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You've selected:
If My Voice Had Wings
Sheetmusic to print
13 sheet music found
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1
If My Voice Had Wings
Choral 2-part
Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.446548 Composed by Ju…
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Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.446548 Composed by Judith Herrington. This edition: scorch. Concert. Octavo. 7 pages. Pavane Publishing #0. Published by Pavane Publishing (HX.446548).
$2.95
2.72 €
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Choral 2-part
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Judith Herrington
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If My Voice Had Wings
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Pavane Publishing
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SheetMusicPlus
If My Voice Had Wings
Choral SATB
Choral Choir,Voice (SATB) - Digital Download SKU: HX.446499 This edition: scorch. C…
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Choral Choir,Voice (SATB) - Digital Download SKU: HX.446499 This edition: scorch. Concert. Octavo. 8 pages. Pavane Publishing #0. Published by Pavane Publishing (HX.446499).
$2.15
1.98 €
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Choral SATB
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If My Voice Had Wings
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Pavane Publishing
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SheetMusicPlus
Si mes vers avaient ailes (C Major)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884822 Composed by Reynaldo …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884822 Composed by Reynaldo Hahn. Arranged by Jonathan Prentice. Romantic Period. Score. 4 pages. Jonathan Prentice #5873423. Published by Jonathan Prentice (A0.884822). Hahn set Victor Hugo's melancholic love poem If My Verses Had Wings whilst still a young teenager. It was an instant hit, launching his career as a song writer, and its beautiful melody has ensured it remains popular today. (Here in C Major, suitable for altos and basses).
$1.99
1.83 €
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Piano, Voice
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Reynaldo Hahn
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Si mes vers avaient ailes
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Jonathan Prentice
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SheetMusicPlus
Si mes vers avaient ailes (E Major)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884823 Composed by Reynaldo …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884823 Composed by Reynaldo Hahn. Arranged by Jonathan Prentice. Romantic Period. Score. 4 pages. Jonathan Prentice #5873431. Published by Jonathan Prentice (A0.884823). Hahn set Victor Hugo's melancholic love poem If My Verses Had Wings whilst still a young teenager. It was an instant hit, launching his career as a song writer, and its beautiful melody has ensured it remains popular today. (Here in E Major, suitable for sopranos and tenors).
$1.99
1.83 €
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Piano, Voice
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Reynaldo Hahn
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Si mes vers avaient ailes
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Jonathan Prentice
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SheetMusicPlus
Si mes vers avaient ailes (D Major)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884821 Composed by Reynaldo …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884821 Composed by Reynaldo Hahn. Arranged by Jonathan Prentice. Romantic Period. Score. 4 pages. Jonathan Prentice #5873429. Published by Jonathan Prentice (A0.884821). Hahn set Victor Hugo's melancholic love poem If My Verses Had Wings whilst still a young teenager. It was an instant hit, launching his career as a song writer, and its beautiful melody has ensured it remains popular today. (Here in D Major, suitable for mezzos and baritones).
$1.99
1.83 €
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Piano, Voice
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Reynaldo Hahn
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Si mes vers avaient ailes
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Jonathan Prentice
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SheetMusicPlus
Under His Wings
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1389460 By Altar of P…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1389460 By Altar of Praise Chorale. By Words: William O. Cushing / Music: Ira D. Sankey. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #973047. Published by Leatherman Music Services (A0.1389460). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.68 €
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Piano, Vocal and Guitar
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Altar of Praise Chorale
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some were not
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Under His Wings
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Leatherman Music Services
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SheetMusicPlus
If My Heart Had Wings by Faith Hill - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Faith Hill: If My Heart Had Wings Digital Sheetmusic - instantly downloadabl…
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Performed by: Faith Hill: If My Heart Had Wings Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Guitar;Piano;Voice; 6 pages -- Country~~Pop~~Adult Contemporary~~Contemporary Country
$5.50
5.07 €
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Piano, Vocal and Guitar
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Faith Hill
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Piano/Vocal/Guitar
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Musicnotes
If My Heart Had Wings by Faith Hill - Easy Piano
Easy Piano
Performed by: Faith Hill: If My Heart Had Wings Digital Sheetmusic plus an interactive, do…
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Performed by: Faith Hill: If My Heart Had Wings Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 5 pages -- Country~~Pop~~Adult Contemporary~~Contemporary Country
$5.25
4.84 €
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Easy Piano
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Faith Hill
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Easy Piano
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Musicnotes
Judith Herrington: If My Voice Had Wings - choir (2-Part)
Choral 2-part
Instantly printable sheet music by Judith Herrington for choir (2-Part) of MEDIUM skill le…
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Instantly printable sheet music by Judith Herrington for choir (2-Part) of MEDIUM skill level. / concert
$6.93
6.38 €
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Choral 2-part
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Judith Herrington
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Virtualsheetmusic
Judith Herrington: If My Voice Had Wings - choir (SATB: soprano, alto, tenor, bass)
Choral SATB
Instantly printable sheet music by Judith Herrington for choir (SATB: soprano, alto, tenor…
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Instantly printable sheet music by Judith Herrington for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
$6.13
5.65 €
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Choral SATB
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Judith Herrington
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Virtualsheetmusic
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.58 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Mondnacht
Choral SATB
Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy…
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Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy DeCoursey- Porter. 21st Century, 20th Century. Score. 9 pages. Published by Joy DeCoursey- Porter
This piece has been recognized by Project Encore and the American Prize.Text by Joseph Freiherr von EichendorffEichendorff was one of the leading poets of nineteenth-century German Romanticism. His poem Mondnacht (“Moon-night”) was especially beloved by his compatriot composers, with over two dozen settings including a particularly famous one by Schumann. Debussy is reflected in extended, quasi-impressionistic harmonies, such as the opening C-major-ninth chord with an A in the melody. The opening sonorities return for the final stanza, expanding and accelerating as the soul stretches its wings. The work concludes with gentle, again impressionistic, oscillations between C minor and C major.Es war, als hätt’ der HimmelDie Erde still geküßt,Daß sie im BlütenschimmerVon ihm nun träumen müßt.Die Luft ging durch die Felder,Die Ähren wogten sacht,Es rauschten leis die Wälder,So sternklar war die Nacht.Und meine Seele spannteWeit ihre Flügel aus,Flog durch die stillen Lande,Als flöge sie nach Haus.It was as if the heavenshad quietly kissed the earth,that she, in blossoms’ shimmer,now must dream of him.The breeze went by the field,the ears of corn waved softly,it rustled gently the woods,so starlit was the night.And my soul stretchedout wide its wings,flew through the quiet lands,as if flying itself home.— Joseph Freiherr von Eichendorff (1788–1857)Please contact Joy at joyfulporter@hotmail.com if you are planning a performance of this piece. Thank you!
$2.50
2.3 €
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Choral SATB
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Joy DeCoursey- Porter
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Mondnacht
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Joy DeCoursey- Porter
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SheetMusicPlus
The Water is Wide for Viola & Piano
Viola, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.35 €
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Viola, Piano
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Traditional Scottish
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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