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Harp Duet by the composer
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ENCHANTED EVENING - Violin & Harp
Harp, Violin (duet)
Harp,Violin - Level 3 - Digital Download SKU: A0.1133883 By LINCOLN BRADY. By LINCO…
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Harp,Violin - Level 3 - Digital Download SKU: A0.1133883 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Chamber,Classical. Full Performance. Duration 170. LINCOLN BRADY #734003. Published by LINCOLN BRADY (A0.1133883). Https://www.sheetmusicplus.com/title/22201993 In a Neo-Impressionistic style. A musical evocation of a short poem by Lincoln Brady. Originally composed for Solo Guitar by Lincoln Brady. Arranged here for Violin & Harp Duet by the composer. Also arranged for - Solo Piano - Solo Harp ​- Guitar & Cello Duet - Guitar & Violin Duet - Cello & Harp Duet - Cello & Piano Duet - Violin & Piano Duet.
$2.99
2.73 €
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Harp, Violin (duet)
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LINCOLN BRADY
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ENCHANTED EVENING - Violin & Harp
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LINCOLN BRADY
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SheetMusicPlus
ENCHANTED EVENING - Cello & Harp
Harp
Cello,Harp - Digital Download SKU: A0.1133683 By LINCOLN BRADY. By LINCOLN BRADY. A…
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Cello,Harp - Digital Download SKU: A0.1133683 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Chamber,Classical. Full Performance. Duration 170. LINCOLN BRADY #733799. Published by LINCOLN BRADY (A0.1133683). In a Neo-Impressionistic style. A musical evocation of a short poem by Lincoln Brady. Originally composed for Solo Guitar by Lincoln Brady. Arranged here for Cello & Harp Duet by the composer. Also arranged for - Solo Piano - Solo Harp ​- Guitar & Cello Duet - Guitar & Violin Duet - Harp & Violin Duet - Cello & Piano Duet - Violin & Piano Duet.
$2.99
2.73 €
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Harp
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LINCOLN BRADY
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ENCHANTED EVENING - Cello & Harp
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LINCOLN BRADY
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet & Harp
Clarinet, Harp (duet)
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.12 €
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Clarinet, Harp (duet)
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Bach-Gounod
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Bach-Gounod: Ave Maria for Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duet)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
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2 Tubas (duet)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Minuet in G (harp duet)
2 Harps (duet)
Harp duet - Early Intermediate - Digital Download Composed by Johann Sebastian Bach…
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Harp duet - Early Intermediate - Digital Download Composed by Johann Sebastian Bach, Christian Petzold. Arranged by Daniel C. M.. Baroque Period, Repertoire, Recital. Score, Set of Parts. 4 pages. Published by Daniel C. M.
This work is attributed to Johann Sebastian Bach. It is used the name of the now attributed composer Christian Petzold for there is new information about him. This arrangement is written for two harps. The difficulty level is basically easy as the original for both parts. The PDF file includes the score with parte prima and seconda in the same page and, also, the both parts separately. .
$3.99
3.65 €
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2 Harps (duet)
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Johann Sebastian Bach, Christian Petzold
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Minuet in G
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Daniel C. M.
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SheetMusicPlus
Rigaudon for harp duet. Rameau
2 Harps (duet)
Instrumental Duet Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.912230
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Instrumental Duet Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.912230 Composed by J-P Rameau. Arranged by Harpoline. Baroque. Score and parts. 4 pages. Harpoline #6215609. Published by Harpoline (A0.912230). A beautiful baroque tune by the French baroque composer Rameau. This piece is in the key of D and has been arranged for two lever harps. It needs no key/lever changes. The harp 1 part can also be played as a solo piece. Fingerings have been added, but are always optional and can be changed. With different fingerings this can also be played by two pianos or one harp and one piano.
$4.00
3.66 €
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2 Harps (duet)
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J-P Rameau
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Rigaudon for harp duet. Rameau
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Harpoline
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SheetMusicPlus
Give Me Your Hand, Duet for Bb Clarinet & Harp
Clarinet, Harp (duet)
Instrumental Duet Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.804136 Composed by Ruaidhrà Dall Ó Catháin. Arranged by Serena O’Meara. Celtic,Folk,Holiday,Irish,Multicultural,Wedding,World. Score and parts. 10 pages. O'Meara Music #6638457. Published by O'Meara Music (A0.804136). A beautiful air that is performed often at weddings. Ruaidhrà Dall Ó Catháin, also known as Rory Dall O’Cahan, was a blind Irish harper and composer. A gentleman by birth, he travelled into Scotland in the company of noble persons. The story goes that a Lady insulted him. When she realized her error, she located him and apologized. It became the basis for this most famous composition. This arrangement works well with Banish Misfortune. You will receive the Score, plus separate Bb Clarinet and Harp Parts.  Harp part plays on either Lever or Pedal Harps.
$8.00
7.31 €
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Clarinet, Harp (duet)
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Ruaidhrà Dall Ó Catháin
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Give Me Your Hand, Duet for Bb Clarinet & Harp
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O'Meara Music
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SheetMusicPlus
Jan Freidlin: Eurydica's Shadow for flute and harp
Harp, Flute (duet)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - Digital Download SKU: A0.534…
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - Digital Download SKU: A0.534063 Composed by Jan Freidlin. 20th Century,Concert,Contemporary,Standards. Score and parts. 33 pages. Musik Fabrik Music Publishing #3103781. Published by Musik Fabrik Music Publishing (A0.534063). Described by the composer as a concerto piccolo this work explores the myth of Orpheus, who took his harp into Hell to allow his wife (Eurydica) to return to Life, but who loses her during the journey back because he is not allowed to look at her before they arrive at the surface....
$19.95
18.24 €
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Harp, Flute (duet)
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Jan Freidlin
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Jan Freidlin: Eurydica's Shadow for flute and harp
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto Pour Une Voix (Saint Preux) - Flute and Harp Duet
Harp, Flute (duet)
Flute, Harp - Advanced - Digital Download By Saint Preux. Arranged by Myriam Darme, M…
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Flute, Harp - Advanced - Digital Download By Saint Preux. Arranged by Myriam Darme, Maia Darme. Score, Set of Parts. 8 pages. Published by Myriam & Maia Darme
<br> This score is a flute and harp duet arrangement of “Concerto pour une voix" (Concerto for One Voice), a crossover contemporary classical / pop song written by French composer Saint-Preux in 1969. It was originally intended as a purely instrumental piece for trumpet and strings, but after hearing French singer Danielle Licari practice in a recording studio, Saint-Preux decided record his work with her. She sung the solo trumpet part using a vocalise technique similar to scat singing in jazz to imitate a brass instrument. The song, which doesn't bear any lyrics, was a thunderous success upon its release and made both her career and his.<br> <br> The PDF file includes both the score and parts. It is suitable for advanced students as well professionals looking for a popular addition to their repertoire. Duration: 4’30.<br> <br> More arrangements and recordings are available at:<br> www.ensembletraversees.com/en/shop (Flute & Harp Duet Traversées)<br> www.myriamdarme.com (Myriam Darme, flute)<br> www.maiadarme.com (Maia Darme, harp)
$6.99
6.39 €
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Harp, Flute (duet)
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Saint Preux
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Maia Darme
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Concerto Pour Une Voix
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Myriam & Maia Darme
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SheetMusicPlus
ENCHANTED EVENING - Solo Harp
Harp
Harp - Level 3 - Digital Download SKU: A0.1133864 By LINCOLN BRADY. By LINCOLN BRAD…
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Harp - Level 3 - Digital Download SKU: A0.1133864 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical. Full Performance. Duration 170. LINCOLN BRADY #733983. Published by LINCOLN BRADY (A0.1133864). Https://www.sheetmusicplus.com/title/22201618 In a Neo-Impressionistic style. A musical evocation of a short poem by Lincoln Brady. Originally composed for Solo Guitar by Lincoln Brady. Arranged here for Solo Harp by the composer. Also arranged for - Solo Piano ​- Guitar & Cello Duet - Guitar & Violin Duet - Harp & Violin Duet - Cello & Harp Duet - Cello & Piano Duet - Violin & Piano Duet.
$2.99
2.73 €
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Harp
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LINCOLN BRADY
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ENCHANTED EVENING - Solo Harp
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LINCOLN BRADY
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SheetMusicPlus
Pachelbel: Canon in D for Bass Flute & Harp
Harp, Flute (duet)
Instrumental Duet Bass Flute,Harp,Instrumental Duet - Digital Download SKU: A0.1098499
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Instrumental Duet Bass Flute,Harp,Instrumental Duet - Digital Download SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.12 €
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Harp, Flute (duet)
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Johann Pachelbel
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Pachelbel: Canon in D for Bass Flute & Harp
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for English Horn & Harp
English horn, Harp (duet)
Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098849 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702692. Published by jmsgu3 (A0.1098849). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for English Horn & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.12 €
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English horn, Harp (duet)
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Johann Pachelbel
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Pachelbel: Canon in D for English Horn & Harp
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Alto Flute & Harp
Harp, Flute (duet)
Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A…
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Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702344. Published by jmsgu3 (A0.1098488). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Alto Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95
31.95 €
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Harp, Flute (duet)
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Johann Pachelbel
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Pachelbel: Canon in D for Alto Flute & Harp
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jmsgu3
#
SheetMusicPlus
What a Friend We Have in Jesus, Harp Duet
2 Harps (duet)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.808007 Composed b…
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Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.808007 Composed by Charles Converse. Arranged by Serena O’Meara. Country,Praise & Worship,Sacred,Spiritual,Traditional. 10 pages. O'Meara Music #4621501. Published by O'Meara Music (A0.808007). One of the most popular hymns of all times, the poem, What A Friend We Have in Jesus, was a poem written by Joseph Scriven in 1855. He sent it from Canada to his Mother in Ireland. In 1868, American Charles Converse, an attorney and composer of hymns, came across Scriven’s poem and set the words to music, publishing it in a hymnal. Set in the key of F, the melody is shared equally between parts. Each part is of equal difficulty, although Harp II makes F# in each verse. Dynamics are clearly marked. You will receive the Score, Harp I, Harp II and a page of lyrics.
$10.00
9.14 €
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2 Harps (duet)
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Charles Converse
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What a Friend We Have in Jesus, Harp Duet
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O'Meara Music
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SheetMusicPlus
Pachelbel: Canon in D for Bassoon & Harp
Bassoon and Harp
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1…
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Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702706. Published by jmsgu3 (A0.1098863). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bassoon & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.12 €
#
Bassoon and Harp
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Johann Pachelbel
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Pachelbel: Canon in D for Bassoon & Harp
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jmsgu3
#
SheetMusicPlus
O Come, All Ye Faithful, Harp Duet
2 Harps (duet)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803886 Composed b…
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Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803886 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 12 pages. O'Meara Music #5325977. Published by O'Meara Music (A0.803886). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts. You will receive the Score, Harp I, and Harp II.
$8.00
7.31 €
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2 Harps (duet)
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John Francis Wade
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O Come, All Ye Faithful, Harp Duet
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O'Meara Music
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SheetMusicPlus
Vivaldi - Spring (The Four Seasons) for Flute and Harp Duet
Harp, Flute (duet)
Flute, Harp - Advanced Intermediate - Digital Download Composed by Antonio Vivaldi …
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Flute, Harp - Advanced Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Arranged by Myriam Darme, Maia Darme. Classical Period, Baroque Period, Early Music, Repertoire, Recital. Individual Part, Score, Set of Parts. 8 pages. Published by Myriam & Maia Darme
Antonio Vivaldi’s Four Seasons need no introduction: it is the Italian composer’s best known and most loved work. Myriam and Maia Darme arranged this baroque masterpiece for flute and pedal harp.<br> <br> This is the sheet music for the third movement of Spring, a joyous pastoral dance illustrating the following sonnet: "Led by the festive sound of rustic bagpipes, nymphs and shepherds lightly dance beneath the brilliant canopy of spring."<br> <br> The PDF file includes both the score and parts. Intermediate-advanced level. Performance time: ca. 3’40.<br> <br> Note that the sound clip was digitally produced as a reference : the piece will sound much better on real instruments!
$3.99
3.65 €
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Harp, Flute (duet)
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Antonio Vivaldi (1678-1741)
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Maia Darme
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Vivaldi - Spring
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SheetMusicPlus
O Come, All Ye Faithful, Duet Harp I
2 Harps (duet)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803887 Composed b…
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Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803887 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 4 pages. O'Meara Music #5325999. Published by O'Meara Music (A0.803887). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts.
$4.00
3.66 €
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2 Harps (duet)
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John Francis Wade
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O Come, All Ye Faithful, Duet Harp I
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O'Meara Music
#
SheetMusicPlus
O Come, All Ye Faithful, Duet Harp II
2 Harps (duet)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803889 Composed b…
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Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803889 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 4 pages. O'Meara Music #5326005. Published by O'Meara Music (A0.803889). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts.
$4.00
3.66 €
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2 Harps (duet)
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John Francis Wade
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O Come, All Ye Faithful, Duet Harp II
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O'Meara Music
#
SheetMusicPlus
What a Friend We Have in Jesus, Harp I
2 Harps (duet)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803738 Composed b…
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Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803738 Composed by Charles Converse. Arranged by Serena O’Meara. Country,Praise & Worship,Sacred,Spiritual,Traditional. 3 pages. O'Meara Music #4621505. Published by O'Meara Music (A0.803738). One of the most popular hymns of all times, the poem, What A Friend We Have in Jesus, was a poem written by Joseph Scriven in 1855. He sent it from Canada to his Mother in Ireland. In 1868, American Charles Converse, an attorney and composer of hymns, came across Scriven’s poem and set the words to music, publishing it in a hymnal. Set in the key of F, the melody is shared equally between parts. Each part is of equal difficulty, although Harp II makes F# in each verse. Dynamics are clearly marked
$4.00
3.66 €
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2 Harps (duet)
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Charles Converse
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What a Friend We Have in Jesus, Harp I
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O'Meara Music
#
SheetMusicPlus
Harp-Lute (for Two Harps)
2 Harps (duet)
Instrumental Duet Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1023653
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Instrumental Duet Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1023653 Composed by Dave Flynn. 20th Century,Celtic,Contemporary. Score and parts. 11 pages. Frisbee Publications #6249027. Published by Frisbee Publications (A0.1023653). Original work by composer Dave Flynn, Irish Memory Orchestra founder and director. This is an atmospheric harp duet inspired by the tuning of the 19th Century invention the Harp-Lute. Minimalist and modal in style with Celtic/Irish elements.
$15.00
13.71 €
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2 Harps (duet)
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Dave Flynn
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Harp-Lute
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Frisbee Publications
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SheetMusicPlus
A Quiet Place in the Rain for cello and harp
Harp, Cello (duet)
Instrumental Duet Cello,Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.100…
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Instrumental Duet Cello,Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.1000660 Composed by Nicholas Yandell. Contemporary. Score and parts. 37 pages. Nicholas Yandell Music #5953169. Published by Nicholas Yandell Music (A0.1000660). This piece was Jointly Commissioned by the Oregon Music Teachers Association and Music Teachers National Association for the 2020 Composer of the Year celebration on June 25th, 2020.Composed in 2020 and first performed on June 6th, 2020. Duration: 12 minutes; one movement.Level: Concert or recital piece; appropriate for advanced students or professionals.Program notes: A highly emotional, expressive and dramatic work, about the composer's struggles with mental health and overcoming those struggles. The title of the piece refers to an unconventional refuge; a place that’s dark, damp, and cold, where one goes to face their deepest fears. Only through plunging oneself into this unpleasant place, can one dig deep enough to face their internalized fears and find catharsis and redemption on the other side.Performing Rights Organization: ASCAP
$11.99
10.96 €
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Harp, Cello (duet)
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Nicholas Yandell
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one movement
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A Quiet Place in the Rain for cello and harp
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Nicholas Yandell Music
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
65.83 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
65.83 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 2
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Artaria Editions
#
SheetMusicPlus
Still Waters (Duet for Bb Clarinet and F Horn)
Clarinet, Horn (duet)
B-Flat Clarinet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.949393 …
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B-Flat Clarinet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.949393 Composed by Adam Lenhart. Arranged by https://youtu.be/189oa493Ee4. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704853. Published by Adam Lenhart (A0.949393). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associationâ??s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Menâ??s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
4.56 €
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Clarinet, Horn (duet)
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Adam Lenhart
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Still Waters
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Adam Lenhart
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