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You've selected:
He's Coming Soon.
Sheetmusic to print
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He's Coming Soon (In These, the Closing Days of Time) - for easy piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.562457 Composed by Thoro Harris Lil…
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Easy Piano - Level 1 - Digital Download SKU: A0.562457 Composed by Thoro Harris Liliʻuokalani. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 2 pages. SamuelStokesMusic.com #5753931. Published by SamuelStokesMusic.com (A0.562457). This is an arrangement of He's Coming Soon (In These, the Closing Days of Time) for easy piano in C major. This tune is based on the Hawaiian song Aloha Oe. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50
2.34 €
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Easy Piano
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Thoro Harris Liliʻuokalani
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He's Coming Soon
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SamuelStokesMusic.com
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SheetMusicPlus
He's Coming Soon.
Choral SATB
Choral Choir (4-Part) - Digital Download SKU: A0.989510 Composed by S J Martin Payn…
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Choral Choir (4-Part) - Digital Download SKU: A0.989510 Composed by S J Martin Payne. Arranged by Richard Putnam. Christian,Gospel,Praise & Worship,Sacred. Octavo. 18 pages. S J Martin Payne #2880397. Published by S J Martin Payne (A0.989510). Very good Praise and Worship song, suitable for Gospel Choirs and small groups.
$4.99
4.67 €
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Choral SATB
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S J Martin Payne
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He's Coming Soon.
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S J Martin Payne
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SheetMusicPlus
He's coming soon
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.612746 By Unknown. By Unknown. Arrange…
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Piano,Vocal,Voice - Digital Download SKU: A0.612746 By Unknown. By Unknown. Arranged by Unknown. Praise & Worship. Score. 2 pages. Mark C. Agorson @ +2348095656019, +2348137427370 #221938. Published by Mark C. Agorson @ +2348095656019, +2348137427370 (A0.612746).
$1.99
1.86 €
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Piano, Voice
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Unknown
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He's coming soon
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Mark C. Agorson @ +2348095656019, +2348137427370
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SheetMusicPlus
He's A Pirate
Organ
Organ - Level 4 - Digital Download SKU: A0.1292366 Composed by Geoffrey Zanelli, Ha…
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Organ - Level 4 - Digital Download SKU: A0.1292366 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Rob Hlebinsky. 21st Century,Broadway,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Rob Hlebinsky #882832. Published by Rob Hlebinsky (A0.1292366). He's a Pirate from Pirates of the Caribbean: The Curse of the Black Pearl arranged for the pipe organ. NOTE: This is not the full medley, only one of the selections; indications are given for how to adapt this version to the medley version. Suggested registration coming soon. Difficulty rating: Advanced Intermediate.
$5.99
5.6 €
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Organ
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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He's A Pirate
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Rob Hlebinsky
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 1-22. KlavarScore notation (Letter/A4)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.988442 Composed by Carl Czerny (179…
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Piano Solo - Level 1 - Digital Download SKU: A0.988442 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 31 pages. KlavarScore #6667881. Published by KlavarScore (A0.988442). Book 1, containing the exercises 1-22 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See https://www.klavarscore.org). This book is in Letter/A4 format, suitable for printing, and is also available in A5 (Half Letter) format for sight-reading from a tablet or e-bookreader. In this book you will find links for free download of the audio files and KlavarScore Scrolling files, so you can play these pieces (with an appropriate app) from your cellphone, tablet or desktop PC. Perhaps not only for exercising, but also because it is such nice music to play and hear..... The Video example shown on this site is exercise No.16, the audio example is exercise No.22 Books 2, 3 and 4, each also containing 22 exercises are also available. Book 5, also containing 22 exercises will be coming soon. By practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises. As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience. These books contain instructions in Czerny's own words. Translations of Czerny's words are included in the Prefaces or in some cases as footnotes after the exercises, regarding choosing a proper tempo, the proper playing of ornaments, etc., mostly taken from Czerny's Piano School, Opus 500. In this way, Czerny himself becomes the teacher to students in need of one. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia. For more information about KlavarScore see: https://www.klavarscore.org.
$1.99
1.86 €
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Piano solo
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practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises
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Carl Czerny
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Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 1-22. KlavarScore notation
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KlavarScore
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercises Opus 453 Ex. 45-66 KlavarScore notation (A4)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.988443 Composed by Carl Czerny (179…
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Piano Solo - Level 2 - Digital Download SKU: A0.988443 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 32 pages. KlavarScore #6698337. Published by KlavarScore (A0.988443). Book 3, containing the exercises 45-66 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book is in the Letter/A4 format, suitable for printing.In this book you will find QR codes for free download of the audio files, as an example of how these pieces could be played. Perhaps not only for exercising, but also because it is such nice music to play and hear.....Books 1, 2 and 4, each also containing 22 exercises are also available.Book 5, also containing 22 exercises will be coming soon.The Video example shown on this site is exercise No.62, the audio example is exercise No.52.Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil.Source: Wikipedia.
$1.99
1.86 €
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Piano solo
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Carl Czerny
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Czerny's 110 Easy and Progressive Exercises Opus 453 Ex. 45-66 KlavarScore notation
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KlavarScore
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 23-44 KlavarScore notation (Lettter/A4)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.988440 Composed by Carl Czerny (179…
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Piano Solo - Level 2 - Digital Download SKU: A0.988440 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 27 pages. KlavarScore #6667879. Published by KlavarScore (A0.988440). Book 2, containing the pieces 23-44 from CarlCzerny's 110 Easy and Progressive Exercises as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book is in Letter/A5 suitable for printing. In this book you will find QR codes for free download of the audio files, as an example of how these pieces could be played. Perhaps not only for exercising, but also because it is such nice music to play and hear..... Books 1, 3 and 4, each also containing 22 exercises are also available. Books 5 will be coming soon. The Video example shown on this site is exercise No.42, the audio example is exercise No.36. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven'snumerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia.
$1.99
1.86 €
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Piano solo
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Carl Czerny
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Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 23-44 KlavarScore notation
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KlavarScore
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SheetMusicPlus
HE is Coming Again - Woodwind Chamber Ensemble
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.7484…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.748471 Composed by DIAPASON. Arranged by Fritz Stanley. Christian,Praise & Worship,Sacred. 8 pages. MicStanley #3490435. Published by MicStanley (A0.748471). 2018 Chamber Music Contest Entry He is Coming Again is a hymn song from The Diapason. Lyrics from traditional words. Arranged by Fritz Stanley for woodwind chamber ensemble. The song is about the readiness of Christ's disciples for Jesus' second coming.
$10.99
10.28 €
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DIAPASON
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HE is Coming Again - Woodwind Chamber Ensemble
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MicStanley
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SheetMusicPlus
Away In A Manger: for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and parts. 3 pages. Jmsgu3 #3386521. Published by jmsgu3 (A0.548473). Traditional Christmas song arranged for Bassoon & Piano. Third verse features modified harmony. Score: 2 pg. Part: 1 pg. Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
23.34 €
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Bassoon, Piano (duet)
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the 1880’s the cradle song was being performed in church
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Mueller
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Piano
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Away In A Manger: for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercices Opus 453, Exercise 1-22 transcribed to KlavarScore.
Easy Piano
Piano Solo - Early Intermediate - Digital Download Composed by Carl Czerny (1791-18…
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Piano Solo - Early Intermediate - Digital Download Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Romantic Period. Set of Parts. 47 pages. Published by KlavarScore
Book 1, containing the first 22 pieces from CarlCzerny's 110 Easy and Progressive Exercices as an addition to the freeKlavarscore Beyer Piano Course (See www.klavarscore.org). This book in A5 format can be sight-read from a tablet or e-bookreader. It is also possible to print two pages on one Letter/A4 sheet inlandscape orientation.<br> <br> In this book you will find links for free download of the audio filesand KlavarScore Scrolling files, so you can play these pieces (with anappropriate app) from your cellphone or tablet. Perhaps not only forexercising, but because it is such nice music to play and hear.....<br> <br> Books 2-5, each also containing 22 exercises willbe coming soon.<br> <br> Carl Czerny (1791-1857) was an Austrian composer, teacher,and pianist of Czech origin whose vast musical production amounted to over athousand works. His books of studies for the piano are still widely used inpiano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was hismost famous pupil.<br> Source: Wikipedia.
$1.99
1.86 €
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Easy Piano
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Carl Czerny (1791-1857)
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Czerny's 110 Easy and Progressive Exercices Opus 453, Exercise 1-22 transcribed to KlavarScore.
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KlavarScore
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SheetMusicPlus
Murray - Rondo - Clarinet, Bassoon & Piano
Small Ensemble Bassoon,Clarinet,Piano - Level 4 - Digital Download SKU: A0.824108 C…
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Small Ensemble Bassoon,Clarinet,Piano - Level 4 - Digital Download SKU: A0.824108 Composed by TK Tim Murray. 20th Century,Concert,Standards,Wedding. Score and parts. 15 pages. TK (Tim) Murray #5741785. Published by TK (Tim) Murray (A0.824108). 'Rondo' for Piano Trio is a vibrant, joyful work contrasting a lively rhythmic theme with two lyrical sections. This was commissioned by Felicity & Christopher Martin to mark the engagement of their Son Dominic. The main theme portrays the excitement at the prospect of the upcoming marriage contrasted with a section of past regrets and another looking back at a happy childhood. (c. 7 mins 30 secs) First performed by Hilary Sturt, Ian Pressland & TK Murray, 'Rondo' has been recorded by the Fujita Piano Trio.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$10.95
10.25 €
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TK Tim Murray
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Murray - Rondo - Clarinet, Bassoon & Piano
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TK
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SheetMusicPlus
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
5.15 €
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Piano, Vocal and Guitar
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James R
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Come Forth, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99
1.86 €
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Choral SATB
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Kevin G
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death was sure by then
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Come Forth, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
A Child Is Born
Choral 3-part
SAB choir, Piano - Digital Download SKU: LX.65-1984M A Christmas Worship Experie…
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SAB choir, Piano - Digital Download SKU: LX.65-1984M A Christmas Worship Experience of the Christ-Light. Composed by Laura Kathryn Rosser and Mary McDonald. With Optional Full Orchestra, Choral Cantatas. Christmas. 92 pages. Monarch Music #e65/1984M. Published by Monarch Music (LX.65-1984M). The significance of Christ's coming is beautifully conveyed in this service of worship for the Christmas season. Recognizing Jesus' birth as the coming of the Christ-Light offers us hope, peace, light, joy, and love. We sense the celebration shared by all who welcome Him, from the Israelites 2,000 years ago to each of us who invite this Child into our hearts today. The blending of new anthems with familiar carols and choruses makes this suitable for traditional and blended churches alike. Beginning with a quiet theme incorporating the beloved Londonderry Air, the orchestral overture is soon energized with a Celtic setting of the French carol He Is Born. A brief narrative precedes an optional candlelight processional by the choir while familiar choruses and carols offer the congregation an opportunity to join in singing this celebration of Christ's birth. Other well-known tunes include the chorus I Worship You, Almighty God, and a fresh version of When You Left Your Throne..
$9.95
9.31 €
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Choral 3-part
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Laura Kathryn Rosser and Mary McDonald
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A Child Is Born
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Monarch Music
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SheetMusicPlus
Hymns of His Great Love
Flute
Flute Solo - Level 1 - Digital Download SKU: A0.865262 Arranged by Chris Cooke. Chr…
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Flute Solo - Level 1 - Digital Download SKU: A0.865262 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Individual part. 25 pages. Chris Cooke #4615407. Published by Chris Cooke (A0.865262). This is a collection of 17 easy hymn duets that focus on Jesus’ Love. These are timeless melodies to comfort and cheer any worshiper and musician. They are suitable for accompaniment to congregational singing since most are in the traditional hymnal keys. Most contain one verse so that it can be repeated as needed. However, some contain two verses with the second verse and embellishment of the first. Coming soon are transpositions for other instruments so that duets can be played in various combinations. The hymns with their keys are: Deeper, Deeper in the Love of Jesus, A-flat I Love to Tell the Story, A-flat Jesus Loves Even e, A-flat Oh How I Love Jesus, A-flat Jesus Loves Me, B-flat It’s Just Like His Great Love, B-flat Wonderful Story of Love, B-flat Love Divine, All Loves Excelling, B-flat Love Lifted Me, B-flat Oh God of Love, Oh King of Peace, B-flat Jesus Thine All Victorious Love, F My Jesus I Love Thee, F O Love that Wilt Not Let Me Go, A-flat Awake My Soul to Joyful Ways, G Oh the Deep, Deep Love of Jesus, G-minor In Loving Kindness Jesus Came, G He Loves Me, A-flat
$5.97
5.59 €
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Flute
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Hymns of His Great Love
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Chris Cooke
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SheetMusicPlus
Twentieth Century Fox Trademark (Newman) - Wind Quintet (with optional Percussion)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare …
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare Drum, Bass Drum, Cymbal - Early Intermediate - Digital Download By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 12 pages. Published by RBMusic
“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox
$12.99
12.15 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Alfred Newman
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Twentieth Century Fox Trademark
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RBMusic
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SheetMusicPlus
The Tinkerer
4 Bassoons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.1010671…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.1010671 Composed by Zachary C. Daniels. 20th Century,Contemporary. 27 pages. Divisi Labs #6562743. Published by Divisi Labs (A0.1010671). Score and PartsThe Tinkerer was inspired by gnomish engineers, or ‘Tinkers’ from works of fiction. Imagine a workshop, with moving parts integrated into nearly every available object, and amidst the mechanical clatter of this space, we find our tinkerer at a work-table. This tinkerer, as he diligently works to finish his latest invention becomes lost, almost in a daydream-like state amidst the idea of this invention coming to life at last. Throughout this piece, you will hear a constant pulse that represents the mechanical nature of the tinker’s workspace. You will also hear minor distractions that attempt to deter our tinker’s mind. After all, distractions are the hardest thing for any creative individual to fight when finishing a project.
$9.99
9.35 €
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4 Bassoons
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Zachary C
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The Tinkerer
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Divisi Labs
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Charpentier: Noëls sur les instruments (Carols on the Instruments) H 534 (Complete) - wind quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.553943 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Christmas,Renaissance. 26 pages. RayThompsonMusic #6290707. Published by RayThompsonMusic (A0.553943). Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas.He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders.This is my transcription of the Noëls sur les instruments for standard wind quartet. (flute, oboe, clarinet and bassoon)They are 6 pieces :Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?) Joseph est bien marié (Joseph is happily married) Or nous dites Marie (But, tell us Mary) A la venue de Noël (With the coming of Christmas) Une jeune pucelle (A young maid/virgin/girl)This is purely the order they are shown in his manuscript.They appear in his Midnight Mass in the following order:(This follows the Christmas Story)Joseph est bien marié (Joseph is well married)Or nous dites Marie (But, tell us Mary)Une jeune pucelle (A young maid/virgin/girl)Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?)A la venue de Noël (With the coming of Christmas)
$19.95
18.67 €
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Flute, Oboe, Clarinet, Bassoon
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Marc-Antoine Charpentier
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Charpentier: Noëls sur les instruments
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RayThompsonMusic
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SheetMusicPlus
Charpentier: Noëls sur les instruments H534 (Christmas Carols on The Instruments) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1156439 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Chamber,Christian,Christmas. 31 pages. RayThompsonMusic #756754. Published by RayThompsonMusic (A0.1156439). Arranged standard wind quintet Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas. He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders. This is my transcription of the Noëls sur les instruments for standard wind quintet. (flute, oboe, clarinet, horn and bassoon) They are 6 pieces : Les Bourgeois de Chastre (The Townsfolk of Chastre)  Où s'en vont ces gais bergers (Where have the merry shepherds gone?)  Joseph est bien marié (Joseph is happily married)  Or nous dites Marie (But, tell us Mary)  A la venue de Noël (With the coming of Christmas)  Une jeune pucelle (A young maid/virgin/girl) This is purely the order they are shown in his manuscript.  They appear in his Midnight Mass in the following order: (This follows the Christmas Story) Joseph est bien marié (Joseph is well married) Or nous dites Marie (But, tell us Mary) Une jeune pucelle (A young maid/virgin/girl) Les Bourgeois de Chastre (The Townsfolk of Chastre)  Où s'en vont ces gais bergers (Where have the merry shepherds gone?) A la venue de Noël (With the coming of Christmas) Â
$19.95
18.67 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Marc-Antoine Charpentier
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Charpentier: Noëls sur les instruments H534
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RayThompsonMusic
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SheetMusicPlus
Breathe On Me, Breath of God
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.850767 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.850767 Composed by Robert Jackson. Arranged by Spike Maiden Müller. Christian,Sacred. 14 pages. Spike Maiden Mueller #6549783. Published by Spike Maiden Mueller (A0.850767). Edwin Hatch, D.D., was an occasional hymn writer. In 1886 he composed the lines which comprise Breathe on Me, Breath of God. A prayer for renewal by God's spirit, it is surprisingly simple and sensitive coming from a man who was intensely educated.
$13.99
13.09 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Robert Jackson
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Breathe On Me, Breath of God
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Spike Maiden Mueller
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SheetMusicPlus
Dia
Choral SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Canda…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00
14.03 €
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Choral SATB
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Candace R
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Dia
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Candace R. Lambert
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
21.05 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
14.03 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
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