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You've selected:
I'm A Wanted Man
Sheetmusic to print
76 sheet music found
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I'm A Wanted Man
Choral SATB
By Royal Deluxe. By James Weaver, Sam Getz, Samuel Getz, and Tyrone Wells. Arranged by…
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By Royal Deluxe. By James Weaver, Sam Getz, Samuel Getz, and Tyrone Wells. Arranged by Matthew Haltom. Rock. 9 pages. Matthew Haltom #898132. Published by Matthew Haltom
$3.99
3.61 €
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Choral SATB
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Royal Deluxe
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I'm A Wanted Man
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Matthew Haltom
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SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.8 €
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Piano, Voice
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Arthur Le Clerq
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Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
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Kim Kirkman
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.8 €
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Arthur Le Clerq
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
I'm Gonna Wash That Man Right Outa My Hair
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Ruby Rhea/Ken Potter. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 5 pages. Ken Potter #874171. Published by Ken Potter (A0.1282920). This arrangement for SSAA (SAI) was originally written by Ruby Rhea for SAI. Â I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. Â As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Â Please observe all copyright laws and contest rules for clearance. Â Ruby wanted her charts to be used by the public legally. Â Please note that I do not receive compensation for managing her charts. Â Contact me directly if you need to speak to me about Ruby Rhea's material. Â (310-702-5285).
$2.00
1.81 €
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Choral SSAA
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Oscar Hammerstein and Richard Rodgers
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I'm Gonna Wash That Man Right Outa My Hair
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Ken Potter
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SheetMusicPlus
It's a Long Lane That Has No Turning
Piano, Voice
Piano and voice - Digital Download SKU: LV.18850 Composed by Manuel Klein. Globes, …
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Piano and voice - Digital Download SKU: LV.18850 Composed by Manuel Klein. Globes, Railroads, Automobiles, Airplane, Steamboats, Sailboats, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18850). It's a Long Lane That Has No Turning. Book by Arthur Voegtlin & Carrol Fleming. Lyrics & Music by Manuel Klein. Published 1911 by M. Witmark & Sons in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Globes, Railroads, Automobiles, Airplane, Steamboats, Sailboats, Courtship & love. First line reads For years I have always wanted to meet a little girl like you, And I knew some happy day goodluck would come my way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voice
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Manuel Klein
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It's a Long Lane That Has No Turning
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Why I Love You
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.1316372 By MAJOR. By Harmony Samuel…
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Cello Solo - Level 4 - Digital Download SKU: A0.1316372 By MAJOR. By Harmony Samuels, Jor El Quinn, Karl Daniel, and Major Finley. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #905116. Published by Sarah Cellobat Chaffee (A0.1316372). Actor and singer-songwriter Major. was on a film set one day and started singing a goofy little song about how he wanted a chicken salad sandwich for lunch. Little did he know that the melody would soon become the song Why I Love You, a viral hit with over 122 million views, and described by some as the wedding song of the year for 2016! This Cellobat arrangement for solo cello maintains the dynamic intensity, emotional buildup, and beautiful soaring melodic lines of the original, and since it's such a popular wedding request, you can't go wrong having this in your gig books. Rated advanced-intermediate for some tricky rhythms throughout and a few high notes (up to 4th position); this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99
7.24 €
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Cello
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MAJOR
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Why I Love You
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Sarah Cellobat Chaffee
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SheetMusicPlus
Why I Love You
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526347 By MAJOR…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526347 By MAJOR. By Harmony Samuels, Jor El Quinn, Karl Daniel, and Major Finley. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 8 pages. Sarah Cellobat Chaffee #6518545. Published by Sarah Cellobat Chaffee (A0.526347). Actor and singer-songwriter Major. was on a film set one day and started singing a goofy little song about how he wanted a chicken salad sandwich for lunch. Little did he know that the melody would soon become the song Why I Love You, a viral hit with over 122 million views, and described by some as the wedding song of the year for 2016! This Cellobat chart for your string duo maintains the dynamic intensity, emotional buildup, and beautiful soaring melodic lines of the original, and since it's such a popular wedding request, you can't go wrong having this in your gig books. Rated advanced-intermediate for some tricky rhythms throughout and a few high notes in the violin part (up to 4th position); this will be playable for more advanced students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99
9.05 €
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Violin, Cello (duet)
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MAJOR
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Why I Love You
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Sarah Cellobat Chaffee
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.92 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Impressions of the Middle East - John M. Licari (String Orchestra with Percussion)
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.908408 Composed by John M. Li…
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String Orchestra - Level 2 - Digital Download SKU: A0.908408 Composed by John M. Licari. Contemporary,Folk,Instructional,Standards,World. Score and parts. 20 pages. Music Preparation Services #5311331. Published by Music Preparation Services (A0.908408). Impressions of the Middle East - John M. LicariWritten for String Orchestra with Percussion Music Preparation Services www.musicprepservices.com I wrote this piece after listening to the Herbie Mann album Impressions of the Middle East from 1967. I was intrigued with the sounds and styles he was able to blend together for that album. Since my compositions are marketed for school-based ensembles, I wanted to try my hand at creating a piece that had a Middle-Eastern vibe, by using a harmonic minor mode. This piece is written in D-Phrygian Dominant mode (scale degrees are as follows: 1, b2, 3, 4, 5, b6, b7). Look out for low 1, 2, and low 4 fingerings.
$25.00
22.65 €
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String Orchestra
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John M
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Impressions of the Middle East - John M. Licari
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Music Preparation Services
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SheetMusicPlus
A Spoonful Of Sugar
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1451651 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark A. Craig/Craig Music Publishers (ASCAP). Broadway,Children,Film/TV,Musical/Show,Pop. 34 pages. Mark A. Craig #1030953. Published by Mark A. Craig (A0.1451651). This woodwind quintet arrangement of A Spoonful of Sugar from the movie Mary Poppins is perfect for pops recitals, weddings, background dinner music gigs, children's concerts, and educational outreach. This American classic can be performed by college and professional ensembles and has the flutist doubling on piccolo. I have included an alternate bass clarinet part if no bassoonist is available. If you like this arrangement, you might also like my arrangement of Supercalifragilisticexpialidocious, also from the movie Mary Poppins. This title is available on Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1553250/Product.aspx and Sheet Music Plus (link coming soon). In light of the recent passing of our beloved American composer Richard Sherman, I wanted to bring back these two charming pieces from this delightful movie. I hope you enjoy these settings for winds. Here are some links if you'd like to check out my other social media pages. Please like and subscribe, and feel free to leave comments below. Thanks!Facebook: https://www.facebook.com/craigmusicpublishers/ Instagram: https://www.instagram.com/craigmusicpublishers/.
$15.00
13.59 €
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Richard M
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A Spoonful Of Sugar
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Mark A. Craig
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SheetMusicPlus
Homage to Sibelius
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.76 €
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Chamber Orchestra
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
A Sky Full Of Stars
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1432169 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 23 pages. Sarah Cellobat Chaffee #1012658. Published by Sarah Cellobat Chaffee (A0.1432169). Coldplay's 2014 hit A Sky Full Of Stars, co-written and produced with Avicii, was an instant top 10 hit on the charts in 16 countries and received a Grammy nomination. The song was Coldplay's first dance track, but the lyrics are more along the lines of a sweet love ballad, making this song a popular request for weddings and receptions. I wrote this arrangement for string quartet because I've had to play other peoples' versions that were really weird, and I wanted to create one that not only sounds better but is more user-friendly to play! This arrangement is perfect for pop concerts, solo & ensemble contests, weddings, receptions, and even proposals - it's full of beautiful layered harmonies, soaring melodies, and a driving beat that will be sure to get your audience dancing! Rated advanced-intermediate for some tricky syncopated rhythms (the same ones repeat throughout), but this arrangement will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.39 €
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String Quartet: 2 violins, viola, cello
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Coldplay
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A Sky Full Of Stars
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Sarah Cellobat Chaffee
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SheetMusicPlus
Old French Song
Harp
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.52 €
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Harp
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Pyotr Ilich Tchaikovsky
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Legacy of Valor, Op. 138 (Double Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
27.13 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Legacy of Valor, Op. 138
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https://gildedmusicpress.com/
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SheetMusicPlus
When I'm Gone
C Instruments
C Instrument - Level 1 - Digital Download SKU: A0.1431598 By Albert Hammond. By Alb…
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C Instrument - Level 1 - Digital Download SKU: A0.1431598 By Albert Hammond. By Albert Hammond and Harold Payne. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #1012073. Published by MARCO POLO IGNACIO (A0.1431598). When I'm Gone is a 1981 single by English soft rock musician Albert Hammond, taken from his 1981 album, Your World and My World. It charted in Germany at No. 50,[1] Switzerland at No. 12,[2] and in South Africa at No. 7. The meaning of the song is about when she's gone, will the guy miss her as she misses him. She can't stop thinking of him and wants to reconcile with him. She wanted to be apart at first but hopes love will reunite them. The beat of the song is cheery and uptempo.
$4.99
4.52 €
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C Instruments
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Albert Hammond
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When I'm Gone
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MARCO POLO IGNACIO
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
18.12 €
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Guitar
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$30.00
27.18 €
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Guitar
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
18.12 €
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Guitar
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Méditation de Thaïs
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1399396 Composed by Jules Massenet.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1399396 Composed by Jules Massenet. Arranged by Yo Matsumoto. 19th Century,Classical,Historic,Instructional,Traditional. Score. 4 pages. Yo Matsumoto #982679. Published by Yo Matsumoto (A0.1399396). This work is more famous for its violin + piano version than the original orchestral version (opera intermezzo). As I played the accompaniment many times, I came to love this song, and eventually wanted to reproduce all the sounds on a single piano.For this reason, this arrangement has been extremely busy, with one person doing the work that would normally be shared by two people, and it is much more responsive to playing than it sounds...
$5.00
4.53 €
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Piano solo
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Jules Massenet
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Méditation de Thaïs
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Yo Matsumoto
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SheetMusicPlus
Driven (C Lead Sheet)
C Instruments
C Instrument - Digital Download SKU: A0.482323 By Matthew Rybicki. By Matthew Rybic…
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C Instrument - Digital Download SKU: A0.482323 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 1 pages. Published by Matthew Rybicki (A0.482323). Bebop is, in my opinion, the most complex and difficult style of music to master. While I'm far, far from commanding this style, I wanted to write a piece that showcases both my striving towards and affection for bebop. ​ As in many bebop compositions, I created this melody based on the chord changes to I Got Rhythm, a common practice in the period.
$1.99
1.8 €
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C Instruments
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Matthew Rybicki
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Driven
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Matthew Rybicki
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SheetMusicPlus
Driven (Bb Lead Sheet)
C Instruments
C Instrument - Digital Download SKU: A0.482321 By Matthew Rybicki. By Matthew Rybic…
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C Instrument - Digital Download SKU: A0.482321 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 1 pages. Published by Matthew Rybicki (A0.482321). Bebop is, in my opinion, the most complex and difficult style of music to master. While I'm far, far from commanding this style, I wanted to write a piece that showcases both my striving towards and affection for bebop. ​ As in many bebop compositions, I created this melody based on the chord changes to I Got Rhythm, a common practice in the period.
$1.99
1.8 €
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C Instruments
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Matthew Rybicki
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Driven
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Matthew Rybicki
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SheetMusicPlus
Driven (Eb Lead Sheet)
C Instruments
C Instrument - Digital Download SKU: A0.482322 By Matthew Rybicki. By Matthew Rybic…
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C Instrument - Digital Download SKU: A0.482322 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 1 pages. Published by Matthew Rybicki (A0.482322). Bebop is, in my opinion, the most complex and difficult style of music to master. While I'm far, far from commanding this style, I wanted to write a piece that showcases both my striving towards and affection for bebop. ​ As in many bebop compositions, I created this melody based on the chord changes to I Got Rhythm, a common practice in the period.
$1.99
1.8 €
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C Instruments
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Matthew Rybicki
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Driven
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Matthew Rybicki
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SheetMusicPlus
Fantasypiece (Downloadable)
Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed …
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Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed by Stanley M. Hoffman. Secular, 21st century. Score. 14 pages. E. C. Schirmer Music Company - Digital #8409-E. Published by E. C. Schirmer Music Company - Digital (MQ.8409-E). UPC: 600313484094.The duet version of Fantasypiece for violoncello and double bass was composed in 2001, an arrangement for chamber orchestra was completed in 2002. The title has multiple meanings. The musical language, what I regard as free tonality, is one that I had always wanted to employ but never found occasion to use. By free, I mean employing unusual dissonances in a controlled manner within a tonal framework.
$16.00
14.49 €
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free, I mean employing unusual dissonances in a controlled manner within a tonal framework
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Stanley M
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Fantasypiece
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
You're A Grand Old Flag
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1420898 Composed by Joe Rizzo. Ar…
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C Instrument - Level 4 - Digital Download SKU: A0.1420898 Composed by Joe Rizzo. Arranged by John Fries. 20th Century,Historic,Holiday,March,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1002320. Published by John Fries (A0.1420898). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. You're a Grand Old Flag is an American patriotic march. In addition to obvious references to the flag, it incorporates snippets of other popular songs, including one of his own. Cohan wrote it in 1906 for his stage musical George Washington, Jr. You're a Grand Old Flag quickly became the first song from a musical to sell over a million copies of sheet music. The original lyric for this perennial George M. Cohan favorite came, as Cohan later explained, from an encounter he had with a Civil War veteran who fought at Gettysburg. The two men found themselves next to each other and Cohan noticed the vet held a carefully folded but ragged old flag. The man reportedly then turned to Cohan and said, She's a grand old rag. Cohan thought it was a great line and originally named his tune You're a Grand Old Rag. So many groups and individuals objected to calling the flag a rag, however, that he gave 'em what they wanted and switched words, renaming the song You're a Grand Old Flag.
$3.99
3.61 €
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C Instruments
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Joe Rizzo
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You're A Grand Old Flag
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John Fries
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SheetMusicPlus
Brazil
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By A…
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Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #814316. Published by Timothy Stapay (A0.1217783). This arrangement of Brazil is written as performed by famous piano artist, Liberace. This is the same version that he performed on his emmy-award winning TV. show and in concerts around the world.Aquarela do Brasil (Portuguese: [akwaˈɾɛlÉ du bɾaˈziw], 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as Brazil, is one of the most famous Brazilian songs. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote Três lágrimas (Three Teardrops) on that same night, before the rain ended.Describing the song in an interview to Marisa Lira, of the newspaper Diário de NotÃcias, Barroso said that he wanted to free the samba away from the tragedies of life, of the sensual scenario already so explored. According to the composer, he felt all the greatness, the value and the wealth of our land, reliving the tradition of the national panels.WÅ‚adziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Brazil, where hearts were entertaining JuneWe stood beneath an amber moonAnd softly murmured Someday soonWe kissed and clung togetherThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the skies aboveRecalling thrills of our loveThere's one thing I'm certain ofReturn, I will, to old BrazilThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the sky aboveRecalling thrills of our loveThere's one thing that I'm certain ofReturn, I will, to old BrazilThat old BrazilMan, it's old in BrazilBrazil, Brazil
$8.99
8.14 €
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Piano solo
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The Ritchie Family
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Brazil
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Timothy Stapay
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SheetMusicPlus
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