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I Have Seen the Light
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.24 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Toasting Mother Earth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.14 €
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Piano, Voice
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
I Have Seen the Light - SAB
Choral 3-part
SAB Chorus - Digital Download SKU: JX.JMG1369 Composed by Chris Machen and Robert S…
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SAB Chorus - Digital Download SKU: JX.JMG1369 Composed by Chris Machen and Robert Sterling. Anthems. Octavo. 15 pages. Jubilate Music Group - Digital #JMG1369. Published by Jubilate Music Group - Digital (JX.JMG1369). This song has become a modern classic! First released in 1989, this anthem proudly proclaims the brightly shining light of Christ born in a manger as the Son of God. Its triumphant message has resonated with choirs of all sizes and denominations around the world. The new SAB voicing brings the anthem within the grasp of a variety of choirs.
$2.70
2.48 €
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Choral 3-part
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Chris Machen and Robert Sterling
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I Have Seen the Light - SAB
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Jubilate Music Group - Digital
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SheetMusicPlus
I Have Seen the Light
Choral SATB
I Have Seen the Light - SATB. Composed by Robert Sterling and Chris Machen. Choral. 12…
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I Have Seen the Light - SATB. Composed by Robert Sterling and Chris Machen. Choral. 12 pages. Jubilate Music Group - Digital #00-PO-0002691. Published by Jubilate Music Group - Digital
$2.95
2.71 €
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Choral SATB
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Robert Sterling and Chris Machen
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I Have Seen the Light
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Jubilate Music Group - Digital
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.66 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Grey Light of Dawn PVG
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983996 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983996 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score. 6 pages. Boothe Publishing #4360839. Published by Boothe Publishing (A0.983996). In the early morning light it's hard to see exactly what is and what isn't there. Objects that are seen clearly in the light of day are elusive and can't be seen directly in the grey light of the morning. In the grey light of life it is unclear if relationships are strong or weak. Many times the feelings I have had for other people exist because I really do not know them. I imagine that they are better or more wonderful than they really are because of my lack of knowledge about them. Sometimes it seems that I want what might have been or what might be more than I want reality. In the light of day all shadows disappear.
$3.99
3.66 €
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Piano, Voice
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Steven H
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Grey Light of Dawn PVG
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Boothe Publishing
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
42.19 €
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Orchestra
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
I Have Seen the Light
Choral SATB
Composed by Robert Sterling and Chris Machen. Arranged by Robert Sterling. Choral (S…
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Composed by Robert Sterling and Chris Machen. Arranged by Robert Sterling. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Belwin Sacred Choral Series. Christmas; Sacred. Choral Octavo. 16 pages. Jubilate Music Group - Digital #00-LOC06222X. Published by Jubilate Music Group - Digital
$2.95
2.71 €
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Choral SATB
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Robert Sterling and Chris Machen
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Choral Octavo
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I Have Seen the Light
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Jubilate Music Group - Digital
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SheetMusicPlus
I Stand the Watch Before the Dawn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99
2.75 €
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Choral SATB
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Michael E
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you are never alone
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I Stand the Watch Before the Dawn
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Michael E. Ropp
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.5 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
The Miracle I've Seen - Easter Cantata
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.770905 Composed by Steve & Jennifer …
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Choral Choir (SATB) - Digital Download SKU: A0.770905 Composed by Steve & Jennifer Hall, Scott Carpenter. Christian,Easter. Octavo. 64 pages. Bible Truth Music #3684063. Published by Bible Truth Music (A0.770905). Bible Truth Music is pleased to present this exciting Easter musical! The moving dramatic script has been interwoven with seven meaningful songs to clearly show that Jesus Christ cares for individuals and still works miracles in lives today. Carefully designed for any size ministry, the songs have been arranged to be comfortably attained even by smaller choirs. The dramatic cast requires three men (could include pastor), one woman, and one boy. Four of the characters are biblical, including the Apostle John who speaks as an eye-witness of the empty tomb and the events surrounding the resurrection.The Miracle I've Seen includes the powerful anthem, I Stand in Awe as well as the compelling new song Come to Christ. Other songs include The Light of the Son, Easter Praise, In the Cross of Christ, and The Miracle I've Seen. Each song has great potential for re-use as a stand alone choir special or solo. This musical also includes a fun song for optional children''''s choir.
$4.50
4.13 €
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Choral SATB
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Steve & Jennifer Hall, Scott Carpenter
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The Miracle I've Seen - Easter Cantata
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Bible Truth Music
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SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99
22.95 €
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The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Vidimus stellam (We Have Seen His Star) (Downloadable Organ/Choral Score)
Choral SATB
SATB choir (choir divisi) and brass quintet or organ - Medium - Digital Download SKU: M…
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SATB choir (choir divisi) and brass quintet or organ - Medium - Digital Download SKU: MQ.8634-E Composed by Kevin Siegfried. Advent, Christmas, Epiphany, Christmas-Sacred. Score & instrument parts. 39 pages. E. C. Schirmer Music Company - Digital #8634-E. Published by E. C. Schirmer Music Company - Digital (MQ.8634-E). Latin.In the tradition of Daniel Pinkham’s Christmas Cantata, Kevin Siegfried’s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried’s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. The brass quintet writing is richly varied and creatively interwoven through the score, at times powerful and majestic, playful and jubilant, atmospheric and coloristic.Contents:I. O OriensII. Rorate caeliIII. Hodie Christus natus estIV. Surge, illuminareV. Vidimus stellam.
$4.50
4.13 €
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Choral SATB
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Kevin Siegfried
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Vidimus stellam
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Nobody knows the trouble I've seen
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1322023 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322023 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. Songbooks.info #910441. Published by songbooks.info (A0.1322023). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
1.83 €
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Guitar
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Traditional
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Nobody knows the trouble I've seen
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songbooks.info
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SheetMusicPlus
Out of the Depths
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818179 Composed by Philip …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.
$1.99
1.83 €
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Choral SATB
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Philip Le Bas
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Out of the Depths
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Philip Le Bas
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SheetMusicPlus
I Have Seen the Light by The Gatlin Brothers - Piano/Vocal/Chords
Piano, Voice
Performed by: The Gatlin Brothers: I Have Seen the Light Digital Sheetmusic - instantly do…
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Performed by: The Gatlin Brothers: I Have Seen the Light Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 4 pages -- CCM~~Holiday & Special Occasion~~Christmas~~Christian~~Christmas - Religious
$3.95
3.63 €
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Piano, Voice
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The Gatlin Brothers
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Piano/Vocal/Chords
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Musicnotes
Nobody knows the trouble I‘ve seen
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1326963 Composed by J. Cox. Arranged b…
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Ukulele - Level 3 - Digital Download SKU: A0.1326963 Composed by J. Cox. Arranged by Bettina Schipp. Blues,Folk,Traditional. Score. 1 pages. Songbooks.info #915057. Published by songbooks.info (A0.1326963). Arranged for the hottest four strings in music - the Ukulele.This traditional Blues songs are written down for fingerpicking on the Ukulele - using the well-known tablature for string instruments - - for slightly advanced and advanced player. The songs are recorded at a slow tempo and with a sound that does not match the sound of the ukulele. Have fun making music...!Arrangiert für die angesagtesten vier Saiten der Musik - die Ukulele.Die Blues Songs wurden für das Fingerpicking auf der Ukulele notiert unter Verwendung der bekannten Tabulatur für Saiteninstrumente für leicht fortgeschrittene und fortgeschrittene SpielerInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Klang aufgenommen, der sich nicht mit dem Klang der Ukulele deckt. Viel Spaß beim Musizieren...!
$2.49
2.29 €
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Ukulele
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J
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Nobody knows the trouble I‘ve seen
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songbooks.info
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SheetMusicPlus
Nobody Knows the Trouble I've Seen
Choral 3-part
Choral Choir,Choral (TTB) - Level 3 - Digital Download SKU: A0.1390535 Composed by …
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Choral Choir,Choral (TTB) - Level 3 - Digital Download SKU: A0.1390535 Composed by Traditional Spiritual. Arranged by Thomas Quigley. Christian,Religious,Spiritual. 5 pages. Thomas Quigley #974062. Published by Thomas Quigley (A0.1390535). This beautiful arrangement of the well-known Spiritual is capable of highlighting the expressive qualities of your choir. The parts, mainly quite accessible, have some manageable chromaticisms and it is most reewarding to perform. An excellent concert item for impressing your audience, this is a fine item to include in your repertpoire.
$2.25
2.07 €
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Choral 3-part
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Traditional Spiritual
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Nobody Knows the Trouble I've Seen
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Thomas Quigley
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SheetMusicPlus
You Found Me
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.58 €
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C Instruments
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The Fray
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You Found Me
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Ben Clapton
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SheetMusicPlus
Three Lions (Football's Coming Home)
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner an…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano! With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano. The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself! It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic. \"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics). \"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England. The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem. The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches. \"Three Lions\" makes for a surprisingly good piano cover! Here are the song\'s full lyrics: It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (We\'ll go on getting bad results) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Verse 1: Frank Skinner] Everyone seems to know the score, they\'ve seen it all before They just know, they\'re so sure That England\'s gonna throw it away, gonna blow it away But I know they can play, \'cause I remember [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Verse 2: David Baddiel] So many jokes, so many sneers But all those \"Oh, so nears\", wear you down through the years But I still see that tackle by Moore and when Lineker scored Bobby belting the ball, and Nobby dancing [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Bridge] England have done it, in the last minute of extra time! What a save, Gordon Banks! Good old England, England that couldn\'t play football! England have got it in the bag! I know that was then, but it could be again [Refrain] It\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (England have done it) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Chorus] (It\'s coming home) Three lions on a shirt (It\'s coming home, it\'s coming) Jules Rimet still gleaming (Football\'s coming home It\'s coming home) Thirty years of hurt (It\'s coming home, it\'s coming) Never stopped me dreaming (Football\'s coming home
$4.99
4.58 €
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Piano, Voice
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Baddiel, Skinner and The Lightning Seeds
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Three Lions
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Mario Stallbaumer
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SheetMusicPlus
Come un fiore (Faust, le polveri e gli intrugli)
Piano solo
Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light… Is one of those days that the silence takes away that last smile and dies in throat happiness The old desires resurface here and there and move the dish intact the food don't takes me away hunger I would to be a flower needs has never the sun heats the wind then lull it the rain mixes with my tears that goes my steps echo in the nothing of city and while I walked in to the melancholy with only my sad thoughts to keep me company with the mind's eye I had seen him already beautiful in appearance, but in the heart the ice he has It 's so much waiting for you but I have eternity it's true ,to have you tried and you're back here, you good acrobat, actress without identity it is useless to run away, it is written in the DNA. Do not you remember? but that good days powders and concoctions that filled your eternal empty watched yourself now always the same love, affection is a life that you are looking for Surrender and you'll see .... here with me, no one in the world, will can hurt you or harm you will do damnation, pure invention and heaven will remain empty But do not you realize? you're out of time and out of place in this society if you disappear at this instant of your essence, what will be left? Do-sol do-sol energy becomes infinite Re- la Re- la and from the heart goes to the fingers MI- si mi- si search keys, caresses them and finally there is sweetness also for me Do-sol do-sol so tired of being alone re-la re-la fly music and consoles mi-si mi-si remove also this love too and as a flower without treatment, I wither Stay with me I want to light Stay with me I look for peace like a flower that does not give answers here with you there is no peace here with you without light like a flower without the sun I will die Sweetes.
$3.99
3.66 €
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Piano solo
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Monica Bergo
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Come un fiore
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Monica Bergo
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SheetMusicPlus
Duo Mpingo
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah He…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
9.17 €
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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