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You've selected:
Independent Women Part I
Sheetmusic to print
36 sheet music found
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1
26
Independent Women Part I
Choral SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.725911 By Destiny's…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.725911 By Destiny's Child. By Beyonce Knowles, Cory Rooney, Jean Claude Olivier, and Samuel Barnes. Arranged by Bryan Sharpe. A Cappella,Dance,Pop. 13 pages. Bryan Sharpe (BSharpe Music) #4885383. Published by Bryan Sharpe (BSharpe Music) (A0.725911). A cappella arrangement of Independent Women by Destiny's Child for Solo + SSSAAA
$2.50
2.3 €
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Choral SSAA
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Destiny's Child
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Independent Women Part I
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Bryan Sharpe
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SheetMusicPlus
Independent Women Part I
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.861088 By Destiny's Child.…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.861088 By Destiny's Child. By Beyonce Knowles, Cory Rooney, Jean Claude Olivier, and Samuel Barnes. Arranged by Jetse Bremer. A Cappella,Dance,Pop. Octavo. 14 pages. Jetse Bremer #5773847. Published by Jetse Bremer (A0.861088). Exciting arrangement for 5 female voices.
$2.50
2.3 €
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Choral SSAA
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Destiny's Child
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Independent Women Part I
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Jetse Bremer
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SheetMusicPlus
Independent Women Part I
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.861100 By Destiny's Child.…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.861100 By Destiny's Child. By Beyonce Knowles, Cory Rooney, Jean Claude Olivier, and Samuel Barnes. Arranged by Jetse Bremer. A Cappella,Dance,Pop. Octavo. 14 pages. Jetse Bremer #5793727. Published by Jetse Bremer (A0.861100).
$2.50
2.3 €
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Choral SSAA
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Destiny's Child
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Independent Women Part I
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Jetse Bremer
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SheetMusicPlus
Independent Women Part I
Piano, Vocal and Guitar
By Destiny's Child. This edition: Interactive Download. Country, Pop, Rock. Pia…
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By Destiny's Child. This edition: Interactive Download. Country, Pop, Rock. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital
$4.99
4.59 €
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Piano, Vocal and Guitar
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Destiny's Child
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Independent Women Part I
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Hal Leonard - Digital
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.01 €
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Orchestra
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Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violin
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Violin
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Independent Women Part I by Destiny's Child - Piano/Vocal/Guitar, Singer Pro
Piano, Vocal and Guitar
Performed by: Destiny's Child: Independent Women Part I Digital Sheetmusic - instantl…
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Performed by: Destiny's Child: Independent Women Part I Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 6 pages -- R & B~~Teen Pop
$5.79
5.33 €
#
Piano, Vocal and Guitar
#
Destiny's Child
#
Piano/Vocal/Guitar, Singer Pro
#
Musicnotes
Independent Women Part I by Destiny's Child - Easy Piano
Easy Piano
Performed by: Destiny's Child: Independent Women Part I - from Charlie's Angels …
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Performed by: Destiny's Child: Independent Women Part I - from Charlie's Angels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 12 pages -- Soundtrack~~R & B~~Movie/TV
$5.79
5.33 €
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Easy Piano
#
Destiny's Child
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Easy Piano
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Musicnotes
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Oboe (band part)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
#
Oboe (band part)
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Oboe (band part)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
#
Oboe (band part)
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Ride the Wind
Choral 3-part
SSA choir, Piano - Digital Download SKU: LX.15-3478H Composed by Shayla Blake. Educ…
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SSA choir, Piano - Digital Download SKU: LX.15-3478H Composed by Shayla Blake. Educational, General, Graduation. Octavo. 12 pages. Heritage Music Press #e15/3478H. Published by Heritage Music Press (LX.15-3478H). ISBN 9780787757571. Text: Julie I Myers.An uplifting, life-affirming text and gently flowing vocal lines, with a mix of unison and smartly placed harmony and independent parts, come together with a colorful, supportive piano part in this inspiring original for your women’s ensembles. This is a time like no other. What will the future bring? Time to let go and ride the wind!.
$2.50
2.3 €
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Choral 3-part
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Shayla Blake
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Ride the Wind
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Heritage Music Press
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SheetMusicPlus
Greek folk song: ZALONGO'S DANCE
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1343430 Composed by …
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1343430 Composed by Greek folk song. Arranged by Marilena Zlatanou. A Cappella. 4 pages. Marilena Zlatanou #928956. Published by Marilena Zlatanou (A0.1343430). According to tradition, this was the song a group of people, mainly women, holding their children in their arms, sang and danced before falling to death, off a steep hill in NW Greece, in order to avoid being captured by their enemies during the Greek War of Independence (1821). duration: 2'20'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00
13.81 €
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Choral 3-part
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Greek folk song
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Greek folk song: ZALONGO'S DANCE
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Marilena Zlatanou
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SheetMusicPlus
I Got Lost In His Arms
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download Composed by Irving Berlin. Arranged …
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Choral Choir (SSAA) - Level 3 - Digital Download Composed by Irving Berlin. Arranged by Larry F. Wright. A Cappella. Octavo. 6 pages. Larry Wright #4601959. Published by Larry Wright
A WOMEN'S 4-part, a cappella, barbershop, CONTEST ballad arrangement of an Irving Berlin song. Quartets and choruses singing at a "B-" contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.81 €
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Choral SSAA
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Irving Berlin
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I Got Lost In His Arms
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Larry Wright
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SheetMusicPlus
Independent Women Part I
Easy Piano
By Destiny's Child. For easy piano. Film/TV; Pop; R & B. 12 pages. Published by H…
(+)
By Destiny's Child. For easy piano. Film/TV; Pop; R & B. 12 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.67 €
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Easy Piano
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Destiny's Child
#
Pop
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Independent Women Part I
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Independent Women Part I
Piano, Vocal and Guitar
By Destiny's Child. For piano, voice, and guitar (chords only). Pop; R & B; Soul.…
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By Destiny's Child. For piano, voice, and guitar (chords only). Pop; R & B; Soul. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.59 €
#
Piano, Vocal and Guitar
#
Destiny's Child
#
R &
#
Independent Women Part I
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Independent Women Part I
Lyrics and Chords
By Destiny's Child. By Corey Rooney, Samuel Barnes, Beyonce Knowles, and Jean Claude …
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By Destiny's Child. By Corey Rooney, Samuel Barnes, Beyonce Knowles, and Jean Claude Olivier. Pop; R & B. GTRCHD. 5 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Lyrics and Chords
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Destiny's Child
#
R &
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Independent Women Part I
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Destiny's Child: Independent Women Part I - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Destiny's Child for voice, piano or guitar of MEDI…
(+)
Instantly printable sheet music by Destiny's Child for voice, piano or guitar of MEDIUM skill level. / country,pop,rock
$8.97
8.26 €
#
Piano, Vocal and Guitar
#
Destiny's Child
#
Virtualsheetmusic
Destiny's Child: Independent Women Part I - guitar (chords)
Lyrics and Chords
Instantly printable sheet music by Destiny's Child for guitar (chords) of MEDIUM skil…
(+)
Instantly printable sheet music by Destiny's Child for guitar (chords) of MEDIUM skill level. / pop,r & b
$3.97
3.66 €
#
Lyrics and Chords
#
Destiny's Child
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Virtualsheetmusic
Beyonce Knowles: Independent Women Part I for guitar
Lyrics and Chords
Instantly printable sheet music by Destiny's Child for guitar (chords) of MEDIUM skil…
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Instantly printable sheet music by Destiny's Child for guitar (chords) of MEDIUM skill level. / pop,r & b
$4.97
4.58 €
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Lyrics and Chords
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Beyonce Knowles
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Virtualsheetmusic
Samuel Barnes: Independent Women Part I for piano solo
Piano solo
Instantly printable sheet music by Destiny's Child for piano solo of EASY skill level…
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Instantly printable sheet music by Destiny's Child for piano solo of EASY skill level. / film/tv,pop,r & b,movies,children
$6.97
6.42 €
#
Piano solo
#
Samuel Barnes
#
Virtualsheetmusic
Samuel Barnes: Independent Women Part I for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Destiny's Child for voice, piano or guitar of MEDI…
(+)
Instantly printable sheet music by Destiny's Child for voice, piano or guitar of MEDIUM skill level. / pop,r & b,soul
$6.97
6.42 €
#
Piano, Vocal and Guitar
#
Samuel Barnes
#
Virtualsheetmusic
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
French horn
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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French horn
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Bassoon
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Bassoon
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinet
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Har…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
#
Clarinet
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
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