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Horn Sight-Reading
SheetMusicPlus
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53 sheet music found
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Horn Sight-Reading
French horn
Horn - easy to advanced - Digital Download SKU: S9.Q19499 A Fresh Approach. …
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Horn - easy to advanced - Digital Download SKU: S9.Q19499 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19499. Published by Schott Music - Digital (S9.Q19499). English â?¢ French â?¢ German.This collection of original tunes presents 193 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as horn duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember.
$15.99
14.68 €
#
French horn
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Horn Sight-Reading
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Schott Music - Digital
#
SheetMusicPlus
Amazing Grace (french horn duet)
2 French horns (duet)
Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.693058
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Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.693058 Composed by John Newton. Arranged by B C Dockery. Christian,Concert,Gospel,Sacred,Standards. Score and parts. 1 pages. Ben Dockery #5221809. Published by Ben Dockery (A0.693058). Arranged for two french horns, this duet is great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory.
$3.99
3.66 €
#
2 French horns (duet)
#
John Newton
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Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
Amazing Grace (French Horn Duet with Piano Accompaniment)
2 French horns (duet)
French Horn Duet Horn - Level 2 - Digital Download SKU: A0.912084 Composed by John …
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French Horn Duet Horn - Level 2 - Digital Download SKU: A0.912084 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score. 5 pages. Ben Dockery #518016. Published by Ben Dockery (A0.912084). Arranged for french horn duet with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Includes score and parts. Early intermediate level.
$4.99
4.58 €
#
2 French horns (duet)
#
John Newton
#
Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
Nine Duets from Hotteterre op. 8 (French Horn Version - Editions for All Instruments/Keys Available
2 French horns (duet)
Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.914252
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Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.914252 Composed by Jacques Hotteterre. Arranged by Craig Buying. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 9 pages. No Squeak Publishing #4573479. Published by No Squeak Publishing (A0.914252). Hotteterre was a famed French composer and flutist from the Baroque period. These duets are part of my Play With a Friend Series. You can use any combination of parts together (available for purchase separately) and the music will sound great! You may also simply play the duet as written on the page with two of the same instrument. Total performance time is over 12 minutes. These duets are perfect for sight reading and playing with students. Also appropriate for background music at weddings and receptions.
$4.99
4.58 €
#
2 French horns (duet)
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Jacques Hotteterre
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Nine Duets from Hotteterre op. 8
#
No Squeak Publishing
#
SheetMusicPlus
Prelude for the Paris Conservatoire - French Horn and Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.721293 Composed by Maurice R…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.721293 Composed by Maurice Ravel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 3 pages. Music-Scores.com #4298807. Published by Music-Scores.com (A0.721293). Prelude was written for the Paris Conservatoire, for a piano Sight Reading Competition for Women which was won by Jeanne Leleu, only 14 or 15 years old. An easier solo piece than the Ravel norm, this is a great introduction to his music. For French Horn and Piano, and contains both high and low range.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.38 €
#
French Horn and Piano
#
Maurice Ravel
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Prelude for the Paris Conservatoire - French Horn and Piano
#
Music-Scores.com
#
SheetMusicPlus
Amazing Grace (Solo French Horn)
French horn
French Horn Solo - Level 2 - Digital Download SKU: A0.961905 Composed by John Newto…
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French Horn Solo - Level 2 - Digital Download SKU: A0.961905 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Individual part. 1 pages. Ben Dockery #567623. Published by Ben Dockery (A0.961905). Arranged for solo french horn. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level.
$2.99
2.75 €
#
French horn
#
John Newton
#
Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
Amazing Grace (Solo French Horn with Piano Accompaniment)
French Horn and Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.919802 Composed by John Newt…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.919802 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and part. 2 pages. Ben Dockery #524497. Published by Ben Dockery (A0.919802). Arranged for solo french horn with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level.
$3.99
3.66 €
#
French Horn and Piano
#
John Newton
#
Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.18 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.18 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Moonlight Sonata for French Horn + Acoustic Guitar (duet)
Instrumental Duet Acoustic Guitar,Horn,Instrumental Duet - Level 2 - Digital Download S…
(+)
Instrumental Duet Acoustic Guitar,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.487310 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 13 pages. Finesse Music #104884. Published by Finesse Music (A0.487310). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99
5.5 €
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Ludwig van Beethoven
#
Moonlight Sonata for French Horn + Acoustic Guitar
#
Finesse Music
#
SheetMusicPlus
Moonlight Sonata for French Horn + Pedal Harp (duet)
French Horn and Harp
Instrumental Duet Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.4873…
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Instrumental Duet Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.487311 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 17 pages. Finesse Music #104885. Published by Finesse Music (A0.487311). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99
5.5 €
#
French Horn and Harp
#
Ludwig van Beethoven
#
Moonlight Sonata for French Horn + Pedal Harp
#
Finesse Music
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
(+)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.18 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
(+)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.18 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Guthrie: Brass Duet Book for Baritone Horn Duo
Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.547953 Comp…
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Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.547953 Composed by James M. Guthrie. 20th Century,Contemporary. 36 pages. Jmsgu3 #3089133. Published by jmsgu3 (A0.547953). Guthrie: Brass Duet Book - A book of eight two-voice canons at different intervals calculated to demonstrate the various sonic landscapes of the brass duo. Score: 18 pages, Duration: 13:13. These duets are a valuable resource for sight-reading and can be performed in recital individually, in small groups, or in their entirety. The music may be performed directly from the score, or from the included performance parts.
$32.95
30.26 €
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James M
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Guthrie: Brass Duet Book for Baritone Horn Duo
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jmsgu3
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SheetMusicPlus
Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.487334
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.487334 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 16 pages. Finesse Music #104909. Published by Finesse Music (A0.487334). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Concert key of C minor. Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$9.99
9.17 €
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Brass quartet : 2 trumpets, trombone, tuba
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Ludwig van Beethoven
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Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
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Finesse Music
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SheetMusicPlus
Josquin: Five Duets for Oboe & English Horn Duo
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.551255 Composed by Josquin d…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.551255 Composed by Josquin des Prez. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Renaissance,Standards. 22 pages. Jmsgu3 #5012001. Published by jmsgu3 (A0.551255). Duration ca. 8:00. Great for sight-reading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95
27.5 €
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Josquin des Prez
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Josquin: Five Duets for Oboe & English Horn Duo
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jmsgu3
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SheetMusicPlus
Christmas Carols for Two Jolly Hornists, Vol. 1
2 French horns (duet)
Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #663…
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Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #6631001. Published by SeanBrownMusic
This book is a duet version of Christmas Carols for the Lonely Hornist, with some slight modifications. Still technically and musically challenging, they provide great sight-reading and rehearsal practice for both players. It is more aimed towards advanced high school players and up. There are compatible versions of this book for trumpet, trombone and tuba.<br> <br> The following tunes are featured in this book:<br> <br> <br> <br> Deck the Halls<br> <br> Silent Night<br> <br> Good King Wenceslas<br> <br> O Holy Night<br> <br> In Dulci Jubilo<br> <br> We Three Kings<br> <br> The First Noel<br> <br> Joy to the World<br> <br> O Come, O Come Emmanuel<br> <br> O Christmas Tree<br> <br> Hark! The Herald Angels Sing<br> <br> O Come, All Ye Faithful<br> <br> Angels We Have Heard on High<br> <br> God Rest Ye Merry Gentlemen<br> <br> It Came Upon a Midnight Clear<br> <br> Jingle Bells
$14.00
12.86 €
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2 French horns (duet)
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Christmas Carols for Two Jolly Hornists, Vol. 1
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SeanBrownMusic
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1474036 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1474036 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1051005. Published by Rodrigo Faleiros (A0.1474036). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1473596 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1473596 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050934. Published by Rodrigo Faleiros (A0.1473596). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1473541 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1473541 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050886. Published by Rodrigo Faleiros (A0.1473541). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1473540 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1473540 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050885. Published by Rodrigo Faleiros (A0.1473540). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1474037 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1474037 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1051006. Published by Rodrigo Faleiros (A0.1474037). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
French Horn and Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1473597 Composed by Georges …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1473597 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050935. Published by Rodrigo Faleiros (A0.1473597). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo french horn with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.66 €
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French Horn and Piano
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Georges Bizet
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Don't Let The Sun Go Down On Me
English horn, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.547805 By Elton John. By Be…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.547805 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053405. Published by jmsgu3 (A0.547805). Elton John: Don't Let The Sun Go Down On Me arranged for English Horn & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
49.54 €
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English horn, Piano
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Elton John
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
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