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You've selected:
I Want To Be A Difference
Sheetmusic to print
24 sheet music found
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1
I Want To Be A Difference
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995211 Composed by Bo…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995211 Composed by Bobby Mullins. Christian,Gospel. Score. 8 pages. Bobby Mullins #4614323. Published by Bobby Mullins (A0.995211). This is a powerful song about one's commitment to be a difference for Christ in the morally and spiritually compromising world we live in today, even when it seems all others are giving in. It has five key changes and its verses build upon one another similar to Bill Gaither's It Is Finished..
$4.99
4.56 €
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Piano, Vocal and Guitar
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Bobby Mullins
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I Want To Be A Difference
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Bobby Mullins
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SheetMusicPlus
I've Got a Feeling Guitar Minus Vocal
Bass guitar
Bass Guitar - Digital Download SKU: A0.1069961 Composed by Steven H. Boothe. Pop. A…
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Bass Guitar - Digital Download SKU: A0.1069961 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 236. Boothe Publishing #4633669. Published by Boothe Publishing (A0.1069961). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99
1.82 €
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Bass guitar
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Steven H
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I've Got a Feeling Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
I've Got a Feeling Piano Minus Vocal
Piano solo
Piano - Digital Download SKU: A0.1069960 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069960 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 178. Boothe Publishing #4633673. Published by Boothe Publishing (A0.1069960). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99
1.82 €
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Piano solo
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Steven H
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I've Got a Feeling Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
I've Got a Feeling Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069978 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069978 Composed by Steven H. Boothe. Pop. Full Performance. Duration 236. Boothe Publishing #4633727. Published by Boothe Publishing (A0.1069978). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99
1.82 €
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Steven H
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I've Got a Feeling Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
I've Got a Feeling Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069979 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069979 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 178. Boothe Publishing #4633729. Published by Boothe Publishing (A0.1069979). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99
1.82 €
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Steven H
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I've Got a Feeling Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
I've Got a Feeling PVG
Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.984004 Compos…
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Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.984004 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score and parts. 8 pages. Boothe Publishing #4360909. Published by Boothe Publishing (A0.984004). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$3.99
3.65 €
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Steven H
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I've Got a Feeling PVG
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Boothe Publishing
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SheetMusicPlus
Nocturne No 1 - A restless night in June 2016
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
2.29 €
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Piano solo
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Stuart Brown
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Nocturne No 1 - A restless night in June 2016
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Stuart Brown Music
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SheetMusicPlus
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged …
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String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Published by Sarah Chaffee
"I Want It That Way" is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a danceable groove held down by the viola and cello, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there's nothing very difficult in this chart (except possibly intonation when the key changes to B major at the end!), and it will definitely be playable for students and easily sightreadable for professionals.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "I Want It That Way." Crowd pleasing guaranteed.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.54 €
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String Quartet: 2 violins, viola, cello
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The Backstreet Boys
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I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1215499 By John Denver. By Johnny…
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Concert Band - Level 2 - Digital Download SKU: A0.1215499 By John Denver. By Johnny Marks. Arranged by Kyle L. McKinzey. Christmas,Holiday. Score and Parts. 34 pages. KyleMac Music #812252. Published by KyleMac Music (A0.1215499). Gene Autry, the Singing Cowboy, made this song famous in 1949. Based upon a book by Marks’ brother-in-law, Robert L. May, Marks wanted to put the popular 1939 Montgomery Ward story into song. Johnny Marks, a decorated World War II hero, wrote several popular Christmas songs besides Rudolph. The song’s translation into several languages even had an effect on Finnish Christmas tradition – Rudolph is now head of Joulupukki’s sleigh (the Finnish Santa)! The only difference is that the Finnish reindeer don’t fly.This arrangement has a fun swing style to it. Harmonization is slightly more advanced from a Grade I tune, but the rhythms and ranges are very approachable for young musicians. The style lets them experience a standard swing feel.The percussion is written for a drum set but can be separated as a traditional part for concert band. Sleighbells can have as many players as you want. I often had children come from the audience and give them little toy sleigh bells to play. This was always a big hit.I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and critiques. kylemacmusic@gmail.com.
$49.99
45.73 €
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Concert band
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John Denver
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Rudolph The Red-nosed Reindeer
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KyleMac Music
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SheetMusicPlus
Winter's Breath (Symphonic Band & Solo Voice)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.866215 Composed by Jeffrey Ouper.…
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Concert Band - Level 3 - Digital Download SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. Published by Jeffrey Ouper (A0.866215). NOTE: These are the instrumental parts only. The conductor score (legal size paper) is a separate download. All instrument parts and vocal piano reduction score is included in this download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
36.54 €
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Concert band
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Jeffrey Ouper
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Winter's Breath (Symphonic Band & Solo Voice)
Concert band
Concert Band - Digital Download SKU: A0.866212 Composed by Jeffrey Ouper. Christian…
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Concert Band - Digital Download SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published by Jeffrey Ouper (A0.866212). NOTE: This is the conductor's score only. It is legal size. The instrumental parts for the piece are a separate download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes. About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise. The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
36.54 €
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Concert band
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Jeffrey Ouper
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Winter's Breath (SATB Choir & Piano)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866214 Composed by Jeffrey…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866214 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary,Sacred. Octavo. 19 pages. Jeffrey Ouper #2894533. Published by Jeffrey Ouper (A0.866214). Winter's Breath is an original Christmas song for SATB Choir & Piano accompaniment. There is some divided parts in the soprano. The song's duration is about 6 minutes. Winter's Breath is perfect for holiday concerts and worship services. There is also a version for solo voice available.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$2.95
2.7 €
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Choral SATB
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Jeffrey Ouper
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Piano accompaniment.
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Angels We Have Heard On High
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1035856 Composed by Traditional Fre…
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Piano Solo - Level 4 - Digital Download SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00
2.74 €
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Piano solo
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Traditional French Carol, James Chadwick
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Angels We Have Heard On High
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ArrangeMe
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.31 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.44 €
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

String Trio: 3 violins
Small Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.749209 Composed by…
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Small Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 15 pages. Helen Marple-Horvat #3557715. Published by Helen Marple-Horvat (A0.749209). https://www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune and a short contrapuntal development section in the middle to add some interest. The clip is from the development section. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. In this version there is a viola playing theViolin 3 part but the differences are very small. Mostly I had to put the Violin part up an octave when it went below the lowest string but otherwise the harmony is much the same. The quartet play with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00
18.29 €
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String Trio: 3 violins
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Traditional Carol
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THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

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Helen Marple-Horvat
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SheetMusicPlus
Crossing Jordan: Three Spirituals for violin, piano and cello
Piano Quartet: piano, 2 violins, cello
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00
27.44 €
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Piano Quartet: piano, 2 violins, cello
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for violin, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Introspection 1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte.…
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
3.65 €
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Piano solo
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the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Connecticut Avenue SUVs
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
9.15 €
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Jazz Ensemble
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Zippity Zank
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1438730
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #1018804. Published by Damien Gauci (A0.1438730). I wrote this piece for an assignment in 2023 and it turned out to be quite a fun composition. Initially, I wanted to write something that is fun, upbeat, and in a jazzy style. Similar to the music from the game Mario Kart by Nintendo. The main theme comes after the short intro section and this idea returns throughout the composition in a rondo form where other sections are heard in-between the main theme.As this was my first time writing for brass quintet, there was a lot to learn about each instrument to ensure that everything was playable and sounded good together. Writing this composition as well as having it performed and recorded taught me a lot about writing for brass quintet and there are many things that I would do differently if I wrote this piece again.As for the name, there is a long story behind how I came up with it which I won’t get in to but the word ‘Zank’ is German for an angry argument and the word ‘Zippity’ is a made-up word that I thought sounded fun with Zank. Sometimes titles aren’t as deep as they seem to be!
$3.99
3.65 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Damien Gauci
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Zippity Zank
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Damien Gauci
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SheetMusicPlus
Timeless Solos for Guitar
Guitar
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
9.14 €
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Guitar
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Earmarks
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - Digita…
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and parts. 46 pages. NoteForge #3885237. Published by NoteForge (A0.1002829). Earmarks is a musical (and hopefully humorous) view of some of the issues in today's political climate, designed to make you make you laugh--or to make you think. And definitely to make you talk. It starts out with Echo Chamber, where everything you hear is everything you want to hear. As we move more and more of our lives online, we're at the mercy of algorithms that try to deliver more of what we like--and give us options for removing that which we don't. The more time we spend in these echo chambers, the less we hear from dissenters. (The piano tries to come in with a new idea later in the movement, but is largely ignored).The second movement, Filibuster, does what I initially intended. Although all three instruments do get to play, it's a lot of repeated, pleasant-sounding milquetoast stuff without a great deal of substance that never really resolves. And it has a repeat sign at the end that allows it to be played as many times as the performers wish. How long this movement is depends entirely on the whim of the pianist. A swing state is a state with a similar level of support for both parties that can go either way during an election. Likewise, Swing States is a piece for saxophone and piano, and a piece for clarinet and piano, and it's a struggle to see who's going to win. Will they sort out their differences? Will we?
$14.99
13.71 €
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Alto Saxophone and Piano
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Kyle Vanderburg
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Earmarks
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NoteForge
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SheetMusicPlus
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
Trumpet, Trombone (duet)
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077
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Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98
3.64 €
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Trumpet, Trombone (duet)
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Joshua Popovici
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Blessed Assurance - Brass Quartet For Trumpet and Trombone
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Joshua Popovici
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SheetMusicPlus
Fred Bock's Greatest Gospel Hits
Organ
Organ SKU: HL.8738380 For All Organs. Composed by Fred Bock. Arranged by Fre…
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Organ SKU: HL.8738380 For All Organs. Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. General Worship, Sacred. 144 pages. Fred Bock Music Company #BG0605. Published by Fred Bock Music Company (HL.8738380). ISBN 9781934596319. UPC: 073999239201. 9.3x12.0x0.496 inches.This volume includes 43 of the best-loved gospel songs - all arranged in the sought-after stylings of Fred Bock. It contains such tunes as: Blessed Assurance * Happiness Is the Lord * Ivory Palaces * The Love of God * and many more. Spiral bound.
Song List
: Amazing Grace (Newton) Battle Hymn Of The Republic Every Time I Feel The Spirit Born Again (Bock) Come, Holy Spirit (Bock) Springs of Living Water (Arr: F Bock) (John Peterson) He's Got The Whole World In His Hands To God Be the Glory (Fanny Crosby) In the Garden (C. Austin Miles) Swing Low, Sweet Chariot Just A Closer Walk With Thee Blessed Assurance His Eye Is On The Sparrow Thou Didst Leave Thy Throne Great Is Thy Faithfulness (Wm. Runyan) How Big Is God (S Hamblen) Happiness Is the Lord (Ira Stanphill) I Believe in Miracles (John Peterson) Until Then (Stuart Hemblen) Am I A Soldier of the Cross? (Arr: F Bock) To Be Free (Eddie Smith) It Took A Miracle (John Peterson) Now I Belong to Jesus (Norman Clayton) I Just Feel Like Something Good Is About to Happen(Wm Gaither) In Times Like These (Ruth Jones) He Is the Way, He Is the Truth, He Is the Life (Otis Skillings) Have You Any Room for Jesus? (C. C. Williams) All He Wants Is You (Audrey Mieir) Constantly Abiding (Mrs. Will Murphy) Teach Me, Lord, to Wait (S Hamblen) Ivory Palaces (H Barraclough) This Ole House (S Hamblen) Something Beautiful (Wm Gaither) Beyond the Sunset (Blanche & Virgil Brock) Holy Hands (Carl Farrer) No More (A Mieir) OLD RUGGED CROSS MADE THE DIFFERENCE, THE (BOCK) LOVE OF GOD, THE (FREDERICK H LEHMAN) OLD RUGGED CROSS, THE (G BENNARD) LONGER I SERVE HIM, THE (WM. GAITHER) BROKEN VESSEL, THE (ANDREA CROUCH) SPIRIT OF JESUS IS IN THIS PLACE, THE (W GAITHER) LORD IS COUNTING ON YOU, THE (S HAMBLEN)
$24.95
22.82 €
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Organ
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Fred Bock
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Fred Bock's Greatest Gospel Hits
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Fred Bock Music Company
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SheetMusicPlus
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