I Asked Sheet Music to download and print

I Asked

I Asked Jazz combo

Jazz Combo - Level 4 - Digital Download SKU: A0.1259581 Composed by Becca Stevens. …(+)

Jazz Combo - Level 4 - Digital Download SKU: A0.1259581 Composed by Becca Stevens. Arranged by Eric O'Reilly. 21st Century,Blues,Funk,Jazz,New Age. 17 pages. Eric O'Reilly #852888. Published by Eric O'Reilly (A0.1259581). I Asked composed and performed by Becca Stevens, arranged by Eric O'Reilly. Written for a small jazz ensemble in the style of a jazz or blues leadsheet. Best for voice, piano, bass, and drums. Can work with other instruments too.
$24.99 23.25 € #Jazz combo #Becca Stevens #I Asked #Eric O'Reilly #SheetMusicPlus

#I Asked

Nehemiah 8:5, is Why I Stand Choral Unison

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.972975 Composed by John …(+)

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.972975 Composed by John W. Fisher. Christian,Jewish,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. John Fisher #4625135. Published by John Fisher (A0.972975). In some places of worship, some parishioners rise when the Scripture is read. When I first observed that, I asked one who was standing why he did that and he said it came from the Book of Nehemiah. After further research, I composed this baritone solo to preach out a lesson. I asked another member of the church if she knew anything of this practice, and she told me some do it but others do not want visitors to stand out. With an Old Time hymn sing accompaniment, this makes for good summer fill in music while the choir is on vacation.
$5.00 4.65 € #Choral Unison #John W #Nehemiah 8:5, is Why I Stand #John Fisher #SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically.Â Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts.Â Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created.Â And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry.Â John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically.Â Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts.Â Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created.Â And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry.Â John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Since First I Saw Your Face Piano, Voice

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas F…(+)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
$4.99 4.64 € #Piano, Voice #Thomas Ford #Since First I Saw Your Face #Konrad Harley #SheetMusicPlus