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You've selected:
How Marvelous! How Wonderful!
Sheetmusic to print
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How Marvelous! How Wonderful!
Orchestra
(Orchestra) - Digital Download SKU: H1.C5875ODP Composed by Mary McDonald. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5875ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship. Set of Instrumental Parts. 67 pages. Hope Publishing - Digital #C5875ODP. Published by Hope Publishing - Digital (H1.C5875ODP). Words by Charles H. Gabriel. Isaiah 53:4 - Matthew 26:39 - Mark 2:12 - Mark 14:36 - Luke 5:26 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke 22:43 - Luke 22:44 - 1 Corinthians 13:12 - 2 Corinthians 5:21 - Ephesians 2:4 - Eph.Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.
$89.95
82.66 €
#
Orchestra
#
Mary McDonald
#
How Marvelous! How Wonderful!
#
Hope Publishing - Digital
#
SheetMusicPlus
How Marvelous! How Wonderful! (I Stand Amazed)
Choral SATB
Choral, Vocal SATB choir - Digital Download SKU: H1.C5875DP Composed by Mary McDona…
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Choral, Vocal SATB choir - Digital Download SKU: H1.C5875DP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5875DP. Published by Hope Publishing - Digital (H1.C5875DP). Words by Charles H. Gabriel. Isaiah 53:4 - Matthew 26:39 - Mark 2:12 - Mark 14:36 - Luke 5:26 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke 22:43 - Luke 22:44 - 1 Corinthians 13:12 - 2 Corinthians 5:21 - Ephesians 2:4 - Eph.Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.
$3.25
2.99 €
#
Choral SATB
#
Mary McDonald
#
How Marvelous! How Wonderful!
#
Hope Publishing - Digital
#
SheetMusicPlus
How Marvelous! How Wonderful!
Vocal Solo - Digital Download SKU: H1.9149DP Composed by Mary McDonald. Piano Accom…
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Vocal Solo - Digital Download SKU: H1.9149DP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Score. 8 pages. Hope Publishing - Digital #9149DP. Published by Hope Publishing - Digital (H1.9149DP). Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.
$7.95
7.31 €
#
Mary McDonald
#
How Marvelous! How Wonderful!
#
Hope Publishing - Digital
#
SheetMusicPlus
O Love, How Deep, How Broad, How High - Accompaniment Download
Digital Download SKU: LX.E99-3824L Composed by Lloyd Larson. Holy Week. Sacred Anth…
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Digital Download SKU: LX.E99-3824L Composed by Lloyd Larson. Holy Week. Sacred Anthem, Holy Week, Lent. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3824L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3824L). Downloadable accompaniment track for “O Love, How Deep, How Broad, How High†(10/4961L) The thoughtful Holy Week anthem “O Love, How Deep, How Broad, How High†explores the profound love of God’s Son, who sacrificed His life for humanity. It seamlessly transitions from the original verses into the familiar refrain: How marvelous, how wonderful is my Savior’s love for me. Rich musical textures give this anthem an intensity that your choir and congregation will embrace.
$14.95
13.74 €
#
Lloyd Larson
#
O Love, How Deep, How Broad, How High - Accompaniment Download
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
O Love, How Deep, How Broad, How High
Choral SATB
SATB choir, Piano (With Optional Violin) - Digital Download SKU: LX.10-4961L Compos…
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SATB choir, Piano (With Optional Violin) - Digital Download SKU: LX.10-4961L Composed by Lloyd Larson. Sacred Anthem, Holy Week, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4961L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4961L). ISBN 9780787759056.This thoughtful Holy Week anthem explores the profound love of God’s Son, who sacrificed His life for humanity. It seamlessly transitions from the original verses into the familiar refrain: How marvelous, how wonderful is my Savior’s love for me. Rich musical textures give this anthem an intensity that your choir and congregation will embrace.
$2.50
2.3 €
#
Choral SATB
#
Lloyd Larson
#
O Love, How Deep, How Broad, How High
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
How Marvelous! How Wonderful! by Mary McDonald - Piano/Vocal, Singer Pro
Piano, Voice
Mary McDonald - How Marvelous! How Wonderful! Digital Sheetmusic plus an interactive, down…
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Mary McDonald - How Marvelous! How Wonderful! Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 5 pages -- Church~~CCM~~Praise & Worship~~Religious~~Christian
$5.99
5.5 €
#
Piano, Voice
#
Piano/Vocal, Singer Pro
#
Musicnotes
My Savior's Love
Brass Quartet
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1275390 Compose…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1275390 Composed by Charles H. Gabriel. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Pop,Praise & Worship,Standards. 9 pages. Duration 81. J. Randolph Hall #2utUYWZRhbxI4HlE73yyp3. Published by J. Randolph Hall (A0.1275390). Key: Eb major.Gabriel was a 19th Century director and hymnist from Iowa. This hymn is also known as How Marvelous! How Wonderful! Sections A and C are the verse. Sections B and D are the chorus. A modulation to a new key occurs between B and C with the aid of an Italian augmented sixth chord. A descant by yours truly is then added.
$4.00
3.68 €
#
Brass Quartet
#
Charles H
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My Savior's Love
#
J. Randolph Hall
#
SheetMusicPlus
There Is A Savior
Orchestra - Digital Download SKU: H1.C6253ODP Arranged by Mary McDonald. Piano with…
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Orchestra - Digital Download SKU: H1.C6253ODP Arranged by Mary McDonald. Piano with optional Orchestra (available separately). Choral Parts. 101 pages. Hope Publishing - Digital #C6253ODP. Published by Hope Publishing - Digital (H1.C6253ODP). Contemporary classic by Greg Nelson, Bob Farrell, and Sandi Patty The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old, gospel hymn refrain, 'My Savior's Love,' brings the message home expressing how marvelous and wonderful the Savior's love truly is.
$89.95
82.66 €
#
There Is A Savior
#
Hope Publishing - Digital
#
SheetMusicPlus
There Is A Savior
Choral (Orchestra) - Digital Download SKU: H1.C6253DP Arranged by Mary McDonald. Pi…
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Choral (Orchestra) - Digital Download SKU: H1.C6253DP Arranged by Mary McDonald. Piano with optional Orchestra (available separately). Praise & Worship, General Worship, Christ's Presence, Forgiveness, Jesus Christ - Savior, Mercy, Redemption. Octavo. 12 pages. Hope Publishing - Digital #C6253DP. Published by Hope Publishing - Digital (H1.C6253DP). Contemporary classic by Greg Nelson, Bob Farrell, and Sandi Patty The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old, gospel hymn refrain, 'My Savior's Love,' brings the message home expressing how marvelous and wonderful the Savior's love truly is.
$3.25
2.99 €
#
There Is A Savior
#
Hope Publishing - Digital
#
SheetMusicPlus
The World I Live In (SA/2-Part Mixed)
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1366361 Composed …
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1366361 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional. 6 pages. Carol Troutman Wiggins #950689. Published by Carol Troutman Wiggins (A0.1366361). The world I live in is beautiful, wonderful, marvelous . . . and so many other things! The song will remind others how lucky we are to live here!SA/2-Part Mixed VoicesExcellent for late elementary through middle schoolGreat opportunity for teaching dotted rhythms as well as adjectives!Perfect for Earth DayChords included for guitar or other instrumentsIntermediate piano accompaniment (Track available).
$2.99
2.75 €
#
Choral 2-part
#
Carol Troutman Wiggins
#
The World I Live In
#
Carol Troutman Wiggins
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Clarinet Ensemble
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.78 €
#
Clarinet Ensemble
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Basson ensemble
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
(+)
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.78 €
#
Basson ensemble
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.78 €
#
Flute Quintet : 5 flutes
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.78 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Violin ensemble
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 C…
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
13.78 €
#
Violin ensemble
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.78 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.54 €
#
Brass quartet : 2 trumpets, trombone, tuba
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Antonin Dvorak
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.54 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
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