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You've selected:
How Could You Believe Me When
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19 sheet music found
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1
How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life?
Vocal duet
Voice Duet Voice - Level 4 - Digital Download SKU: A0.1343118 Composed by Alan Jay …
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Voice Duet Voice - Level 4 - Digital Download SKU: A0.1343118 Composed by Alan Jay Lerner and Burton Lane. Arranged by Derek STUART-CLARK. Comedy,Film/TV. 9 pages. DEREK STUART-CLARK #928634. Published by DEREK STUART-CLARK (A0.1343118). Comedy vocal duet from the film Royal Wedding.
$14.00
12.58 €
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Vocal duet
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Alan Jay Lerner and Burton Lane
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How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life?
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DEREK STUART-CLARK
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SheetMusicPlus
Take Me Home, Country Roads
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015652 By John Denver. By Bill…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015652 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015652. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015652). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.59 €
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Piano, Vocal and Guitar
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John Denver
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Take Me Home, Country Roads
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
How Could You Believe Me When
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.836395 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.836395 Composed by Alan Jay Lerner and Burton Lane. Arranged by Mark Goodney. Contemporary. 7 pages. Mark Goodney #6683963. Published by Mark Goodney (A0.836395). Barbershop Male - TTBB - Chorus - Quartet - From Royal Wedding By Burton Lane and Alan Jay Lerner
$4.51
4.05 €
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Choral TTBB
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Burton Lane and Alan Jay Lerner
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Alan Jay Lerner and Burton Lane
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How Could You Believe Me When
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Mark Goodney
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SheetMusicPlus
You Are My Salvation (Lead Sheet)
Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arrang…
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Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
1.79 €
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
WHERE HAVE YOU BEEN LOVE
Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by …
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Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by Stephen Oliver. Blues,Jazz,Latin,Singer/Songwriter,Standards. Accompaniment. Duration 162. BUD LEECH #727255. Published by BUD LEECH (A0.1126622). A FULL BAND INCLUDING A JAZZ SINGER WOULD ENHANCE THE APPEAL OF THIS SONG .,..,....,., ......,,.,... WHERE HAVE YOU BEEN LOVE WHERE HAVE YOU BEEN IT WOULD SEEM YOU HAVE LEFT ME I'M BEREFT AND SO LONELY I THINK ABOUT YOU CAN'T LIVE WITHOUT YOU OH BABY WHERE HAVE YOU BEEN MAYBE YOU'LL COME BACK TO ME AND THEN WE'LL SEE. HOW HAPPY WE COULD BE MY DEAR IT'S QUITE CLEAR YOU'VE FOUND ANOTHER LOVER AND I WONDER WHETHER HE'S ONE WHO'S AS SINCERE IT'S TRUE WE'VE BEEN THROUGH SOME WONDERFUL TIMES TOGETHER YOU MUST NEVER FORGET IT CAN GET EVEN BETTER SWEETHEART OH WHERE HAVE YOU BEEN WHEN WE ARE APART MY WORLD IS EMPTY BELIEVE ME BUT IF YOU COME BACK TO ME MY LIFE WOULD BE HEAVENLY HONEY IT ISN'T FUNNY WITHOUT YOU OH WHERE HAVE YOU BEEN.
$3.33
2.99 €
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BUD LEECH
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WHERE HAVE YOU BEEN LOVE
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BUD LEECH
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SheetMusicPlus
I Swear
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015657 By John Michael Montgom…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015657 By John Michael Montgomery. By Frank Myers and Gary Baker. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015657. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015657). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.59 €
#
Piano, Vocal and Guitar
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John Michael Montgomery
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I Swear
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Whiskey Lullaby
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015660 By Brad Paisley and Car…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015660 By Brad Paisley and Carrie Underwood. By Bill Anderson and Jon Randall. Country. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015660. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015660). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.59 €
#
Piano, Vocal and Guitar
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Brad Paisley and Carrie Underwood
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Whiskey Lullaby
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
White Horse
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015661 By Taylor Swift. By Liz…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015661 By Taylor Swift. By Liz Rose and Taylor Swift. Country. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015661. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015661). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.59 €
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Piano, Vocal and Guitar
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Taylor Swift
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White Horse
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life?
Piano, Vocal and Guitar
By Lane Burton. Pop; Standards. Piano/Vocal/Guitar (chords only). 6 pages. Published by Ha…
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By Lane Burton. Pop; Standards. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.360066). - Piano/Vocal/Guitar (chords only) - Pop; Standards - Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Vocal and Guitar
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Lane Burton
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Standards
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How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life?
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.78 €
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Guitar
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.59 €
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Piano solo
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Eric Paul Nolte and Felix Le Couppey
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Little Green Apples
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1415388 By O.C. Smith. By Bobby Rus…
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Piano Solo - Level 3 - Digital Download SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388). Here is a timeless country classic arranged for piano solo. A song the whole family will love to sing.Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968. It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre. Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.[Verse 1]Well, I wake up in the mornin' with my hair down in my eyesAnd she says, HiAnd I hurry to the breakfast table while the kids are goin' off to school, GoodbyeAnd she reaches out and takes my handAnd squeezes it and says, How you feelin', Hon?And I look across at smilin' lips that warms my heartAnd I see my mornin' sun[Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeThere's no such thing as Dr. SuessDisneyland and Mother Goose, no nursery rhymeGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind[Verse 2]Sometimes I call him up knowin' he's busyAnd ask if he could get away and meet meMaybe grab a bite to eatAnd he drops what he's doin' and hurries down to meet meAnd I'm always lateHe sits waitin' patiently and smiles when he first sees me'Cause he's made that way [Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't snow in Indianapolis when the winter comeThere's no such thing as make-believePuppy dogs and autumn leaves, no BB gunGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind
$5.99
5.38 €
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Piano solo
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O
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Little Green Apples
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Timothy Stapay
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SheetMusicPlus
Daybreak
Choral 2-part
Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Con…
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Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.
$1.99
1.79 €
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Choral 2-part
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Sally Whitwell
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Daybreak
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Sally Whitwell
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SheetMusicPlus
Michael Bublé - Home
Piano, Voice
Piano/Vocal/Chords - Intermediate - Digital Download By Michael Buble. Arranged by …
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Piano/Vocal/Chords - Intermediate - Digital Download By Michael Buble. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Home" by Michael Bublé on piano!<br> <br> With this piano sheet music, you can play "Home" by Michael Bublé. It's an accurate transcription of the whole piece, not too hard to play, and it sounds fantastic!<br> <br> These piano sheets come with the song's full lyrics. The whole melody is included in the piano part, so it sounds great as an instrumental solo version - but of course, you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> "Home" is a song from Michael Buble's fourth studio album "It's Time" (released in February 2005).<br> <br> The song served as the album's first single and became one of Michael Bublé's most popular songs.<br> "Home" is a beautiful ballad, and great for piano!<br> <br> Here are the full lyrics to "Home" by Michael Buble:<br> <br> Another summer day<br> Has come and gone away<br> In Paris and Rome<br> But I wanna go home, mmm<br> <br> May be surrounded by<br> A million people I<br> Still feel all alone<br> I just wanna go home<br> Oh, I miss you, you know<br> <br> And I've been keeping all the letters<br> That I wrote to you<br> Each one a line or two<br> I'm fine baby, how are you?<br> <br> Well I would send them but I know<br> That it's just not enough<br> My words were cold and flat<br> And you deserve more than that<br> <br> Another aeroplane<br> Another sunny place<br> I'm lucky I know<br> But I wanna go home<br> Mmm, I got to go home<br> <br> Let me go home<br> I'm just too far<br> From where you are<br> I wanna come home<br> <br> And I feel just like<br> I'm living someone else's life<br> It's like I just stepped outside<br> When everything was going right<br> <br> And I know just why you could not<br> Come along with me<br> That this was not your dream<br> But you always believed in me<br> <br> Another winter day<br> Has come and gone away<br> In even Paris and Rome<br> And I wanna go home<br> Let me go home<br> <br> And I'm surrounded by<br> A million people I<br> I still feel alone<br> Oh, let me go home<br> Oh, I miss you, you know<br> <br> Let me go home<br> I've had my run<br> Baby, I'm done<br> I gotta go home<br> Let me go home<br> It'll all be all right<br> I'll be home tonight<br> I'm coming back home
$4.99
4.48 €
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Piano, Voice
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Michael Buble
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Michael Bublé - Home
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Mario Stallbaumer
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SheetMusicPlus
The Christmas Wish (Vocal Solo)
Choral Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
5.35 €
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Choral Unison
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Carol Troutman Wiggins [ASCAP], Mary White Pustrom
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Michael Bublé - Home - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By Michael Buble. Arranged by Mario Stal…
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Piano Solo - Intermediate - Digital Download By Michael Buble. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play "Home" by Michael Bublé. It's an accurate transcription of the whole piece, not too hard to play, and it sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great as an instrumental solo version - but of course, you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> "Home" is a song from Michael Buble's fourth studio album "It's Time" (released in February 2005).<br> <br> The song served as the album's first single and became one of Michael Bublé's most popular songs.<br> "Home" is a beautiful ballad, and great for piano!<br> <br> Here are the full lyrics to "Home" by Michael Buble:<br> <br> Another summer day<br> Has come and gone away<br> In Paris and Rome<br> But I wanna go home, mmm<br> <br> May be surrounded by<br> A million people I<br> Still feel all alone<br> I just wanna go home<br> Oh, I miss you, you know<br> <br> And I've been keeping all the letters<br> That I wrote to you<br> Each one a line or two<br> I'm fine baby, how are you?<br> <br> Well I would send them but I know<br> That it's just not enough<br> My words were cold and flat<br> And you deserve more than that<br> <br> Another aeroplane<br> Another sunny place<br> I'm lucky I know<br> But I wanna go home<br> Mmm, I got to go home<br> <br> Let me go home<br> I'm just too far<br> From where you are<br> I wanna come home<br> <br> And I feel just like<br> I'm living someone else's life<br> It's like I just stepped outside<br> When everything was going right<br> <br> And I know just why you could not<br> Come along with me<br> That this was not your dream<br> But you always believed in me<br> <br> Another winter day<br> Has come and gone away<br> In even Paris and Rome<br> And I wanna go home<br> Let me go home<br> <br> And I'm surrounded by<br> A million people I<br> I still feel alone<br> Oh, let me go home<br> Oh, I miss you, you know<br> <br> Let me go home<br> I've had my run<br> Baby, I'm done<br> I gotta go home<br> Let me go home<br> It'll all be all right<br> I'll be home tonight<br> I'm coming back home
$4.99
4.48 €
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Piano solo
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Michael Buble
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Michael Bublé - Home - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.48 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Al Circo (To the Circus) for Trombone and Harp
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Se…
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
22.47 €
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Stout, David
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
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