Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1,710
Digital
Sheet Music
3,082
Sheet Music
Books
1,668
Music
Equipment
55
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
795
PIANO & KEYBOARDS
Piano solo
208
Piano, Vocal and Guitar
162
Piano, Voice
56
Organ
40
C Instruments
20
Easy Piano
17
1 Piano, 4 hands
5
2 Pianos, 4 hands
3
Piano Quartet: piano, 2 violins, cello
2
Piano Accompaniment
2
Harpsichord
1
2 Pianos, 8 hands
1
Piano Trio: piano, violin, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
26
Guitar
12
Ukulele
7
2 Guitars (duet)
5
4 Guitars (Quartet)
4
Guitar Ensemble
2
Mandolin
2
Bass guitar
2
Melody line, (Lyrics) and Chords
1
3 Guitars (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
145
Choral 2-part
30
Choral 3-part
28
Vocal duet
17
Choral TTBB
13
Vocal duet, Piano
10
Choral Unison
7
Voice solo
5
Soprano voice, Piano
5
Choral SSAA
5
Baritone voice, Piano
3
Tenor voice, Piano
2
Medium voice, Piano
2
Mezzo-Soprano voice, Piano
2
Choral SSATTB
1
High voice
1
Choral SSATB
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
103
Saxophone Quintet: 5 Saxophones
91
Saxophone ensemble
61
Clarinet Ensemble
38
Flute, Oboe, Clarinet, Bassoon
27
Flute ensemble
25
Clarinet Quartet: 4 clarinets
20
Saxophone Quartet: 4 saxophones
18
Clarinet
13
Tenor Saxophone and Piano
12
Flute Quintet : 5 flutes
12
Alto Saxophone and Piano
9
Flute and Piano
8
Flute Quartet: 4 flutes
6
Soprano Saxophone and Piano
6
3 Saxophones (trio)
6
Oboe, Flute
6
Flute
6
Clarinet and Piano
5
Flute and Guitar
5
Clarinet Quintet: 5 clarinets
4
Oboe, Piano (duet)
4
Flute, Clarinet (duet)
4
Descant (Soprano) Recorder
4
2 Saxophones (duet)
4
Flute Trio: 3 flutes
3
3 Clarinets (trio)
3
2 Flutes (duet)
3
Treble (Alto) Recorder, Piano
2
Clarinet, Guitar (duet)
2
5 Recorders
2
2 Flutes, Piano
2
Recorder
1
2 Clarinets (duet)
1
Clarinet, Bassoon (duet)
1
4 Oboes
1
Alto Saxophone
1
2 Saxophones, Piano
1
Wind ensemble
1
Tenor Saxophone
1
2 Clarinets, Piano
1
Saxophone (band part)
1
Oboe
1
Treble (Alto) Recorder
1
Clarinet, Cello, Piano (trio)
1
Flute, harp and violin
1
Flute, Oboe, Clarinet (trio)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
82
Brass quartet : 2 trumpets, trombone, tuba
81
Trumpet ensemble
56
Trombone ensemble
25
Brass Quartet: 2 trumpets, horn, trombone
24
Brass Quartet
15
Trumpet
12
Trumpet, Piano
8
Trombone and Piano
8
Tuba
6
Brass Quartet: 4 trombones
6
Euphonium
5
Horn Ensemble
5
Trombone
4
Brass Quartet: 4 trumpets
4
French Horn and Piano
4
French horn
3
Brass Trio
2
2 Trombones (duet)
2
Trumpet, Horn (duert)
2
4 Tubas
1
Trumpet, Trombone (duet)
1
Trombone (band part)
1
Tuba and Piano
1
2 French horns (duet)
1
Trumpet (band part)
1
4 Euphoniums
1
Brass Quartet: 4 horns
1
2 Tubas (duet)
1
2 Trumpets (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 Trumpets, Keyboard (piano or organ)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
67
Violin and Piano
18
Violin ensemble
13
Cello, String Bass (duet)
12
Viola ensemble
12
String Trio: violin, viola, cello
11
Violin, Viola (duet)
11
Harp
7
Violin
7
String Quintet: 2 violins, viola, cello, bass
6
Viola, Piano
6
Cello, Piano
6
Violin, Cello (duet)
6
2 Violins (duet)
6
2 Cellos (duet)
5
String Trio: 2 violins, cello
5
Piano Trio: Violin, Viola, Piano
4
2 Violas (duet)
4
2 Harps (duet)
4
Viola, Cello (duet)
3
2 Double basses (duet)
3
4 Cellos
3
String Quintet: 2 violins, 2 violas, cello
2
Cello Ensemble
2
Violin (band part)
2
Viola
1
4 Double Basses
1
Viola (band part)
1
Harp, Violin (duet)
1
String quartet: 4 violins
1
Cello
1
Cello, Guitar (duet)
1
2 Violins, Piano
1
Cello (band part)
1
String Quartet : 4 violas
1
Double Bass
1
Harp, Voice
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
66
Orchestra
40
String Orchestra
29
Drums
28
Jazz Ensemble
19
Brass ensemble
18
Marimba
17
Jazz combo
14
Chamber Orchestra
13
Percussion Ensemble
7
Handbells
7
Xylophone or Marimba or Vibraphone
1
School Ensemble
1
Piano and Orchestra
1
Percussion
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
I have set to music
Sheetmusic to print
3,082 sheet music found
<
1
26
51
....
3076
Santa Claus Is Comin' To Town
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
5.53 €
#
Piano solo
#
Michael Buble
#
Santa Claus Is Comin' To Town
#
Thomas Gunther Music Productions
#
SheetMusicPlus
All I Want For Christmas Is You (2 Pianos, 8 Hands)
2 Pianos, 8 hands
By Mariah Carey. Arranged by Austin Kitchell. Set of Parts. 20 pages. Published by Aust…
(+)
By Mariah Carey. Arranged by Austin Kitchell. Set of Parts. 20 pages. Published by Austin Kitchell
This song is widely viewed as one of, if not THE, most popular Christmas songs out there right now, and it's no surprise why. Many people have arranged this piece in a variety of styles and for a variety of instruments. However, I have yet to see an arrangement for 2 pianos, 8 hands, and that specific instrument combination is lacking in repertoire, in my opinion. So I set to fill that gap, at least a little bit. The intro was omitted in this arrangement, but if your group is really skilled, I'm sure you'll come up with a way to insert that in there. Enjoy! This is my very first arrangement for this specific set of instruments.
$12.99
11.99 €
#
2 Pianos, 8 hands
#
Mariah Carey
#
All I Want For Christmas Is You
#
Austin Kitchell
#
SheetMusicPlus
Life is Beautiful
Easy Piano
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
(+)
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.85 €
#
Easy Piano
#
Louis Landon
#
Life is Beautiful
#
Landon Creative, Inc.
#
SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
(+)
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
20.3 €
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Take My Life, That I May Be
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.842610 Composed by David C…
(+)
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.842610 Composed by David Christensen. Easter,Sacred. Octavo. 5 pages. David Christensen #4884481. Published by David Christensen (A0.842610). The words of Frances R. Havergal (1836-1879) have been set to music in an SATB choral setting. It will be quickly learned by choirs, large or small, with a wide range of musical ability. Uses piano or organ accompaniment.
$2.99
2.76 €
#
Choral SATB
#
David Christensen
#
Take My Life, That I May Be
#
David Christensen
#
SheetMusicPlus
Have You Heard? - Set of Parts (Digital Download)
Orchestra
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic …
(+)
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
230.69 €
#
Orchestra
#
Joel Raney
#
Away in a Manger
#
Have You Heard? - Set of Parts
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
At that hour when all things have repose
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291784 Comp…
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291784 Composed by Timothy Stephens. 20th Century,Celtic,Irish. 18 pages. Seolta Music Limited #882394. Published by Seolta Music Limited (A0.1291784). James Joyce wrote a letter to his brother expressing the hope that his collection of thirty-six poems, Chamber Music, would one day be set to music: ‘The book is in fact a suite of songs and if I were a musician I suppose I should have set them to music myself’. At that hour when all things have repose is set for choir and harp by American composer Timothy Stephens. It is a work filled with musical images: ‘Play on, invisible harps, unto love’.To explore all choral titles in College Choral Series please click here.
$2.50
2.31 €
#
Choral SATB
#
Timothy Stephens
#
At that hour when all things have repose
#
Seolta Music Limited
#
SheetMusicPlus
Have You Heard? - Full Score (Digital Download)
Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebra…
(+)
Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Full Score (Digital Download). 180 pages. Lorenz Publishing - Digital Sheet Music #e30/3731L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3731L). Orchestrated by Ed Hogan.Digital Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$99.95
92.25 €
#
Joel Raney
#
Away in a Manger
#
Have You Heard? - Full Score
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
I Have Been Redeemed
Choral SATB
Piano Accompaniment, Choir, SATB - Intermediate - Digital Download Composed by Michae…
(+)
Piano Accompaniment, Choir, SATB - Intermediate - Digital Download Composed by Michael Ware. 21st Century, Christian, Contemporary Christian, Sacred, General Worship. Score. 8 pages. Published by MusicWare Press
I Have Been Redeemed energetically expresses the joy of having salvation in Christ by utilizing a familiar hymn text with a newly composed tune. It could be used as a call to worship or service opener. This choral setting is appropriate for any time of year.<br> YouTube Video: https://www.youtube.com/watch?v=V_9kEe78FCQ<br> Visit the composer's website: http://www.musicwarepress.com/<br> Sign up for email updates from the composer: http://eepurl.com/bigxa9<br> View MusicWare Press on Facebook: https://www.facebook.com/musicwarepress/
$2.60
2.4 €
#
Choral SATB
#
Michael Ware
#
I Have Been Redeemed
#
MusicWare Press
#
SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.14 €
#
Piano and Orchestra
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
I Have Settled the Question
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1342482 By Talladega …
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1342482 By Talladega Bible Missionary Church (congregational singing). By Words & Music: Haldor Lillenas. Arranged by Lyndell Leatherman. Christian,Religious. Score. 2 pages. Leatherman Music Services #927976. Published by Leatherman Music Services (A0.1342482). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example,using the elec. piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.76 €
#
Piano, Vocal and Guitar
#
Talladega Bible Missionary Church
#
some were not
#
I Have Settled the Question
#
Leatherman Music Services
#
SheetMusicPlus
My Tears Have Been My Food (for concert band) - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Ster…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99
18.45 €
#
Concert band
#
David M
#
My Tears Have Been My Food
#
David Sterrett Music
#
SheetMusicPlus
Canon (Pachelbel) (Bb) (French Horn Quintet)
Horn Ensemble
French Horn Quintet - Advanced Intermediate - Digital Download Composed by Johann Pac…
(+)
French Horn Quintet - Advanced Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Regis Bookshar. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 27 pages. Published by Regis Bookshar
is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's "Canon", was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a French Horn Quintet. Three French Horns play the melody in canon while the ostinato accompaniment is played by the other two French Horns. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's "Canon" have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's "Canon" will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
18.46 €
#
Horn Ensemble
#
Johann Pachelbel (1653-1706)
#
Canon
#
SheetMusicPlus
Mice - Rose Fyleman's words set to music for children to sing
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.915884 Composed by Judy Lane…
(+)
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.915884 Composed by Judy Lane. Children,Instructional. Score. 8 pages. Judy Lane Music #2917067. Published by Judy Lane Music (A0.915884). Mice is a musical setting of Rose Fylemans fun poem - I think mice are rather nice... . This is a song for children to sing with piano accompaniment composed by Judy Lane. Ideal in a junior school classroom setting or for a school concert. Critics have said Judy's music is like a breath of fresh air with an excellent vocal range covered and ideal for young developing voices.The score for this music can also be obtained through Sheet Music Plus as part of a song book called 'Animal Tales'
$4.99
4.61 €
#
Piano, Voice
#
Judy Lane
#
Mice - Rose Fyleman's words set to music for children to sing
#
Judy Lane Music
#
SheetMusicPlus
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
Clarinet, Bassoon (duet)
Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Vario…
(+)
Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical Period, Baroque Period, Sacred, Christmas, Hanukkah. Score. 130 pages. Published by Last Resort Music Publishing
This complete set of Music for Two Clarinets, Christmas features 61 selections, including favorites like Jingle Bells, music from the Nutcracker, and more! Includes Sets 1 through 6 all together Each duet book is published in score form (both parts on the same page) so that the players can play from the same part.<br> <br> TABLE OF CONTENTS<br> A Caroling We Go (Johnny Marks)<br> A Holly Jolly Christmas (Johnny Marks)<br> A La Nanita Nana (Spanish Traditional)<br> Angels From The Realm Of Glory (J. Montgomery and H. Smart)<br> Angels We Have Heard on High (Traditional)<br> Away in a Manger (Traditional)<br> The Boar's Head Carol (English Traditional)<br> Break Forth, O Beauteous, Heavenly Light from the Christmas Oratorio (J.S. Bach)<br> Bring Your Torch, Jeanette Isabella (French Traditional)<br> Christ-Child is Born, The Der Heiland is Geboren (German Traditional)<br> Third Movement from Christmas Concerto (Corelli)<br> Fourth Movement from Christmas Concerto (Corelli)<br> Christmas Day in the Morning (Old English Carol)<br> Coventry Carol (Traditional)<br> Deck the Halls (Welsh Traditional)<br> Ding Dong Merrily on High (Traditional)<br> The First Noel (Traditional)<br> Fum, Fum, Fum (Catalan Carol)<br> Gesu Bambino (Pietro A. Yon)<br> God Rest Ye, Merry Gentlemen (Traditional)<br> Good Christian Men, Rejoice (Traditional)<br> Good King Wenceslas (Piae Cantiones)<br> Greensleeves (Traditional)<br> Hanukkah Medley Hanukkah, S'Vivon, My Dreidel, Rock of Ages (Traditional Jewish)<br> Hark! The Herald Angels Sing (Mendelssohn)<br> He Is Born, The Divine Christ Child Il est ne, Le Divin Enfant (French Traditional)<br> The Holly and the Ivy (Traditional)<br> I Heard the Bells on Christmas Day (John Calkin & Longfellow)<br> I Saw Three Ships (Traditional)<br> It Came Upon a Midnight Clear (Richard S. Willis)<br> Jingle Bells (J. Pierpont)<br> Jolly Old Saint Nicholas (Traditional)<br> Joy To The World (Handel)<br> Lo, How a Rose E'er Bloooming (Traditional)<br> The For Unto Us a Child Is Born from The Messiah (Handel)<br> The Hallejah Chorus from The Messiah (Handel)<br> He Shall Feed His Flock Like A Shepherd from The Messiah (Handel)<br> The Pastoral Symphony "Pifa" from The Messiah (Handel)<br> The Chinese Dance from The Nutcracker (Tschaikovsky)<br> The Dance of the Reed Flutes from The Nutcracker (Tschaikovsky)<br> The Dance of the Sugar-Plum Fairy from The Nutcracker(Tschaikovsky)<br> The Overture from The Nutcracker (Tschaikovsky)<br> The Trepak from The Nutcracker (Tschaikovsky)<br> O Christmas Tree (Traditional)<br> O Come, All Ye Faithful Adeste Fideles (Traditional)<br> O Come, O Come, Emmanuel (Traditional)<br> O Holy Night Cantique de Noel (Adolphe Adam)<br> O Little Town of Bethlehem (Lewis H. Redner)<br> Pat-a-Pan (Traditional)<br> Rockin' Around The Christmas Tree (Johnny Marks)<br> Rudolph The Red-Nosed Reindeer (Johnny Marks)<br> Silent Night (Franz Gruber and Rev. Joseph Mohr)<br> Sing We Now of Christmas Noel Nouvelet (French Traditional)<br> Sleigh Ride from German Dance, K. 605 # 3 (Mozart)<br> The Twelve Days of Christmas (Traditional)<br> Up On The Housetop (Traditional)<br> Wassail Song (Traditional)<br> We Three Kings of Orient Are (John Henry Hopkins)<br> We Wish You a Merry Christmas (Traditional)<br> Wexford Carol (Irish Traditional)<br> While Shepherds Watched Their Flocks By Night (Handel).
$54.00
49.84 €
#
Clarinet, Bassoon (duet)
#
Various, Tschaikovsky, Handel, Corelli, Mozart
#
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
#
SheetMusicPlus
All I Have to Bring from Emily!
Soprano voice, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-7E Composed by Gwy…
(+)
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8317-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-7E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.61 €
#
Soprano voice, Piano
#
Gwyneth W
#
All I Have to Bring from Emily!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
HOW LONG WILL I LOVE YOU String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
String Trio: 2 violins, cello
Intermediate - Digital Download By Ellie Goulding. Arranged by Sherry Lewis. Score, S…
(+)
Intermediate - Digital Download By Ellie Goulding. Arranged by Sherry Lewis. Score, Set of Parts. 15 pages. Published by Sherry Lewis Publishing
HOW LONG WILL I LOVE YOU String Trio for 2 violins and cello or violin, viola and cello<br> <br> Intermediate Level<br> <br> Score: 4 pages<br> <br> Parts: 5 pages <br> <br> Time: 2'12"<br> <br> MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts <br> <br> however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.<br> <br> Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.<br> <br> If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.<br> <br> VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.<br> <br> PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. <br> <br> AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.<br> <br> LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. <br> <br> ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.<br> <br> EXCELLENT for corporate events, weddings, social gatherings and recitals.<br> <br> APPROPRIATE for students and schools.<br> <br> CHURCH REPERTOIRE I’m always adding more titles.<br> <br> Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.99 €
#
String Trio: 2 violins, cello
#
Ellie Goulding
#
HOW LONG WILL I LOVE YOU String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
#
SheetMusicPlus
To Us This Night Is Born a Child
Choral SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. O…
(+)
SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00
1.85 €
#
Choral SATB
#
way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned
#
Ernest Brandon
#
To Us This Night Is Born a Child
#
Imagine Music - Digital
#
SheetMusicPlus
I sentimenti di Carl Philipp Emanuel Bach
String Orchestra
Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · …
(+)
Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str. flute, harp and string orchestra - Digital Download SKU: S9.Q3147 Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787). Composed by Carl Philipp Emanuel Bach and Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q3147. Published by Schott Music - Digital (S9.Q3147). I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze.
$19.99
18.45 €
#
String Orchestra
#
Carl Philipp Emanuel Bach and Hans Werner Henze
#
I sentimenti di Carl Philipp Emanuel Bach
#
Schott Music - Digital
#
SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant…
(+)
Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
20.3 €
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
The Dead Shall be Raised (I Thessalonians 4)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.934048 Composed by Carol T…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylor #3111381. Published by C.Taylor (A0.934048). This is a big piece with much emotion about the Resurrection. Words are directly taken from I Thessalonians 4It is inspirational and the focal point of all Christian religion--the ResurrectionBecause it is scripture set to music it is appropriate for all Christian organizationsBrass and Timpani/Drums could be added for emphasis (though I have not specifically written those parts--they are rather obvious!)Please excuse the MP3 quality. I did not have a choir to record my piece and cannot sing bass or tenor properly. This is just to give you an idea of the sound and really needs a full size choir to perform. It takes about 6 minutes to perform and ends on a very big high! I have extensive contacts on many Facebook sites both secular and religiousI am part of a worldwide Church organization and this piece has been used privately in one service for a special High day we celebrate each yearI am not part of any Performing Rights groupsMy contact information is: Caroltaylor27@yahoo.com please contact me with questions or if you would like the music in individual parts or if you would like me to write a brass or Timpani parts.SATB with the melody shifting from soprano to bass to tenor. MUST have a strong bass section to handle this piece
$2.99
2.76 €
#
Choral SATB
#
Carol Taylor
#
The Dead Shall be Raised
#
C.Taylor
#
SheetMusicPlus
The Jane Set
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 5 - Digital Download SKU: A0.1301783 Com…
(+)
Alto Saxophone Duet Alto Saxophone - Level 5 - Digital Download SKU: A0.1301783 Composed by Daniel Asia. 20th Century,21st Century,Classical. 2 scores. 26 pages. Daniel Asia Music Editions #891375. Published by Daniel Asia Music Editions (A0.1301783). The Jane Set, for solo clarinet is one of a series for solo instruments. This particular version also comes in a duo set, for Alto Sax and Bass Clarinet. Like its progenitor, The Alex Set (for solo oboe or saxophone), this work is evocative, idiomatic, virtuosic, and widely expressive. The four contrasting movements are marked Misterioso; Murmuring and ghostly; Vivace; and Misterioso. Playful, with the speed moving from slow, to moderato, to fast, and finally back to slow again- a completed journey.Why the name? Â With the first set, in my youthful ebullience, I figured, hmm, a name?- if not sonata or study, perhaps a real name. Â I chose Alex, which was propitious, as the work, in its final form, was commissioned by the great oboist Alex Klein. Â I have decided to continue this playful approach with this set, as well as the recent Jack Set for solo bassoon.
$20.00
18.46 €
#
2 Saxophones (duet)
#
Daniel Asia
#
Murmuring and ghostly
#
The Jane Set
#
Daniel Asia Music Editions
#
SheetMusicPlus
He Leadeth Me with I Have Decided to Follow Jesus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R …
(+)
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.15 €
#
Stephen R Dalrymple
#
He Leadeth Me with I Have Decided to Follow Jesus
#
Stephen R Dalrymple
#
SheetMusicPlus
The Sun Set
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1146030 Composed by Pete Cross. C…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1146030 Composed by Pete Cross. Classical,Contemporary,Standards. Score and parts. 4 pages. Robert Peter Cross #746272. Published by Robert Peter Cross (A0.1146030). I have tried to paint a musical picture of a sun set using musical colours dark and light sections.
$25.00
23.07 €
#
Concert band
#
Pete Cross
#
The Sun Set
#
Robert Peter Cross
#
SheetMusicPlus
PLATFORM NINE an original stage musical
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis…
(+)
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)
$87.00
80.3 €
#
Choral SATB
#
Dennis A
#
PLATFORM NINE an original stage musical
#
Tyne Music
#
SheetMusicPlus
<
1
26
51
....
3076
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
