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How Great Thou Art - "O store Gud." - Easy BAritone Saxophone and Piano
Sheetmusic to print
20 sheet music found
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1
How Great Thou Art - Baritone Sax with piano accompaniment (+CHORDS)
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1407776 Composed by S…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1407776 Composed by Stuart Hine. Arranged by Valdir Maia. Christmas,Praise & Worship,Religious,Traditional. Score and part. 3 pages. Valdir Maia #990400. Published by Valdir Maia (A0.1407776). Immerse Yourself in the Majestic Sounds of How Great Thou Art Baritone Saxophone Sheet Music Description: Experience the grandeur of How Great Thou Art with our exquisite solo baritone saxophone sheet music. With piano accompaniment and chords, this arrangement caters to performers seeking to delve into traditional and spiritual melodies. Elevate your rendition and captivate your audience with the timeless beauty of this classic piece.
$3.99
3.65 €
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Baritone Saxophone, Piano
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Stuart Hine
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How Great Thou Art - Baritone Sax with piano accompaniment
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Valdir Maia
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SheetMusicPlus
How Great Thou Art (for Saxophone Quartet - Piano Accompaniment)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.622053 Composed by Traditional. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred. 25 pages. Exultet Music #3580605. Published by Exultet Music (A0.622053). One of the most favorite and requested hymns of all time has now been freshly arranged for a Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax), with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$12.99
11.88 €
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Saxophone Quartet: 4 saxophones
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Traditional
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Baritone Saxophone, Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Baritone Saxophone, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Fr…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.65 €
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Baritone Saxophone, Piano
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Frederic Chopin
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.12 €
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Baritone Saxophone, Piano
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Franz Schubert
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
THEN SINGS MY SOUL (For Baritone Sax & Piano with Parts)
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.615019 Composed by Tr…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.615019 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Sacred. Score and part. 9 pages. The Lanier Company #2828271. Published by The Lanier Company (A0.615019). THEN SINGS MY SOUL is an arrangement for Baritone Sax and Piano of an old Swedish Folk melody. It is often associated with the hymn How Great Thou Art. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (9 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: THEN SINGS MY SOUL (Piano Accompaniment for Baritone Sax).
$6.99
6.39 €
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Baritone Saxophone, Piano
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Traditional Swedish Folk Melody
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THEN SINGS MY SOUL
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The Lanier Company
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SheetMusicPlus
THEN SINGS MY SOUL (Trio – Alto Sax & Baritone Sax with Piano and Parts)
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615040 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 12 pages. The Lanier Company #2832071. Published by The Lanier Company (A0.615040). THEN SINGS MY SOUL is an arrangement for Alto Sax & Baritone Sax with Piano of an old Swedish Folk melody. It is often associated with the hymn How Great Thou Art. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (12 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: THEN SINGS MY SOUL (Piano Accompaniment for Alto Sax & Baritone Sax).
$8.99
8.22 €
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Alto Saxophone and Piano
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Traditional Swedish Folk Melody
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THEN SINGS MY SOUL
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The Lanier Company
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SheetMusicPlus
Trios for 3 GREAT HYMNS (Violin & Baritone Sax with Piano and Parts)
Instrumental Duet,Piano Baritone Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digi…
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Instrumental Duet,Piano Baritone Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.615082 Composed by Anonymous, Peter P. Bilhorn, and Swedish Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 29 pages. The Lanier Company #2837475. Published by The Lanier Company (A0.615082). Trios for 3 GREAT HYMNS by Gary Lanier is a set of three instrumental hymn arrangements for Violin & Baritone Sax with Piano. The hymn titles are (1) Then Sings My Soul [aka How Great Thou Art], (2) Oh, How I Love Jesus, & (3) I Will Sing the Wondrous Story. All for the price of 2. They are ideal for offertories, special music in worship services or for the joy of playing in any situation where great hymn music is appreciated (29 pages with cover).
$16.99
15.53 €
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Anonymous, Peter P
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Trios for 3 GREAT HYMNS
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The Lanier Company
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
THEN SINGS MY SOUL (Trio – Bb Trumpet & Baritone Sax with Piano and Parts)
Instrumental Duet,Piano Baritone Saxophone,Instrumental Duet,Piano,Trumpet - Level 3 - Dig…
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Instrumental Duet,Piano Baritone Saxophone,Instrumental Duet,Piano,Trumpet - Level 3 - Digital Download SKU: A0.615050 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 12 pages. The Lanier Company #2834093. Published by The Lanier Company (A0.615050). THEN SINGS MY SOUL is an arrangement for Bb Trumpet & Baritone Sax with Piano of an old Swedish Folk melody. It is often associated with the hymn How Great Thou Art. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (12 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: THEN SINGS MY SOUL (Piano Accompaniment for Bb Trumpet & Baritone Sax).
$8.99
8.22 €
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Traditional Swedish Folk Melody
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THEN SINGS MY SOUL
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The Lanier Company
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SheetMusicPlus
THEN SINGS MY SOUL (Trio – Flute & Baritone Sax with Piano and Parts)
Instrumental Duet,Piano Baritone Saxophone,Flute,Instrumental Duet,Piano - Level 3 - Digit…
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Instrumental Duet,Piano Baritone Saxophone,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615022 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 12 pages. The Lanier Company #2828487. Published by The Lanier Company (A0.615022). THEN SINGS MY SOUL is an arrangement for Flute & Baritone Sax with Piano of an old Swedish Folk melody. It is often associated with the hymn How Great Thou Art. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (12 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: THEN SINGS MY SOUL (Piano Accompaniment for Flute & Baritone Sax).
$8.99
8.22 €
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Traditional Swedish Folk Melody
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THEN SINGS MY SOUL
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The Lanier Company
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SheetMusicPlus
Never Enough
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj …
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Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
45.7 €
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Concert band
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Boyce Avenue
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Never Enough
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Jason Howard
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SheetMusicPlus
Waltz in A Minor (Chopin) - 2 Baritone Saxophones and Piano - Chamber music
Instrumental Duet Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760539 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4623207. Published by Raymond Fenech (A0.760539). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
4.56 €
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Frederic Chopin
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Humility
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. La…
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Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. Laflamme #2018099. Published by Jonathan S. Laflamme (A0.971613). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ The piece concludes with the same chord it started with-a bright C major! This is done in the beginning to show the intention of a beautiful creation story without death and in the end as kind of a, this is just the beginning, sentiment by way of a half cadence. After all, in regards to this composition, Christmas day is just the beginning of the purpose of the Word made flesh. While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$50.00
45.71 €
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Concert band
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Jonathan S
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Humility
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Jonathan S. Laflamme
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SheetMusicPlus
A Million Dreams
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1363534 By Pink. By Benj Pasek an…
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Concert Band - Level 3 - Digital Download SKU: A0.1363534 By Pink. By Benj Pasek and Justin Paul. Arranged by Musiscorz. Broadway,Musical/Show,Pop. 133 pages. Musiscorz #947941. Published by Musiscorz (A0.1363534). The classic song from The Greatest Showman arranged for Concert Band or ensemble that allows the opportunity to add strings and 3 Keyboards to a standard Concert Band setup. I have added some hand held percussion to the Vibraphone and Timpani which adds some depth. The Drum Kit part gives this song some a great groove and we are having fun rehearsing it at the moment. In addition, there are parts for Strings as we are preparing for a Tour which combines a Sinfonia and Junior concert band making a big sound. The keyboard parts have the chords written and notation for both approaches and I arranged a shortened version for our House Music Competition and it worked really well. The arrangement works without the 2nd or 3rd parts as the piano picks up the harmonies along with the strings. Sheet music parts include: A3 Sized Full Score Flute 1&2 Oboe 1&2 Clarinet 1,2&3 Bassoon Alto Sax 1&2 Tenor Saxophone Baritone Saxophone French Horn 1&2 Trumpet 1,2&3 Baritone in Bb 1 Baritone 2 (doubles Trombone 1) Trombone 1&2 Tuba Electric Organ Piano Keyboard Strings Violin 1&2 Viola Cello Bass Drums Vibraphone Timps Triangle Shaker Tambourine.
$50.00
45.71 €
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Concert band
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Pink
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A Million Dreams
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Musiscorz
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
12 Solo Quadrilles for Treble/Alto Recorder
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,…
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842531 Composed by Various (Collection). Arranged by B. Brennan. Baroque,Classical,Instructional,Standards. Score and parts. 32 pages. Bl_music #5289965. Published by bl_music (A0.842531). 12 Solo Quadrilles for Treble/Alto RecorderOriginally written for small orchestras or piano, our arrangements for solo Treble/Alto recorder work so well that it is hard to believe that the pieces weren’t written for the recorder in the first place.This edition of stunning, not too difficult, but fun solos is the ideal companion or addition to the 25 Progressive Studies for Treble/Alto Recorder and a great album of show-stoppers for professionals and students alike.Quadrilles were fashionable dances of the late 18th to19th Centuries, performed by four couples in a rectangular formation. They consist of four to six movements (or contredanses, courtly versions of English country dances that had been taken up at the court of Louis XIV and spread across Europe.) and became a craze during the 19th century.Though hundreds of quadrille sets were composed in the 19th , the names of the five parts (or figures) remained the same, as did the steps and the figures themselves:Le Pantalon , L’été , La Poule , (Trénis ), La Pastourelle , Finale This collection includes:· The Rats· Learning to Dance· Wide Awake· Melbourne· Polly· Osborne· Lancers’ Quadrille· Chevalresque· Fireman· Les Girards· Palermo· Caledonian
$15.99
14.62 €
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Various
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12 Solo Quadrilles for Treble/Alto Recorder
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bl_music
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SheetMusicPlus
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