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You've selected:
In After Time - SATB a cappella
Sheetmusic to print
36 sheet music found
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1
26
In My Room
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.82 €
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Choral TTBB
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The Beach Boys
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In My Room
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Donald A Mills
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SheetMusicPlus
After All That I Have Been to You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, C…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
2.73 €
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Choral TTBB
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1912, Chris Smith, and Jack Drislane
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After All That I Have Been to You
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Donald A Mills
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SheetMusicPlus
Time After Time
Choral Choir - Level 3 - Digital Download SKU: A0.1105454 By Cyndi Lauper. By Cyndi…
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Choral Choir - Level 3 - Digital Download SKU: A0.1105454 By Cyndi Lauper. By Cyndi Lauper and Rob Hyman. Arranged by Emanuel Schmidt. A Cappella,Pop,Wedding. Octavo. 6 pages. Emanuel J. Schmidt #708664. Published by Emanuel J. Schmidt (A0.1105454). Cyndi Laupers gorgeous soft-rock-ballad, a love song of devotion, in a version for 5part mixed chorus (SMATB). Though the arrangement takes up the sentimental and calm character of the song, it features some interesting sound effects and canon techniques.
$3.49
3.19 €
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Cyndi Lauper
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Time After Time
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Emanuel J. Schmidt
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SheetMusicPlus
Time After Time
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1232024 By Us Navy Band Se…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1232024 By Us Navy Band Sea Chanters Chorus. By Grayston Ives and Robert Birge. Arranged by Craig Hanson. 20th Century,A Cappella. Octavo. 5 pages. Edition Craig Hanson #827699. Published by Edition Craig Hanson (A0.1232024). A student at Yale University wrote a wistful melody in 1967 celebrating love’s tender memories. This song, Time After Time, became the second most frequently performed song by the renowned a cappella group, the Yale Whiffenpoofs.
$4.25
3.89 €
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Choral TTBB
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Us Navy Band Sea Chanters Chorus
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Time After Time
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Edition Craig Hanson
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SheetMusicPlus
More Love to Thee - SSA A Cappella
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748613 Composed by William …
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748613 Composed by William H. Doane, Elizabeth Payson Prentiss. Arranged by Fritz Stanley. A Cappella,Christian,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. MicStanley #6526971. Published by MicStanley (A0.748613). More Love to Thee is a classical hymn song created by William H. Doane and the lyrics by Elizabeth Payson Prentiss. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This hymn is a prayer that the Christian would continue to make the love of God his or her highest aim in life, as the psalmist wrote: You guide me with your counsel, and afterward you will receive me to glory.This hymn of dedication may be sung at any time of year, perhaps preceding a time of prayer.
$2.00
1.83 €
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Choral 3-part
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William H
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More Love to Thee - SSA A Cappella
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MicStanley
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SheetMusicPlus
I've Got Peace Like a River - SSA A Cappella
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1042372 By Fritz Stanley. B…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1042372 By Fritz Stanley. By PEACE LIKE A RIVER, Traditional Words. Arranged by Fritz Stanley. Praise & Worship,Spiritual,Traditional. Octavo. 8 pages. MicStanley #647163. Published by MicStanley (A0.1042372). I've Got Peace Like a River is an African-American spiritual based on PEACE LIKE A RIVER tune. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. It is a song of declaration using water as a simile to describe the qualities of peace, joy, and love in three stanzas. The image of the first stanza, “peace like a river,†may have come from Isaiah 66:12, where a similar picture is used. This song is suitable for all ages, and can be easily learned. It may be sung as a song of response after a time of thanksgiving or a declaration of God’s goodness.
$2.00
1.83 €
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Choral 3-part
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Fritz Stanley
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I've Got Peace Like a River - SSA A Cappella
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MicStanley
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SheetMusicPlus
Waka Waka (this Time For Africa)
Choral 3-part
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1183782 By Shakira. By Emil…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1183782 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arranged by Jay Jordan. A Cappella,Contemporary,Multicultural,Pop,World. Octavo. 16 pages. Pro Creations Music #783470. Published by Pro Creations Music (A0.1183782). When the female A Capella group Fermata the Blue of Notre Dame High School in Belmont, CA approached me to arrange a version of Shakira's Waka Waka (this Time for Africa) I had never heard the song. I fell in love with it after the first listen and agreed with the group's opinion that it was perfect for an all female A Capella group. My arrangement is for SSA (with divisi in all parts), lead vocal, and vocal percussion.
$2.99
2.73 €
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Choral 3-part
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Shakira
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Waka Waka
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Pro Creations Music
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SheetMusicPlus
Sunny Afternoon
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1087189 By The Kinks. By…
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Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1087189 By The Kinks. By Ray Davies. Arranged by Hilary Allen. A Cappella,Pop,Rock. Octavo. 4 pages. Hilary Allen #691388. Published by Hilary Allen (A0.1087189). Classic Kinks' sixties rock song - chilled out, rhythmic, syncopated; catchy, time-less lyrics celebrating the best thing in life: lazing on a sunny afternoon. Arranged for female voices, four-part a cappella, with great 'barbershop' harmonies. Fun to sing. Melody shared mainly between lead and tenor.
$3.00
2.74 €
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The Kinks
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Sunny Afternoon
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Hilary Allen
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
#
Orchestra
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Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
In the Fulllness of Time
Piano, Voice
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278128 By Judith Van…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278128 By Judith Vander Wege. By Judith Vander Wege. Arranged by Judith Vander Wege. A Cappella,Barbershop,Celtic,Christian,Irish,Praise & Worship. Score. 3 pages. Spokesman Ink #869825. Published by Spokesman Ink (A0.1278128). This song tells the wonderful message of Christmas, but it is not only a Christmas song. It comes from the scripture in Galatians 4:4 and Isaiah 9:2. After a few measures of simple praise, it tells of the prophecies that God would send a Messiah, his Son, to redeem us from the slavery of sin so he could adopt us as his children. Jesus fulfilled these prophecies. We praise him that we are pure and free and whole within..
$8.99
8.22 €
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Piano, Voice
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Judith Vander Wege
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In the Fulllness of Time
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Spokesman Ink
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SheetMusicPlus
All In The Golden Afternoon
Choral 3-part
Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1487688 Compose…
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Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1487688 Composed by Bob Hilliard and Sammy Fain. Arranged by Anastasia Cameron Balmer. 20th Century,A Cappella,Contest,Festival,Film/TV. 3 pages. Anastasia Cameron Balmer #1064622. Published by Anastasia Cameron Balmer (A0.1487688). This enchanting, easily attainable, SSA arrangement of Golden Afternoon from Disney's Alice in Wonderland is a beautifully balanced showcase for your treble choir. From its instantly recognizable introduction, you'll find that this feature is perfect for highlighting the exact ranges of the voices in your younger choirs, while at the same time, bringing out their personalities! Through this truly delightful arrangement, your ensemble will be sure to capture the magic and charm of this iconic song, making it an irresistible choice for any performance.
$2.99
2.73 €
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Choral 3-part
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Bob Hilliard and Sammy Fain
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All In The Golden Afternoon
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Anastasia Cameron Balmer
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SheetMusicPlus
A Moon, A Minute
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes…
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
2.29 €
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
It Is Well....ttbb
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
2.73 €
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Choral TTBB
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Philip Bliss, music and Horatio G
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It Is Well....ttbb
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Donald A Mills
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SheetMusicPlus
Never Never Land
Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By J…
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Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble. Â TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.
$4.00
3.66 €
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James Taylor
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Never Never Land
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Yumiko Matsuoka
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SheetMusicPlus
My Tears Have Been My Food (for concert band) - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Ster…
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Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99
18.28 €
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Concert band
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
My Tears Have Been My Food (for concert band)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1039859 Composed by David M. Ster…
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Concert Band - Level 4 - Digital Download SKU: A0.1039859 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 57 pages. David Sterrett Music #644717. Published by David Sterrett Music (A0.1039859). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$49.99
45.7 €
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Concert band
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
The Summer Walkers
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.752493 By Runrig. By Calum …
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.752493 By Runrig. By Calum Macdonald and Rory Macdonald. Arranged by Martin Schröder. A Cappella. Octavo. 6 pages. Martin Schröder #4792617. Published by Martin Schröder (A0.752493). One of the most popular songs by Scottish Folk Rock Band Runrig in a beautiful arrangement for 3 voices a cappella by Martin Schröder. watch the performance on YouTube: https://www.youtube.com/watch?v=Qmui6RcmXMk about Runrig: Runrig are a Scottish Celtic rock group formed in Skye, in 1973 under the name 'The Run Rig Dance Band'. Since its inception, the band's line-up has included songwriters Rory Macdonald and Calum Macdonald. The current line-up also includes longtime members Malcolm Jones, Iain Bayne, and more recently, Bruce Guthro, and Brian Hurren. To date, the band has released fourteen studio albums, with a number of their songs sung in Scottish Gaelic. Initially formed as a three-piece dance band, which played wedding receptions, the trio's first performance took place at Kelvin Hall, in Glasgow.[1] Runrig's music is often described as a blend of folk and rock music, with the band's lyrics often focusing upon locations, history, politics and people that are unique to Scotland. Songs also make references to agriculture and land conservation. Since 1999, the band has gained attention in Canada, following Nova Scotian singer Bruce Guthro's entry to the band. In 2016, the band announced that it would retire from studio recording after the release of its 14th studio album, The Story.
$2.50
2.29 €
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Choral 3-part
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Runrig
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The Summer Walkers
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Martin Schröder
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SheetMusicPlus
We Will Rock You
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte Nova Music Lab #6431861. Published by Arte Nova Music Lab (A0.742580). We Will Rock You is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World. Rolling Stone ranked it number 330 of The 500 Greatest Songs of All Time in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, We Will Rock You was inducted into the Grammy Hall of Fame.Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, We Will Rock You and We Are the Champions were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations began playing the songs consecutively and without interruption.Since its release, We Will Rock You has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sports events around the world, due mostly to its simple rhythm. On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It features a radically different approach to the guitar solo and includes May's count-in immediately prior to the recording.Taken from https://en.wikipedia.org/wiki/We_Will_Rock_You
$60.00
54.85 €
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Orchestra
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Queen
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We Will Rock You
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Arte Nova Music Lab
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SheetMusicPlus
Farther Along
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Ba…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6184003. Published by Paul A. Jorg (A0.522451). William B. Stevens was born in 1862 in the Lawnridge community of Scotland County, Missouri. All through his life, he suffered many hardships including his father being falsely arrested and serving some prison time during his teens. He became a minister of the gospel until death, dying a year after his wife in the early 1940s. All of their babies died before them, some as small children, one Waldo at 19, and a daughter who may have lived a little longer. This may have shaped the feelings expressed in this song. This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.2 €
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Choral TTBB
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J
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Farther Along
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Paul A. Jorg
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SheetMusicPlus
As for man, his days are like grass
Choral SSAATTBB
SSAATTBB chorus a cappella - Digital Download SKU: BJ.1208 Composed by Emil RÃ¥be…
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SSAATTBB chorus a cappella - Digital Download SKU: BJ.1208 Composed by Emil Råberg. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1208. Published by Bo Ejeby Forlag - Digital (BJ.1208). 8.27 x 11.7 inches.After the successful compositions The Tyger and Ouverture, which are being performed by many choirs around the world, it is time for a new piece for mixed choir a cappella. Emil Råberg has now chosen some lines from the Book of Psalms: As for man, his days are like grass.There is also a version in Swedish printed separately: Människans dagar är som gräset.
$6.00
5.49 €
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Choral SSAATTBB
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Emil RÃ¥berg
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As for man, his days are like grass
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
O magnum mysterium
TTBB chorus a cappella - Digital Download SKU: BJ.1448 Composed by Martin Ã…sand…
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TTBB chorus a cappella - Digital Download SKU: BJ.1448 Composed by Martin Åsander. Christian, Chrismas. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1448. Published by Bo Ejeby Forlag - Digital (BJ.1448). 8.27 x 11.7 inches.This wondrously beautiful and inviting music embodies the magic and wonder of the Nativity. Based on ancient Gregorian chant, the modern a cappella harmonies move and explore sonorities that bring colorful dimension to the traditional Latin text. A lovely statement for mixed or tenor-bass choirs.O magnum mysterium is a responsorial chant from the Matins of Christmas. I was searching for a text that would easily fit and be suitable for Christmastime and was lucky to find an old score that I had first started working on in 2013, originally in a men’s choir setting. I initially asked myself if the world needs yet another composition featuring this text about the Virgin Mary and the birth of Jesus, but after playing it through a couple of times, I was struck by the simplicity and purity in the music. I immediately started to edit the original score and also made a version for mixed choir, which I decided to dedicate to VoNo Vocals and their conductor Lone Larsen. O magnum mysterium is to be premiered in Tolosa, Spain, in the beginning of November 2021. – Martin Åsander.
$3.60
3.29 €
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Martin Ã…sander
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O magnum mysterium
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Sing We and Chant It
Chorus - Digital Download SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mi…
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Chorus - Digital Download SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mixed, a cappella. Composed by Thomas Morley. Arranged by Russell L. Robinson. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003478. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003478). UPC: 038081016740. Michael Grayton.Introduce your 3-part choir to madrigal singing with this wonderful new edition of the Thomas Morley classic designed especially for young singers by Russell Robinson. Reduced to three voice parts, this edition still sounds full and captures all the spirit and joy of madrigal singing. Suitable for large choirs as well as small groups. Add this work to your choral library and use it year after year. An excellent teaching piece...but perform it at concert and festival time, too. This title is available in Music Prodigy.A cappella.
$2.05
1.87 €
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Thomas Morley
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Sing We and Chant It
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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