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You've selected:
If I Had A Gun...
Sheetmusic to print
17 sheet music found
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1
If I Had A Gun...
String Quartet: 2 violins, viola, cello
By Noel Gallagher'S High Flying Birds. By Noel Gallagher. Arranged by Ian Anderson. Con…
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By Noel Gallagher'S High Flying Birds. By Noel Gallagher. Arranged by Ian Anderson. Contemporary. Score and parts. 9 pages. Ian Anderson #4298587. Published by Ian Anderson
$12.99
11.98 €
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String Quartet: 2 violins, viola, cello
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Noel Gallagher'S High Flying Birds
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If I Had A Gun...
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SheetMusicPlus
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
Piano Quintet: piano, 2 violins, viola, cello
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666…
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00
69.14 €
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Piano Quintet: piano, 2 violins, viola, cello
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Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton
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"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Geraldine
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SheetMusicPlus
If I Had A Gun...
Guitar notes and tablatures
By Noel Gallagher's High Flying Birds. Rock. Guitar TAB. 9 pages. Published by Hal Le…
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By Noel Gallagher's High Flying Birds. Rock. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Guitar notes and tablatures
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Noel Gallagher's High Flying Birds
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If I Had A Gun...
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
If I Had A Gun...
Lyrics and Chords
Rock. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.35…
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Rock. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.352447). - Guitar (chords only) - Rock - Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Lyrics and Chords
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If I Had A Gun...
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Noel Gallagher's High Flying Birds: If I Had A Gun... - guitar (chords)
Lyrics and Chords
Instantly printable sheet music by Noel Gallagher's High Flying Birds for guitar (cho…
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Instantly printable sheet music by Noel Gallagher's High Flying Birds for guitar (chords) of MEDIUM skill level. / rock
$3.97
3.66 €
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Lyrics and Chords
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Noel Gallagher's High Flying Birds
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Virtualsheetmusic
Noel Gallagher's High Flying Birds: If I Had A Gun... - guitar (tablature)
Guitar notes and tablatures
Instantly printable sheet music by Noel Gallagher's High Flying Birds for guitar (tab…
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Instantly printable sheet music by Noel Gallagher's High Flying Birds for guitar (tablature) of MEDIUM skill level. / rock
$8.97
8.27 €
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Guitar notes and tablatures
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Noel Gallagher's High Flying Birds
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Virtualsheetmusic
Autumn Rain
Choral SATB
Choir (SATB) - Digital Download Composed by Hannah Cheetham. A Cappella, Classical. …
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Choir (SATB) - Digital Download Composed by Hannah Cheetham. A Cappella, Classical. Choral. 7 pages. Published by Hannah Cheetham
The idea for this piece came during the first few weeks in Autumn 2020. It was a melancholy day, and the soft patters of a rain shower had just begun sounding on the roof. During this time, I had been going through much change in my personal life; at the time, it seemed very dire. As I began to put together the Lyrics, melody and harmony for this piece, the reminder of hope for the future uncovered itself. So, a piece first beginning with a distressing feeling of loss arrived at a point of hope for the future.The piece begins with the very centre vocalists clicking at random, ‘raindrop simulating’ timing, eventually spreading to the whole of the group as if the rain shower is fully set in. The vocal lines were written with the melody in mind, a melancholy song, becoming passionate and resolving the song with harmonies which replicate the feeling of peacefulness and a conclusion of clicks, settling the rain shower.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99
4.6 €
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Choral SATB
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Hannah Cheetham
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Autumn Rain
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Hannah Cheetham
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
True Colors
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1076268 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Ray-Michael Kauffman and a do Ray me flute studio production Ray-Michael Kauffman. 20th Century,Contemporary,Holiday,Pop,Rock. 42 pages. As do Ray meflute studio production #680423. Published by as do Ray meflute studio production (A0.1076268). Https://youtu.be/CCylcZgNDO0 True Colors , arranged for flute choir . ensemble by me , Ray-Michael Kauffman. Composed by B. Steinberg & T. Kelly, & this song was nominated 2 times for a Grammy , recorded by Cyndi Lauper. Also performed by Phil Collins, and Eva Cassidy and many more. This arrangement is part of the Compositions that Care which means all money raised goes directly to charity, in this case LGBTQ+ community, such as housing for youth whom may be thrown out of their housing or had to run away, for hate crime victims/ survivors, shelter, medical treatment and supplies and any other need . This arrangement is very special and personal for me, because I am a Hate Crime victim /survivor as well. Even in today's society , where about 20% or less of Hate Crime Victims even report attacks or even serious physical harm. The laws have been changing slowly in the last 10 years , taking away penalties and sentencing from this heinous crimes. Legislators and law makers have diminishing what defines hate crimes, if hate crimes deserve additional sentencing, taking away laws that would ensure and help to protect this minority population most vulnerable to being victims. And not just in the USA, but around the world LGBTQ+ persons , are being attacked , imprisoned, and even murdered everyday . IIn the USA, Even where as victims like myself are seriously harmed , and in the hospital , requiring surgery, permanently maimed , broken bones, etc. most criminal perpetrators get minimal sentencing , even probation . And as in my case, these criminals had have multiple other serious convictions of physical harm to others and even serious gun charges. Please make your voice heard, help protect yourself, or your family, friends, and loved ones by contacting law makers local and federal to let them know this is not ok, and laws need to be changed to protect every person . Thank you for watching. To purchase this charitable composition, please Visit: SheetMusicPlus.com , also check out my website @ doRaymeflute.com.
$18.50
17.06 €
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Cyndi Lauper
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B
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True Colors
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as do Ray meflute studio production
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SheetMusicPlus
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
9.21 €
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Choral SATB
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Michael A
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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M.A. Morizio
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SheetMusicPlus
October Dawn - Choral Song (SSAATB)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
2.77 €
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Choral SATB
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
55.31 €
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Orchestra
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The Beatles
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
Four Vignettes for Brass Trio (trumpet, horn and tuba)
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.750339 Composed by Eddie Lewis.…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.750339 Composed by Eddie Lewis. Concert,Folk. Score and parts. 24 pages. Tiger Music #5805959. Published by Tiger Music (A0.750339). Four Vignettes Brass Trio Sheet Music PDFby Eddie LewisFour short movements for professional level brass trio, Four Vignettes is a new piece of Americana. The movements are titled:A Family PortraitA Mountain SceneA Bride to BeThe GunslingerLooking back at my career as a composer of brass music, Four Vignettes represents the beginning of a new style period for me (yes, even non-famous composers and musicians have style periods). The Four Vignettes were the first brass piece that I composed just to sound beautiful.I will never forget the look on Dave Kirk’s face when we finished reading it the first time. We were in a room at Rice University where he teaches after a Texas Brass Quintet rehearsal. This was back when both Dave and I were in the band. I asked him and the hornist if they would stay after the rehearsal to read through my new trio. It was these Four Vignettes.When I finished, I KNEW it was mission accomplished because Dave’s face lit up. He had a smile of satisfaction not unlike a smile someone would have after a very satisfying meal.My compositions have been different since then. More like this Four Vignettes piece and less like the experimental stuff I was writing in the 90’s.
$19.99
18.43 €
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Brass ensemble
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Eddie Lewis
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Four Vignettes for Brass Trio
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Tiger Music
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SheetMusicPlus
Bohemian Rhapsody - Piano Solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario S…
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With these piano sheets, you can play “Bohemian Rhapsody” on piano!<br> <br> It’s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.<br> <br> I believe this is the most accurate piano arrangement of the song you will find anywhere.<br> <br> It’s a “Bohemian Rhapsody” piano version in the song’s original key, it’s playable, and it sounds fantastic!<br> <br> <br> I also created sheet music of the same piano arrangement with the song’s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920<br> <br> <br> “Bohemian Rhapsody” was, of course, written by the one and only Freddie Mercury.<br> <br> It was included on Queen’s 1975 album “A Night at the Opera” and became one of Queen’s biggest hits. Today, it is considered by many to be the best classic rock song of all time.<br> <br> <br> There’s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.<br> <br> <br> “Bohemian Rhapsody” is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.<br> <br> “Bohemian Rhapsody” really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!<br> <br> <br> In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don’t sound powerful enough, there are important parts or even whole sections missing.<br> <br> So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.<br> <br> <br> I hope you enjoy playing it as much as I do!<br> <br> <br> <br> Here are the full lyrics to “Bohemian Rhapsody”:<br> <br> <br> “Is this the real life?<br> <br> Is this just fantasy?<br> <br> Caught in a landslide<br> <br> No escape from reality<br> <br> Open your eyes<br> <br> Look up to the skies and see<br> <br> I'm just a poor boy, I need no sympathy<br> <br> Because I'm easy come, easy go<br> <br> A little high, little low<br> <br> Anyway the wind blows, doesn't really matter to me, to me<br> <br> Mama, just killed a man<br> <br> Put a gun against his head<br> <br> Pulled my trigger, now he's dead<br> <br> Mama, life had just begun<br> <br> But now I've gone and thrown it all away<br> <br> Mama, oh oh<br> <br> Didn't mean to make you cry<br> <br> If I'm not back again this time tomorrow<br> <br> Carry on, carry on, as if nothing really matters<br> <br> Too late, my time has come<br> <br> Sends shivers down my spine<br> <br> Body's aching all the time<br> <br> Goodbye everybody I've got to go<br> <br> Gotta leave you all behind and face the truth<br> <br> Mama, oh oh (anyway the wind blows)<br> <br> I don't want to die<br> <br> Sometimes wish I'd never been born at all<br> <br> I see a little silhouetto of a man<br> <br> Scaramouch, Scaramouch will you do the Fandango<br> <br> Thunderbolt and lightning very very frightening me<br> <br> Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico<br> <br> I'm just a poor boy and nobody loves me<br> <br> He's just a poor boy from a poor family<br> <br> Spare him his life from this monstrosity<br> <br> Easy come easy go will you let me go<br> <br> Bismillah, no we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let me go<br> <br> (Will not let you go) let me go (never, never let you go) let me go (never let me go)<br> <br> Oh oh no, no, no, no, no, no, no<br> <br> Oh mama mia, mama mia, mama mia let me go<br> <br> Beelzebub has a devil put aside for me for me for me<br> <br> So you think you can stop me and spit in my eye<br> <br> So you think you can love me and leave me to die<br> <br> Oh baby can't do this to me baby<br> <br> Just gotta get out just gotta get right outta here<br> <br> Oh oh oh yeah, oh oh yeah<br> <br> Nothing really matters<br> <br> Anyone can see<br> <br> Nothing really matters<br> <br> Nothing really matters to me<br> <br> Anyway the wind blows”
$4.99
4.6 €
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Piano solo
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Queen
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Bohemian Rhapsody - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Sweet Child O' Mine
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1428281 By Guns N' Roses. By Duff M…
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Piano Solo - Level 4 - Digital Download SKU: A0.1428281 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Kevin P. Holt. 20th Century,Rock,Wedding. Score. 4 pages. Kevin P. Holtg #1009068. Published by Kevin P. Holtg (A0.1428281). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Or a wedding drinks reception while chatting with friends? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This Solo Piano version of Sweet Child O' Mine was originally arranged for a wedding drinks reception I performed at. With these kind of events, a party vibe is often needed so I carefully arrange them to achieve a rhythmic feel close to the original track. Dynamics and Expression are left to the performers discretion. Have fun!
$5.99
5.52 €
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Piano solo
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Guns N' Roses
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Sweet Child O' Mine
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Kevin P. Holtg
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SheetMusicPlus
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