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In the Storm
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.86 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
All Kinds of Whether (suite for carillon)
Bells,Instrumental Solo - Level 4 - Digital Download SKU: A0.829120 Composed by Joe…
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Bells,Instrumental Solo - Level 4 - Digital Download SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Published by Joey Brink (A0.829120). All Kinds of Whether by Joey Brink, for 4 or 4.5-octave carillon.- a suite for carillon by Joey Brink - DELUGEHAILLIGHTNINGRAINDROPSSHOWERSUNBURSTTHUNDERSTORMWINDCreate your own Storm!All Kinds of Whether is a suite of eight movements and fifty-six transitions. Each movement represents a Weather Pattern, and is an ingredient in your storm toolbox.Storms need not incorporate all eight weather patterns (though such a storm would indeed be epic). In fact, some storms may consist of just one movement, or two, or three, or four, or more. Storms may begin with any weather pattern and end with any weather pattern. Weather patterns can be combined in any order by taking the appropriate transition from one to another. No two storms are alike. With eight movements and fifty-six transitions, there are 109,600 possible storms to unleash on your listeners. And even more if you consider recurring weather patterns.ÂÂWhether you create one storm, or another, is entirely up to you. Intermediate to advanced level. Commissioned by the Yale University Guild of Carillonneurs for the 50th anniversary of the Yale Memorial Carillon. Originally published by Yale University in 2016.www.joeybrink.com
$20.00
18.49 €
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Joey Brink
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All Kinds of Whether
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Joey Brink
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SheetMusicPlus
Storm Bay Shanty
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.7…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.737977 Composed by Fiona Hickie. Celtic,Folk,Instructional,Irish,Patriotic. 12 pages. Fiona Alice Hickie #3626595. Published by Fiona Alice Hickie (A0.737977). This piece is a tribute to the many naval explorers and their crews that sailed in the stormy, 'Storm Bay ' seas.History and Inspiration: Storm Bay Shanty Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways. This piece is a tribute to them, and the songs that would have been sung by sailors in the bygone era.
$12.00
11.1 €
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Clarinet Quartet: 4 clarinets
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Fiona Hickie
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Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
Storm Bay Shanty
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.737931 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and parts. 12 pages. Fiona Alice Hickie #3468608. Published by Fiona Alice Hickie (A0.737931). This piece is a tribute to the many naval explorers and their crews that sailed in the stormy, 'Storm Bay ' seas.History and Inspiration: Storm Bay Shanty Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways. This piece is a tribute to them, and the songs that would have been sung by sailors in the bygone era.
$12.00
11.1 €
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String Quartet: 2 violins, viola, cello
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Fiona Hickie
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Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
92.47 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.24 €
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String Orchestra
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Berkshire Storms (Downloadable Study Score)
Orchestra
Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerbe…
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Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
$24.00
22.19 €
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Orchestra
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Douglas Gerber
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Berkshire Storms
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Shelter in the Storm
Choral children's voices, SATB choir, rhythm - Digital Download SKU: H1.C5465DP Arr…
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Choral children's voices, SATB choir, rhythm - Digital Download SKU: H1.C5465DP Arranged by Joel Raney. Spirituals & Gospel, Hymntune, Jazz / Swing, General Worship, Children, Comfort, Confidence, Gospel, Spiritual. Octavo. 12 pages. Hope Publishing - Digital #C5465DP. Published by Hope Publishing - Digital (H1.C5465DP). Psalms 61:3 - Psalms 61:4 - Psalms 18:2 - Psalms 28:1 - Psalms 107:29 - Matthew 7:24 - Deuteronomy:32:4 - Ephesians 6:10 - Ephesians 6:11 - Ephesians 6:12 - Ephesians 6:13 - Ephesians 6:14 - Ephesians 6:15 - Ephesians 6:16 - Ephesian.Authentic gospel anthem Inspired by the rescue workers' efforts in the wake of hurricane Katrina, this authentic gospel anthem combines original words and music with Precious Lord, Take My Hand. Composer/ arranger, Joel Raney brings together adult and children's voices to create a powerful, soulful testament to God's steadfast love. Brass packet contains parts for: Piano, Bass Guitar, Drums, and Hammond B3.
$3.25
3.01 €
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Shelter in the Storm
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Hope Publishing - Digital
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SheetMusicPlus
Shelter in the Storm
Rhythm instruments - Digital Download SKU: H1.C5465RDP Arranged by Joel Raney. Spir…
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Rhythm instruments - Digital Download SKU: H1.C5465RDP Arranged by Joel Raney. Spirituals & Gospel, Hymntune, General Worship, Children, Comfort, Confidence, Gospel, Spiritual. Rhythm Parts. 13 pages. Hope Publishing - Digital #C5465RDP. Published by Hope Publishing - Digital (H1.C5465RDP). Psalms 61:3 - Psalms 61:4 - Psalms 18:2 - Psalms 28:1 - Psalms 107:29 - Matthew 7:24 - Deuteronomy:32:4 - Ephesians 6:10 - Ephesians 6:11 - Ephesians 6:12 - Ephesians 6:13 - Ephesians 6:14 - Ephesians 6:15 - Ephesians 6:16 - Ephesian.Authentic gospel anthem Inspired by the rescue workers' efforts in the wake of hurricane Katrina, this authentic gospel anthem combines original words and music with Precious Lord, Take My Hand. Composer/ arranger, Joel Raney brings together adult and children's voices to create a powerful, soulful testament to God's steadfast love. Brass packet contains parts for: Piano, Bass Guitar, Drums, and Hammond B3.
$34.95
32.32 €
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Shelter in the Storm
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Hope Publishing - Digital
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SheetMusicPlus
Harbor In The Storm
Piano solo
Piano - Intermediate - Digital Download Composed by Lorie Line. Arranged by Lorie Lin…
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Piano - Intermediate - Digital Download Composed by Lorie Line. Arranged by Lorie Line. Mother's Day, Wedding, Funeral, Recital, New Age. Sheet Music Single. 4 pages. Published by Lorie Line
Lorie Line’s performance-style composition of Harbor In The Storm is a great song to play for any special occasion.Key: ANumber of pages: 3For more information, merchandise and tour dates www.lorieline.comFacebook: Lorie LineTwitter: @lorielineInstagram: officiallorielinePandora Radio: Lorie LineNote: The audio clip is a loose representation of the sheet music.
$6.99
6.46 €
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Piano solo
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Lorie Line
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Harbor In The Storm
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Lorie Line
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SheetMusicPlus
In the Storm
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933378 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933378 Composed by Michael S. Bryson. Christian,Praise & Worship,Sacred. Octavo. 11 pages. Bryson Music #1939453. Published by Bryson Music (A0.933378). SATB with opt. string quartet. Duration: 3:40. In the storm, be my Refuge. In the night, be my Guide. Words based on Psalm 31 and Psalm 56:3-4. Bold and energetic. The stormy, syncopated opening contrasts with a peaceful, serene middle section. What time I am afraid, I'll trust in You, Lord. Then the storm returns with cries of O Lord, Faithful God, I trust in You. You are my God! Your group will enjoy singing this anthem. The optional string quartet (2 violins, viola [or violin 3], cello) add excitement. The parts are available for separate purchase on SheetMusicPlus.com. This anthem was recorded on the album Our Eyes Are Upon You, Lord released by International Baptist College and Seminary, 2016. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.
$1.99
1.84 €
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Choral SATB
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Michael S
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In the Storm
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Bryson Music
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SheetMusicPlus
Battle In The Storm (Piano Version)
Piano solo
Piano Solo - Digital Download SKU: A0.492230 By Pablo Islas. By Pablo Islas. 20th C…
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Piano Solo - Digital Download SKU: A0.492230 By Pablo Islas. By Pablo Islas. 20th Century,Classical,Contemporary,Film/TV. Score. 3 pages. Published by Pablo Islas (A0.492230). As the battle begins, the Captain and his men fire their canons and strike the beast, but with no avail. The beast continues to strike down, causing waves to shower over the Captain's ship. The Captain and his men unfazed by the raw power of the beast, stride forward as they unleash a second barrage of canon fire, striking the beast, yet with no avail once again. As neither side will waver, who will win this battle of attrition, The Captain or... The Kraken?
$2.99
2.76 €
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Piano solo
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Pablo Islas
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Battle In The Storm
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Pablo Islas
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SheetMusicPlus
Christ in the Storm (Accompaniment Track)
Choir - Digital Download SKU: A0.1069136 Composed by Michael Waree. Christian,Prais…
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Choir - Digital Download SKU: A0.1069136 Composed by Michael Waree. Christian,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 278. Michael Ware Music #4349065. Published by Michael Ware Music (A0.1069136). Each of us face storms in our lives and the disciples were no different. They struggled following Jesus in the difficult times. Christ in the Storm conveys raging waters as well as the Master calming the sea. Encourage your congregation with this dynamic choral setting. This download is the accompaniment track!SATB available here: https://www.sheetmusicplus.com/title/christ-in-the-storm-satb-digital-sheet-music/21181942?utm_mediu...TTBB Coming SoonYouTube: https://www.youtube.com/watch?v=rcQi3pjijPIVisit the composer's website: musicwarepress.com.
$5.00
4.62 €
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Michael Waree
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Christ in the Storm
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Michael Ware Music
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SheetMusicPlus
Prelude in A minor, Op. 1, No. 2
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1248123 By Michael Swedberg. By Ter…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248123 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842686. Published by Niska Music Publishing (A0.1248123). There is a storm brewing on the horizon and the ship is starting to be tossed about by waves which can be heard rolling in the left hand. The captain calls for the sails to be furled lest they be torn to shreds by the gale force winds. They have endured many storms before, but this is unlike any The Tempest has encountered. The men try to lift their spirits with tales of what has come before and the acts of heroism which have helped them to survive. Their bravado is cut short as the storm intensifies. Lightning flashes across the sky and they realize now that there may be no coming back from this voyage. The swells grow ever larger and cracks can be heard throughout the ship as support beams and masts give way under the tremendous stress. There is no hope of reaching the safety of land as she begins to take on water, but the crew does not abandon their posts…they do not know the meaning of surrender. A final series of cracks can be heard as The Tempest slips beneath the waves into the waiting abyss.
$3.99
3.69 €
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Piano solo
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Michael Swedberg
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Prelude in A minor, Op. 1, No. 2
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Niska Music Publishing
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SheetMusicPlus
Storm at Sea
Large Ensemble Alto Saxophone,Clarinet,Euphonium,Flute,Marimba,Oboe,Timpani,Trombone,Trump…
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Large Ensemble Alto Saxophone,Clarinet,Euphonium,Flute,Marimba,Oboe,Timpani,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1031139 Composed by Jeremiah Fuller. 20th Century,Contemporary. Score and parts. 20 pages. Incroyable Music #2956721. Published by Incroyable Music (A0.1031139).  It is a great honor to be able to present this song to you. This song was made during a time that my best friend was going through some tough times. I tried to capture his emotions and express them in this song.  You will hear sounds as a group of sailors set out to sea for an adventure, but are faced with a storm on the way. Everyone ends up okay and get to return home safe.  I wanted to let him know that everything would be okay, even in the storm he was facing. So, I decided to express it in this song. This song is approx. 2:15 In measures 37-39, although unmarked, there is an optional timpani roll or you may skip these three measures.
$24.95
23.07 €
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Jeremiah Fuller
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Storm at Sea
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Incroyable Music
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SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
46.24 €
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Concert band
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James M Johnson
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The Fog Meets the Storm for small wind band and percussion
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Myles Music James Johnson
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SheetMusicPlus
The Gathering Clouds
Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download …
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Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.917387 Composed by Simeon Goode. 20th Century,Contemporary. Score and parts. 19 pages. Simeon Goode #4764285. Published by Simeon Goode (A0.917387). This piece for Piano Quintet evokes several feeling before it's ending. It depicts a tumultuous storm with a melody that begins simply minor, and grows into a flurry of confusion by the end of the first section. The middle section is much calmer, with slow and methodical excerpts derived from the first section and some new material, depicting the eye of the storm. Finally, the third section features a return to the beginning, albeit heavily reharmonized.The piece makes use of several keys, as well as some more complex scales. For example, near the end of the first section, the piano part features the octatonic scale, otherwise known as the diminished scale. The piece is tricky at times, and particularly challenges an ensembles ability to stay together in the transition to the third and final section, but is rewarding to the players who weather the storm with a truly evocative and gripping experience.
$9.99
9.24 €
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Simeon Goode
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The Gathering Clouds
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Simeon Goode
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SheetMusicPlus
The Raft of the Medusa
Concert band
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15…
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
11.1 €
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
The Raft of the Medusa
Concert band
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and P…
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
55.48 €
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Nobody Knows the Trouble I've Seen/I've Been in the Storm Too Long
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1128839 Composed by African-America…
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Piano Solo - Level 3 - Digital Download SKU: A0.1128839 Composed by African-American Spiritual. Arranged by John Lehrack. Folk,Religious,Sacred,Spiritual,Traditional. Score. 4 pages. GGLS Publishing #729367. Published by GGLS Publishing (A0.1128839). These two traditional spirituals work well together. The arrangement begins with the arrival of the storm, which gradually fades and passes, resolving into a thoughtful reflection on the woes caused by the tempest. The storm returns with building fury but quickly passes, once again settling into stillness. Just before the song's ending, the storm echoes off in the distance, letting us know that our troubles may not yet be over. This is the ninth arrangement in my Contemplative Spirituals for Solo Piano collection.
$4.99
4.61 €
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Piano solo
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African-American Spiritual
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Nobody Knows the Trouble I've Seen/I've Been in the Storm Too Long
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GGLS Publishing
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SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
9.24 €
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String Orchestra
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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From Southern Harmony
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On Jordan's Stormy Banks - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
An Irish Party In Third Class
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764686 By Gaelic Storm. By Patrick Murphy, Samantha Hunt, Shep Lonsdale, Stephen Twigger, and Stephen Wehmeyer. Arranged by James Pybus. Celtic,Film/TV,Irish,Traditional. 16 pages. James Pybus #4319323. Published by James Pybus (A0.764686). An Irish Party in Third Class is music from the soundtrack of the 1997 Academy Award-winning motion picture Titanic. In the film it is performed by the Celtic band Gaelic Storm, in a lively scene featuring the characters Jack and Rose dancing to the traditional Irish tunes known as Blarney Pilgrim and Jack Ryan’s Polka. Rose has just endured a rather tedious and stuffy formal dinner dance with her fiancée and his aristocratic friends. Jack sees that she is bored and uncomfortable in this very pretentious social circle and decides to try to lighten her mood (and win her heart), taking her aside and asking her, So do want to go to a real party? Rose accepts Jack’s invitation and they are soon whirling about the dance floor with the other passengers in third class aboard the ill-fated ocean liner, carefree and unaware of the tragedy that awaits them. This arrangement is sure to be a crowd-pleaser, and is playable by either SATB or AATB Saxophone Quartet, both with optional Bass Saxophone doubling the Baritone. Performance time is 1:55. Contact me at james.pybus56@gmail.com.
$18.00
16.65 €
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Saxophone Quartet: 4 saxophones
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Gaelic Storm
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An Irish Party In Third Class
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James Pybus
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SheetMusicPlus
"Hope" is the thing with feathers (SATB)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177607 Composed by Keaton…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton Manwaring (A0.1177607). Hope is such a powerful thing that can push us through the toughest of times. In this poem, Emily Dickinson calls hope a feathered thing. It perches in the soul and sings without stoping. The singing is at the loudest when things are at their worst. Although hope is the central theme to the poem, the harsh conditions that are described in the poem was the driving force while writing the music. Creating a sound for the chillest day and the storm that could not abash the little bird was what really inspired me to write this piece. Something that stood out for me, was the use of dashes that breaks up the poem. I used rests to create these breaks. These rests are very deliberate to show these pauses of contemplation, almost struggling for the right words to describe a complex subject such as hope. At first the rests felt like a hindrance, where it felt natural for the music to flow, but now I cannot imagine the piece without it.
$2.50
2.31 €
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Choral SATB
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Keaton Manwaring
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"Hope" is the thing with feathers
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Keaton Manwaring
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SheetMusicPlus
The Storm for choir
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!
$2.99
2.76 €
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Choral SATB
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Roland Rogers
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- Miserere Domine
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The Storm for choir
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David Warin Solomons
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SheetMusicPlus
Lillie of the Snowstorm, or, "Please, Father, Let Us In!" Song and chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3938 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3938 Composed by Henry Clay Work. Spouses, Mothers & children, Storms, Blizzards, Intoxication, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3938). Lillie of the Snowstorm, or, Please, Father, Let Us In! Song and chorus. Words and Music by Henry C. Work. Published 1866 by Root & Cady, 67 Washington Street in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Spouses, Mothers & children, Storms, Blizzards, Intoxication, Death, Grief. First line reads To his home, his once-white, once-lov'd cottage, late at night, a poor inebriate came.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Henry Clay Work
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Lillie of the Snowstorm, or, "Please, Father, Let Us In!" Song and chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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