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You've selected:
Herb
Clarinet Quintet: 5 clarinets
Sheetmusic to print
3 sheet music found
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1
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.99 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
The Lonely Bull
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.595347 By Th…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.595347 By The Tijuana Brass Featuring Herb Alpert. By Sol Lake. Arranged by Adrian Wagner. Contemporary. 12 pages. Adrian Wagner #3685091. Published by Adrian Wagner (A0.595347). Complete List Of Sheet Music arr. Adrian Wagner
$14.95
13.95 €
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Clarinet Quintet: 5 clarinets
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The Tijuana Brass Featuring Herb Alpert
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The Lonely Bull
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Adrian Wagner
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SheetMusicPlus
Alfred Brewer | Bow Down Thine Ear, O Lord (arr. for Clarinet Quintet)
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1370807 By Alfred Herbert Brewer. By Alfred Herbert Brewer. Arranged by Andrew Lamb. Christian,Lent,Praise & Worship,Religious. 28 pages. Andrew Lamb #955147. Published by Andrew Lamb (A0.1370807). 🎶 Clarinet Quintet: 'Bow Down Thine Ear, O Lord' 🎶Dive into the soulful Lenten atmosphere with this stunning adaptation of Alfred Herbert Brewer's 'Bow Down Thine Ear, O Lord' 🌟. Originally composed for four unaccompanied voices, our arrangement transforms this sacred piece into a mesmerizing Clarinet Quintet 🎼.🔍 Instrumentation:Part 1: Bb Clarinet, Eb ClarinetPart 2: Bb ClarinetPart 3: Bb Clarinet, Alto ClarinetPart 4: Alto Clarinet, Basset Horn, Bass ClarinetPart 5: Bass Clarinet Flexibility reigns with the choice of instruments 🎺. This arrangement, scored for various clarinets, allows for a harmonious blend of tones, creating an unforgettable musical experience.🌈 Level of Difficulty: Medium 🎻🌟 Potential Uses: Perfect for both concert and recital settings, this adaptation is a delightful addition to your repertoire. Embrace the solemnity of a Lenten Church Service with the ethereal sounds of this clarinet quintet 🙏.👉 Remember to like and subscribe for more videos and music arrangements! 👈
$10.00
9.33 €
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Clarinet Quintet: 5 clarinets
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Alfred Herbert Brewer
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Alfred Brewer | Bow Down Thine Ear, O Lord
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Andrew Lamb
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