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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Oboe, Piano (duet)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Comp…
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
13.76 €
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Oboe, Piano (duet)
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Sy Brandon
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Sy Brandon
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.73 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
The Cross Kirk and the lang walk
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Gr…
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.73 €
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Concert band
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
#
SheetMusicPlus
The Cross Kirk and the lang walk
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
45.9 €
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Orchestra
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
The Mole End Carol
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288066 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288066 Composed by David Perkins. Advent,Christmas,Classical,Folk,Praise & Worship. 10 pages. David Perkins #879108. Published by David Perkins (A0.1288066). A setting of a song text from 'The Wind in the Willows' by Kenneth Graham for SATB Choir and piano.It is Christmas Eve and a choir of carol-singing field mice pay a visit to Badger's house. We hear them from afar with their soft 'la'-ing. They arrive at Badger's house and sing the carol before fading into the distance once again.This is an arrangement of the song written for a production of 'The WInd in the Willows' first performed in 2010 at Guildford's Yvonne Arnaud Theatre, and subsequently published by StageScripts:https://shop.stagescripts.com/categories/musicals/musicals-fully-developed/comedic-drama/the-wind-in-the-willows.html.
$2.99
2.75 €
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Choral SATB
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David Perkins
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The Mole End Carol
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David Perkins
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.71 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. …
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Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this Digital Download contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
$44.00
40.4 €
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Concert band
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Brian Harris
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articulations
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MARCH OF THE CZAR'S BRIGADE
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Bandroom.com Publications
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
91.83 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Marcia alla Turca from The Ruins of Athens, op. 113
Cello
Cello - Level 3 - Digital Download SKU: A0.1219990 Composed by Ludwig van Beethoven…
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Cello - Level 3 - Digital Download SKU: A0.1219990 Composed by Ludwig van Beethoven. Arranged by Branimir Pusticki. Classical. 29 pages. Branimir Pusticki #816346. Published by Branimir Pusticki (A0.1219990). Perhaps the best-known music from Beethovens incidental music, The Ruins of Athens, is the Turkish March, depicting an army passing by and fading into the distance. It is arranged here for an ensemble of eight cellos.
$7.00
6.43 €
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Cello
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Ludwig van Beethoven
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Marcia alla Turca from The Ruins of Athens, op. 113
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Branimir Pusticki
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SheetMusicPlus
The Tempest
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1251800 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1251800 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Instructional. Individual part. 10 pages. Doug Smith Guitar Studio #846014. Published by Doug Smith Guitar Studio (A0.1251800). The Tempest expresses a journey through a thunder storm. We can sense the storm approaching from a distance, then it gradually arrives over us, drenching us in rain. After a bit it begins to roll off into the distance and finally disappears. The music makes extensive use of pimami arpeggios.
$3.99
3.66 €
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Guitar
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Doug Smith
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The Tempest
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Doug Smith Guitar Studio
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SheetMusicPlus
Then the Baby Cried Demo MP3
Choral Unison
Unison chorus, opt. 2-part chorus - Digital Download SKU: C6.636018015 Composed by …
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Unison chorus, opt. 2-part chorus - Digital Download SKU: C6.636018015 Composed by Aren Newell Williams and Ruth Elaine Schram. Growing in Grace. Christian, Advent, Christmas, Children. MP3. Growing In Grace - Digital #636018015. Published by Growing In Grace - Digital (C6.636018015). Ruth Elaine Schram and Aren Newell Williams bring us a fun, energetic piece for Christmas! The contemporary, syncopated melody gives way to a catchy chorus that includes options for 2-part choirs. After the 2nd verse and chorus comes a spirited invitation for all to come to Bethlehem and worship. The piece concludes with Glorias that diminish in dynamic, as though fading away into the distance.
$1.99
1.83 €
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Choral Unison
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Aren Newell Williams and Ruth Elaine Schram
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Then the Baby Cried Demo MP3
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Growing In Grace - Digital
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SheetMusicPlus
Then the Baby Cried Accompaniment MP3
Choral Unison
Unison chorus, opt. 2-part chorus - Digital Download SKU: C6.646018015 Composed by …
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Unison chorus, opt. 2-part chorus - Digital Download SKU: C6.646018015 Composed by Aren Newell Williams and Ruth Elaine Schram. Growing in Grace. Christian, Advent, Christmas, Children. Accompaniment mp3. Growing In Grace - Digital #646018015. Published by Growing In Grace - Digital (C6.646018015). Ruth Elaine Schram and Aren Newell Williams bring us a fun, energetic piece for Christmas! The contemporary, syncopated melody gives way to a catchy chorus that includes options for 2-part choirs. After the 2nd verse and chorus comes a spirited invitation for all to come to Bethlehem and worship. The piece concludes with Glorias that diminish in dynamic, as though fading away into the distance.
$9.99
9.17 €
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Choral Unison
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Aren Newell Williams and Ruth Elaine Schram
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Then the Baby Cried Accompaniment MP3
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Growing In Grace - Digital
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SheetMusicPlus
Where the River Meets the Rain
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1091964 By Christopher Alexander. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1091964 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander #696096. Published by Christopher Alexander (A0.1091964). This serene work illustrates the smooth movement of flowing water. Opening with a low rumble of the pentatonic scale, the melody is then introduced with a light and delicate touch before moving onward to playing above supportive arpeggiations. The song evolves with brimming voice filling and an expanded harmonic structure while maintaining the tranquil expression. The work concludes with a recapitulation of the opening pentatonic rumbles and a long fade into the distance, symbolizing the water flowing away to a new venture.
$2.50
2.3 €
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Piano solo
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Christopher Alexander
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Where the River Meets the Rain
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Christopher Alexander
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SheetMusicPlus
Together
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.492090 By Emma Theresa. By Emma The…
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Piano Solo - Level 2 - Digital Download SKU: A0.492090 By Emma Theresa. By Emma Theresa. Classical,Contemporary,New Age. Score. 6 pages. Emma Theresa #107464. Published by Emma Theresa (A0.492090). This piece begins with the same note played an octave apart. This is meant to represent two hearts that long to be together but are separated by things such as distance, time, fear, and pride. Loneliness can sink its claws into you, it can eat away at you till you feel empty and hopeless. It is better to be together. Alone, you have only yourself for comfort and encouragement and in all honesty, our attempts at this can be rather pathetic sometimes. Together you can lift each other up when you fall, you can laugh together, you can cry together, you can dance together, you can mourn together, you can fight together, you can love together. It is better to be together.
$2.29
2.1 €
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Piano solo
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Emma Theresa
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Together
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Emma Theresa
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SheetMusicPlus
In the Steppes of Central Asia
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817938 Composed by Alexander Borodin. Arranged by Adrian Dee. Romantic Period. 34 pages. Adrian Dee #4368834. Published by Adrian Dee (A0.817938). We are on the vast grasslands in Central Asia. In the distance we hear a caravan approaching. They are guided by Russian soldiers singing a folk song. As they get closer, we hear a melancholy native melody also emerge. The caravan passes, the voices of the men, the plodding of the horses and camels, the bundles of goods on their way to a foreign market. All intermingled into one song now. We watch them slowly fade into the distance until all we can discern is a faint rise of dust on the horizon and the fading notes of the folk song.
$19.95
18.32 €
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Flute ensemble
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Alexander Borodin
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In the Steppes of Central Asia
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Adrian Dee
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SheetMusicPlus
IAN BUTTERWORTH Aiken Drum (Suite: Lion of the North) for full orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.963757 Composed by Ian Butterwo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.963757 Composed by Ian Butterworth. 20th Century,Concert. Score and parts. 52 pages. Ian Butterworth #6009103. Published by Ian Butterworth (A0.963757). A Scottish folk tune in the form of a march: the opening depicts the line of soldiers gradually approaching, it passes the observer and disappears into the distance. The atmospheric piece for full orchestra (double woodwind, horns, trumpets & trombones + timpani & percussion) is the 1st movement of the Suite: Lion of the North - duration 3 mins approx. The other three movements, The Skye Boat Song, Ca' the Yowes and The Piper of Dundee are also available.
$11.99
11.01 €
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Orchestra
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Ian Butterworth
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trombones + timpani &
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IAN BUTTERWORTH Aiken Drum
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Ian Butterworth
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SheetMusicPlus
Retreating into the Distance, No 7 of Ten Colourful Piano Pieces
Harpsichord,Piano - Digital Download SKU: A0.1068337 Composed by Haydn Reeder. 20th…
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Harpsichord,Piano - Digital Download SKU: A0.1068337 Composed by Haydn Reeder. 20th Century,Contemporary,Standards. Full Performance. Duration 66. Haydn Reeder #1892735. Published by Haydn Reeder (A0.1068337). An Intermediate-level piece requiring good independence of the hands and good control of dynamics. The left hand plays a Ground Bass of 4 notes while the right hand plays an ever-shorter repeating melody.
$1.99
1.83 €
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Haydn Reeder
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Retreating into the Distance, No 7 of Ten Colourful Piano Pieces
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Haydn Reeder
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SheetMusicPlus
Into the Distance
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1031378 Composed by Joshua B Segal.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1031378 Composed by Joshua B Segal. 20th Century,Contemporary,Instructional,Romantic Period. Score. 4 pages. Joshua Benjamin Segal #3548123. Published by Joshua Benjamin Segal (A0.1031378). A modern romantic song featuring dynamic arpeggios and a beautiful, yet simple melody. This song is not too hard, but still has a mature and deep melody making it perfect for any intermediate adult or child. My composition offers a lot of opportunity to develop your emotion while playing a piece. The melody is beautiful and the feelings will come with ease.
$3.99
3.66 €
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Piano solo
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Joshua B Segal
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Into the Distance
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Joshua Benjamin Segal
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SheetMusicPlus
The Goblin March (for clarinet quartet)
Clarinet Quartet: 4 clarinets
Woodwind Ensemble - Digital Download SKU: A0.1035540 Composed by Ian Deterling. Cla…
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Woodwind Ensemble - Digital Download SKU: A0.1035540 Composed by Ian Deterling. Classical. 23 pages. Ian Deterling #640758. Published by Ian Deterling (A0.1035540). A fun and light-hearted quartet, The Goblin March was inspired by the cartoon adaptation of The Return of the King (1980). Spirited rhythms with a deliberately plotting bass line evoke images of armor-cladded goblins marching away into the distance.
$15.00
13.77 €
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Clarinet Quartet: 4 clarinets
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Ian Deterling
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The Goblin March
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Ian Deterling
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SheetMusicPlus
The Bullfrog Patrol for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Level 3 - Digital Download SKU: A0.840506 Composed by Jerome Kern. Arranged by Ted …
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Level 3 - Digital Download SKU: A0.840506 Composed by Jerome Kern. Arranged by Ted R. Marcus. 20th Century,Broadway,Chamber,Musical/Show. 26 pages. Ted R. Marcus #6826435. Published by Ted R. Marcus (A0.840506). An old-fashioned vaudeville specialty number from 1919, reimagined for brass quintet. It's a moderate tempo ragtime-flavored march in the patrol form that depicts a band approaching, passing by, and receding into the distance. Fun for players and audiences alike, it makes a great encore or provides lighthearted balance to more serious works. This is an intermediate level piece suitable for high school, college, or adult players.
$15.00
13.77 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Jerome Kern
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The Bullfrog Patrol for Brass Quintet
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Ted R. Marcus
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SheetMusicPlus
Standing by the Shore
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.996168 Composed by Michael Bufalini. Ce…
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Guitar - Level 2 - Digital Download SKU: A0.996168 Composed by Michael Bufalini. Celtic,Concert,Contemporary. Guitar Tab. 2 pages. Michael Bufalini #4829509. Published by Michael Bufalini (A0.996168). Standing solemnly, sturdy and sound as the waves come crashing down. Peering off into the distance you think of many sounds. This guitar is fairly easy to play and it doesn't take much practice to play it.
$2.99
2.75 €
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Guitar notes and tablatures
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Michael Bufalini
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Standing by the Shore
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Michael Bufalini
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SheetMusicPlus
Go The Distance
Guitar - Level 3 - Digital Download SKU: A0.1361222 By Michael Bolton. By Alan Menk…
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Guitar - Level 3 - Digital Download SKU: A0.1361222 By Michael Bolton. By Alan Menken and David Zippel. Arranged by 40 Fingers. Classical,Contemporary,Film/TV,Folk. 15 pages. 40 Fingers #945010. Published by 40 Fingers (A0.1361222). Step into the mesmerizing world of 40 FINGERS with the authentic sheet music for their acoustic guitar arrangement of Go The Distance (From Walt Disney's Hercules) featured in their Disney Medley video. This meticulously transcribed score, crafted directly by the members of the band, ensures a precise reproduction of every note, chord, and dynamic nuance featured in their acclaimed YouTube video. Experience the distinctive interplay between the 4 guitars and bring the soul of their rendition to your fingertips.
$15.00
13.77 €
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Michael Bolton
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Go The Distance
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40 Fingers
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SheetMusicPlus
The Moldau
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q21480 Symphonic Poem No. 2 from…
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Piano - intermediate - Digital Download SKU: S9.Q21480 Symphonic Poem No. 2 from My Fatherland. Composed by Friedrich Smetana. Arranged by Lothar Lechner. This edition: Sheet music. Piano - symphonic poem. Schott Piano Classics. Downloadable. Schott Music - Digital #Q21480. Published by Schott Music - Digital (S9.Q21480). Smetana's 'Vlatava' can be regarded as a prime example of programme music. The composition is a hymn to Smetana's home country of Bohemia, describing the course of the river Vltava from the source to its junction with the river Elbe. The work describes the course of the river Vltava starting from the two small sources of the warm Vltava and the cold Vltava until the two streams merge. The course of the Vltava is through forests and meadows and further through the landscape where many merry celebrations are being held; a dance of the water nymphs in the moonlight, castles, magnificent houses and ruins proudly appearing on nearby rocks; the Vltava forming eddies in the rapids of St. Johann, flowing as a large river toward Prague until the fortress of Vysehrad appear, and eventually disappearing in the distance to flow majestically into the river Elbe. (B. Smetana).
$11.99
11.01 €
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Piano solo
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Friedrich Smetana
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The Moldau
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Schott Music - Digital
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SheetMusicPlus
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