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You've selected:
I'm Still Standing - Piano Solo
Sheetmusic to print
22 sheet music found
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1
I'm Still Standing
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475719 By Elton John. By Bernie Taupin and Elton John. Arranged by Matt Shaw. 20th Century,Pop,Singer/Songwriter. Brass Band. 37 pages. MJ Shaw #1053277. Published by MJ Shaw (A0.1475719). With one of the most recognisable introductions to a song, I'm Still Standing was released by international superstar Elton John in 1983. Written in collaboration with his longtime lyricist, Bernie Taupin, the song has become not only a pop mega hit, but also an anthem for resilience and self-belief.This skillful arrangement from Matt Shaw takes all the original essence of the iconic 1983 recording, and transports it brilliantly into the instrumental world of the brass band. Scored for British-style brass band, with timpani, kit, tambourine, glockenspeil and vibraphone, as well as an optional electric bass part to bring something a little different should you wish. The main melody is spread throughout the band, with features for the horns, baritones and euphoniums, and trombone section. The original guitar solo has been transcribed for solo trombone, with additions from solo baritone, flugel and soprano, before the full band take us to a final chorus.A classy and highly enjoyable arrangement for both performers and audience, which will be a welcome addition to any concert working especially well as an opening item or an encore. Arrangement by Matt Shaw, from Nova Vocem Music.Suggested level - 2nd Section +.
$45.00
41.14 €
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Elton John
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I'm Still Standing
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MJ Shaw
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SheetMusicPlus
I'm Still Standing
Trumpet
Trumpet Solo - Level 2 - Digital Download SKU: A0.1455706 By Elton John. By Bernie …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1455706 By Elton John. By Bernie Taupin and Elton John. Arranged by Easy Trumpet Vidz. 20th Century,Pop. Individual part. 1 pages. Easy Trumpet Vidz #1034804. Published by Easy Trumpet Vidz (A0.1455706). An easy to intermedate level arrangement of I'm Still Standing for trumpet. Practice along with the Easy Trumpet Vidz youtube channel link for maximum accuracy.
$5.00
4.57 €
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Trumpet
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Elton John
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I'm Still Standing
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Easy Trumpet Vidz
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SheetMusicPlus
I'm Still Standing
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1372210 By E…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1372210 By Elton John. By Bernie Taupin and Elton John. Arranged by Scott Pietrangelo. A Cappella,Contemporary,Pop,Rock,Singer/Songwriter. 13 pages. Scott Pietrangelo #956471. Published by Scott Pietrangelo (A0.1372210). This high energy a cappella solo+SSAATB arrangement of I'm Still Standing is a guaranteed hit with audiences and vocalists alike.
$1.99
1.82 €
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Choral SATB
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Elton John
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I'm Still Standing
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Scott Pietrangelo
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SheetMusicPlus
I'm Still Standing
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 1 - Interactive Download
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 1 - Interactive Download SKU: A0.485902 By Elton John. By Bernie Taupin and Elton John. Arranged by Megan Easton. This edition: Interactive Download. Pop. Octavo. Duration 130. Megan Easton #4IGwaOFfkgwPuzmqqsXjFE. Published by Megan Easton (A0.485902). Key: Db major.4-part (SATB) + solo a cappella arrangement of I'm Still Standing, from the movie Sing!
$3.99
3.65 €
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Elton John
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I'm Still Standing
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Megan Easton
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SheetMusicPlus
I'm Still Standing
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1088947 By Elton Jo…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1088947 By Elton John. By Bernie Taupin and Elton John. Arranged by Tanna Ward and Jan Ward. Pop,Rock. Octavo. 10 pages. Ward Family Enterprises #693157. Published by Ward Family Enterprises (A0.1088947). This is the version of Elton John's classic rock tune as performed on Britain's Got Talent TV show. It has multiple opportunities for soloists and truly has a gospel feel.
$3.99
3.65 €
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Choral SATB
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Elton John
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I'm Still Standing
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Ward Family Enterprises
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SheetMusicPlus
I'm Still Standing
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.497188 By Elton Joh…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.497188 By Elton John. By Bernie Taupin and Elton John. Arranged by Justin Glodich. A Cappella,Pop. 12 pages. Justin Glodich #111227. Published by Justin Glodich (A0.497188). SATB and Solo.
$2.99
2.73 €
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Choral SATB
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Elton John
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I'm Still Standing
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Justin Glodich
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SheetMusicPlus
I'm Still Standing
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1273686 By Elton Jo…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1273686 By Elton John. By Bernie Taupin and Elton John. Arranged by Richard Curtis. 20th Century,A Cappella,Barbershop,Pop,Rock. 9 pages. Richard's Studio #865831. Published by Richard's Studio (A0.1273686). Suitable for mixed voice chorus (SATB).Divided into rehearsal sections, with advised tempos, breathing points are suggested at rest marks.22 teach tracks are available from www.richardsstudio.org, including:Full Mix (mono and stereo), & each voice: Solo, Mute, Loud, Left, Right.
$2.99
2.73 €
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Choral SATB
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Elton John
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I'm Still Standing
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Richard's Studio
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SheetMusicPlus
I'm Still Standing
Choral Alto Saxophone,Bass Clarinet,Choral,Soprano Saxophone,Tenor Drum (SATB) - Level 3 -…
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Choral Alto Saxophone,Bass Clarinet,Choral,Soprano Saxophone,Tenor Drum (SATB) - Level 3 - Interactive Download SKU: A0.1326101 By Elton John. By Bernie Taupin and Elton John. Arranged by Richard A Curtis (Richard's Studio). This edition: Interactive Download. Pop,Rock. 22 pages. Duration 181. Richard's Studio #5vcdZBBJq6XLl0Zrhin7IY. Published by Richard's Studio (A0.1326101). Key: G major.SATB Four part arrangement in mixed voice style. Teach Tracks 22 teach tracks are available from the arranger Full Mix (mono and stereo) Each voice: Solo, Mute, Loud, Left, Right Website: www.richardsstudio.org.
$2.99
2.73 €
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Elton John
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I'm Still Standing
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Richard's Studio
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SheetMusicPlus
Look Inside Listen I'm Still Standing (SATB a cappella)
Choral SATB
By Elton John. Arranged by Stephen Lanza. Score. 12 pages. Published by Stephen Lanz…
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By Elton John. Arranged by Stephen Lanza. Score. 12 pages. Published by Stephen Lanza
A great simple piece, this Elton John original is a great fast and easy addition to any music set. The middle of the piece features a suggested improv section followed by a shout chorus. It's a crowd pleaser they can certainly clap along to. Song is in SSATBB format with soloist.
$1.99
1.82 €
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Choral SATB
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Elton John
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Look Inside Listen I'm Still Standing
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Stephen Lanza
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SheetMusicPlus
I'm Still Standing (Elton John) - Amazing solo accordion arrangement
Accordion
By Elton John. Arranged by Dimitris Anousis. Score. 6 pages. Published by Dimitris A…
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By Elton John. Arranged by Dimitris Anousis. Score. 6 pages. Published by Dimitris Anousis
$7.99
7.3 €
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Accordion
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Elton John
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I'm Still Standing
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Dimitris Anousis
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SheetMusicPlus
I'm Still Standing - Viola by Elton John - for Viola
Performed by: Elton John: I'm Still Standing - Viola Digital Sheetmusic - instantly d…
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Performed by: Elton John: I'm Still Standing - Viola Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Viola; 2 pages -- Soft Rock~~Singer-Songwriter~~Pop Rock~~Adult Contemporary~~Album Rock
$2.99
2.73 €
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Elton John
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Viola by Elton John
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Musicnotes
I'm Still Standing - F Instrument by Elton John - for F Instrument or French Horn
Performed by: Elton John: I'm Still Standing - F Instrument Digital Sheetmusic - inst…
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Performed by: Elton John: I'm Still Standing - F Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: F Instrument;French Horn; 2 pages -- Adult Contemporary~~Soft Rock~~Pop Rock~~Singer-Songwriter~~Album Rock
$2.99
2.73 €
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Elton John
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F Instrument by Elton John
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Musicnotes
Bernie Taupin: I'm Still Standing for guitar
Guitar notes and tablatures
Instantly printable sheet music by Elton John for guitar solo (easy tablature) of EASY ski…
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Instantly printable sheet music by Elton John for guitar solo (easy tablature) of EASY skill level. / pop,rock,children
$4.97
4.54 €
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Guitar notes and tablatures
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Bernie Taupin
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Virtualsheetmusic
I'm Still Standing
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1426257…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1426257 By Elton John. By Bernie Taupin and Elton John. Arranged by Rob Dietz. A Cappella,Contemporary,Pop. 15 pages. Rob Dietz #1006977. Published by Rob Dietz (A0.1426257). Contemporary A Cappella arrangement for SSATBB + Solo and Vocal Percussion.
$5.00
4.57 €
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Choral SATB
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Elton John
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I'm Still Standing
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Rob Dietz
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SheetMusicPlus
I'm Still Standing by William Baldwin - Trumpet Solo
Trumpet
Performed by: William Baldwin: I'm Still Standing Digital Sheetmusic plus an interact…
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Performed by: William Baldwin: I'm Still Standing Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Trumpet; 3 pages -- Solo Instrumental~~Adult Contemporary~~Pop Rock~~Soft Rock~~Album Rock
$5.99
5.48 €
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Trumpet
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William Baldwin
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Trumpet Solo
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Musicnotes
I'm Still Standing - Eb Instrument by Elton John - for Alto Saxophone or Baritone Saxophone
Eb Instruments
Performed by: Elton John: I'm Still Standing - Eb Instrument Digital Sheetmusic - ins…
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Performed by: Elton John: I'm Still Standing - Eb Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Eb Instrument;Alto Saxophone;Baritone Saxophone; 2 pages -- Soft Rock~~Adult Contemporary~~Singer-Songwriter~~Album Rock~~Pop Rock
$2.99
2.73 €
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Eb Instruments
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Elton John
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Eb Instrument by Elton John
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Musicnotes
I'm Still Standing - Bass Clef Instrument by Elton John - for Baritone Horn, Bassoon, Cello, Double Bass or Trombone
Bass Clef Instruments
Performed by: Elton John: I'm Still Standing - Bass Clef Instrument Digital Sheetmusi…
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Performed by: Elton John: I'm Still Standing - Bass Clef Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Bass Clef Instrument;Trombone;Bassoon;Baritone Horn;Cello;Double Bass; 2 pages -- Adult Contemporary~~Album Rock~~Singer-Songwriter~~Soft Rock~~Pop Rock
$2.99
2.73 €
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Bass Clef Instruments
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Elton John
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Bass Clef Instrument by Elton John
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Musicnotes
I'm Still Standing - Bb Instrument by Elton John - for Baritone Horn, Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet
Bb Instruments
Performed by: Elton John: I'm Still Standing - Bb Instrument Digital Sheetmusic - ins…
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Performed by: Elton John: I'm Still Standing - Bb Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Bb Instrument;Clarinet;Trumpet;Soprano Saxophone;Tenor Saxophone;Baritone Horn; 2 pages -- Adult Contemporary~~Album Rock~~Pop Rock~~Soft Rock~~Singer-Songwriter
$2.99
2.73 €
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Bb Instruments
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Elton John
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Bb Instrument by Elton John
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Musicnotes
I'm Still Standing - C Instrument by Elton John - for Flute, Oboe, Recorder or Violin
C Instruments
Performed by: Elton John: I'm Still Standing - C Instrument Digital Sheetmusic - inst…
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Performed by: Elton John: I'm Still Standing - C Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: C Instrument;Flute;Violin;Oboe;Recorder; 2 pages -- Singer-Songwriter~~Soft Rock~~Adult Contemporary~~Album Rock~~Pop Rock
$2.99
2.73 €
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C Instruments
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Elton John
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C Instrument by Elton John
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Musicnotes
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.31 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.31 €
#
David Warin Solomons
#
Mysterious Moment for oboe and string trio
#
David Warin Solomons
#
SheetMusicPlus
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