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C'est Noël! Three French Carols
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1011277 Composed by Various. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.1011277 Composed by Various. Arranged by Harry Cook. Christmas,Multicultural,World. Score and Parts. 78 pages. Three Bees Music #4983855. Published by Three Bees Music (A0.1011277). A medley of three French Christmas Carols:Il est né le devine enfant - Quelle est cette odeur agréable? - Les anges dans nos campagnes.Â
$45.00
41.14 €
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Concert band
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Various
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C'est Noël! Three French Carols
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Three Bees Music
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
91.42 €
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Chamber Orchestra
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Gioachino Rossini, Frederic Chopin
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
#
SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
22.86 €
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Chamber Orchestra
#
Gioachino Rossini, Frederic Chopin
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
#
SheetMusicPlus
Gloria Aleluya, ¡Está Vivo!
Choral 2-part
Choral Choir,Choral (2-Part) - Level 1 - Digital Download SKU: A0.1399595 By Spanis…
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Choral Choir,Choral (2-Part) - Level 1 - Digital Download SKU: A0.1399595 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 6 pages. Mare Dan Music #982887. Published by Mare Dan Music (A0.1399595). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
$2.49
2.28 €
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Choral 2-part
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Spanish
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Gloria Aleluya, ¡Está Vivo!
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Mare Dan Music
#
SheetMusicPlus
Gloria Aleluya, ¡Está Vivo!
Choral 3-part
Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.1399655 By Spanish. …
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Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.1399655 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #982930. Published by Mare Dan Music (A0.1399655). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
$2.49
2.28 €
#
Choral 3-part
#
Spanish
#
Gloria Aleluya, ¡Está Vivo!
#
Mare Dan Music
#
SheetMusicPlus
Gloria Aleluya, ¡Está Vivo!
Choral SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399737 By Spanish.…
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399737 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #983011. Published by Mare Dan Music (A0.1399737). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés: Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
$2.49
2.28 €
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Choral SATB
#
Spanish
#
Gloria Aleluya, ¡Está Vivo!
#
Mare Dan Music
#
SheetMusicPlus
Gloria Aleluya, Esta Vivo!
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1399200 By Soloist. B…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1399200 By Soloist. By Dan Bradley. Arranged by Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 3 pages. Mare Dan Music #982497. Published by Mare Dan Music (A0.1399200). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
$2.49
2.28 €
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Piano, Vocal and Guitar
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Soloist
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Gloria Aleluya, Esta Vivo!
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Mare Dan Music
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SheetMusicPlus
L'ultimo mio fiore (Il lupo e la strega)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976844 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976844 Composed by Monica Bergo. Children,Contemporary. Score. 8 pages. Monica Bergo #3236683. Published by Monica Bergo (A0.976844). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫L’ULTIMO MIO FIORE (Il lupo e la strega) Guardo l'ultimo mio fiore perde il suo profumo ed io non so che fare lo proteggo col calore di quest'altra storia che ho da raccontare creature sole e disperate tante cicatrici da rimarginare una strega e un lupo non lo sanno ancora che i loro destini stanno per unire ed inizia questa storia magica dolce come antica favola in un bosco senza luogo e senza età fuori dalla realtà ed il tempo è fermo e non si muove un alito ed il cuore , esplode e salta un battito e guardarsi è riconoscersi come non essersi perduti mai ed il lupo che è ferito una rosa bianca in rossa ha trasformato perde sangue insieme a gocce di dolore i suoi occhi rossi bruciano d'amore e la strega invece si nasconde perchè non è bella e no, non è importante a nessuno al mondo è mai appartenuta ed una carezza non l'ha mai sfiorata lei lo cura e gli accarezza l'anima lui la guarda e la sua rabbia domina ed un anno dura solo un attimo persi nell'eternità ed il lupo le racconta favole e la strega fa pozioni magiche e si scambiano promesse inutili che la notte custodirà e lei ballerà nuda danzerà ed il lupo col suo cuore in mano steso accanto al fuoco che si accende piano, così liberi senza ostacoli e si specchiano nel lago magico e non lo sentono quel freddo brivido non durerà , non lo senti anche tu? freddo intorno a noi Abracadabra da bruco a farfalla alakazam!! e sono anch'io bella non vi chiedete il come e il perchè ho incominciato a parlare di me cade la neve ma siamo in agosto e non c'è cosa che trovi un suo posto questa mia musica parla da sè questa è la fiaba più strana che c'è io mi fermo qui finirà così non posso raccontare la fine di un amore che scritta ancor non è io mi fermo qui finirà così nel vuoto e nell'assenza in questi giorni miei silenzio ed incostanza nei sentimenti tuoi il fiore muore già vai lupo vai non pensare più a lei dal tuo branco tornare dovrai e allora scappa strega potrai trasformarti se vuoi cambia ruolo da attrice che sei e nuovi fiori avrai passo i giorni dentro il buio in caverne di rimpianto li miscelo con pozioni e trasformo tutto in pianto come un gatto nella notte cerco il cibo tra i rifiuti senza sole, senza luce nessun dio che qui mi aiuti corpo e spirito ammaccato come un vetro conficcato dentro al povero mio cuore il ricordo di un amore mai vissuto veramente così vivo nella mente è l'istinto mio animale che mi spinge a farmi male mentre un altro sogno muore la strega nel lago si fa scivolare l'acqua la lambisce piano nei suoi occhi il lupo che ormai è già lontano una fiaba vera od inventata sta nel mezzo la mia verità celata tutte le mie storie strane e strampalate
$3.99
3.65 €
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Piano solo
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Monica Bergo
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L'ultimo mio fiore
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Monica Bergo
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SheetMusicPlus
Yesterday
Small Ensemble Flute,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.758267
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Small Ensemble Flute,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.758267 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ester Alessandrini. Rock. Score and parts. 12 pages. Ester #3030491. Published by ester (A0.758267). Il fascino inesauribile di questa canzone l'ha reso famoso in tutto il mondo. Qui è stato rielaborato in un quartetto di studenti nei primi anni di studio
$15.00
13.71 €
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The Beatles
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Yesterday
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ester
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SheetMusicPlus
Se tu sapessi (Il tabarro) - Concert version with reduced orchestration
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1515243 Composed by Giacomo Puc…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1515243 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 42 pages. Patricio Cueto #1089696. Published by Patricio Cueto (A0.1515243). The mezzosoprano aria Se tu sapessi from Puccini's Il tabarro in a concert version with a reduced orchestration. 2 flutes, 2 oboes, 2 clarinets, 2 Bassoons, 2 Horn, 2 Trumpets, Timpani, Drum, Bass drum, Cymbals, Harp and Strings (No need of Piccolo, English horn or Bass Clarinet, only 2 Horn parts, and no Trombones).
$55.00
50.28 €
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Orchestra
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Giacomo Puccini
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Se tu sapessi
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Patricio Cueto
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SheetMusicPlus
Il barbiere di Siviglia - Sinfonia (The Barber of Seville - Overture)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1485676 Composed by Gioachino Ros…
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Concert Band - Level 5 - Digital Download SKU: A0.1485676 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,21st Century,Classical,Opera,Romantic Period. 211 pages. Edition Schwalbe #1062745. Published by Edition Schwalbe (A0.1485676). When arranging the overture of Rossini's opera Il barbiere di Siviglia (The Barber of Seville) the choice of the original source is an important question, as there exist more versions in different scorings, with or without piccolo flute, with or without trombones. In this case the arranger was to be chosen the scientific original text edition published by the Rossini foundation. The arrangement is transposed from the original key E to E flat. The ad libitum parts of Euphonium and Tuba are only recommended to be used, if there is a lack of low winds and double bass players in the orchestra performing. This arrangement was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6th January 2010 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700.
$130.00
118.85 €
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Concert band
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Gioachino Rossini
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Il barbiere di Siviglia - Sinfonia
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Edition Schwalbe
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SheetMusicPlus
Fantasia on Il est neÌ, le divin Enfant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1363016
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1363016 Composed by Traditional French Carol. Arranged by Chris Magee. Chamber,Christmas. 23 pages. Dubba C Music #947401. Published by Dubba C Music (A0.1363016). This arrangement of the 19th century French Christmas Carol, Fantasia on Il est neÌ, le divin Enfant is a joyous celebration of the Christmas season. Beginning with the trumpets in bell-tones proclaming the holiday, two verses of the carol are presented in contrasting styles, leading to a joyful conclusion. Your holiday audiences will love this arrangement!
$19.99
18.28 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional French Carol
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Fantasia on Il est neÌ, le divin Enfant
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Dubba C Music
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.01 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Il primo giorno dell'Apocalisse (Oltre l'orizzonte)
Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - …
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Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Bergo. Contemporary. Score and parts. 36 pages. Monica Bergo #3236823. Published by Monica Bergo (A0.976854). 2017 Holiday Contest EntryIL PRIMO GIORNO DELL’APOCALISSE (OLTRE L’ORIZZONTE) Gente che invade le strade Siamo d’estate e la neve cade Nell’aria oscuri presagi Lancette ferme negli orologi Oltre l’orizzonte non posso guardare Una stella che brilla è già pronta a morire Il sole e la luna, che sta succedendo? Insieme nel cielo , è la fine del mondo Sei pronto a pentirti di tutti i peccati? La gente impazzita, va in cerca dei preti Chi piange, chi ride, chi canta , chi prega campane suonate, tamburi rullate è giunta la fine per l’umanità Non mi aspettavo che tutto finisse Questo è il primo giorno dell’Apocalisse Io che sono astemia mi riempio il bicchiere Se devo morire, non voglio capire E scendo in pista per l’ultima danza Mentre lo tzunami si innalza ed avanza Fra tutta la gente non cerco che te Ma tu dove sei? Non vieni da me? Oltre l’orizzonte ti vorrei portare Non sarebbe bello? Tra campi di fiori Noi sopravvissuti ,nell’eden perduto Soltanto per noi Dimmi che lo vuoi E sarebbe vita e nuova occasione E sarebbe gioia e non più prigione Incontaminati, senza più peccati Dimmi una bugia e portami via Da questo tragico presente Dall’Armagghedon imminente Angeli cantano in coro Mi metto in fila, vado con loro Ma tra la folla il tuo viso E Chi se ne frega del paradiso Maschere bianche mi sbarrano il passo Io grido , ti chiamo, ma tu sei lontano Lo strato d’ozono è ormai inesistente La pelle si brucia Il caldo è asfissiante Ognuno parla una lingua diversa moderna Babele, la torre è riapparsa Frammenti di Bibbia, la Genesi insegna Per ogni peccato, la giusta condanna Non mi aspettavo che tutto finisse Ma è l’ultimo giorno dell’Apocalisse Il genere umano , si estingue stanotte La terra oltraggiata, alla fine ci inghiotte Sarebbe bello morire abbracciati I nostri 2 corpi in eterno avvinghiati Oltre l’orizzonte non posso guardare Il sole che esplode Continuo a ballare La morte che avanza Una tragica danza Oltre l’orizzonte ti ritroverò Monica Bergo
$3.99
3.65 €
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Monica Bergo
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Il primo giorno dell'Apocalisse
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Monica Bergo
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SheetMusicPlus
Feelin' Festive Vol 2 of 101 Carols and Songs of Celebration
Harp
Lever Harp - Level 3 - Digital Download SKU: A0.1294586 Composed by Various. Arrang…
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Lever Harp - Level 3 - Digital Download SKU: A0.1294586 Composed by Various. Arranged by Anna Dunwoodie. Celtic,Christmas,Contemporary,Holiday,Irish,Praise & Worship. Score. 72 pages. Anna Dunwoodie #884938. Published by Anna Dunwoodie (A0.1294586). Volume 2 of Feelin' Festive - A celebration of 101 Carols and Songs of Celebration!Following on from where Volume 1 left off - we're up to G in the alphabet and heading to Oh!Thirty five songs from around the world, and two versions of three songs which had alternative melody lines. For intermediate harp, with a few lever pre-sets and changes, a wide variety of keys, arranged to fit on a 34 string harp. Includes a range of harp effects.​65 pages in total,, Digital download Good King Wenceslas, Hark The Herald Angels, The Holly And The Ivy, The Holly And The Ivy Girl, How Far Is It To Bethlehem? The Huron Carol, I Heard The Bells On Christmas Day, I Saw Three Ships, Il Est Ne, Ihr Kinderlein Kommet, In The Bleak Midwinter,Infant Holy, It Came Upon A Midnight Clear, Jingle Bells, Jolly St Nicholas, Joy To The World, Jul Jul Stralande Jul, Kling, Glockchen, Klingelingeling, La March Des Rois Mages, Lo How a Rose Ere Blooming, Love Came Down At Christmas, Maoz Tzur, Mary Had A Baby, Mitt Hjerte Alltid Vanker, Morgan, Kinder Wird’s Was Geben, Nazareth, Noel A New Noel, O Come Oh Come Emmanuel, Oh Come All Ye Faithful, O Holy Night, O Lauget Ihr Hirten and Oh Little Town Of Bethlehem.
$25.00
22.86 €
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Harp
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Various
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Feelin' Festive Vol 2 of 101 Carols and Songs of Celebration
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Anna Dunwoodie
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.67 €
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Orchestra
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Rainer Fabich Orchestra
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Come Scrooge (Il fantasma del Natale)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò come vampiri nella notte ci muoviamo in libertà e trasformati in pura luce noi voliamo via da qua sfioro la luna, immensa e bianca solo lei non cambia mai la sua immortalità spaventa è luce eterna su di noi la mia casa è là un punto lontano e mi manca già la mia realtà e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è E fa Din - Don Din-Don la triste campana apro gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei come un libro che svela il suo finale il futuro è qua è scritto già e ora siamo qua una dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
$3.99
3.65 €
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Piano solo
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Monica Bergo
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Come Scrooge
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Monica Bergo
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.13 €
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Guitar
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Il est ne le Divin Enfant - Trombone Quartet
Brass Quartet: 4 trombones
Composed by Traditional. Arranged by John van Gulik. Christmas, Sacred, Traditional.…
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Composed by Traditional. Arranged by John van Gulik. Christmas, Sacred, Traditional. Score and parts. 11 pages. John van Gulik #603821. Published by John van Gulik
$10.00
9.14 €
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Brass Quartet: 4 trombones
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Traditional
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Il est ne le Divin Enfant - Trombone Quartet
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John van Gulik
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SheetMusicPlus
Il est bel et bon - Trombone Quartet
Brass Quartet: 4 trombones
Composed by Traditional. Arranged by John van Gulik. Christmas, Classical, Holiday. …
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Composed by Traditional. Arranged by John van Gulik. Christmas, Classical, Holiday. Score and parts. 11 pages. John van Gulik #603823. Published by John van Gulik
$10.00
9.14 €
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Brass Quartet: 4 trombones
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Traditional
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Il est bel et bon - Trombone Quartet
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John van Gulik
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SheetMusicPlus
Il Est Nes (Christmas Samba)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.758059 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.758059 Composed by Traditional French Carol. Arranged by Jim Bicigo. Christmas,Jazz,Sacred. Score and parts. 50 pages. Polar Publications #6620747. Published by Polar Publications (A0.758059). A new take on a Christmas favourite! Perfect for your Christmas and holiday programs.
$49.99
45.7 €
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Jazz Ensemble
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Traditional French Carol
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Il Est Nes
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Polar Publications
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SheetMusicPlus
Il est né
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1125770 By Michael Swedberg. By Tra…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726510. Published by Niska Music Publishing (A0.1125770). This song has a long history with me. I first wrote a five-part vocal to be sung by the group Five By Design (of which I was a member) back in the late 1990s or early 2000s. Unfortunately, it never found its way in to our repertoire. It sat on my computer for quite a few years before I revised it to be sung as a trio with my brother, Kurt, and his wife, Lorie. I had written a vocal arrangement of the carol for us to sing at some Christmas concerts and a few years later, when putting this album together, I returned to the first chart and adapted it for piano solo. The meter of the song moves back and forth between 3/4 and 2/4 and conveys the joy and hopefulness of the opening lyrics: “He is born, the Divine Child, Play the oboe, resound the bagpipes. He is born, the Divine Child, Let us all sing of his arrival.†It is this combination of instruments that I tried to emulate in the introduction, with the bagpipes in the left hand and the oboes in the right. When the tune proper begins, there is a definite rhythmic vitality that is maintained throughout the prelude as it celebrates the long-awaited birth of Jesus as foretold by the prophets over 4,000 years ago. From start to finish, the influence of both George Winston and Mannheim Steamroller can be heard in the music.
$3.99
3.65 €
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Piano solo
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Michael Swedberg
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Il est né
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Niska Music Publishing
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.27 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Nessun Dorma for Descant Recorder & Piano
Descent (Soprano) Recorder, Piano
Descant Recorder,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.746822
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Descant Recorder,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.746822 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. 5 pages. Keith Terrett #3579853. Published by Keith Terrett (A0.746822). Nessun Dorma arranged for Descant Recorder & Piano. Nessun dorma (Italian: [nesˈsun ˈdɔrma]; English: None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess.Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece beyond the opera world in the 1990s following his performance of it for the 1990 World Cup. Both Pavarotti and Plácido Domingo released singles of the aria that topped charts in the United Kingdom, and it appeared on the best selling classical album of all time, The Three Tenors in Concert. Since that time, many crossover artists have performed and recorded it. The aria has been sung often in movies and on television.
$7.99
7.3 €
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Descent (Soprano) Recorder, Piano
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Giacomo Puccini
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Piano
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Nessun Dorma for Descant Recorder & Piano
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Keith Terrett
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SheetMusicPlus
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95
23.72 €
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Therese Brenet
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Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Musik Fabrik Music Publishing
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SheetMusicPlus
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