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Il cane
Sheetmusic to print
21 sheet music found
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1
Marco Simoni: IL CANE CHE NON SAPEVA VOLARE (ES 841)
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Voice - Level 5 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Voice - Level 5 - Digital Download SKU: A0.1182112 Composed by Marco Simoni. Classical,Contemporary. Score and parts. 26 pages. Sconfinarte #781874. Published by Sconfinarte (A0.1182112). IL CANE CHE NON SAPEVA VOLARE (ES 841) Organico: voce recitante, clarinetto e pianoforte.
$20.00
18.29 €
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Marco Simoni
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Marco Simoni: IL CANE CHE NON SAPEVA VOLARE
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Sconfinarte
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SheetMusicPlus
Il canto degli Italiani - Inno di Mameli - vocale
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1314280 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1314280 Composed by Goffredo Mameli, Michele Novaro. Arranged by Bacco Baccanels. A Cappella,Classical,Historic,Patriotic,Romantic Period. 6 pages. Bacco Baccanels #903022. Published by Bacco Baccanels (A0.1314280). ItalianUna versione completamente vocale del bellissimo Inno di Mameli.Anche l'accompagnamento è vocale e non richiede il pianoforte, per un'esecuzione completamente corale.EnglishA full vocal version of the beautiful Hymn of Mameli. The accompaniment also is vocal and does not require piano, for a completely choral performance.
$4.00
3.66 €
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Choral SATB
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Goffredo Mameli, Michele Novaro
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Il canto degli Italiani - Inno di Mameli - vocale
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Bacco Baccanels
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SheetMusicPlus
Arcane Aldébaran pour 2 pianos et cordes with The Public Studio Vimeo pro video
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014391 Composed by Julien B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014391 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 35 pages. Julien Boulier #4601431. Published by Julien Boulier (A0.1014391). Vimeo pro video The Public Studio :https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$15.00
13.72 €
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Chamber Orchestra
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Julien Boulier
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Nicholas Coghlan
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Arcane Aldébaran pour 2 pianos et cordes with The Public Studio Vimeo pro video
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Julien Boulier
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SheetMusicPlus
"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1014395 Composed by Julien Boul…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages. Julien Boulier #4603309. Published by Julien Boulier (A0.1014395). Extracted parts piano 1 & piano 2 / Cello 1,2,3,4 (3 cellos divisi and 1 solo cello advanced or 1 cello advanced amplified) / Contrabass 1,2,3String Orchestra, Chamber Orchestra, 2 pianos advanced level for duo (rythm 3 for 4 between 3 quarters piano 1 right hand and 4 quavers 2 hands piano 2) / 6 violas / 3 Contrebass / 3 cellos divisi or 1 cello expert / / 6 altos / - Digital DownloadComposed by Julien Boulier. Arranged by Julien Boulier. Contemporary Classical, Impressionistic, Neo-Classical. 35 pages. Published by Julien Boulier (S0.568883).Item Number: S0.568883Vimeo pro video The Public Studio : https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$5.00
4.57 €
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Orchestra
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Julien Boulier
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"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
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Julien Boulier
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Il Presepio
String Quartet: 2 violins, viola, cello
Women's voice and string quartet - advanced - Digital Download SKU: S9.Q3171 Qua…
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Women's voice and string quartet - advanced - Digital Download SKU: S9.Q3171 Quartetto d'archi con voce (S/A) su parole popolari toscane. Composed by Nino Rota. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q3171. Published by Schott Music - Digital (S9.Q3171). Nino Rota, known to many as a film composer (Fellini; The Godfather), left an extensive Å“uvre including works in every genre. Il Presepio (The Crib) is a Christmas piece for voice (soprano) and string quartet with traditional Italian words.
$19.99
18.28 €
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String Quartet: 2 violins, viola, cello
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Nino Rota
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Il Presepio
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Schott Music - Digital
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SheetMusicPlus
A te l'estremo addio... Il lacerato spirito - Score Only
String Orchestra
Level 3 - Digital Download SKU: A0.1144014 Composed by Giuseppe Verdi. Arranged by …
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Level 3 - Digital Download SKU: A0.1144014 Composed by Giuseppe Verdi. Arranged by Stefano Olcese. 19th Century,Chamber,Classical,Opera,Romantic Period. 8 pages. Stefano Olcese #744324. Published by Stefano Olcese (A0.1144014). This is one of the most famous opera arias for bass voice. It's taken from Giuseppe Verdi's opera Simon Boccanegra and it's one of the most beautiful and touching musical moments of that score. It's originally composed for full orchestra and I arranged it for string quintet, horn and, of course, bass voice. Please contact me if you wish to have the separate parts too, I'll send the PDF files to you. http://www.stefano-olcese.com/ https://www.instagram.com/stefano_olcese/ https://www.facebook.com/olcesestefano/.
$4.99
4.56 €
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String Orchestra
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Giuseppe Verdi
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A te l'estremo addio... Il lacerato spirito - Score Only
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Stefano Olcese
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SheetMusicPlus
Sonatina No. 1 in C major, Op. 5 "Il tempo"
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.484838 Composed by Jae Young Ahn-Be…
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Piano Solo - Level 3 - Digital Download SKU: A0.484838 Composed by Jae Young Ahn-Benton. Classical,Contemporary. Score. 14 pages. Jae Young Ahn-Benton #104046. Published by Jae Young Ahn-Benton (A0.484838). This is the composer's first attempt at a multi-movement work as well as an escape from traditional harmony as understood by a 10-year-old. Each movement depicts different types of weather: movement 1 Fantasia - fog/mist, movement 2 Toccata - rain/thunder/lightning, movement 3 Intermezzo - clear day with intermittent raindrops, and movement 4 Finale - hurricane.
$14.99
13.71 €
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Piano solo
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Jae Young Ahn-Benton
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Sonatina No. 1 in C major, Op. 5 "Il tempo"
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Jae Young Ahn-Benton
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SheetMusicPlus
Il cane
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.790540 Composed by Genna…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.790540 Composed by Gennaro Avagliano, Maurizio Chiavaroli. Children,Sacred,Standards,World. Octavo. 2 pages. Maurizio Chiavaroli #4403568. Published by Maurizio Chiavaroli (A0.790540). Composizione originale per voci bianche e pianoforte estratta dalla fiaba musicale I Musicanti di Brema di Gennaro Avagliano e Maurizio Chiavaroli, disponibile anche nella versione per quintetto d'archiOriginal composition for children's choir and piano extracted from the musical fairy tales I Musicanti di Brema by Gennaro Avagliano and Maurizio Chiavaroli, also available in the version for string quintet.
$4.00
3.66 €
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Choral Unison
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Gennaro Avagliano, Maurizio Chiavaroli
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Il cane
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Maurizio Chiavaroli
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SheetMusicPlus
Il cane (School orchestra version)
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.790702 Composed by Mauri…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.790702 Composed by Maurizio Chiavaroli. Children,Sacred,Standards,World. Octavo. 14 pages. Maurizio Chiavaroli #5044695. Published by Maurizio Chiavaroli (A0.790702). Arrangiamento per orchestra scolasticaArrangement for school orchestra.
$12.99
11.88 €
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Choral Unison
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Maurizio Chiavaroli
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Il cane
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Maurizio Chiavaroli
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SheetMusicPlus
Il Lacerato Spirito (from Simon Boccanegra)
Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - Digital Do…
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Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - Digital Download Hard version. Composed by Giuseppe Verdi (1813-1901). Romantic Period. Score and Parts. 17 pages. SheetmusicLAB #CL-ROM-14232. Published by SheetmusicLAB
$41.67
38.11 €
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Giuseppe Verdi
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Il Lacerato Spirito
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SheetmusicLAB
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SheetMusicPlus
La parte migliore del mio mondo (Dedicato a Leon)
Piano solo
Piano Solo - Digital Download SKU: A0.976826 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976826 Composed by Monica Bergo. Contemporary. Score. 3 pages. Monica Bergo #3234649. Published by Monica Bergo (A0.976826). 2017 Holiday Contest Entry LA PARTE MIGLIORE DEL MIO MONDO (dedicato a Leon) Vorrei dirti quanto ti amo E che mi commuovi sempre Tu che sai guardarmi dentro e mi capisci in un istante E sei sempre qui vicino Non ti devo mai cercare Non ci servono parole e solo tu mi sai ascoltare E viviamo in questo amore Che va oltre ogni confine Tu non sei solo il mio cane Sei il mio angelo, il mio bene Tu che riempi di carezze , di dolcezza ogni mio giorno Tu che quando esco sola , vivi solo al mio ritorno e non devo essere bella e non devo essere allegra tu mi accetti come sono è l’amore che ci lega e viviamo una simbiosi che è perfetta e equilibrata sai annusare la tristezza e reagire a una risata E mi aspetti, sei felice, e non porti mai rancore Quando apro quella porta la tua gioia riempie il cuore I tuoi occhi dolci e buoni non mi lasciano un secondo Sei il mio stolker preferito, sei la parte migliore del mio mondo E sei lì al mio risveglio che scondizoli impaziente La tua gioia è contagiosa Il tuo spirito irruente sei cresciuto così in fretta ma non potrò mai scordare quel batuffolo di pelo, quel regalo e il mio pensiero ora a te ci penso io, non temere cucciolino, E ti voglio tanto bene, come fossi il mio bambino finchè avrò vita e respiro, non ti lascerò mai solo sei nel cuore, nel profondo sei la parte migliore del mio mondo……… Monica Bergo
$3.99
3.65 €
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Piano solo
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Monica Bergo
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La parte migliore del mio mondo
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Monica Bergo
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SheetMusicPlus
A te l'estremo addio... Il lacerato spirito
Low voice, Piano
From Simon Boccanegra . Composed by Giuseppe Verdi (1813-1901). Edited by Francesc…
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From Simon Boccanegra . Composed by Giuseppe Verdi (1813-1901). Edited by Francesca Licciarda. Copyright 2014 Schott Music GmbH & Co. KG - - - Schott Music
$3.99
3.65 €
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Low voice, Piano
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Giuseppe Verdi
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A te l'estremo addio... Il lacerato spirito
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SheetMusicPlus
O' sole mio
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
1.82 €
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Choral SATB
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music: Eduardo di Capua, lyrics: Giovanni Capurro
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
O' sole mio
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
1.82 €
#
Choral SATB
#
music: Eduardo di Capua, lyrics: Giovanni Capurro
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O' sole mio
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Bacco Baccanels
#
SheetMusicPlus
Mamma mia dammi cento lire
Choral SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditio…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
2.29 €
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Choral SATB
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Traditional Song
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
La Cura
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By France…
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Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99
2.73 €
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Choral SATB
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Franco Battiato
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La Cura
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Bacco Baccanels
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Piano, Voice
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Pasquale Cafaro
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
THE LAST OF MOHICANS (main Theme)
Brass ensemble
Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 31 pages. P…
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Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 31 pages. Published by Music Macri Editions
L’ultimo dei Mohicani – La colonna sonora del film di Michael Mann<br> L’ultimo dei Mohicani si avvalse nel 1993 dell’Oscar al Miglior Sonoro a Chris Jenkins, Doug Hemphill, Mark Smith e Simon Kaye e nello stesso anno la colonna sonora composta da Trevor Jones e Randy Edelman conquistò una nomination ai Golden Globe per la Migliore colonna sonora. Un lavoro sulle musiche del film rivelatosi sostanzioso e non lineare, ma che raggiunse, dopo una lunga lavorazione, ad un insieme di melodie bellissime e irrefrenabili, simili al moto del vento che veloce si insinua e passa tra i rami di una foresta punteggiata da alberi.<br> <br> La colonna sonora accompagna la dinamicità del cinema del regista americano Michael Mann e unisce insieme il compartimento tecnico del film per renderlo, attraverso slanciate sonorità, un’esperienza unica in quel 1757, nel periodo della guerra sanguinosa tra tribù rivali. Una musicalità che è in divenire, la quale racchiude la commozione e l’amore che sensibilmente sboccia tra differenti culture. A fornire le note di questa libertà di passione non è il solo compositore Trevor Jones, di origini sudafricane e lodato dalla critica per le sue colonne sonore capaci di grande emozione. Il progetto infatti ha vissuto una serie consistente di revisioni, tanto da dover aggiungere al fianco di Jones lo statunitense Randy Edelman, compositore di moltissimi film, pubblicità, serie televisive e cartoni animati.<br> <br> Il risultato portato a termine a quattro mani è una colonna sonora che ancora oggi rientra tra le migliori mai scritte per il cinema, con coinvolgenti partiture orchestrate che si impongono con fervore nella pellicola. Gli archi, i violini e i tamburi si esprimono ottimamente riportando l’impeto indiano e delle relazioni tra i personaggi, musiche che si collegano perfettamente alle immagini proposte dal regista Michael Mann e dal suo direttore della fotografia, l’italiano Dante Spinotti. Un coinvolgimento emotivo che lega l’ascoltatore a quella musicalità che esprime azione, in grado di far amare e di far combattere come i protagonisti de L’ultimo dei Mohicani.
$18.00
16.46 €
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Brass ensemble
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THE LAST OF MOHICANS
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SheetMusicPlus
Giuseppe Verdi: A te l'estremo addio... Il lacerato spirito, From ‘Simon Boccanegra’ - bass & piano
Low voice, Piano
Instantly printable sheet music by Giuseppe Verdi for bass & piano of MEDIUM/HIGH skil…
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Instantly printable sheet music by Giuseppe Verdi for bass & piano of MEDIUM/HIGH skill level. Contents: Italian Opera Arias / classical,opera
$5.99
5.48 €
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Low voice, Piano
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Giuseppe Verdi
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Virtualsheetmusic
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