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You've selected:
Hear That Knock
SheetMusicPlus
Sheetmusic to print
16 sheet music found
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1
Hear That Knock
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1377697 Composed by John Earl Pap…
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C Instrument - Level 1 - Digital Download SKU: A0.1377697 Composed by John Earl Pape. Christian,Praise & Worship,Religious. Lead Sheet / Fake Book. 1 pages. The Mediatunes Project #962291. Published by The Mediatunes Project (A0.1377697). Hear That Knock is a contemporary Christian praise and worship song. This resouce is made available to help church worship leaders and music directors learn this song. The ultimate goal for the song is to be used in ministry to encourage, bless and strengthen Christ followers. Â CCLI# 7210772.
$1.99
1.83 €
#
Easy Piano
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John Earl Pape
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Hear That Knock
#
The Mediatunes Project
#
SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.37 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.37 €
#
David Warin Solomons
#
Mysterious Moment for oboe and string trio
#
David Warin Solomons
#
SheetMusicPlus
Seven Days Without Prayer
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download…
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
1.83 €
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
"Lord, I'm Coming Home"
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.924174 Composed by William J. Kirkpatri…
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Guitar - Level 2 - Digital Download SKU: A0.924174 Composed by William J. Kirkpatrick. Arranged by R.S. Carrier. Christian,Praise & Worship,Sacred. Guitar Tab. 4 pages. Ralph scott carrier #3132711. Published by ralph scott carrier (A0.924174). Beautiful, introspective old hymn in the key of D Major, including lyrics. I sometimes perform at open mic shows, as the opportunities present themselves, usually restaurants serving alcohol. This is often the piece I open my set with with, since its incomparably beautiful melody and heartfelt lyrics seem to catch the rowdies off guard and quiets them down. It isn't a preachy thing, it's just such a pretty piece of music that even people in places like bars seem to like it, (knock on wood.).
$1.99
1.83 €
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Guitar notes and tablatures
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William J
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"Lord, I'm Coming Home"
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ralph scott carrier
#
SheetMusicPlus
HOLY LORD
Piano solo
Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
#
Piano solo
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
#
SheetMusicPlus
HOLY LORD 2
Piano solo
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
#
Piano solo
#
THEMIS KOUTRAS
#
HOLY LORD 2
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THEMIS KOUTRAS
#
SheetMusicPlus
WORD ENSCRIBED
Piano solo
Piano - Digital Download SKU: A0.1066575 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066575 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 161. THEMIS KOUTRAS #4765873. Published by THEMIS KOUTRAS (A0.1066575). This song is about the scripture GOD said that in the future he says he shall place and pin his law (word) in our hearts and mind so we will know it off by heart ye true i prayed for this and instantly was knocked out by the power of GOD but i felt no pain i then saw GOD in my thinking heart placing his book written there ye true i then was able to know it all off by heart ye true
$4.99
4.6 €
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Piano solo
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THEMIS KOUTRAS
#
WORD ENSCRIBED
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THEMIS KOUTRAS
#
SheetMusicPlus
Soaring Spirits 2
Flute Duets-Digital Version - Digital Download SKU: H1.9196DP Instrumental parts. 4…
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Flute Duets-Digital Version - Digital Download SKU: H1.9196DP Instrumental parts. 48 pages. Hope Publishing - Digital #9196DP. Published by Hope Publishing - Digital (H1.9196DP). Judy Nishimura.20 Spirituals & Hymns Arranged for Two Flutes This second volume from award-winning flute composer/arranger Judy Nishimura, collects 20 more short flute duets based on beloved spirituals and hymns. Ranging in mood from slow and lyrical to upbeat and lively, these pieces will fit easily into any church service or musical program. Flutists with intermediate to advanced skills should be comfortable playing these pieces with a minimum amount of rehearsal. The melody is always passed between the two parts to give each player a chance to shine. Contents: All Amazing Grace; Coventry Carol/ Deep River; Ezekiel Saw the Wheel; Go Down, Moses; In That Great Gettin' Up Morning; Just a Closer Walk with Thee; Kum Ba Yah; Leaning on the Everlasting Arms; Nobody Knows the Trouble I've Seen; Rock-a My Soul; Somebody's Knockin'; Sometimes I Feel Like a Motherless Child; Spirit of God, Descent upon My Heart; Steal Away; The Wexford Carol; There's a Balm in Gilead; This Train; Wade in the Water; Wayfaring Stranger.
$18.95
17.47 €
#
Coventry Carol/ Deep River
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Soaring Spirits 2
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Hope Publishing - Digital
#
SheetMusicPlus
Orgelsinfonie No. 16
Organ
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.27 €
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Organ
#
Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Do You Want To Build A Snowman?
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
12.91 €
#
Flute ensemble
#
Kristen Bell
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Do You Want To Build A Snowman?
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Lisa L Ochoco
#
SheetMusicPlus
SIMPLY GRAND (Hymns, vol. 1) - easy piano collection
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.774104 Arranged by Anthony Giamanco…
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Easy Piano - Level 2 - Digital Download SKU: A0.774104 Arranged by Anthony Giamanco. Christian,Concert,Sacred,Standards. Score. 20 pages. Whole Tone Press #6690651. Published by Whole Tone Press (A0.774104). A collection of fun, creative arrangements of six popular hymns for the late elementary/early intermediate pianist. Ideal teaching material and perfect for use as preludes, offertories, and postludes for worship. More experienced players will find these pieces useful as sight-reading material. The hymns included in this volume: Joyful, Joyful, We Adore Thee; Somebody's Knockin'; 'Tis the Gift to Be Simple; Amazing Grace; Jesus, Our Divine Companion/Sing of Mary; All Creatures of Our God and King. 20 pp.Simply Grand is a series created for musicians at the late elementary/early intermediate level. Each collection provides music that is creatively arranged and fun to play for pianists of all ages. The series includes timeless hymns, enchanting folk songs, memorable standards from the early 20th century, and beloved Christmas carols. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg.
$9.95
9.17 €
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Easy Piano
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Somebody's Knockin'
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SIMPLY GRAND
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Whole Tone Press
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SheetMusicPlus
Mandolin Chord Melody System
Mandolin
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.82 €
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Mandolin
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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