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Interlude for Band
Sheetmusic to print
632 sheet music found
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Interlude for Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.814808 Composed by Richard E Brow…
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Concert Band - Level 4 - Digital Download SKU: A0.814808 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 141 pages. Dacker Music #5828289. Published by Dacker Music (A0.814808). This composition is a concert band transcription of my orchestral score Interlude for Orchestra, which represents a major revision of one of my earliest attempts to write for orchestra, way back in 1966. Revisiting it after over a half-century languishing in the drawer, I was shocked to find some surprisingly worthwhile material. While it little resembles something I would write today, I managed to rework it into a legitimate and enjoyable piece of music, 54 years in the making. Grade 4 - Duration 7:20
$60.00
54.89 €
#
Concert band
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Richard E Brown
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Interlude for Band
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Dacker Music
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SheetMusicPlus
Contredanse for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.8…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.840497 Composed by Frederic Chopin. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Romantic Period,Wedding. 14 pages. Ted R. Marcus #6167827. Published by Ted R. Marcus (A0.840497). A charming piano miniature by the 17-year-old Frédéric Chopin, arranged for 3 B-flat Clarinets and Bass Clarinet. Transposed to F from the original G-flat major, it's an Intermediate-level arrangement suitable for high school and adult players. A delightful selection or encore for Solo and Ensemble concerts, an ensemble interlude for band concerts, or for weddings.Please visit my Web site to explore more classics for adventurous wind ensembles.
$15.00
13.72 €
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Clarinet Quartet: 4 clarinets
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Frederic Chopin
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Contredanse for Clarinet Quartet
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Ted R. Marcus
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SheetMusicPlus
Contredanse for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.840504 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.840504 Composed by Frederic Chopin. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Romantic Period,Wedding. 10 pages. Ted R. Marcus #6496161. Published by Ted R. Marcus (A0.840504). A charming piano miniature by the 17-year-old Frédéric Chopin, arranged for Woodwind Quintet. Transposed to F from the original G-flat major, it's an Intermediate-level arrangement suitable for high school and adult players. A delightful selection or encore for Solo and Ensemble concerts, an ensemble interlude for band concerts, or for weddings.Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
13.72 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Frederic Chopin
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Contredanse for Woodwind Quintet
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Ted R. Marcus
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.15 €
#
Soprano Saxophone and Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.15 €
#
Viola, Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
Korsakov: Flight of the Bumblebee for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.93 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arnage for trombone and band (score)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.799419 Composed by Drake Mabry. 2…
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Concert Band - Level 3 - Digital Download SKU: A0.799419 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 55 pages. Drake Mabry #516703. Published by Drake Mabry (A0.799419). Arnage is a commission, a 1991 Commande d'Etat from the French government. The work is named after the town in which it was premiered. The first movement is slow and atmospheric with the solo trombone weaving in and out of the accompaniment. Despite a short interlude where the tempo picks up followed by a cadenza, the piece returns to the original quiet and atmospheric nature of the beginning. The second movement is vigorous and dynamic. The animated trombone is punctuated by rhythmic comments from the ensemble. The work winds down to a quiet passage before being taken back by the vigorous ensemble. This continues to the wild coda to the end. The duration is 12 minutes. This is a manuscript score, thus the reduced price.The Premiere was by Pascal Renou, trombone, with the Harmonie Municipal d’Arnage conducted by Francis Rouillard in Arnage, France on June 12, 1992.
$9.99
9.14 €
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Concert band
#
Drake Mabry
#
Arnage for trombone and band
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Drake Mabry
#
SheetMusicPlus
Arnage for trombone and band (parts)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.799420 Composed by Drake Mabry. 2…
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Concert Band - Level 3 - Digital Download SKU: A0.799420 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 77 pages. Drake Mabry #516755. Published by Drake Mabry (A0.799420). Arnage is a commission, a 1991 Commande d'Etat from the French government. The work is named after the town in which it was premiered. The first movement is slow and atmospheric with the solo trombone weaving in and out of the accompaniment. Despite a short interlude where the tempo picks up followed by a cadenza, the piece returns to the original quiet and atmospheric nature of the beginning. The second movement is vigorous and dynamic. The animated trombone is punctuated by rhythmic comments from the ensemble. The work winds down to a quiet passage before being taken back by the vigorous ensemble. This continues to the wild coda to the end. The duration is 12 minutes. This is a manuscript score, thus the reduced price.The Premiere was by Pascal Renou, trombone, with the Harmonie Municipal d’Arnage conducted by Francis Rouillard in Arnage, France on June 12, 1992.
$9.99
9.14 €
#
Concert band
#
Drake Mabry
#
Arnage for trombone and band
#
Drake Mabry
#
SheetMusicPlus
Al Hanisim (for All The Miracles)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1299177 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1299177 Composed by Folk Tune. Arranged by Travis Gettinger. Hanukkah,Holiday,Jazz,Jewish. Score and Parts. 61 pages. Travis Gettinger #889032. Published by Travis Gettinger (A0.1299177). An upbeat rendition of Al Hanisim (על ×”× ×¡×™×) arranged for jazz band. This arrangement includes a 32-bar solo section and a brief bossa nova interlude before the rousing conclusion. Perfect for celebrating Hanukkah or Purim, or for a winter concert.
$49.99
45.74 €
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Jazz Ensemble
#
Folk Tune
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Al Hanisim
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Travis Gettinger
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SheetMusicPlus
Program Repertoire for Brass Quartet
2nd Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474120 2nd B-flat Cornet/Trumpet
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2nd Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474120 2nd B-flat Cornet/Trumpet. Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474120). UPC: 073999741209. 9.0x12.0x0.066 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$5.99
5.48 €
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Program Repertoire for Brass Quartet
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Rubank Publications
#
SheetMusicPlus
Program Repertoire for Brass Quartet
4th Part (Baritone T.C.) Brass Quartet SKU: HL.4474170 Baritone T.C. (Fourth Par…
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4th Part (Baritone T.C.) Brass Quartet SKU: HL.4474170 Baritone T.C. (Fourth Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474170). ISBN 9798350111668. UPC: 073999316308. 9.0x12.0x0.064 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.4 €
#
Program Repertoire for Brass Quartet
#
Rubank Publications
#
SheetMusicPlus
Program Repertoire for Brass Quartet
3rd Part (1st Trombone) Brass Quartet SKU: HL.4474150 Trombone (Third Part).…
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3rd Part (1st Trombone) Brass Quartet SKU: HL.4474150 Trombone (Third Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474150). ISBN 9798350106893. UPC: 073999741506. 9.0x12.0x0.114 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.4 €
#
Program Repertoire for Brass Quartet
#
Rubank Publications
#
SheetMusicPlus
Program Repertoire for Brass Quartet
4th Part (2nd Trombone, Baritone B.C.) Brass Quartet SKU: HL.4474160 Trombone/Ba…
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4th Part (2nd Trombone, Baritone B.C.) Brass Quartet SKU: HL.4474160 Trombone/Baritone B.C. (Fourth Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474160). UPC: 073999741605. 9.0x12.0x0.071 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$6.99
6.4 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Program Repertoire for Brass Quartet
1st Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474110 1st B-flat Cornet/Trumpet
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1st Bb Cornet (Trumpet) Brass Quartet SKU: HL.4474110 1st B-flat Cornet/Trumpet. Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474110). UPC: 073999741100. 9.0x12.0x0.066 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), and trombone or baritone (fourth part) This great collection of grade 2-3 music for brass quartet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Song Of The Sea Toreador Song Sarabande Variata (Handel) An Autumn Story (Koepke) Andante & Menuetto Fanfare March (Shelukov) I Am Alone (Massenet-Irons) Interlude Latinette (H.Walters) Pomp & Panoply (Koepke) Prelude & Scherzo (Ostransky) Rondo Humoreske (M.Dieterich) Sonatina #6 (Forestier-Johnson) Two Equali (Beethoven-Beeler)
$5.99
5.48 €
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Program Repertoire for Brass Quartet
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Rubank Publications
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SheetMusicPlus
Entr'acte to Act 3 of Carmen (Flute Interlude) transcribed for Concert Band
Concert band
Concert Band - Digital Download SKU: A0.733037 Composed by Georges Bizet. Arranged …
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Concert Band - Digital Download SKU: A0.733037 Composed by Georges Bizet. Arranged by Marc Oliver. Contemporary. Score and parts. 32 pages. Ayotte Custom Musical Engravings #2347489. Published by Ayotte Custom Musical Engravings (A0.733037). Beautiful flute and clarinet solos make this a wonderful--and elegant--showpiece. Available substitutions include alto sax for English horn Tenor Sax for Bassoon and Bari Sax for bass Clarinet.
$59.99
54.89 €
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Concert band
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Georges Bizet
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Entr'acte to Act 3 of Carmen
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.15 €
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Alto Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Kor…
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Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,Romantic Period. Score and parts. 59 pages. Raymond Fenech #651010. Published by Raymond Fenech (A0.1046491). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$35.00
32.02 €
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Concert band
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N
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The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
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Raymond Fenech
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SheetMusicPlus
Dance of the Buffoons (Dance of the Tumblers) (Band)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.877106 Composed by Nikolay Andrey…
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Concert Band - Level 3 - Digital Download SKU: A0.877106 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Tim Laughlin. Holiday,Opera,Romantic Period,Standards,World. Score and parts. 75 pages. Tim Laughlin #3416111. Published by Tim Laughlin (A0.877106). Sometimes translated as Dance of the Clowns or Dance of the Tumblers and excerpted from Rimsky-Korsakov's opera The Snow Maiden, this rowdy interlude is here orchestrated for wind ensemble. A short, showy piece, it has no shortage of colorful moments for the entire ensemble.Instrumentation: 2fl+pic/2ob/3cl+Ebcl+bcl+cbcl/4sax/2bn+cbn; 4hn/3tp/3tb/eu/tba; bass; timp+4percDuration: approx. 3Level: IntermediateContents: Full score and parts
$34.95
31.98 €
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Concert band
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Nikolay Andreyevich Rimsky-Korsakov
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4hn/3tp/3tb/eu/tba
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Dance of the Buffoons
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Tim Laughlin
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SheetMusicPlus
Parodia Schumanniana (2018) for oboe, viola and piano
Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Viola - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Viola - Level 4 - Digital Download SKU: A0.869566 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 32 pages. Thomas Oboe Lee #3471445. Published by Thomas Oboe Lee (A0.869566). Sally Pinkas and I go way back. She and Evan Hirsch have performed my music on many occasions. In 2002 they recorded my Visconti Sforza Tarot Cards ... Twenty Two Salon Pieces for Two Pianos on Arsis Audio Records.A year ago Sally asked me to write a new work for her trio Ensemble Schumann. For a while I had no idea where to begin. But then the name of the group inspired the idea of taking Robert Schumann's music as a point of departure for the trio. In my search for a title, I came upon a cactus called Parodia Schumanniana. Perfect! That is what I will call my trio - Parodia S. (2018).The work is in five movements.1. Presto - Trio - Presto2. Largo3. Adagio4. Interlude - Molto AllegroAudio link: https://thomasoboelee.bandcamp.com/album/parodia-schumanniana-2018-for-oboe-viola-and-pianoYouTube scrolling video link: https://youtu.be/S083rnbrBTs.
$9.99
9.14 €
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Viola, Piano
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Thomas Oboe Lee
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Parodia Schumanniana
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Thomas Oboe Lee
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SheetMusicPlus
The Big Band Theory: E-flat Alto Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_AX1 E-flat Alto Saxophone…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_AX1 E-flat Alto Saxophone. Composed by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016811_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016811_AX1). UPC: 038081500218.This fun swing chart, Big Band Theory, is played around 150 BPM with written solos for tenor 1 and trombone 1. Vince Gassi included easy brass ranges, an interlude, unison section solis, and optional parts to include vibes. It's all here! (3:15) This title is available in SmartMusic.
$3.00
2.74 €
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Saxophone (band part)
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Vince Gassi
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The Big Band Theory: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Big Band Theory: B-flat Tenor Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_TX1 B-flat Tenor Saxophon…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_TX1 B-flat Tenor Saxophone. Composed by Vince Gassi. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016811_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016811_TX1). UPC: 038081500218.This fun swing chart, Big Band Theory, is played around 150 BPM with written solos for tenor 1 and trombone 1. Vince Gassi included easy brass ranges, an interlude, unison section solis, and optional parts to include vibes. It's all here! (3:15) This title is available in SmartMusic.
$3.00
2.74 €
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Saxophone (band part)
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Vince Gassi
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The Big Band Theory: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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