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You've selected:
Impressionen
Sheetmusic to print
9 sheet music found
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1
El Roi-Impressionen
Choral SSAATTBB
Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q21344 Composed by Gue…
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Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q21344 Composed by Guenter Berger. This edition: choral score. Downloadable, Choral score. Duration 11 minutes. Schott Music - Digital #Q21344. Published by Schott Music - Digital (S9.Q21344). German • English.Mit seinen El Roi-Impressionen für gemischten Chor (SSAATTBB) a cappella gewann Günter Berger 2014 den Kompositionspreis des 12. Festivals „Zeitgenössische Geistliche Musik der Stadt Schwäbisch Gmünd. Der hebräische Begriff „El Roi im Titel des rund 12-minütigen Chorwerks bedeutet „Gott des Schauens. Inhaltlich geht es um die Vision des alttestamentlichen Propheten Jesaja (Kap. 11). Im Verlauf des Stücks wird der überzeitliche Jesaja-Text um Aphorismen des zeitgenössischen deutschen Lyrikers Reinhard Rakow erweitert. Klänge, Cluster, stimmliche Effekte, aleatorische Elemente, humorvolle Tonmalereien von Wolfsgehäul und blökenden Schafen, Fußstampfen sowie die Verwendung jüdischer und arabisch-persischer Modi bzw. von Zitaten aus der Gregorianik verleihen diesem bis zu achtstimmigen Werk einen einzigartigen Ausdrucksreichtum.
$9.99
8.95 €
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Choral SSAATTBB
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Guenter Berger
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El Roi-Impressionen
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Schott Music - Digital
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SheetMusicPlus
Impressionen
2 Accordions
2 accordions (M II / III) - Digital Download Composed by Hans Boll. This edition: She…
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2 accordions (M II / III) - Digital Download Composed by Hans Boll. This edition: Sheet music. The Accordion Duo. Downloadable. Matthias Hohner #Q23777. Published by Matthias Hohner
$15.99
14.32 €
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2 Accordions
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Hans Boll
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Impressionen
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Matthias Hohner
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SheetMusicPlus
Setiner Tagebuch
Piano solo
Piano SKU: M2.MOS-18613 15 leichte Stucke. Composed by Alfred Koerppen. MÅ
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Piano SKU: M2.MOS-18613 15 leichte Stucke. Composed by Alfred Koerppen. Möseler Verlag #MOS 18613. Published by Möseler Verlag (M2.MOS-18613). ISBN 9790203701415.Die Literatur fur angehende, junge Klavierspieler, die bildhaft, expressiv, nuancenreich und serios auftritt und zugleich, bei relativ einfachem Spielniveau, hohen kompositorischen Anspruchen standhalt, ist nicht sehr umfangreich. Das Setiner Tagebuch, das 15 leichte Stucke zu zwei und vier Handen enthalt, bereichert das klavierpadagogische Repertoire durch eine gluckliche Mischung aus variablen Spieltechniken und inhaltlichen Anregungen und besticht durch seine musikantische Qualitat, die auch auf den Konzertpodium ihre Wirkung nicht verfehlt. Der kleine Ort Sezze (lateinisch: Setia) sudlich von Rom, ist seit Jahrzehnten Koerppens zweite, setiner Heimat. Hier entstanden im August 1999 die vom Licht und vom Fluidum dieser geschichtstrachtigen Landschaft gepragten Miniaturen. Klassische Mythologie, nachtliche Impressionen, einfache Formen und hintergrundiger Humor sprechen aus den Titeln, die ohne aufdringliche Programmmusik in leicht verstandliche, aber ernst zu nehmende Klaviermusik umgesetzt werden. Anknupfend an die Tradition kompetenter musikalisch-didaktischer Werke (Bach, Schumann, Bartok) werden unterschiedliche Kompositionstechniken vorgefuhrt, die auf altere und neuere tradierte Modelle verweisen. Im zwolften Stuck, Galaxis, benutzt Koerppen nicht ohne ironische Distanz sogar die Zwolftontechnik, die sonst kaum zu seinem kompositorischen Vokabular gehort.
$26.95
24.14 €
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Piano solo
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Alfred Koerppen
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Setiner Tagebuch
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Möseler Verlag
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SheetMusicPlus
Cinque Impressioni
Flute and Guitar
By Franco Margola. Arranged by Federico Bonacossa. For guitar and flute. Level 3. Publishe…
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By Franco Margola. Arranged by Federico Bonacossa. For guitar and flute. Level 3. Published by Les Productions d'OZ - Digital
$6.95
6.23 €
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Flute and Guitar
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Franco Margola
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Cinque Impressioni
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Les Productions d'OZ - Digital
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SheetMusicPlus
Impressioni Di Settembre (The World Became The World)
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1377485 Composed by…
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1377485 Composed by Franco Mussida, Giulio Rapetti Mogol, Mauro Pagani, and Peter J. Sinfield (Trans.). Arranged by Kristian Sensini. Rock. 5 pages. Kristian Sensini #962078. Published by Kristian Sensini (A0.1377485). Keyboard performance: Mellotron, Moog, Piano.
$8.00
7.17 €
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Franco Mussida, Giulio Rapetti Mogol, Mauro Pagani, and Peter J
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Impressioni Di Settembre
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Kristian Sensini
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SheetMusicPlus
Impressioni Di Settembre
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.958536 Composed by Franco …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.958536 Composed by Franco Mussida. Arranged by Francesco Paolo Musto. Contemporary. Octavo. 6 pages. Francesco Paolo Musto #3907649. Published by Francesco Paolo Musto (A0.958536). It's an arrangement for 4-part chorus and piano S1 S2 C T.
$4.00
3.58 €
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Choral SATB
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Franco Mussida
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Impressioni Di Settembre
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Francesco Paolo Musto
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SheetMusicPlus
Impressioni Di Settembre
Bass guitar
Bass Guitar - Level 2 - Digital Download SKU: A0.1267616 Composed by Franco Mussida…
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Bass Guitar - Level 2 - Digital Download SKU: A0.1267616 Composed by Franco Mussida, Giulio Rapetti Mogol, and Mauro Pagani. Arranged by Igor Sardi Bass. Lent,Pop,Rock. Score. 4 pages. Igor Sardi Bass #860157. Published by Igor Sardi Bass (A0.1267616). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36.
$5.99
5.37 €
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Bass guitar
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Franco Mussida, Giulio Rapetti Mogol, and Mauro Pagani
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Impressioni Di Settembre
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Igor Sardi Bass
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SheetMusicPlus
Impressioni Di Settembre
Bass guitar
Bass Guitar - Level 2 - Digital Download SKU: A0.1267655 Composed by Franco Mussida…
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Bass Guitar - Level 2 - Digital Download SKU: A0.1267655 Composed by Franco Mussida, Giulio Rapetti Mogol, and Mauro Pagani. Arranged by Igor Sardi Bass. Pop,Rock. Score. 4 pages. Igor Sardi Bass #860197. Published by Igor Sardi Bass (A0.1267655). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36.
$5.99
5.37 €
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Bass guitar
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Franco Mussida, Giulio Rapetti Mogol, and Mauro Pagani
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Impressioni Di Settembre
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Igor Sardi Bass
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.54 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
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