
8.95 €
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Clarinet and Piano
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Johannes Brahms (1833-1897)
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Johannes Brahms: Poco Allegretto for Clarinet and Piano
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Musica Solis
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SheetMusicPlus
Time for the Future
Music Theory
Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony…
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Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony. Composed by Bret Willmott. Guitar: Classical and Lute. E- book. Mel Bay Publications - Digital Sheet Music #97884EB. Published by Mel Bay Publications - Digital Sheet Music
Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.
$27.99
25.09 €
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Music Theory
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Bret Willmott
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Time for the Future
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Earth Rhythms Catalog, Volume 2
Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.21403EB
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Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.21403EB Rhythms from the Balkans, Near East and Middle East. Composed by Ivan Krillzarin. Percussion: Hand Percussion and Bodhran. World Music. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21403EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21403EB). ISBN 9781619110793. 8.75x11.75 inches.The most complete and comprehensive book ever published on Dumbek (Darbuka) rhythms. Transcribed for Drumset, Bongo and Bass, Earth Rhythms Catalog Volume 2 covers traditional folk, ceremonial, festival and belly dance rhythms of the Balkans, Near East and Middle East. (Includes Algeria, Morocco, Tunisia, Syria, Egypt, Saudi Arabia, Lebanon, Iraq, Iran, Greece, Turkey and more.) Accurately transcribed and recorded these authentic and ancient rhythms are presented in a format that is applicable to all levels (from beginners to advanced) of drummers and bass players. The 63 great rhythms on the companion audio are a fabulous source of information for all musicians and composers. Includes access to online audio.
$17.99
16.12 €
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Ivan Krillzarin
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Intermediate
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Earth Rhythms Catalog, Volume 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Music Is All We Need!
Choral 2-part
2-part choir, Piano - Digital Download SKU: LX.15-3696H Composed by Michael Ryan. G…
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2-part choir, Piano - Digital Download SKU: LX.15-3696H Composed by Michael Ryan. General. Octavo. 12 pages. Heritage Music Press #e15/3696H. Published by Heritage Music Press (LX.15-3696H). ISBN 9780787768249.Cast in a brilliant Broadway spectacular style, “Music Is All We Need!†is the perfect concert opener with driving rhythms, hip harmonies, and soaring musical lines. It features unison singing broken up with brief, easy two-part harmony and is adaptable to choreography. This thrilling arrangement will take your audience’s breath away. “With ev’ry note, ev’ry joyful inflection, we’ll be the change, you will see. Love we will sing out in ev’ry direction. Music is all we need!†A three-part edition is also available.
$2.50
2.24 €
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Choral 2-part
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Michael Ryan
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Music Is All We Need!
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Heritage Music Press
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SheetMusicPlus
Music Is All We Need!
Choral 3-part
3-part mixed choir, Piano - Digital Download SKU: LX.15-3695H Composed by Michael R…
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3-part mixed choir, Piano - Digital Download SKU: LX.15-3695H Composed by Michael Ryan. General. Octavo. 12 pages. Heritage Music Press #e15/3695H. Published by Heritage Music Press (LX.15-3695H). ISBN 9780787768232.Cast in a brilliant Broadway spectacular style, “Music Is All We Need!†is the perfect concert opener with driving rhythms, hip harmonies, and soaring musical lines. It features unison singing broken up with brief, easy three-part harmony and is adaptable to choreography. This thrilling arrangement will take your audience’s breath away. “With ev’ry note, ev’ry joyful inflection, we’ll be the change, you will see. Love we will sing out in ev’ry direction. Music is all we need!†A two-part edition is also available.
$2.50
2.24 €
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Choral 3-part
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Michael Ryan
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Music Is All We Need!
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Heritage Music Press
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SheetMusicPlus
Brahms-Bildnis
Piano Trio: piano, violin, cello
Piano Trio - Digital Download SKU: S9.Q2813 Trio. Composed by Wilhelm Killma…
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Piano Trio - Digital Download SKU: S9.Q2813 Trio. Composed by Wilhelm Killmayer. This edition: score and parts. Downloadable, Score and parts. Duration 8 minutes. Schott Music - Digital #Q2813. Published by Schott Music - Digital (S9.Q2813). Mein 1976 entstandenes Brahms-Bildnis ist ein einsätziges Klaviertrio von circa 12 Minuten Dauer. Es kann, wenn man den Titel wichtig nimmt, ein Portrait der Person Johannes Brahms', nicht seiner Musik darstellen und verweist im Duktus auf die Blütezeit des Klaviertrios im 19. Jahrhundert. Der Beginn - zunächst im Gestus eines Violinkonzerts - ist ein Zwiegesang zwischen Geige und Cello, zu dem später das Klavier hinzutritt. Eine im großen Ton zu spielende Stelle, unisono für Geige und Cello mit treibendem Klavier, bricht unvermittelt in einen chaotischen Abschnitt um, der schließlich das Klavier mit verzweifeltem Hämmern in die extremste Lage treibt. Diese äußerste Erregung wird zurückgeführt in eine quasi-Reprise mit einem cantablen, schmerzlichen Abgesang, der relativ kurz ist und steil abfällt in einen unvermittelt abschließenden stumpfen d-Moll-Akkord. Man kann das Stück als Psychogramm der verborgenen inneren Lebenschaotik von Brahms deuten und sein Bestreben, diese musikalisch zu bewältigen. -Wilhelm Killmayer.
$29.99
26.88 €
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Piano Trio: piano, violin, cello
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Wilhelm Killmayer
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Brahms-Bildnis
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Schott Music - Digital
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SheetMusicPlus
Cello Chords, Rhythms and Backups for Fiddle Tunes
Cello
Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle T…
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Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle Tunes. E-book and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30783MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119987.<br> <br> Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, youll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Masons Apron, and Green Grows the Laurel plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.
$14.99
13.43 €
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Cello
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Renata Bratt
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Cello Chords, Rhythms and Backups for Fiddle Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Finale from Brahms's Symphony No. 1: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001399_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001399_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Johannes Brahms. Arranged by Mark Williams. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001399_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001399_WPTBEBC). UPC: 038081322384.This easy arrangement from one of the most popular symphonies of all time remains remarkably faithful to the spirit of the original. Starting with a rousing cut-time intro, it moves through a beautiful chorale section to the famous lyric theme, which leads to its ultimate conclusion in a return of the opening music. A great introduction to the works of Brahms. (2:00) Correlated with Accent on Achievement, Book 2, page 28.Concert/Contest.
$3.00
2.69 €
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Concert band
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Johannes Brahms
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Finale from Brahms's Symphony No. 1:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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