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Hole In The Ground
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Hole In The Ground
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1275727 Composed by Myles R…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1275727 Composed by Myles Rudge and Ted Dicks. Arranged by Karen Ivana. 20th Century,Comedy,Jazz. Octavo. 7 pages. Karen Ivana #867526. Published by Karen Ivana (A0.1275727). This wonderfully fun song is arranged for SSA choir and piano. It is in a jazz style and the version sung by Bernard Cribbins was one of Noel Coward's desert island discs.
$2.99
2.7 €
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Choral 3-part
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Myles Rudge and Ted Dicks
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Hole In The Ground
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Karen Ivana
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SheetMusicPlus
Hole In The Ground
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1275569 Composed by Myles Ru…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1275569 Composed by Myles Rudge and Ted Dicks. Arranged by Karen Ivana. 20th Century,Comedy,Jazz,Pop. Score. 4 pages. Karen Ivana #867439. Published by Karen Ivana (A0.1275569). This wonderfully fun song is arranged for voice and piano. It is in a jazz style and the version sung by Bernard Cribbins was one of Noel Coward's desert island discs.
$9.99
9.01 €
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Piano, Voice
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Myles Rudge and Ted Dicks
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Hole In The Ground
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Karen Ivana
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.17 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: F# Harmonica Book
Harmonica
Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20516EB Composed by Jam…
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Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20516EB Composed by James Major. Technique, Theory and Reference. Diatonic Harmonica Series. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #20516EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20516EB). ISBN 9781609741129. 8.75x11.75 inches.Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The F-Sharp Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole F-Sharp major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an F-Sharp harmonica you should own the F-Sharp Harmonica Book.
$9.99
9.01 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: F# Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: Eb Harmonica Book
Harmonica
Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20513EB Composed by Jam…
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Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20513EB Composed by James Major. Technique, Theory and Reference. Diatonic Harmonica Series. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #20513EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20513EB). ISBN 9781609741044. 8.75x11.75 inches.Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The E-flat Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole E-Flat major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an E-Flat harmonica you should own the E-Flat Harmonica Book.
$9.99
9.01 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: Eb Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.06 €
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Concert band
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E
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The Home Coming March
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BJE Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.04 €
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Guitar
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
The Snow Lay on the Ground
Handbells
Handbell 2-3 Oct.-Digital Version - Level 1+ - Digital Download Hymn Arrangements, Ga…
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Handbell 2-3 Oct.-Digital Version - Level 1+ - Digital Download Hymn Arrangements, Gathering, Advent, Christmas, Offering, Jesus Christ - Birth. Handbell. 8 pages. Hope Publishing - Digital #2924DP. Published by Hope Publishing - Digital
Arr. Linda Scholes.<br> <br> Arrangement of VENITE ADOREMUS Picture dancing snowflakes falling gracefully to the ground in this delightful arrangement of the familiar English carol. Suitable for beginning choirs, this Level 1+ piece for 2-3 octaves, is also challenging enough for intermediate groups to enjoy.
$6.25
5.64 €
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Handbells
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The Snow Lay on the Ground
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Hope Publishing - Digital
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.04 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Deep Into The Ground
Choral TTBB
Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1495648 By C…
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Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Clifford Sharp. Broadway,Musical/Show. 7 pages. Matthew Sharp #1072171. Published by Matthew Sharp (A0.1495648). From the musical production of Billy Elliot. This has a simple, evocative melody in which Billy's Father expresses his painfully sad life story, whilst still harbouring a deep, emotional connection to his community and home. The opening acapella solo is very effective, though can easily be given to a whole section if required. It's a simple arrangement where all parts get some melody and the tenors only go up to Eb. Your lower basses will enjoy the optional 8vb on the final line!A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE.Contact: msharp93@live.co.uk www.matthewsharppianist.com
$2.99
2.7 €
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Choral TTBB
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Cast Of Billy Elliot - The Musical
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Deep Into The Ground
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Matthew Sharp
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SheetMusicPlus
12. Ubhejane the Rhino
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louis…
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Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #739041. Published by Louise du Toit (A0.1138739). Ubhejane the Rhino is the twelfth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Ubhejane the rhino is fuming. A born fire-fighter, he is used to stamping out small fires with his huge feet, protecting his natural surroundings from careless humans who often leave their camping sites without extinguishing the campfires. Today he picked up the infuriating scent of black smoke from a fire in nearby Umfolozi and upon reaching the camp where the blaze is rapidly growing bigger, he storms right through it, angrily snorting while extinguishing the flames on his way. After running around in beautiful Zululand, he finally comes to rest at a waterhole where he quenches his thirst among a herd of waterbucks before wallowing in a mud pit to cool off. When the wind carries the smell of a female rhinoceros towards him, he runs off again in search of some company. On top of his back sits a small parasite bird, clinging to his thick, leathery skin and listening to the grunts, snorts and snuffs of the two white rhinos as they prepare their lunch, grasping and pulling plants from the ground..
$4.99
4.5 €
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Piano solo
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Louise du Toit
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12. Ubhejane the Rhino
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Louise du Toit
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SheetMusicPlus
BELLA ISLA ANTS - SAXOPHONE QUARTET (Barry Molinski)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294190 By GREEN SMART SAX QUARTET. By BARRY MOLINSKI. Arranged by BARRY MOLINSKI. Blues,Contemporary,Funk,Jazz,Latin. 19 pages. Barry Molinski #884614. Published by Barry Molinski (A0.1294190). Original composition for saxophone quartet by BARRY MOLINSKIFunky Groove, straight eights with dbl time feel,composed in 2015, after the visit of GRAN CANARIA, Islas Baleares.Repertoire of the GREEN SMART SAXOPHONE QUARTET!Not so Easy to play, but fun. Enjoyable music.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Digital DownloadImprovised solos one for alto sax & another solo for tenor sax.Background parts included.Available part for opt. Bass Saxophone (Bariton) on request.Hip rhythm, arranged to give a good solo spot.History of the tune name:The beautiful island of ants. At night, the dead cockroaches break up into portable pieces and then transport them to their hole in the ground. The next morning there is no sign of it anymore, as if it had been cleaned. Phenomenal!Right from the rehearsal room, straight onto stage.Broadway, Film/TV, Musical/Show, Pop, Classics , Holiday, Jazz & Blues, 19 pages.
$29.99
27.05 €
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Saxophone Quartet: 4 saxophones
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GREEN SMART SAX QUARTET
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another solo for tenor sax
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BELLA ISLA ANTS - SAXOPHONE QUARTET
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Barry Molinski
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SheetMusicPlus
11. Inyoka the Snake
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1138616 By Louise du Toit. By Louis…
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Piano Solo - Level 4 - Digital Download SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #738964. Published by Louise du Toit (A0.1138616). Inyoka the Snake is the eleventh in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inyoka the snake lurks behind a heap of stones in the dry Kalahari Desert. It is a few moments before sunrise, and he is aware of a small ground squirrel running around in the distance. He starts to move forward slowly, but soon his beautiful, patterned body sways left and right with exquisite elasticity as it rapidly glides over the dunes through the patches of dry yellow grass towards his devastated victim. Frantically trying to escape, the squirrel disappears into a tiny hole in the sand and after a few efforts to reach his prey, Inyoka decides to let go of it, not willing to get stuck in a narrow tunnel for his breakfast. Enjoying the early sunrays on his body, he glides lazily towards a dry riverbed, soon drifting off into a deep sleep..
$4.99
4.5 €
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Piano solo
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Louise du Toit
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11. Inyoka the Snake
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Louise du Toit
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SheetMusicPlus
Popular Culture For Jazz Ensemble. from the Michael BB Quartet CD "Popular Culture"
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862526 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862526 Composed by Michael Bomier. Contemporary,Jazz,Standards. Score and parts. 58 pages. Michael Butkus-Bomier #2032953. Published by Michael Butkus-Bomier (A0.862526). Popular Culture is a most interesting tune. The melody is all in 4ths, over some altered and minor chords. Each of the scales required for the improvisers is a melodic minor-derived scale, giving the whole piece an air of both openness, with the wide melodic intervals, and also a darker color, with those chords and scales in play. There are SampleSolos for the piano and 4th trumpet. Changes are included for an additional trombone solo, if desired, no sample provided. The main statement segues directly into a mixed soli that alternates tutti and mixed soli sections. Then, it's on to the blowing choruses, each with the background. No soloists will be required to play in the background, so everyone stays fresh. The melody returns, in a layered and stretto sort of way, with the final theme's second half returning to the altered voicings that are so characteristic the piece. Approx running time is one minute per chorus. Audio clip is just the piano solo, with backgrounds, so as to be able to hear those backgrounds clearly. Ranges are conservative, high and low. Rhythm section Uni-Part for bass, optional guitar, and even piano and drums if you wish, for simplicity's sake. All parts are two pages, rhythm section are three. MBB.
$20.00
18.04 €
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Jazz Ensemble
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Michael Bomier
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Popular Culture For Jazz Ensemble. from the Michael BB Quartet CD "Popular Culture"
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Michael Butkus-Bomier
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SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Trombone (Treble Clef in B Flat) and Piano
Trombone and Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Trombone (Treble Clef in B Flat) and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me, <br> <br> · Amazing Grace, <br> <br> · Blessed Assurance, <br> <br> · Deep River, <br> <br> · Down by the Riverside, <br> <br> · Go Down Moses, <br> <br> · Go Tell It on the Mountain, <br> <br> · He’s Got the Whole World in HIs Hands, <br> <br> · Higher Ground, <br> <br> · Jesus on the Mainline, <br> <br> · Joshua Fought the Battle of Jericho, <br> <br> · Just a Closer Walk with Thee, <br> <br> · Just as I Am, <br> <br> · Just Over in the Glory Land, <br> <br> · Kumbaya My Lord, <br> <br> · Love Lifted Me, <br> <br> · Nobody Knows the Trouble I’ve Seen, <br> <br> · Nothing but the Blood of Jesus. <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Trombone (Treble Clef in B Flat) and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.66 €
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Trombone and Piano
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Various
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Worship
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18 Gospel Hymns Vol.1 for Solo Trombone
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David McKeown
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SheetMusicPlus
Massa‘s in de cold ground
Ocarina
Ocarina - Level 3 - Digital Download SKU: A0.1400572 Composed by Stephen Foster. Ar…
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Ocarina - Level 3 - Digital Download SKU: A0.1400572 Composed by Stephen Foster. Arranged by songbooks.info. Country,Folk,Traditional. Score. 4 pages. Songbooks.info #983769. Published by songbooks.info (A0.1400572). Songs by Stephen C. Foster (1826-1864) - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Songs von Stephen C. Foster (1826-1864) - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.49
2.25 €
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Ocarina
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Stephen Foster
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Massa‘s in de cold ground
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songbooks.info
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestra, Violin
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.03 €
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Orchestra, Violin
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
When The Snow Lay On The Ground
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1029944 Arranged…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1029944 Arranged by Christine Doud. Christmas. Score and parts. 4 pages. Christine Doud #5868669. Published by Christine Doud (A0.1029944). When the Snow Lay on the Ground is taken to a whole new level in this string quartet version which combines lush harmonies, plucked counter melodies, and rhythmic chord presentations to provide the listener an uplifting and joyous popular Holiday tune. It is appropriate to all venues of Holiday music. .
$9.99
9.01 €
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String Quartet: 2 violins, viola, cello
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When The Snow Lay On The Ground
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Christine Doud
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: B Harmonica Book
Harmonica
By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acou…
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By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741464. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like-extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The B Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole B major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have a B harmonica you should own the B Harmonica Book.
$9.99
9.01 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: B Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: G Harmonica Book
Harmonica
Composed by James Major. Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. E-boo…
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Composed by James Major. Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. E-book. 48 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20517EB). - e-book - Acoustic Music - Mel Bay Publications - Digital Sheet Music
ISBN 9781609741136. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The G Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole G major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have a G harmonica you should own the G Harmonica Book.
$14.99
13.52 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: G Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: A Harmonica Book
Harmonica
By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acou…
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By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741211. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like-extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The A Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole A major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an A harmonica you should own the A Harmonica Book.
$14.99
13.52 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: A Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: C Harmonica Book
Harmonica
Composed by James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Ser…
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Composed by James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. Beginning. E-book. 48 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609740931. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The C Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole C major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have a C harmonica you should own the C Harmonica Book.
$14.99
13.52 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: C Harmonica Book
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: E
Harmonica
By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acou…
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By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741051. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The E Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole E major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an E harmonica you should own the E Harmonica Book.
$14.99
13.52 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: E
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Complete 10-Hole Diatonic Harmonica Series: Ab Harmonica Book
Harmonica
By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acou…
(+)
By James Major. For Harmonica (Diatonic). Complete 10-Hole Diatonic Harmonica Series. Acoustic Music. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741143. Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The A-Flat Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole A-Flat major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an A-Flat harmonica you should own the A-Flat Harmonica Book.
$9.99
9.01 €
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Harmonica
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James Major
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Complete 10-Hole Diatonic Harmonica Series: Ab Harmonica Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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