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You've selected:
I'm Not Lisa
Sheetmusic to print
28 sheet music found
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1
26
I'm Not Lisa
Melody line, (Lyrics) and Chords
C Instrument,Voice - Digital Download SKU: HX.789115 By Jessi Colter. This edition:…
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C Instrument,Voice - Digital Download SKU: HX.789115 By Jessi Colter. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #382220. Published by Hal Leonard - Digital (HX.789115).
$1.99
1.79 €
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Melody line, (Lyrics) and Chords
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Jessi Colter
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I'm Not Lisa
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Hal Leonard - Digital
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SheetMusicPlus
Princess Diana the Musical: I'm Not the Little Kid I Used to Be
Vocal duet, Piano
By Ryan Rubek, Lisa Lind. By Karen Sokolof Javitch. Arranged by Chuck Penington. Bro…
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By Ryan Rubek, Lisa Lind. By Karen Sokolof Javitch. Arranged by Chuck Penington. Broadway, Musical/Show. 4 pages. Karen Sokolof Javitch #124183. Published by Karen Sokolof Javitch
$2.99
2.69 €
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Vocal duet, Piano
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Ryan Rubek, Lisa Lind
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Princess Diana the Musical: I'm Not the Little Kid I Used to Be
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Karen Sokolof Javitch
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SheetMusicPlus
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Ad…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
4.49 €
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Soprano voice, Piano
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
I'm Not Lisa
C Instruments
C Instrument - Interactive Download SKU: HX.376675 By Jessi Colter. This edition: I…
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C Instrument - Interactive Download SKU: HX.376675 By Jessi Colter. This edition: Interactive Download,scorch. Country,Pop,Rock. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #382220. Published by Hal Leonard - Digital (HX.376675).
$3.99
3.59 €
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C Instruments
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Jessi Colter
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I'm Not Lisa
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Hal Leonard - Digital
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SheetMusicPlus
I'm Not Lisa
C Instruments
C Instrument - Digital Download SKU: HX.386740 By Jessi Colter. This edition: scorc…
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C Instrument - Digital Download SKU: HX.386740 By Jessi Colter. This edition: scorch. Country,Pop,Rock. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #382220. Published by Hal Leonard - Digital (HX.386740).
$3.99
3.59 €
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C Instruments
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Jessi Colter
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I'm Not Lisa
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Hal Leonard - Digital
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SheetMusicPlus
I'm Not Lisa
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.456961 By J…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.456961 By Jessi Colter. This edition: scorch. E-Z Play Today. Country. Score. 3 pages. Hal Leonard - Digital #382220. Published by Hal Leonard - Digital (HX.456961). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.69 €
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Organ
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Jessi Colter
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I'm Not Lisa
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Hal Leonard - Digital
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SheetMusicPlus
I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 B…
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Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 By Libretto by Lisa Kay Adam. By Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Multicultural,Opera,World. 24 pages. Adrienne Inglis (ASCAP) #1036203. Published by Adrienne Inglis (ASCAP) (A0.1457162). Powerful and dramatic Native American micro-opera, 10-11 minutes, for three singers and piano, simple stagingI am worth nothing (2022)Micro-opera for soprano, mezzo, bass, and pianoLibretto — “I am worth nothing — Pīntci nakāmmam axām,” poem by Lisa Kay Adam from her book xuāi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration 10-11 minutesDifficulty 4 intermediate/advancedLanguage — English and Coahuilteco3 Mar 2024 — One Ounce Opera presents the micro-opera I am worth nothing during its 6th Annual Fresh Squeezed Ounce of Opera, Austin, Texas — watch here:https://youtu.be/2Aau7V7vJcE?feature=shared
$5.99
5.39 €
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Libretto by Lisa Kay Adam
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I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
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Adrienne Inglis
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SheetMusicPlus
Flötenuhrstücke HobXIX:5-8 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, …
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. 19 pages. Published by Lisa Ochoco
Joseph Haydn was an Austrian composer who had a fulfilling career as a court musician in the 1700's and was a friend of Wolfgang Amadeus Mozart. Flötenuhrstücke, or flute clock, was a mechanical instrument similar to what we would now know as a music box. Haydn wrote 32 pieces for this instrument, which have been transcribed for piano solo. This arrangement includes pieces 5 through 8 for clarinet quartet. I have made many note changes to these pieces, so if you are looking for a true transcription, this is not it. Most of the chord structure remains intact. My intent was to arrange this work in a way that kept all 4 musicians playing 99% of the time without any 2 parts having to play the exact same thing for too long. Again, if you are familiar with the original work, this arrangement will sound different, and I'm not so sorry about it. ;) It is simple enough for musicians with intermediate skill. This work is arranged so that the melody is equally distributed among the parts, as I am a strong believer in giving everyone a chance to play the melody. Scored for 4 Bb clarinets (or 4 instruments in the same key). Duration: 5 minutes
$12.00
10.81 €
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Clarinet Quartet: 4 clarinets
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Franz Joseph Haydn
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Flötenuhrstücke HobXIX:5-8 for Clarinet Quartet
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SheetMusicPlus
Flötenuhrstücke HobXIX:1-4 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, …
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. 29 pages. Published by Lisa Ochoco
Joseph Haydn was an Austrian composer who had a fulfilling career as a court musician in the 1700's and was a friend of Wolfgang Amadeus Mozart. Flötenuhrstücke, or flute clock, was a mechanical instrument similar to what we would now know as a music box. Haydn wrote 32 pieces for this instrument, which have been transcribed for piano solo. This arrangement includes pieces 1 through 4 for clarinet quartet. I have made many note changes to these pieces, so if you are looking for a true transcription, this is not it. Most of the chord structure remains intact, although the 4th movement is 40/60 Haydn and mine. My intent was to arrange this work in a way that kept all 4 musicians playing 99% of the time without any 2 parts having to play the exact same thing for too long. Again, if you are familiar with the original work, this arrangement will sound different, and I'm not so sorry about it. ;) It is simple enough for musicians with intermediate skill. Scored for 4 Bb clarinets (or 4 instruments in the same key). Duration: 6 minutes
$12.00
10.81 €
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Clarinet Quartet: 4 clarinets
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Franz Joseph Haydn
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Flötenuhrstücke HobXIX:1-4 for Clarinet Quartet
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SheetMusicPlus
I'm Not Lisa by Jessi Colter - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Jessi Colter: I'm Not Lisa Digital Sheetmusic - instantly downloadable …
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Performed by: Jessi Colter: I'm Not Lisa Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Country~~Country-Pop~~Traditional Country
$5.50
4.95 €
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Piano, Vocal and Guitar
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Jessi Colter
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Piano/Vocal/Guitar
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Musicnotes
Jessi Colter: I'm Not Lisa - voice & other instruments (real book with lyrics)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Jessi Colter for voice & other instruments (real bo…
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Instantly printable sheet music by Jessi Colter for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country
$3.97
3.58 €
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Melody line, (Lyrics) and Chords
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Jessi Colter
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Virtualsheetmusic
Jessi Colter: I'm Not Lisa - voice & other instruments (fake book)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Jessi Colter for voice & other instruments (fake bo…
(+)
Instantly printable sheet music by Jessi Colter for voice & other instruments (fake book) of EASY skill level. / country,pop,rock,children
$5.97
5.38 €
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Melody line, (Lyrics) and Chords
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Jessi Colter
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Virtualsheetmusic
Jessi Colter: I'm Not Lisa - voice & other instruments (fake book)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Jessi Colter for voice & other instruments (fake bo…
(+)
Instantly printable sheet music by Jessi Colter for voice & other instruments (fake book) of MEDIUM skill level. / country,pop,rock
$4.97
4.48 €
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Melody line, (Lyrics) and Chords
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Jessi Colter
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Virtualsheetmusic
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.16 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Nocturne No 1 - A restless night in June 2016
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
2.25 €
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Piano solo
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Stuart Brown
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Nocturne No 1 - A restless night in June 2016
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Stuart Brown Music
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SheetMusicPlus
I'm Not Lisa
Piano, Vocal and Guitar
By Jessi Colter and Marianne Faithfull. For piano, voice and guitar (chords only). Country…
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By Jessi Colter and Marianne Faithfull. For piano, voice and guitar (chords only). Country. Piano/Vocal/Guitar (chords only). 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.49 €
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Piano, Vocal and Guitar
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Jessi Colter and Marianne Faithfull
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I'm Not Lisa
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I'm Not Lisa
Lyrics and Chords
By Jessi Colter. Country. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
By Jessi Colter. Country. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.79 €
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Lyrics and Chords
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Jessi Colter
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I'm Not Lisa
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Jessi Colter: I'm Not Lisa for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Jessi Colter for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Jessi Colter for voice, piano or guitar of MEDIUM skill level. / country
$5.97
5.38 €
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Piano, Vocal and Guitar
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Jessi Colter
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Virtualsheetmusic
Jessi Colter: I'm Not Lisa for guitar
Lyrics and Chords
Instantly printable sheet music by Jessi Colter for guitar (chords) of MEDIUM skill level.…
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Instantly printable sheet music by Jessi Colter for guitar (chords) of MEDIUM skill level. / country
$3.97
3.58 €
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Lyrics and Chords
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Jessi Colter
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Virtualsheetmusic
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.59 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Sifting the Stars
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
2.69 €
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Soprano voice, Piano
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Ave Maria Bach-Gounod
Piano solo
Piano - Digital Download SKU: A0.1068969 Composed by J S Bach, Charles Gounod. Arra…
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Piano - Digital Download SKU: A0.1068969 Composed by J S Bach, Charles Gounod. Arranged by Lisa Ruping Cheng. Baroque,Romantic Period. Full Performance. Duration 135. Lisa Ruping Cheng #5741289. Published by Lisa Ruping Cheng (A0.1068969). Ave Maria was published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The melody was composed by the French Romantic composer Charles Gounod, who superimposed over slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J. S. Bach's The Well-Tempered Clavier. The lyrics - Latin prayer Ave Maria was not the origianal poem Gounod intended. This recording converted the vocal part into piano instrumental. Ultimately it is the melody that is giving the prominent beauty. Arranged and performed by Canadian pianist Lisa Ruping Cheng. ISRC QZHZ32055186
$3.99
3.59 €
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Piano solo
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J S Bach, Charles Gounod
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Ave Maria Bach-Gounod
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Lisa Ruping Cheng
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SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
30.58 €
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Richard Wagnersche Klavierlieder
2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two …
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2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$55.99
50.43 €
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Hans Werner Henze and Richard Wagner
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Richard Wagnersche Klavierlieder
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Schott Music - Digital
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SheetMusicPlus
He's A Pirate
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, H…
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Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
7.16 €
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Guitar
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
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