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10172
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5021
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4550
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3220
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3036
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2013
C Instruments
589
Piano Accompaniment
451
1 Piano, 4 hands
304
Piano Trio: piano, violin, cello
201
Piano (band part)
127
Accordion
117
2 Pianos, 4 hands
95
Keyboard
59
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43
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40
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28
Organ, Piano (duet)
26
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21
Melody line, Piano
17
Harpsichord
10
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9
1 Piano, 6 hands
9
2 Pianos, 8 hands
6
Solo instrument and Organ
5
2 Accordions
2
Organ, Voice
2
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1
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1
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GUITARS
Guitar notes and tablatures
1951
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1290
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824
Ukulele
541
Lyrics and Chords
537
Bass guitar
483
Guitar (band part)
169
2 Guitars (duet)
106
Banjo
61
4 Guitars (Quartet)
59
Mandolin
57
Dulcimer
56
Piano, Guitar (duet)
43
Guitar Ensemble
28
Electric Bass (band part)
26
3 Guitars (trio)
22
Baritone Ukulele
14
Mandolin, Piano (duet)
11
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7
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6
2 Ukuleles
4
Mandolin, Guitar (duet)
3
Guitar, Violin, Cello (trio)
3
Guitar, Orchestra
2
2 Mandolins (duet)
1
Band Scores
1
Guitar Tab, Voice, Bass, Drum
1
Instrumentations suivantes
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VOICE
Choral SATB
4799
Choral 3-part
1556
Choral 2-part
1085
Choral TTBB
934
Choral Unison
677
Choral SSAA
612
Vocal duet, Piano
252
Choral
205
Vocal duet
142
Voice solo
138
Soprano voice, Piano
69
High voice
59
Alto voice, Piano
56
Tenor voice
43
Tenor voice, Piano
37
Soprano voice
37
Medium voice, Piano
22
Low voice, Piano
16
Choral SSAATTBB
15
Choral SSATB
11
Mezzo-Soprano voice, Piano
6
Soli, Mixted choir and accompaniment
5
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5
Baritone voice, Piano
5
Choral SSATTB
5
Low voice
5
Choral SSATBB
3
Choral SSAB, Piano
2
Choral SAATB A Cappella
2
Choral, Organ
2
Choral SSAB a cappella
2
High voice, Piano
1
Choral SSAATB
1
Medium Voice
1
Baritone voice
1
Instrumentations suivantes
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WOODWIND
Saxophone Quartet: 4 saxophones
1456
2 Saxophones (duet)
1450
Flute and Piano
1405
Saxophone (band part)
1218
Flute, Oboe, Clarinet, Bassoon
1211
Oboe, Piano (duet)
1096
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1062
Clarinet
955
Clarinet and Piano
823
Alto Saxophone and Piano
813
2 Clarinets (duet)
749
Flute
739
2 Flutes (duet)
737
Clarinet Quartet: 4 clarinets
733
Tenor Saxophone and Piano
607
Alto Saxophone
602
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445
Saxophone Quintet: 5 Saxophones
439
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336
Soprano Saxophone and Piano
333
Flute, Clarinet (duet)
321
Baritone Saxophone, Piano
304
Clarinet, Trumpet (duet)
278
Oboe (band part)
275
Flute Quartet: 4 flutes
274
2 Oboes (duet)
252
Clarinet Ensemble
249
English horn, Piano
239
3 Clarinets (trio)
226
Clarinet (band part)
219
Oboe, Bassoon (duet)
213
3 Saxophones (trio)
202
Oboe, Clarinet (duet)
197
Flute, Violin
188
Tenor Saxophone
170
Flute ensemble
168
Clarinet and Viola
167
Flute, Saxophone (duet)
159
Clarinet Quintet: 5 clarinets
154
Flute (band part)
147
Flute, Viola (duet)
140
Oboe, Flute
139
Flute and Guitar
128
Saxophone
126
Flute, Trumpet (duet)
125
Saxophone ensemble
123
Flute Trio: 3 flutes
121
2 Recorders (duet)
110
Flute Quintet : 5 flutes
86
Recorder
84
Pennywhistle
84
Oboe
77
Flute, Oboe, Clarinet (trio)
69
Clarinet, Harp (duet)
68
Clarinet, Guitar (duet)
60
Descant (Soprano) Recorder
55
Soprano Saxophone
55
Flute, Clarinet and Bassoon.
54
Oboe, Clarinet, Bassoon (trio)
54
2 Flutes, Piano
53
Recorder Quartet
52
Bass Clarinet, Piano
50
Flute, Oboe (duet)
49
Clarinet, Bassoon (duet)
49
Flute, Harp and Cello
45
Flute, Clarinet, Piano (trio)
44
Treble (Alto) Recorder
40
Descent (Soprano) Recorder, Piano
38
Flute, Violoncello
38
English Horn
36
Treble (Alto) Recorder, Piano
35
Flute, Bassoon, and Piano
32
Harmonica
30
Flute, Violin, Piano
29
2 Saxophones, Piano
29
2 Clarinets, Piano
26
5 Recorders
24
Baritone Saxophone
24
3 Recorders (trio)
23
Eb Instruments
23
Flute, Cello, Piano (trio)
23
Clarinet, Cello (duet)
21
Tenor Recorder
21
Ocarina
19
Flute, Oboe, Bassoon
19
English Horn, Guitar (duet)
18
Oboe, Violin (duet)
18
Flute, Violin and Violoncello
17
Clarinet, Cello, Piano (trio)
16
Recorder Ensemble
14
Flute, Clarinet, Horn and Bassoon (Quartet)
13
Clarinet, Bassoon, Piano (trio)
13
Flute, Trombone (duet)
13
Clarinet, Trombone (duet)
12
Flute, Viola and Piano
11
Flute, trombone and piano
11
Flute, harp and violin
10
Oboe, Cello
10
Saxophone and Guitar
10
Saxophone and Organ
9
Oboe, Guitar (duet)
9
Flute, Oboe, Piano (trio)
8
Flute, Violin, Violoncello and Piano
6
Piccolo
5
Flute, Cello, Guitar
5
Clarinette, Viola and Piano (trio)
5
Oboe, Harp
5
Saxophone and Harp
5
Piccolo, Piano
5
Recorder, Piano
4
2 Clarinets, Bassoon
4
Clarinet Quintet: Clarinet, String Quartet
4
Clarinet, trumpet and piano
4
Flute, Organ (duet)
4
Oboe and viola (duet)
4
2 Oboes, Piano
4
Wind ensemble
3
Oboe, Bassoon and Piano
3
Flute and Strings Trio
3
Bagpipe
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
3
3 Oboes
3
Oboe, Violin, Piano
3
Bass Clarinet
3
2 English horns and Pianoforte
2
Clarinet, Organ
2
Flute, Oboe, Violin
2
Flute, French horn (duet)
2
Flute, Clarinet, Violin (trio)
2
Recorder, Guitar (duet)
2
Saxophone, Bassoon (duet)
1
Treble (Alto) Recorder, Basso continuo
1
2 Recorders, Guitar
1
2 Flutes and Harp
1
Saxophone and Piano
1
Flute, Basso continuo
1
Oboe, Cello and Piano
1
Oboe ensemble
1
4 Oboes
1
Recorder, Harp
1
Flute, Viola and harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
993
Brass Quintet: 2 trumpets, horn, trombone, tuba
984
Trombone and Piano
745
Trumpet
744
Trumpet, Piano
642
Trombone (band part)
567
Trumpet (band part)
548
Trombone
521
French Horn and Piano
486
French horn
362
2 Trumpets (duet)
342
Trumpet, Saxophone (duet)
329
Brass Quartet
322
2 Trombones (duet)
314
English horn, Piano
239
Trumpet, Trombone (duet)
239
Tuba
205
Brass Quartet: 2 trumpets, horn, trombone
198
Brass Quartet: 4 trombones
192
Tuba and Piano
189
French horn (band part)
166
Euphonium, Piano (duet)
163
2 French horns (duet)
114
Tuba (band part)
100
Trombone ensemble
82
Brass Quartet: 4 horns
71
Trumpet ensemble
64
Brass Trio
58
2 Tubas (duet)
37
English Horn
36
Bass Clef Instruments
35
Brass Quartet: 4 trumpets
30
3 Trumpets (trio)
30
Trumpet, Horn (duert)
29
Euphonium
28
Bb Instruments
26
Trombone, Tuba (duet)
25
2 Euphoniums and 2 Tubas
24
Horn Ensemble
22
4 Tubas
21
English Horn, Guitar (duet)
18
Tuba and Organ
18
3 Trombones (trio)
17
Horn, Tuba (duet)
9
Trumpet, Tuba (duet)
9
2 Euphoniums (duet)
9
Trombone, Organ
8
Euphonium, Tuba (duet)
8
2 Trumpets, Keyboard (piano or organ)
8
3 Euphoniums
7
3 French horns (trio)
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Trombone, Horn (duet)
6
French horn and Basson (duet)
6
Trumpet and Guitar
6
Brass Quartet: 2 trumpets, 2 trombones
5
2 French horns, Piano
4
F Instruments
4
Horn, Cello (duet)
4
Trumpet, Trombone, Piano
4
French Horn and Harp
4
Trumpet, Bassoon (duet)
4
Clarinet, Horn (duet)
3
Bass Trombone and Piano
3
Trumpet, Cello (duet)
3
Trumpet, Harp
3
3 Tubas (trio)
3
2 English horns and Pianoforte
2
Trombone, Violin (duet)
2
Bass Trombone
1
Trombone and Orchestra
1
Trumpet, Euphonium (duet)
1
4 Euphoniums
1
Horn and Organ
1
Tuba ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
3309
Harp
2377
Violin and Piano
1870
Violin
1035
Cello, Piano
974
Viola, Piano
870
Violin, Cello (duet)
725
2 Violins (duet)
641
String Trio: violin, viola, cello
551
Cello (band part)
508
Viola
429
2 Cellos (duet)
398
Violin, Viola (duet)
362
2 Violas (duet)
354
String Quintet: 2 violins, viola, cello, bass
286
Cello
286
Doublebass (band part)
221
Violin (band part)
209
Viola (band part)
174
Double Bass
172
Harp, Flute (duet)
156
String Trio: 2 violins, cello
149
Double bass, Piano (duet)
144
Viola, Cello (duet)
105
4 Cellos
90
2 Harps (duet)
65
String Trio: 3 violins
65
Piano Trio: Violin, Viola, Piano
63
Violin, Guitar (duet)
55
Harp, Violin (duet)
54
String Trio: 3 cellos
50
2 Double basses (duet)
32
String Quartet : 4 violas
32
String Trio: 2 violins, viola
29
Cello, String Bass (duet)
28
String Trio: 3 violas
25
Cello, Guitar (duet)
25
String quartet: 4 violins
25
Viola ensemble
18
Violin ensemble
18
Harp (band part)
16
2 Violins, Piano
15
Harp, Voice
14
Violin, Bassoon (duet)
14
Harp, Cello (duet)
13
String Quintet: 2 violins, 2 violas, cello
13
Viola and Harp
11
String trio
11
Viola, Guitar (duet)
9
Harp and mandolin
9
Cello, Organ
7
Viola and Bassoon
7
Violin, Clarinet, Piano (trio)
7
Violin, Organ
6
Harp and Piano
6
Flute, Doublebass (duet)
5
Cello Ensemble
5
4 Double Basses
5
2 Cellos, Piano
4
Harp, Violin, Violoncello
3
2 Violas, Piano
3
Violoncello, Basso continuo
3
Cello, Orchestra
3
3 double basses
2
Harp, Trombone (duet)
2
Violin, Trumpet and Piano
1
3 Harps
1
Autoharp
1
Viola, Organ
1
Violin, Cello, Clarinet
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
4056
String Orchestra
1209
Orchestra
1156
Jazz Ensemble
937
Brass ensemble
632
Handbells
569
Chamber Orchestra
418
Drums
231
Jazz combo
205
Drum (band part)
198
Percussion (band part)
176
Marching band
141
Percussion Ensemble
130
Marimba
67
Xylophone
27
Vibraphone
21
Xylophone, Piano
13
Percussion
11
Timpani (band part)
8
School Ensemble
7
Woodwind Quintet
5
Snare drums
3
Flexible Instrumentation
3
Orchestra, Violin
2
Timpani
2
Brass Quintet: other combinaisons
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Big band
2
Bongos
2
Bodhran
1
Piano and Orchestra
1
2 Marimbas
1
Vibraphone and Marimba
1
Marimba, Piano (duet)
1
Conga
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
3
Music Theory
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Chamber Orchestra
Sheetmusic to print
418 sheet music found
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Where Have I Danced With You Before
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
46.64 €
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Chamber Orchestra
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Return To Forever
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Where Have I Danced With You Before
#
Jeff Tincher
#
SheetMusicPlus
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #61889. Published by Musik Fabrik Music Publishing (A0.532846). This concerto is a stormy work: dry and violent in the first movement, full of rich harmonies in the third movement. Only the second movement, in contrast, resounds with an infinite softness. There are very few metronomic indications or other indications of tempo. Thérèse Brenet wanted to write a music which breathes and which gives the conductor the possibility to make choices to create an interpretation in the true sense of the word Instrumentation 1111/1000/timp/2perc/piano/strings (43322) Parts on rental from the publisher.
$19.95
18.61 €
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Chamber Orchestra
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Therese Brenet
#
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.61 €
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Chamber Orchestra
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Therese Brenet
#
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.8 €
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Chamber Orchestra
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Fiona Cork
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Syzygy | Ethereal Chamber Orchestra
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Fiona Cork
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SheetMusicPlus
Wedding March (Bridal Chorus - Here comes the Bride) for Piano and String Quartet
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.570018 Composed by Richard W…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.570018 Composed by Richard Wagner. Arranged by Cadenza Editions. 20th Century,Graduation,Holiday,Romantic Period,Wedding. Score and parts. 10 pages. Cadenza Editions #3531943. Published by Cadenza Editions (A0.570018). Wedding March (Bridal Chorus - Here comes the Bride) for Piano and String Quartet.
$6.99
6.52 €
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Chamber Orchestra
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Richard Wagner
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Wedding March
#
Cadenza Editions
#
SheetMusicPlus
Here We Come A-Caroling
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1309186 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1309186 Composed by Traditional. Arranged by Jessica Wells. Christmas,Traditional. Score and Parts. 63 pages. Jigsaw Music #898360. Published by Jigsaw Music (A0.1309186). Arrangement of Here We Come A-Caroling for SATB Choir & small orchestra. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Trumpet in Bb, Trombone, Tuba, 2 Percussion, SATB Choir, Piano + strings. Purchase includes score & parts. Sample recording is MIDI only. A reduced version for SATB Choir + piano is also available.
$50.00
46.64 €
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Chamber Orchestra
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Traditional
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small orchestra
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Here We Come A-Caroling
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Jigsaw Music
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SheetMusicPlus
Nearer, Still Nearer and Here I Am, Lord
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schut…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schutte, Leila N. Morris. Arranged by Alva J. Lee. Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Simple000 #4735987. Published by simple000 (A0.917143). Nearer, Still Nearer and Here I Am, Lord
$6.99
6.52 €
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Chamber Orchestra
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Dan Schutte, Leila N
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Nearer, Still Nearer and Here I Am, Lord
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simple000
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SheetMusicPlus
Christmas Time Is Here
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090657 Composed by Lee Mend…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090657 Composed by Lee Mendelson and Vince Guaraldi. Arranged by John Groves. Christmas,Contemporary,Film/TV,Holiday. Score and parts. 24 pages. John Groves #694835. Published by John Groves (A0.1090657). Christmas Time Is Here - arranged for Chamber Orchestra Arranged as woodwind, brass & string small ensemble chamber orchestra. Fun, straight forward audience pleasing version of a classic Christmas holiday tune from A Charlie Brown Christmas. Works well for limited personnel smaller size ensembles as well as ensembles with many more that can double up parts for a huge sound. Feel free to double up parts especially in the string section for a richer robust string orchestra configuration. Score & Parts Included: Flute / Piccolo Oboe Clarinet Bassoon Bb Trumpet Horn in F Trombone Tuba Violin 1 Violin 2 Viola Cello Double Bass.
$49.99
46.63 €
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Chamber Orchestra
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Lee Mendelson and Vince Guaraldi
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Christmas Time Is Here
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John Groves
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SheetMusicPlus
Visions of Nowhere, op. 10 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the Gàidhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
19.58 €
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Chamber Orchestra
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Peter Le Tissier
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Visions of Nowhere, op. 10 - Score Only
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Peter Le Tissier
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SheetMusicPlus
It's Raining Somewhere Else
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
46.63 €
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Chamber Orchestra
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Toby Fox
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
Where Should a Baby Rest?
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.872662 Composed by Philip Or…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.872662 Composed by Philip Orem. Children,Contemporary,Holiday. Score and parts. 49 pages. Philip Orem #3626031. Published by Philip Orem (A0.872662). This is a sweet setting of the nursery rhyme, Where Should a Baby Rest? for alto and a small orchestra. A great addition for a children's or pops concert or as an encore.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$65.00
60.63 €
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Chamber Orchestra
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Philip Orem
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Where Should a Baby Rest?
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Philip Orem
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SheetMusicPlus
"There is nothing to fear" for orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579709 Composed by Joseph Di…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.579709 Composed by Joseph Dillon Ford. Arranged by David Warin Solomons. 20th Century,Contemporary. Score and parts. 12 pages. David Warin Solomons #3241871. Published by David Warin Solomons (A0.579709). There is nothing to fear is an orchestration of Joseph Dillon Ford's choral work Surrender.
$10.00
9.33 €
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Chamber Orchestra
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Joseph Dillon Ford
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"There is nothing to fear" for orchestra
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David Warin Solomons
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.23 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1 0.1.0.0 harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
37.3 €
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Chamber Orchestra
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Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilus”), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…”, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit” (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love” is an eighteenth century poem that e.
$25.95
24.21 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan María Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.73 €
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Chamber Orchestra
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Juan MarÃa Solare
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Speak to Your Mountain And Move it [chamber orchestra
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Juan Maria Solare
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.65 €
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Chamber Orchestra
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.78 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
23.31 €
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Chamber Orchestra
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Galadriel's Song of Eldamar, Orchestral Version
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles …
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
7.23 €
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Chamber Orchestra
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Charles McCreery
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Galadriel's Song of Eldamar, Orchestral Version
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St Maur Music
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SheetMusicPlus
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
4.66 €
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Chamber Orchestra
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David Warin Solomons
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Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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David Warin Solomons
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SheetMusicPlus
Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola (or Vio
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3632647. Published by Joel Jacklich (A0.723137). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Trio (Violin. Viola, and Cello -or- Two Violins and Cello; the 2nd violin and viola parts are identical). The soprano covers the original solo soprano part plus the melody from the SATB where there is no soprano solo, thus the entire liturgical text is present.
$12.99
12.12 €
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Chamber Orchestra
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Walfgang Amadeus Mozart
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Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola
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Joel Jacklich
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SheetMusicPlus
Laudate Dominum from "Vesperae solenne de confessore" K.399 for Solo Soprano and String Quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.723140 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.723140 Composed by Wolfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3636719. Published by Joel Jacklich (A0.723140). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Quartet. The soprano covers the original solo soprano part plus the melody from the SATB chorus where there is no soprano solo, thus the entire liturgical text is present.
$12.99
12.12 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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Laudate Dominum from "Vesperae solenne de confessore" K.399 for Solo Soprano and String Quartet
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Joel Jacklich
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SheetMusicPlus
Solace, for Chamber Orchestra (Full Score) - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1369411 Composed by Scott Jo…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1369411 Composed by Scott Joplin. Arranged by Nicholas Hersh. 20th Century,Film/TV,Ragtime,Video Game. 15 pages. Nicholas Hersh #953770. Published by Nicholas Hersh (A0.1369411). Featured in the 1973 film The Sting and the 2013 video game title Bioshock: Infinite, Scott Joplin's 1909 Solace, A Mexican Serenade uses a classic habanera rhythm to underpin a nostalgic, wistful atmosphere. This orchestration for small chamber orchestra takes inspiration from Ravel to showcase Joplin's inventive melodism in vivid technicolor.THIS IS THE SCORE ONLY. Set of parts available here: https://www.sheetmusicdirect.com/en-US/se/ID_No/1468449/Product.aspxFormatted for 8.5 x 11 paper—print double sided.
$25.00
23.32 €
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Chamber Orchestra
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Scott Joplin
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Solace, for Chamber Orchestra
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Nicholas Hersh
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.71 €
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Chamber Orchestra
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Johann Sebastian Bach and Netherlands Bach Society
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
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