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Hymns in Baroque and Classic Style - Piano
Sheetmusic to print
15 sheet music found
<
1
Canon, Duet for Horn in F & Harp
French Horn and Harp
Instrumental Duet Harp,Horn,Instrumental Duet - Digital Download SKU: A0.1200766 Co…
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Instrumental Duet Harp,Horn,Instrumental Duet - Digital Download SKU: A0.1200766 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799461. Published by O'Meara Music (A0.1200766). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
French Horn and Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Horn in F & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Bassoon & Harp
Bassoon and Harp
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200741 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799434. Published by O'Meara Music (A0.1200741). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
10.15 €
#
Bassoon and Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Bassoon & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Bb Soprano Saxophone & Harp
Saxophone and Harp
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download
(+)
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1200757 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799450. Published by O'Meara Music (A0.1200757). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Saxophone and Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Bb Soprano Saxophone & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Eb Alto Saxophone & Harp
Saxophone and Harp
Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - Digital Download SK…
(+)
Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200763 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799456. Published by O'Meara Music (A0.1200763). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Saxophone and Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Eb Alto Saxophone & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Viola & Harp
Viola and Harp
Instrumental Duet Harp,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.120…
(+)
Instrumental Duet Harp,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1200751 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799444. Published by O'Meara Music (A0.1200751). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
10.15 €
#
Viola and Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Viola & Harp
#
O'Meara Music
#
SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
147.67 €
#
Orchestra
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.36 €
#
Orchestra
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Canon, Duet for Trombone & Harp
Harp, Trombone (duet)
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.…
(+)
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1200750 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799442. Published by O'Meara Music (A0.1200750). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
10.15 €
#
Harp, Trombone (duet)
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Trombone & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for String Bass & Harp
Instrumental Duet Double Bass,Harp,Instrumental Duet - Level 3 - Digital Download SKU: …
(+)
Instrumental Duet Double Bass,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200747 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799440. Published by O'Meara Music (A0.1200747). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
10.15 €
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for String Bass & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Bb Clarinet & Harp
Clarinet, Harp (duet)
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download S…
(+)
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200756 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799449. Published by O'Meara Music (A0.1200756). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Clarinet, Harp (duet)
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Bb Clarinet & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Bb Trumpet & Harp
Trumpet, Harp
Instrumental Duet B-Flat Trumpet,Harp,Instrumental Duet - Level 3 - Digital Download SK…
(+)
Instrumental Duet B-Flat Trumpet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200759 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799452. Published by O'Meara Music (A0.1200759). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Trumpet, Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Bb Trumpet & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Violin & Harp
Harp, Violin (duet)
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.12…
(+)
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1200771 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799466. Published by O'Meara Music (A0.1200771). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Harp, Violin (duet)
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Violin & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Cello & Harp
Harp, Cello (duet)
Instrumental Duet Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.120…
(+)
Instrumental Duet Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1200745 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799438. Published by O'Meara Music (A0.1200745). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
10.15 €
#
Harp, Cello (duet)
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Cello & Harp
#
O'Meara Music
#
SheetMusicPlus
Canon, Duet for Oboe & Harp
Oboe, Harp
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1200…
(+)
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1200767 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799462. Published by O'Meara Music (A0.1200767). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$12.00
11.08 €
#
Oboe, Harp
#
Johann Pachelbel
#
Basso Continuo
#
Canon, Duet for Oboe & Harp
#
O'Meara Music
#
SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages. Justin M. Ryan #3049153. Published by Justin M. Ryan (A0.886923). The hymn, When I Survey the Wondrous Cross, was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of When I survey... may be seen as English literary baroque.[1] The hymn's fourth verse (His dying crimson...) is commonly omitted in printed versions, a practice that began with George Whitefield in 1757.[2]This arrangement is for SATB Choir and is performed at a Moderate tempo. It is broken up into 4 verses plus please watch verse 3. The Soprano melody has been slightly adjusted but still follows the same harmonic movement as in Vs. 1 and 2. Enjoy this wonderful Lenten Classic.Tune Information Composer: Lowell Mason (1824) Meter: 8.8.8.8 Incipit: 11232 34323 33343 Key: F Major or modal Source: Adapted from a Gregorian Chant
$2.99
2.76 €
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Choral SATB
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Isaac Watts
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When I Survey the Wondrous Cross
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Justin M. Ryan
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