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Piano solo
148386
Piano, Voice
75754
Piano, Vocal and Guitar
63128
Easy Piano
58422
Organ
5807
Piano Accompaniment
5495
Big Note Piano
5282
1 Piano, 4 hands
4839
C Instruments
3016
Piano (band part)
2871
Piano Trio: piano, violin, cello
2141
2 Pianos, 4 hands
1316
Piano Quartet: piano, violin, viola, cello
560
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539
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473
Organ, Piano (duet)
299
Accordion
259
1 Piano, 6 hands
224
Organ, Trumpet (duet)
155
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131
Keyboard
107
2 Pianos, 8 hands
90
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21
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14
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13
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10
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6
Piano ensembles
6
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5
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4
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3
3 Pianos
2
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1
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1
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1
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Guitar notes and tablatures
4623
Melody line, (Lyrics) and Chords
4143
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2796
Lyrics and Chords
968
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899
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779
Bass guitar
583
2 Guitars (duet)
446
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217
4 Guitars (Quartet)
120
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86
Dulcimer
83
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76
Banjo
72
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67
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35
Baritone Ukulele
35
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32
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18
Guitar, Violin, Cello (trio)
17
Lap Steel Guitar
11
Ukulele Ensemble
9
2 Ukuleles
8
2 Dulcimers (duet)
7
2 Mandolins (duet)
5
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4
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4
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3
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1
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1
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1
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1
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1
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25078
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8939
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7816
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4474
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3301
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2960
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1474
Choral SSAA
1407
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1296
Vocal duet
1099
Tenor voice, Piano
750
Alto voice, Piano
728
Voice solo
683
Choral
651
Baritone voice, Piano
558
Low voice, Piano
548
Medium voice, Piano
392
Mezzo-Soprano voice, Piano
132
Tenor voice
103
High voice, Piano
63
Soprano voice
62
Choral SSATB
54
Choral SSAB, Piano
45
Children choir
42
Medium Voice
41
Choral SSAATTBB
38
Voice, Guitar
36
Soli, Mixted choir and accompaniment
36
Low voice
31
Choral, Organ
27
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22
Choral SSAB a cappella
14
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5
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4
Baritone voice
3
Voix Masculines
2
Soprano voice, Orchestra
2
Children choir, Piano
2
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1
Choral SSAATB A Cappella
1
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1
Choral SAATB A Cappella
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Flute and Piano
13129
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9292
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7414
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7279
Tenor Saxophone and Piano
5439
Soprano Saxophone and Piano
3304
Saxophone Quartet: 4 saxophones
3288
2 Saxophones (duet)
3031
Clarinet
2816
Flute
2588
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2585
Flute, Oboe, Clarinet, Bassoon
2584
2 Flutes (duet)
2212
Saxophone (band part)
2164
Alto Saxophone
1759
2 Clarinets (duet)
1624
Clarinet Quartet: 4 clarinets
1531
Baritone Saxophone, Piano
1487
Tenor Saxophone
1275
Saxophone Quintet: 5 Saxophones
1267
English horn, Piano
1141
Oboe (band part)
1104
Flute Quartet: 4 flutes
951
Flute, Clarinet (duet)
910
3 Saxophones (trio)
874
Clarinet (band part)
769
Bass Clarinet, Piano
723
Clarinet Ensemble
720
3 Clarinets (trio)
707
2 Oboes (duet)
554
Flute Trio: 3 flutes
551
Flute and Guitar
510
Flute ensemble
445
Saxophone ensemble
426
2 Recorders (duet)
406
Clarinet Quintet: 5 clarinets
382
Oboe
377
Descent (Soprano) Recorder, Piano
370
Recorder
366
Flute (band part)
366
Clarinet, Violin (duet)
364
Flute, Clarinet, Piano (trio)
357
Oboe, Clarinet (duet)
355
Treble (Alto) Recorder, Piano
347
Flute, Violin
345
Saxophone, Clarinet (duet)
337
Oboe, Bassoon (duet)
332
Piccolo, Piano
330
Soprano Saxophone
321
Descant (Soprano) Recorder
320
Flute, Cello, Piano (trio)
304
Recorder Quartet
304
Flute, Violin, Piano
286
2 Saxophones, Piano
269
2 Flutes, Piano
260
Recorder, Piano
213
Tenor Recorder
210
Flute, Clarinet and Bassoon.
209
Clarinet, Bassoon (duet)
209
2 Clarinets, Piano
202
Clarinet, Trumpet (duet)
196
Treble (Alto) Recorder
193
Flute, Oboe, Clarinet (trio)
192
Saxophone and Piano
174
Flute, Bassoon, and Piano
174
Oboe, Clarinet, Bassoon (trio)
168
Flute, Trumpet (duet)
167
Flute, Oboe (duet)
165
Flute, Oboe, Bassoon
163
3 Recorders (trio)
155
Flute Quintet : 5 flutes
151
Flute, Violoncello
151
Clarinet and Viola
146
Oboe, Flute
142
Flute, Viola (duet)
136
Clarinet, Guitar (duet)
134
English Horn
129
Baritone Saxophone
127
Flute, Saxophone (duet)
118
Clarinet, Cello, Piano (trio)
114
Clarinet, Cello (duet)
107
Pennywhistle
104
5 Recorders
95
Oboe, Violin (duet)
91
Piccolo
85
Recorder Ensemble
84
Oboe, Cello
80
Flute, Violin and Violoncello
80
Flute, Oboe, Piano (trio)
76
Clarinet, Bassoon, Piano (trio)
75
Ocarina
74
3 Oboes
71
Flute, Trombone (duet)
64
Flute, Violin, Violoncello and Piano
63
Flute, Viola and Piano
56
Harmonica
48
Saxophone and Organ
46
Saxophone
45
Harmonica, Piano
45
Clarinette, Viola and Piano (trio)
45
4 Oboes
43
Saxophone, Violin (duet)
38
Oboe, Trumpet (duet)
36
Oboe, Guitar (duet)
36
Flute, Clarinet, Horn and Bassoon (Quartet)
35
Clarinet, Trombone (duet)
33
Flute, trombone and piano
33
Saxophone and Guitar
32
Oboe, Bassoon and Piano
31
Oboe and viola (duet)
31
Clarinet, Harp (duet)
30
Oboe, Cello and Piano
28
2 Recorders, Piano
27
Flute, Oboe, Violin
27
Clarinet, trumpet and piano
25
Flute, Organ (duet)
24
Bass Clarinet
24
2 Clarinets, Bassoon
24
Flute, Clarinet, Violin (trio)
21
2 Oboes, Piano
21
English Horn, Guitar (duet)
20
Oboe, Trombone (duet)
19
Flute, harp and violin
18
Oboe, Violin, Piano
18
Flute, French horn (duet)
18
Treble (Alto) Recorder, Basso continuo
16
Oboe, Harp
16
Clarinet, Tuba
16
Flute and Strings Trio
15
Oboe, Clarinet and Piano (Trio)
15
Wind ensemble
13
Flute, Tuba (duet)
13
Oboe ensemble
12
2 English horns and Pianoforte
11
Flute, Cello, Guitar
11
Flute, Orchestra
11
Saxophone, Bassoon (duet)
10
Recorder, Guitar (duet)
10
Clarinet Quintet: Clarinet, String Quartet
10
Clarinet, Organ
9
Saxophone and Harp
9
Flute and String Quartet
8
Clarinet Quartet: Clarinet, Violin, Viola, Cello
7
Flute, Guitar, Piano
7
Oboe, Violin, Viola and Violoncello (Quartet)
6
Saxophone and cello
5
Clarinet, Orchestra
5
Flute, Harp and Cello
4
Flute, Viola and harp
4
Eb Instruments
4
Clarinet, Double bass (duet)
4
Flute, Basso continuo
4
Oboe, Clarinet, Bassoon and Piano
3
2 Oboes and Basson
3
2 Flutes, 2 Clarinets (Quartet)
3
Clarinet, Saxophone, Piano
3
Oboe and Orchestra
3
Flute, Violin, Guitar
3
2 Flutes and Harp
2
Bagpipe
2
English horn, Harp (duet)
2
2 Flutes, Basso continuo
2
3 Recorders, Piano
2
Oboe, Organ
2
Oboe and String quartet
2
2 Flutes and Guitar
2
Pan Flute
2
Flute, Viola and Cello
1
Recorder, Harp
1
2 Recorders, Guitar
1
Descant (Soprano) Recorder, Basso continuo
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet, Piano
6549
Trombone and Piano
5768
French Horn and Piano
4156
Brass Quintet: 2 trumpets, horn, trombone, tuba
3396
Trumpet
2947
Tuba and Piano
2044
Trombone
1600
Brass quartet : 2 trumpets, trombone, tuba
1449
Euphonium, Piano (duet)
1296
Trumpet (band part)
1214
English horn, Piano
1141
2 Trumpets (duet)
1108
Trombone (band part)
1041
French horn
1021
2 Trombones (duet)
989
Brass Quartet: 2 trumpets, horn, trombone
891
Brass Quartet
814
Tuba
714
Trumpet, Trombone (duet)
697
2 French horns (duet)
519
French horn (band part)
429
Brass Quartet: 4 trombones
329
Trumpet, Horn (duert)
300
Bass Trombone and Piano
278
Trumpet, Saxophone (duet)
268
Tuba (band part)
229
Brass Quartet: 4 horns
223
Euphonium
205
Trombone ensemble
183
Tuba and Organ
153
2 Trumpets, Keyboard (piano or organ)
149
2 Tubas (duet)
141
Trumpet ensemble
133
3 Trombones (trio)
131
Brass Trio
131
English Horn
129
2 Euphoniums and 2 Tubas
107
3 Trumpets (trio)
102
Brass Quartet: 4 trumpets
95
4 Tubas
73
Brass Quartet: 2 trumpets, 2 trombones
72
Trombone, cello (duet)
56
Horn Ensemble
52
Trumpet, Tuba (duet)
49
Trombone, Horn (duet)
48
Trumpet, Trombone, Piano
48
Trumpet, Bassoon (duet)
47
Trumpet, Cello, Piano
45
Trumpet, violin (duet)
43
2 Trombones, Piano
42
Trombone, Violin (duet)
40
Horn, Cello (duet)
40
Bass Trombone
38
Euphonium, Tuba (duet)
38
Trombone, Organ
38
Trombone, Tuba (duet)
34
2 Euphoniums (duet)
27
Trumpet, Cello (duet)
25
3 French horns (trio)
24
Horn, Tuba (duet)
23
Cornet
20
English Horn, Guitar (duet)
20
2 French horns, Piano
18
Cornet and Piano
17
Horn and Organ
15
French horn and Basson (duet)
15
Bass Clef Instruments
15
3 Tubas (trio)
14
French Horn and Harp
12
2 English horns and Pianoforte
11
Clarinet, Horn (duet)
11
Tuba or Euphonium or Saxhorn
10
Tuba ensemble
9
Trumpet, Harp
8
Horn, Cello and Piano
7
Trumpet, Orchestra
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Euphonium or Saxhorn and Piano
5
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
4
Trombone and Orchestra
4
3 Euphoniums
4
Trumpet and Guitar
4
Bass Saxhorn or Euphonium or Tuba and Piano
3
Bb Instruments
3
4 Euphoniums
3
Trombone, Viola (duet)
3
English horn, Harp (duet)
2
Horn and Orchestra
2
Trumpet, Euphonium (duet)
1
Cornet and Orchestra
1
Flügelhorn
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
17164
Cello, Piano
10707
String Quartet: 2 violins, viola, cello
8636
Viola, Piano
8161
Violin
3541
Cello
2355
Violin, Cello (duet)
1763
Harp
1758
Double bass, Piano (duet)
1730
2 Violins (duet)
1554
Viola
1519
String Trio: violin, viola, cello
1403
2 Cellos (duet)
1339
String Quintet: 2 violins, viola, cello, bass
1131
Violin, Viola (duet)
958
Violin (band part)
886
2 Violas (duet)
880
Piano Trio: Violin, Viola, Piano
813
Double Bass
644
Viola (band part)
596
Doublebass (band part)
493
String Trio: 2 violins, cello
436
Viola, Cello (duet)
411
Cello (band part)
331
2 Violins, Piano
304
4 Cellos
296
String Trio: 3 violins
270
String Trio: 3 cellos
229
Violin, Guitar (duet)
206
String quartet: 4 violins
139
Harp, Flute (duet)
135
2 Harps (duet)
134
Cello, Guitar (duet)
119
2 Double basses (duet)
115
Harp and Piano
106
2 Cellos, Piano
105
Violin, Clarinet, Piano (trio)
105
String trio
103
String Trio: 2 violins, viola
99
Violin, Bassoon (duet)
91
String Quartet : 4 violas
89
String Trio: 3 violas
83
Viola, Guitar (duet)
83
Cello, String Bass (duet)
79
Harp, Violin (duet)
78
Viola and Bassoon
72
2 Violas, Piano
65
Harp (band part)
59
String Quintet: 2 violins, 2 violas, cello
43
String Quintet: 2 violins, viola, 2 cellos
42
Harp, Cello (duet)
38
Cello, Organ
37
Harp, Voice
35
Violin, Organ
32
Viola and Harp
31
Violin ensemble
27
Cello Ensemble
25
Violin, Tuba (duet)
23
Viola ensemble
22
Cello, Orchestra
19
4 Double Basses
19
Violin, Basso continuo
17
Cello and Marimba
15
Violin, Trumpet and Piano
13
Flute, Doublebass (duet)
13
Harp, Violin, Violoncello
10
Viola and orchestra
8
2 Violins and Basso
7
Viola, Organ
7
Harp, Trombone (duet)
6
Violoncello, Basso continuo
5
3 double basses
5
Violin, Cello, Clarinet
4
Harp and mandolin
4
Harp, String quartet
4
Double basses ensemble
3
4 Harps
3
Autoharp
3
Harp and Organ
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
7733
Orchestra
3614
String Orchestra
3585
Jazz Ensemble
2752
Handbells
1903
Brass ensemble
1681
Chamber Orchestra
1353
Jazz combo
1181
Drums
546
Percussion (band part)
504
Marching band
494
Percussion Ensemble
306
Drum (band part)
234
Marimba
172
Xylophone, Piano
155
Percussion
149
Piano and Orchestra
135
Timpani (band part)
105
Woodwind Quintet
84
Timpani
83
Vibraphone
77
Snare drums
65
Xylophone
51
Vibraphone (band part)
50
Woodwind Quartet: any 4 woodwinds
46
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
41
Vibraphone, Piano
28
Marimba, Piano (duet)
17
Flexible Instrumentation
14
2 Xylophones
13
Orchestra, Violin
12
School Ensemble
11
Vibraphone and Marimba
8
Brass Quintet: other combinaisons
7
Big band
7
Mariachi
4
3 Marimbas
4
Woodwind Trio: any 3 woodwinds
3
Marimba or Xylophone and Piano
3
Drums-Marching band
2
Xylophone or Marimba or Vibraphone
2
Marimba and Organ
2
2 Marimbas
2
Voice and Orchestra
1
Bongos
1
Cajon
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
53
Music Theory
7
Stationery
1
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9976
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
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Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
9.82 €
#
Piano solo
#
Sebastian Freisleben
#
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
#
Sebastian Freisleben
#
SheetMusicPlus
Prelude 1 in C Major Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 19 in A Major Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 16 in G# Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Happy Birthday Through The Modes - for piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and…
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Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and Mildred J. Hill (1859). Arranged by Len Rhodes. Holiday,Standards,Traditional. Score. 7 pages. Len Rhodes Music #884496. Published by Len Rhodes Music (A0.1294014). An exciting “journey for the musician who wants more for their birthday than the tried and tested major key! These seven piano arrangements (including guitar chords) begin with the familiar major (Ionian) mode; and then journey through Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes. I think this arranger’s favourite is the Phrygian.Your download contains all seven modal versions - enjoy!
$6.95
6.21 €
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Piano solo
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Len Rhodes
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Happy Birthday Through The Modes - for piano
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Len Rhodes Music
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano solo
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano solo
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.22 €
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Piano solo
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Liebestraum and Friends Beginner Piano Collection
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Arranged by SilverTonalities. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score. 43 pages. SilverTonalities #984461. Published by SilverTonalities (A0.1401274). Liebestraum and Friends Beginner Piano CollectionPopular Classics for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2PASTORAL SYMPHONY NUMBER 6 in F Major Third Movement is one of Beethoven’s most popular Symphonies which premiered in Austria in 1808, pages 3-7SONATINA OPUS 36 NUMBER 1, 1st Movement of the Italian Composer, Muzio Clementi’s set of 12 Sonatinas published in 1794, pages 8-9SILVER SWAN is the most famous of the English Renaissance Composers, Orlando Gibbon’s Madrigals which was published in 1612, pages 10-12NORWEGIAN DANCE, OPUS 35 was originally written for 4 Hands (Duet) in 1880 by the Scandinavian Composer, Edward Grieg, pages 13-15SERENADE from the Austrian Composer, Franz Joseph Haydn’s String Quartet Opus 3 Number 5 2nd Movement which premiered in 1717, pages 16-20JUNE Barcarolle Opus 37 is from the Russian Composer, Peter Ilyich Tchaikovsky’s set of 12 short Character Pieces “The Seasonsâ€, pages 21-23 CAN CAN from the Austrian Composer, Franz Lehar’s popular Operetta “The Merry Widow†which premiered in 1905 in Vienna, Austria, pages 24-26LIEBESTRAUM (Dreams of Love) from the Hungarian Romantic Era Composer, Franz Liszt’s set of 3 Piano Solos written in 1850, pages 27-30SONATA IN C MAJOR K545, Second Movement was written in 1788 by the famous Austrian Composer, Wolfgang Amadeus Mozart, pages 31-33SONG OF INDIA from the Russian Composer, Nikolai Rimsky Korsakov’s 1896 Opera “Sadko, pages 34-37THE WILD HORSEMAN Opus 68 Number 8 from the German Composer, Robert Schumann’s “Album for the Youngâ€, pages 38-41MANHATTAN BEACH MARCH was written by the American Military Composer John Philip Sousa in 1893, pages 42-45.
$9.99
8.92 €
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Easy Piano
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Franz Liszt
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Liebestraum and Friends Beginner Piano Collection
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SilverTonalities
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SheetMusicPlus
Rondo Veneziano
Piano solo
By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero R…
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By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero Reverberi (1939-). Arranged by Juliano Music. Contemporary. Score. 5 pages. Juliano Alessandro Molteni #5336777. Published by Juliano Alessandro Molteni
My arrangement for PIANO SOLO of the song "BETTINA" by G. REVERBERI (RONDO' VENEZIANO).<br> <br> JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.
$4.99
4.46 €
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Piano solo
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Rond Veneziano
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Rondo Veneziano
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Juliano Alessandro Molteni
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SheetMusicPlus
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