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You've selected:
In This Ancient House
Sheetmusic to print
22 sheet music found
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1
In This Ancient House (Momoshiki Ya)
Choral 3-part
By Ruth Morris Gray. For SAB choir, Piano, Optional Finger Cymbals. Educational Octavo. Co…
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By Ruth Morris Gray. For SAB choir, Piano, Optional Finger Cymbals. Educational Octavo. Concert. Published by Heritage Music Press
$2.50
2.3 €
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Choral 3-part
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Ruth Morris Gray
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In This Ancient House
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Heritage Music Press
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SheetMusicPlus
In This Ancient House (Momoshiki Ya)
Choral 2-part
By Ruth Morris Gray. For Two-part choir, Piano, Optional Finger Cymbals. Educational Octav…
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By Ruth Morris Gray. For Two-part choir, Piano, Optional Finger Cymbals. Educational Octavo. New Horizons Series. Concert. Published by Heritage Music Press
$2.50
2.3 €
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Choral 2-part
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Ruth Morris Gray
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In This Ancient House
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Heritage Music Press
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SheetMusicPlus
The Son of Marsquin. Song in Girofle-Girofla
Piano, Voice
Piano and voice - Digital Download SKU: LV.4550 Composed by Charles Lecocq. Wealth,…
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Piano and voice - Digital Download SKU: LV.4550 Composed by Charles Lecocq. Wealth, Vanity, Marriage, Money, Social classes. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4550). The Son of Marsquin. Song in Girofle-Girofla. By Charles Lecocq. Published 1875 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Wealth, Vanity, Marriage, Money, Social classes. First line reads The Scion of an ancient house but not of noble blood, am I, sir.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Charles Lecocq
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Charles Lecocq
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The Son of Marsquin. Song in Girofle-Girofla
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Natsu No Yo Wa
Choral 3-part
SAB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-4031H
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SAB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-4031H Educational. Octavo. 12 pages. Heritage Music Press - Digital #e15/4031H. Published by Heritage Music Press - Digital (LX.15-4031H). Hauntingly beautiful, this piece set for voices piano and flute, is a follow-up to Gray's perennial favorite In This Ancient House. Elegantly crafted writing throughout - thoughtful, respectful, beautiful.
$2.50
2.3 €
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Choral 3-part
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Natsu No Yo Wa
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Heritage Music Press - Digital
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SheetMusicPlus
Beatus Ille, Qui Procul Negotiis for a capella SATB singers. lyrics in Latin with English translatio
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939797 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939797 Composed by Richard St. Clair. 20th Century,A Cappella,World. Octavo. 9 pages. Richard St. Clair #3909135. Published by Richard St. Clair (A0.939797). This 2 1/2 minute a capella secular motet for SATB voices set portions of Horace's Epode no. 2. The text expresses the poet's independent life free from public attachments, and also includes slaves in the veneration of the household gods, an usual concept for ancient Rome. Horace (Latin name: Quintus Horatius Flaccus, December 8, 65 BC – November 27, 8 BC), is known in the English-speaking world as Horace; he was the leading Roman lyric poet during the time of the emperor Augustus.
$7.99
7.36 €
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Choral SATB
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Richard St
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Beatus Ille, Qui Procul Negotiis for a capella SATB singers. lyrics in Latin with English translatio
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Richard St. Clair
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.02 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.37 €
#
String Trio: violin, viola, cello
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David Warin Solomons
#
Mysterious Moment for alto flute and string trio
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David Warin Solomons
#
SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.37 €
#
David Warin Solomons
#
Mysterious Moment for oboe and string trio
#
David Warin Solomons
#
SheetMusicPlus
Sappho ... Five Poems by H.D. (2019) for soprano and piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
9.2 €
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Soprano voice, Piano
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
The Peace Of God - SABar
Choral 3-part
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.889203 Composed by C…
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.889203 Composed by Chris Hutchings. Contemporary,Folk,Sacred. 5 pages. Chris Hutchings #22945. Published by Chris Hutchings (A0.889203). An ancient prayer from Scotland, this short anthem/introit is suitable for any occasion, but will fit particularly well as a closer for an evening service or concert.For 3-part choir (SABar). Also available for ATB choir (a minor third lower).Ranges:soprano: Bb3-Eb5alto: G3-Ab4baritone: C3-Eb4Relieve Thou, O God, each oneIn suffering on land or sea,In grief or wounded or weeping,And lead them to the house of Thy peace this night.I am weary, weak and cold,I am weary of travelling land and sea,I am weary of traversing moorland and billow,Grant me peace in the nearness of Thy repose this night.Beloved Father of my God,Accept the caring for my tears ;I would wish reconcilement with Thee,Through the witness and the ransom of Thy Son;To be resting with JesusIn the dwelling of peace,In the paradise of gentleness;Lead me, Lord, to the house of thy peace this night..
$1.99
1.83 €
#
Choral 3-part
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Chris Hutchings
#
The Peace Of God - SABar
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Chris Hutchings
#
SheetMusicPlus
The Peace Of God - ATB
Choral 3-part
Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.1364695 By Chris …
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Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.1364695 By Chris Hutchings. By Chris Hutchings. 21st Century,A Cappella,Celtic,Christian,Irish,Sacred. 5 pages. Chris Hutchings #948948. Published by Chris Hutchings (A0.1364695). An ancient prayer from Scotland, this short anthem/introit is suitable for any occasion, but will fit particularly well as a closer for an evening service or concert.For 3-part choir (ATB). Also available for SABar choir (a minor third higher).Ranges:alto: G3-C5tenor: E3-F4baritone: A3-C4Relieve Thou, O God, each oneIn suffering on land or sea,In grief or wounded or weeping,And lead them to the house of Thy peace this night.I am weary, weak and cold,I am weary of travelling land and sea,I am weary of traversing moorland and billow,Grant me peace in the nearness of Thy repose this night.Beloved Father of my God,Accept the caring for my tears ;I would wish reconcilement with Thee,Through the witness and the ransom of Thy Son;To be resting with JesusIn the dwelling of peace,In the paradise of gentleness;Lead me, Lord, to the house of thy peace this night..
$1.99
1.83 €
#
Choral 3-part
#
Chris Hutchings
#
The Peace Of God - ATB
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Chris Hutchings
#
SheetMusicPlus
Bramshill Concert Rondo
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Line…
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Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
20.73 €
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Orchestra
#
Stephen Lines
#
Bramshill Concert Rondo
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Stephen Lines
#
SheetMusicPlus
Dying and Dancing for Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Sca…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
25.33 €
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Euphonium, Piano (duet)
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Russell Scarbrough
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Dying and Dancing for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.2 €
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Guitar
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Coimbra's Legacy
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.977393 By Suzanne Herman. By Suzann…
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Piano Solo - Level 4 - Digital Download SKU: A0.977393 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 7 pages. Suzanne Herman Music #6450853. Published by Suzanne Herman Music (A0.977393). Coimbra's Legacy was inspired from visiting the University of Coimbra, located in Portugal. Founded in 1290, it is one of the oldest universities in the world. On this historic campus is the fabulous Johannine Library. The bold architecture with rich Baroque embellishments and the ornate bookshelves house books dating from the 12th to the 19th centuries. Written in the key of A major, this piece portrays the feeling of joyful amazement from being engulfed in ancient history.Coimbra's Legacy, from the solo piano album and songbook Stories from Portugal, can be found worldwide on all major listening platforms including Spotify, Apple Music, Pandora, SoundCloud, etc. For more information visit: Website Â
$5.50
5.07 €
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Piano solo
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Suzanne Herman
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Coimbra's Legacy
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Suzanne Herman Music
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SheetMusicPlus
The Water
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Fly…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 8 pages. SRS Music #865508. Published by SRS Music (A0.1273356). From NPR, 11/1/2010:Â Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.This arrangement is written for voice, piano, violin, and acoustic guitar, but can be played in other configurations. A second voice could take the place of violin. The piano part carries the melody so it can be played as an instrumental piece as well.(This title is also available for solo piano from SRS Music).
$5.50
5.07 €
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Piano, Vocal and Guitar
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Johnny Flyyn, Laura Marling
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The Water
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SRS Music
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SheetMusicPlus
The Hearth
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1199263 By Christopher Alexander. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1199263 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander #798326. Published by Christopher Alexander (A0.1199263). Back in ancient times, the hearth was usually a warming spot (like a fireplace nowadays) where members of a house or township (or even passersby travelling through) would gather. Â Besides staying warm from the freezing weather, people would share stories about their travels and families to the delight and entertainment of their listeners. Â That idea of kinship and warmth is the basis for this musical work. Â This ballad features the melody interwoven among the persistent sixteenth notes traded between both hands, creating an airy harmonic atmosphere that mimics the heat of the fire.
$2.50
2.3 €
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Piano solo
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Christopher Alexander
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The Hearth
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Christopher Alexander
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SheetMusicPlus
The Water
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1308079 By Johnny Flyyn, Laura Marl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1308079 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 6 pages. SRS Music #897352. Published by SRS Music (A0.1308079). From NPR, 11/1/2010: Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.Arranged for solo piano. (This title is also available for ensemble from SRS Music).
$5.50
5.07 €
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Piano solo
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Johnny Flyyn, Laura Marling
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The Water
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SRS Music
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.05 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
A Carolan Consort
Composed by Turlough O' Carolan. Arranged by Nancy Hurrell. Baroque Period, Cel…
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Composed by Turlough O' Carolan. Arranged by Nancy Hurrell. Baroque Period, Celtic, St. Patrick's Day. 77 pages. Published by Afghan Press Music for the Harp
Carolan tunes arranged for harp and one or two melody instruments. Full and interesting harp accompaniments that support the melody instruments, making these great for performing. This unique collection is arranged in period style with the harmonies, ornaments and variations as they might have been played in Dublin taverns and Irish country houses around 1800. The original 1796 version of Carolan’s Concerto is included in both solo harp versions as well as concerto form. The range of pieces include ancient modal harp airs (Bridget Cruise, First Air) to the elegant High Baroque (Mrs. Judge) to lively planxties as jigs and hornpipes (Planxty George Brabazons). The arrangements can be heard on Ensemble Musica Humana’s CD: Turlough O’Carolan- A Life in Song, performed on flute, whistle, recorder, uilleann pipes and harp. Flute and recorder parts are by EMH performers Lidia Chang and Laura Osterlund.<br> <br> Harp & Flute, Recorder or Whistle: Carolan’s Concerto, Planxty Burke, Dr. John Stafford (Carolan’s Receipt), Planxty O’Rourke, Bridget Cruise, First Air, Sheebeg and Sheemore, Mrs. Judge, Eleanor Plunkett, Bridget Cruise, Third Air, Fanny Power <br> <br> Flute & Whistle Duo: George Brabazon First & Second Airs, <br> <br> Harp Solos: Hewlett (‘Hulets Health’ from Bunting, 1809), Carolan’s Concerto (from Bunting, 1796)
$20.00
18.42 €
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Turlough O' Carolan
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Carolan
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A Carolan Consort
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Afghan Press Music for the Harp
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SheetMusicPlus
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