Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
6,481
Digital
Sheet Music
7,271
Sheet Music
Books
26,760
Music
Equipment
437
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
945
PIANO & KEYBOARDS
Piano solo
776
Piano, Vocal and Guitar
752
Piano, Voice
566
Easy Piano
233
Organ
65
Big Note Piano
57
C Instruments
45
1 Piano, 4 hands
10
2 Pianos, 4 hands
7
Piano Trio: piano, violin, cello
5
Piano Accompaniment
5
Keyboard
3
Piano (band part)
3
Melody line, Piano
2
Accordion
2
Piano Quintet: piano, 2 violins, viola, cello
1
2 Accordions
1
2 Pianos, 8 hands
1
Solo instrument and Organ
1
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
209
Guitar notes and tablatures
208
Lyrics and Chords
92
Guitar
61
Ukulele
56
Bass guitar
22
2 Guitars (duet)
5
4 Guitars (Quartet)
5
Banjo
4
Guitar Ensemble
3
Dulcimer
2
Mandolin
2
Piano, Guitar (duet)
2
Baritone Ukulele
1
Electric Bass (band part)
1
3 Guitars (trio)
1
Dobro
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
512
Choral 3-part
121
Choral TTBB
116
Choral 2-part
113
Vocal duet, Piano
54
Soprano voice, Piano
37
Choral Unison
36
Alto voice, Piano
34
Baritone voice, Piano
33
Voice solo
30
Tenor voice, Piano
30
Choral
24
Choral SSAA
20
Vocal duet
17
Choral Instrumental Pak
13
High voice
6
Choral SSAATTBB
3
Choral SSATB
2
Medium voice, Piano
2
Low voice, Piano
1
Voice, Guitar
1
Choral SSATBB
1
Choral, Organ
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone
54
Flute, Oboe, Clarinet, Bassoon
51
Flute
50
Clarinet
41
Flute and Piano
41
Saxophone Quartet: 4 saxophones
41
Clarinet and Piano
30
Alto Saxophone
29
Oboe, Piano (duet)
24
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
24
Soprano Saxophone and Piano
21
Tenor Saxophone
19
Clarinet Quartet: 4 clarinets
17
Alto Saxophone and Piano
16
Saxophone Quintet: 5 Saxophones
14
Tenor Saxophone and Piano
13
Saxophone (band part)
11
Oboe
10
Baritone Saxophone, Piano
9
2 Saxophones (duet)
9
Oboe (band part)
7
Clarinet (band part)
7
Flute and Guitar
7
Flute, Clarinet (duet)
7
2 Flutes (duet)
6
Clarinet Ensemble
6
Flute (band part)
6
Flute Quartet: 4 flutes
5
Recorder
5
English horn, Piano
4
Descant (Soprano) Recorder
4
2 Clarinets (duet)
4
Clarinet, Violin (duet)
3
Flute Quintet : 5 flutes
3
Eb Instruments
3
Flute, Clarinet, Piano (trio)
3
Flute, Viola and Piano
3
Flute ensemble
3
Soprano Saxophone
3
2 Saxophones, Piano
3
Baritone Saxophone
2
3 Saxophones (trio)
2
2 Flutes, Piano
2
Flute, Saxophone (duet)
2
Oboe, Clarinet (duet)
2
Flute, Violin, Piano
2
Saxophone, Clarinet (duet)
2
Flute, Violin
2
Oboe, Bassoon (duet)
2
Clarinet and Viola
2
Clarinet, Guitar (duet)
2
3 Clarinets (trio)
2
Flute, Oboe, Clarinet (trio)
1
English Horn, Guitar (duet)
1
Piccolo, Piano
1
4 Oboes
1
2 Oboes (duet)
1
Tenor Recorder
1
Clarinet Quintet: Clarinet, String Quartet
1
Clarinet Quintet: 5 clarinets
1
Treble (Alto) Recorder, Piano
1
Treble (Alto) Recorder
1
Flute, Oboe, Bassoon
1
Flute, trombone and piano
1
Descent (Soprano) Recorder, Piano
1
Flute, Trumpet (duet)
1
2 English horns and Pianoforte
1
2 Clarinets, Piano
1
Saxophone ensemble
1
Recorder Quartet
1
Flute, Bassoon, and Piano
1
Clarinette, Viola and Piano (trio)
1
Flute, Violin and Violoncello
1
Flute Trio: 3 flutes
1
Clarinet, Cello (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
61
Trumpet
45
Trumpet ensemble
35
Trombone
35
Trombone and Piano
34
Trumpet, Piano
27
French horn
24
Brass quartet : 2 trumpets, trombone, tuba
22
French Horn and Piano
15
Trumpet (band part)
12
Trombone (band part)
11
Tuba
10
Tuba and Piano
8
Euphonium
8
Brass Quartet
8
Brass Quartet: 2 trumpets, horn, trombone
7
2 Trumpets (duet)
6
French horn (band part)
6
Bass Clef Instruments
5
Brass Quartet: 4 trumpets
4
English horn, Piano
4
Trumpet, Horn (duert)
4
2 Trombones (duet)
3
Trombone ensemble
3
Bb Instruments
3
Euphonium, Piano (duet)
3
Brass Trio
3
Trumpet, Trombone (duet)
3
Brass Quartet: 4 trombones
3
Brass Quartet: 2 trumpets, 2 trombones
2
3 Trumpets (trio)
2
2 French horns (duet)
2
Trumpet, Cello, Piano
2
2 Trumpets, Keyboard (piano or organ)
1
English Horn, Guitar (duet)
1
Trumpet, violin (duet)
1
2 Euphoniums and 2 Tubas
1
Tuba (band part)
1
Bass Trombone and Piano
1
4 Euphoniums
1
2 French horns, Piano
1
2 English horns and Pianoforte
1
Trumpet, Saxophone (duet)
1
Brass Quartet: 4 horns
1
2 Trombones, Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
89
Violin and Piano
61
Violin
59
Cello
43
Viola
36
Cello, Piano
27
Viola, Piano
22
Violin, Cello (duet)
15
Harp
14
String Trio: violin, viola, cello
12
String Quintet: 2 violins, viola, cello, bass
12
Double bass, Piano (duet)
10
Violin (band part)
8
Violin, Viola (duet)
8
Doublebass (band part)
6
Harp, Voice
5
2 Cellos (duet)
5
Double Bass
5
Viola (band part)
4
2 Violins (duet)
4
Viola, Cello (duet)
3
Violin ensemble
3
2 Violas (duet)
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violins
2
String quartet: 4 violins
2
Violin, Guitar (duet)
2
Cello, Orchestra
1
4 Double Basses
1
Violin, Tuba (duet)
1
String trio
1
String Trio: 3 cellos
1
Cello (band part)
1
2 Violins, Piano
1
Viola, Guitar (duet)
1
4 Cellos
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
66
Brass ensemble
57
Orchestra
44
Marching band
34
Drums
20
Jazz Ensemble
20
String Orchestra
20
Chamber Orchestra
17
Handbells
14
Percussion (band part)
7
Jazz combo
5
Percussion Ensemble
4
Drum (band part)
3
Marimba
2
Xylophone or Marimba or Vibraphone
2
Xylophone
2
Vibraphone
2
Xylophone (band part)
1
Piano and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
I AM MUSIC
Sheetmusic to print
7,271 sheet music found
<
1
26
51
....
7251
I Am Light, I Am Life, I Am Love
Choral SATB
SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 …
(+)
SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 pages. Jubilate Music Group #JMG1070. Published by Jubilate Music Group
This gentle 3/4 communion anthem flows with smooth beauty and profound simplicity. Mary McDonald's words and music are deeply heartfelt and encourage the listener to engage in the solemn remembrance of Christ's ultimate sacrifice. It closes with a hushed, moving setting of the beloved Let Us Break Bread Together.
$2.40
2.2 €
#
Choral SATB
#
Mary McDonald
#
I Am Light, I Am Life, I Am Love
#
Jubilate Music Group
#
SheetMusicPlus
I am the Way, the Truth, and the Life
Choral SATB
SATB choir SKU: LO.E40 Composed by Gordon A. Young. Choral. Sacred Anthem. Octavo. …
(+)
SATB choir SKU: LO.E40 Composed by Gordon A. Young. Choral. Sacred Anthem. Octavo. Sacred Music Press #E40. Published by Sacred Music Press (LO.E40). UPC: 000308000511.
Song List
: I Am The Way The Truth And The Life
$2.75
2.52 €
#
Choral SATB
#
Gordon A
#
I am the Way, the Truth, and the Life
#
Sacred Music Press
#
SheetMusicPlus
Who Do People Say I Am?
Choral SATB
SATB choir, piano - Intermediate SKU: LO.10-1238S Composed by Craig Courtney. Chora…
(+)
SATB choir, piano - Intermediate SKU: LO.10-1238S Composed by Craig Courtney. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/1238S. Published by Sacred Music Press (LO.10-1238S). UPC: 000308030112.Inspiring words from St. Matthew are heard in the gentle opening: You are the Christ, the son of the living God. A setting of the hymn tune TOULON from the Genevan Psalter brings this stunning anthem to a powerful conclusion.
Song List
: Who Do People Say I Am
$2.95
2.71 €
#
Choral SATB
#
Craig Courtney
#
Who Do People Say I Am?
#
Sacred Music Press
#
SheetMusicPlus
I am the Vine
Choral Unison
Unison/2-part choir SKU: LO.S8636 Composed by Allen Pote. Choral. Sacred Anthem. Oc…
(+)
Unison/2-part choir SKU: LO.S8636 Composed by Allen Pote. Choral. Sacred Anthem. Octavo. Sacred Music Press #S8636. Published by Sacred Music Press (LO.S8636). UPC: 000308012705.
Song List
: I Am the Vine
$2.75
2.52 €
#
Choral Unison
#
Allen Pote
#
I am the Vine
#
Sacred Music Press
#
SheetMusicPlus
Here I Am (just When I Thought I Was Over You)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1299682 By Air Supply…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1299682 By Air Supply. By Norman Sallitt. Arranged by Academy Unimusic. Contemporary,Pop,Rock,Singer/Songwriter. Score. 4 pages. Unimusic Academy (Academia Unimusica) #889473. Published by Unimusic Academy (Academia Unimusica) (A0.1299682). Here I Am (also titled as Here I Am (Just When I Thought I Was Over You)) is a song written and first recorded by Norman Saleet and released as a single in 1980 on RCA Records. It was recorded the following year by the British/Australian soft rock duo Air Supply and released as the second single from their sixth studio album The One That You Love.
$8.00
7.34 €
#
Piano, Vocal and Guitar
#
Air Supply
#
Here I Am
#
Unimusic Academy
#
SheetMusicPlus
I Like Louis and Ella
2 French horns, Piano
Two horns & piano - Digital Download SKU: IZ.IMF1816 Composed by Willard Zirk. Scor…
(+)
Two horns & piano - Digital Download SKU: IZ.IMF1816 Composed by Willard Zirk. Score and Parts. 22 pages. Imagine Music - Digital #IMF1816. Published by Imagine Music - Digital (IZ.IMF1816). 9 x 12 in inches.I have always been in awe of Louis Armstrong's (1901-1971) and Ella Fitzgerald's (1917-1996) extraordinary musicianship and creative improvisations, hence the title, I like Louis and Ella. They performed and recorded together in the 1940s through the 1960s. In the 1950s they produced three duet records: two Ella and Louis albums, and their Porgy and Bess album.I thought the best way to begin to understand their music was to imitate them. I sought to emulate Louis' warm humanity and musical efficiency--just the right note at the right time--and Ella's skillful and musically satisfying scat singing. There is only one quote in I Like Louis and Ella, the opening trumpet statement, but the rest of the music was written as my own impressions of their unique stylings.I am grateful to my former student, Kyle Tolstyka, for commissioning this piece to benefit the horn scholarship fund at Eastern Michigan University. Thanks go to the donors to the scholarship fund in support of this project--my former horn students, Tania Dupuis, Liesl Caarn Hansen, Dr. William Cederquist and his parents, Dr. Jack Cederquist and Meg Kennedy-Shaw. Finally, I would like to thank jazz greats Phil Sims, the engraver of this music; and Adam Unsworth, horn professor at the University of Michigan, for their invaluable advice.
$16.00
14.67 €
#
2 French horns, Piano
#
Willard Zirk
#
I Like Louis and Ella
#
Imagine Music - Digital
#
SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22 €
#
Piano and Orchestra
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
More Than I Am (8-Piece Digital Pack)
Choral Instrumental Pak
Digital Download SKU: HX.29854 By Ed Lojeski. Musical/Show,Pop. Choral Instrumental…
(+)
Digital Download SKU: HX.29854 By Ed Lojeski. Musical/Show,Pop. Choral Instrumental Pak. 1 pages. Hal Leonard - Digital #91947. Published by Hal Leonard - Digital (HX.29854).
Digital Pack includes
:
More Than I Am - Bb Trumpet 1
More Than I Am - Bb Trumpet 2
More Than I Am - Bb Clarinet
More Than I Am - Trombone
More Than I Am - Synthesizer
More Than I Am - Guitar
More Than I Am - Bass
More Than I Am - Drums
$30.00
27.52 €
#
Choral Instrumental Pak
#
Ed Lojeski
#
More Than I Am
#
Hal Leonard - Digital
#
SheetMusicPlus
I Am Music, Music Is Me
Choral 2-part
2-part choir - Digital Download SKU: LX.15-2054R Composed by Amy F Bernon. Janet Ga…
(+)
2-part choir - Digital Download SKU: LX.15-2054R Composed by Amy F Bernon. Janet Galván Roots & Wings. Educational, Concert. Octavo. 12 pages. Roger Dean Publishing #e15/2054R. Published by Roger Dean Publishing (LX.15-2054R). UPC: 000308101119.I Am Music, Music Is Me a collaborative effort between Ms. Bernon and the students and faculty at the Berkshire Hills Music Academy in Massachusetts, who were asked to respond to this question: What does music mean to you? The result is a weaving of these emotions and thoughts in a light and lively musical setting.
$2.50
2.29 €
#
Choral 2-part
#
Amy F Bernon
#
I Am Music, Music Is Me
#
Roger Dean Publishing
#
SheetMusicPlus
I Am... I Said (Intermediate Level)
Violin
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Violin
#
Neil Diamond
#
Tomplay
I Am... I Said (Easy/Intermediate Level)
Cello
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Cello
#
Neil Diamond
#
Tomplay
I Am... I Said - Original Version (Intermediate Level)
Bass guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Bass guitar
#
Neil Diamond
#
Tomplay
I Am... I Said (Easy Level)
Violin
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Violin
#
Neil Diamond
#
Tomplay
I Am... I Said (Easy Level)
Cello
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Cello
#
Neil Diamond
#
Tomplay
I Am... I Said (Easy/Intermediate Level)
Violin
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Violin
#
Neil Diamond
#
Tomplay
I Am... I Said (Beginner Level)
Bass guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Bass guitar
#
Neil Diamond
#
Tomplay
I Am... I Said (Intermediate Level)
Viola
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Viola
#
Neil Diamond
#
Tomplay
<
1
26
51
....
7251
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
