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You've selected:
Hermann-Levi
Sheetmusic to print
8 sheet music found
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Leviathan March
Piano solo
Piano - Digital Download SKU: LV.11887 Composed by Hermann Kotzschmar. Steamboats, …
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Piano - Digital Download SKU: LV.11887 Composed by Hermann Kotzschmar. Steamboats, Ships. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11887). Leviathan March. Composed by Hermann Kotzschmar. Published 1858 by William Paine, Corner of Free & Cross Sts. in Portland, ME. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Steamboats, Ships. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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Hermann Kotzschmar
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Leviathan March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Leviathan March
Piano solo
Piano - Digital Download SKU: LV.12046 Composed by Hermann Kotzschmar. Steamboats, …
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Piano - Digital Download SKU: LV.12046 Composed by Hermann Kotzschmar. Steamboats, Ships. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12046). Leviathan March. Composed by Hermann Kotzschmar. Published 1858 by William Paine, Corner of Free & Cross Sts. in Portland, ME. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Steamboats, Ships. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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Hermann Kotzschmar
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Leviathan March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Götterdämmerung
Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nib…
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17847. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17847). German.This edition is based upon Wagner's autograph manuscript, which is the only reliable source to reproduce the composer's intentions. Besides this, the edition records changes made by Wagner during rehearsals in 1876 for the first complete performance at Bayreuth, written in on his instructions by Heinrich Porges, Hermann Levi, Felix Mottl and others. Anyone using this edition thus not only benefits from the best possible musical score, but also gains insight into the performance practice of that time.
$71.99
66.37 €
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Richard Wagner
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Götterdämmerung
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
PARSIFAL by Richard Wagner
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931214
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931214 Composed by Richard Wagner. Arranged by Alessandro Macrì. Concert,Film/TV,Opera,Video Game. Score and parts. 55 pages. Music Macri Editions #5311013. Published by Music Macri Editions (A0.931214). Parsifal è l'ultimo dramma musicale di Richard Wagner, andato in scena il 26 luglio 1882 al Festival di Bayreuth diretto da Hermann Levi, ma rappresentato per la prima volta nei teatri europei solo a partire dal 1º gennaio 1914 con la prima a Bologna con Giuseppe Borgatti.Dopo una gestazione lunga alcuni decenni, l'opera fu composta tra il 1877 e il 1882 e segna il ritorno al tema del Graal, già affrontato molti anni prima in Lohengrin. Il preludio dell'opera è stato oggetto di citazione nel film Baci e abbracci (1998), ed usato come colonna sonora nel film Excalibur (1981).L'arrangiamento è diviso in tre parti:1. PreludioL'introduzione sinfonica espone con straordinaria ampiezza il motivo dell'Ultima Cena, articolato col tema della Fede in un discorso interrotto da lunghi silenzi. L'atmosfera di altissima sacralità si rivela fin dalle prime battute del preludio, collegandosi direttamente alla scena del primo atto. In una radura boscosa nei pressi del monastero, i cavalieri si destano al sorgere del sole; tra di loro è l'anziano Gurnemanz, il più saggio custode della virtù e della storia del Santo Graal. Giunge al galoppo la selvaggia Kundry, che appare nelle sincere vesti di amica dei cavalieri. La donna ha con sé un'erba medicamentosa proveniente dall'Arabia, pensando che possa servire per lenire la piaga di Amfortas. Dopo un accenno alla profezia del Salvatore, Amfortas viene condotto sul lago per l'abluzione giornaliera, mentre la natura sorride al sole del mattino.2. Ingresso nel Castello del Santo GraalI temi di Klingsor e della Magia commentano il breve preludio orchestrale, mentre la scena rivela l'interno di un favoloso palazzo arabo: Klingsor, guardando nel suo specchio magico, osserva Parsifal venire verso il castello. Solo il nemico del Graal riconosce il puro folle che potrebbe redimere i cavalieri, e lo attira dunque nell'abbraccio mortale di Kundry. L'evocazione della donna ne rivela il passato reincarnato: non fu già l'Erodiade che rise in faccia al Battista? Così Klingsor la chiama e la obbliga ad adempiere al proprio castigo. Ma pur preda di terribili sofferenze, Kundry ride in faccia anche a lui, beffeggiando la castità che lo accomuna ai cavalieri del Graal.3. Incantesimo del Venerdì Santo Questa scena è un altro punto chiave dell’opera, senza dubbio uno dei momenti musicali più ispirati di Wagner, che illustra come la natura che circonda i personaggi riflette la santità del giorno, rivelandosi in tutto il proprio splendore.
$19.00
17.52 €
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Brass quartet : 2 trumpets, trombone, tuba
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Richard Wagner
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PARSIFAL by Richard Wagner
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Music Macri Editions
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SheetMusicPlus
Rhapsody for Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.44 €
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Concert band
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Goetterdaemmerung
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
44.24 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
Hansel und Gretel - New Urtext Edition
Piano solo
Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This …
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Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This edition: vocal/piano score. Klavierauszug, Marchen, Oper. Downloadable. Duration 120 minutes. Schott Music - Digital #Q16445. Published by Schott Music - Digital
German - English.<br> <br> For the first time, all available sources of Engelbert Humperdinck's fairy-tale opera, Hansel und Gretel, have been consulted in the preparation of the present new edition. In evaluating them it became clear that a great number of corrections needed to be taken into account, for which the composer was indebted to the experiences of conductors known to him - Richard Strauss (Weimar), Hermann Levi (Munich) and Ludwig Rottenberg (Frankfurt) - as well as hiw own insight. In this way, a critical edition has been produced which not only offers an Urtext entirely faithful to the sources, but also provides important new improvements, tested on the stage an approved by the composer. Where, previously, slight alterations have unquestionably been necessary in order to prevent the vocal lines from being covered by the large-scale orchestration, convincing and authentic solutions are now available. Also, for the first time, the work's 'Desau-Finale' has been published, which Humperdinck composed for the production by Cosima Wagner.<br> <br> The edition is part of the ABRSM syllabus (grades 6,8).
$33.99
31.34 €
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Piano solo
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Engelbert Humperdinck
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Hansel und Gretel - New Urtext Edition
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Schott Music - Digital
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SheetMusicPlus
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