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9976
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 hands
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.89 €
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2 Pianos, 4 hands
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
#
Visionary Quest Records
#
SheetMusicPlus
Breton Regional Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, P…
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.<br> <br> Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.<br> <br> The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.<br> <br> James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).<br> <br> He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.<br> <br> James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.<br> <br> A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.<br> <br> For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99
8.26 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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James James
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Breton Regional Anthem for Brass Quintet
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Music for all Occasions
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SheetMusicPlus
Student's Musical Dictionary
Music Theory
Composed by L. Dean Bye. Theory and Reference. Classical. E-book. Mel Bay Publicatio…
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Composed by L. Dean Bye. Theory and Reference. Classical. E-book. Mel Bay Publications - Digital Sheet Music #94057EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609748708.<br> <br> A thorough, easily understood workbook of basic music fundamentals. Includes many examples and exercises, as well as an excellent section on harmony. Designed for individual group study. A good supplement to any basic method and a valuable text for any music student.
$9.99
9.17 €
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Music Theory
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L
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Student's Musical Dictionary
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
📄 Storia della Musica (Dalle origini al XX secolo)
Melody line, (Lyrics) and Chords
C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By And…
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C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 183 pages. Andrea Balzani #708300. Published by Andrea Balzani (A0.1105055). 👉  Dispensa di Storia della Musica (dispensa didattica)Language: ITALIAN 🇮🇹 ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzani Contenuti:- TESI n. 1 ◾  Origini monogenetiche della musica ed Etnomusicologia- TESI n. 2 ◾  Le Musiche dei popoli antichi e la musica ebraica - TESI n. 3 ◾  L'Antica musica Greca- TESI n. 4 ◾  Il Canto Cristiano e il Gregoriano - TESI n. 5 ◾  La Polifonia medioevale e l'Ars Antiqua- TESI n. 6 ◾  La Notazione musicale  - TESI n. 7 ◾  Guido d'Arezzo e la Teoria Medioevale - TESI n. 8 ◾  Canti sacri e profani, Trovatori, Trovieri e Minnesangers - TESI n. 9 ◾  Il Trecento: L'Ars Nova- TESI n. 10 ◾  Le Scuole fiamminghe del Quattrocento  - TESI n. 11 ◾  La Musica nel Rinascimento e la Polifonia sacra - TESI n. 12 ◾  Le Forme musicali dal XIII sec. al XVI sec.  - TESI n. 13 ◾  I Trattatisti e gli strumenti nel Rinascimento - TESI n. 14 ◾  La Nascita dell'Opera e la Camerata Bardi - TESI n. 15 ◾  L'Oratorio e la Musica sacra- TESI n. 16 ◾  L'Opera Italiana nel Seicento a Roma e Venezia - TESI n. 17 ◾  L'Opera Italiana nel Settecento in Italia e in Europa . - TESI n. 18 ◾  L'Opera seria e l'Opera buffa- TESI n. 19 ◾  Le riforme dell'Opera italiana : Gluck e Calzabigi - TESI n. 20 â—¾  L'Opera in Francia, Germania, Austria ed Inghilterra - TESI n. 21 ◾  L'Opera Italiana in Europa nel Seicento e Settecento- TESI n. 22 ◾  L'Opera nell'Ottocento: Rossini, Donizetti, Bellini, Verdi - TESI n. 23 ◾  Wagner : vita, opere e pensiero  - TESI n. 24 ◾  Musica, forme e strumenti del primo barocco - TESI n. 25 ◾  Il Barocco di mezzo : la Suite, la Sonata, Corelli  - TESI n. 26 ◾  Il Concerto, Vivaldi e Scarlatti   - TESI n. 27 ◾  J.S.Bach, Haendel, le scuole organistiche tedesche- TESI n. 28 ◾  Il Rococò e lÂ’Età Classica: Haydn, Mozart, Beethoven- TESI n. 29 ◾  Il Romanticismo: le forme ed i musicisti romantici   - TESI n. 30 ◾  La musica strumentale nella seconda Ottocento    - TESI n. 31 ◾  Le Scuole Nazionali      - TESI n. 32 ◾  Il Novecento, la Dodecafonia e la Musica elettronica  ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$4.99
4.58 €
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Melody line, (Lyrics) and Chords
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Andrea Balzani
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📄 Storia della Musica
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Andrea Balzani
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SheetMusicPlus
National Anthems
Easy Piano
Piano solo or with voice - easy to intermediate - Digital Download 50 Hymns. This edi…
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Piano solo or with voice - easy to intermediate - Digital Download 50 Hymns. This edition: Sheet music. Fussball, Weltmeisterschaft, Hymnen. Downloadable. Schott Music - Digital #Q20296. Published by Schott Music - Digital
German - English - French.<br> <br> National anthems are an integral part of official receptions and play an important role at major events such as the Olympic Games or World Championships. Most anthems date from the 18-20th centuries and are often an essential part of the political and cultural development of a country, e.g. on its way to independence or democracy. At the same time, the anthem conveys a sense of community and is a means to express identification with one's home country.<br> This edition contains 50 national anthems from all over the world, with original melody and chord symbols, complete texts in the original language as well as a transliteration .for the more .exotic languages. Now available in a revised second edition, the volume is completed by interesting information on the respective countries as well as on the composers and text writers of the hymns. This edition .encourages people to get to know the multitude of different national anthems and to sing along with the text.
$16.99
15.6 €
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Easy Piano
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National Anthems
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Schott Music - Digital
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.69 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
22.96 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
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Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
20.19 €
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Five-Minute Musicals: Jonah and the Whale
Choral Unison
Unison/2-part choir - Digital Download SKU: LX.10-1881K A Five Minute Musical - …
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Unison/2-part choir - Digital Download SKU: LX.10-1881K A Five Minute Musical - Sea Chantey. Composed by Sam Pottle. Arranged by Gregg Sewell. Choral Cantatas. 24 pages. Triune Music Inc #e10/1881K. Published by Triune Music Inc (LX.10-1881K). UPC: 000308041279. Text: Grace Hawthorne.Unison/Two-part - Optional Solos Take four Old Testament stories, dress them in the garb of American folk-lore; add the cool, sophisticated music of Sam Pottle (composer for Sesame Street) and the clever, humorous lyrics of Grace Hawthorne...the result is a dynamite collection of four Five minute musicals that can be performed separately or combined into a 20 minute concert segment. These excellent pieces are ideal for use in secular settings as well as in church Sing them in concert or stage them for a very entertaining set of lessons from the Bible.10/1881K Jonah and the Whale10/1882K Samson and Delilah10/1883K David and Goliath99/1232K Perf Ct of four musicals99/1233K Accmp Ct of four musicals.
$3.15
2.89 €
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Choral Unison
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Sam Pottle
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Five-Minute Musicals: Jonah and the Whale
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Triune Music Inc
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SheetMusicPlus
Tsarina the Musical Vocal Music Score
Piano, Voice
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.&q…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Lead Sheet. 90 pages. Published by DJWorks Music
With 90 pages you will love playing and singing through all the songs in this entire musical! It includes all vocal parts (solos, duets, chorus) with chords (lead sheet) including tempo markings and instrumental tags.<br> The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. Perfect for schools and community theatre organizations. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$45.99
42.23 €
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Piano, Voice
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here
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Tsarina the Musical Vocal Music Score
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DJWorks Music
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SheetMusicPlus
Music, Sing On!
Choral SATB
SATB choir and Piano with optional Orchestra and Children's Choir (With Optiona…
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SATB choir and Piano with optional Orchestra and Children's Choir (With Optional Orchestra, Children's Choir) - Digital Download Composed by Cynthia Gray. Educational, Concert, Festival. Octavo. 12 pages. Heritage Music Press #15/3087H. Published by Heritage Music Press
ISBN 9781429139526. Orchestrated by Mark T Barnard.<br> <br> Especially effective with combined choirs, this piece celebrates music in a unique way, starting with the silence of the earth before music. The optional orchestration is designed with versatility in mind, as the full instrumentation is not required to be effective.
$2.50
2.3 €
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Choral SATB
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Cynthia Gray
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Music, Sing On!
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Heritage Music Press
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SheetMusicPlus
Chinese National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arrange…
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Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arranged by Keith Terrett. 20th Century, Asian, Patriotic. Score, Set of Parts. 26 pages. Published by Music for all Occasions
An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese. Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram and soundcloud for frequent updates and news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.
$38.00
34.89 €
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Orchestra
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Nie Er
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Chinese National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Tsarina the Musical Vocal-Piano Score
Piano, Voice
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here&qu…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Piano Reduction, Score. 134 pages. Published by DJWorks Music
With 134 pages you will love playing and singing through all the songs in this entire grand musical! It includes all piano parts written out with chords, tempo markings and vocals. The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$59.99
55.09 €
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Piano, Voice
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here"
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Tsarina the Musical Vocal-Piano Score
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DJWorks Music
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SheetMusicPlus
La Marseillaise (French national anthem; G major)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1453060 By The computer. By Claude …
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Piano Solo - Level 2 - Digital Download SKU: A0.1453060 By The computer. By Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic,Standards. Score. 6 pages. Manuela #1032309. Published by Manuela (A0.1453060). La Marseillaise avec des accordsarmature de la clé sol majeurnoms d'accords internationauxgravé avec LilypondLilyPond est un logiciel de gravure musicale, destiné à produire des partitions de qualité optimale. Ce projet apporte à l’édition musicale informatisée l’esthétique typographique de la gravure traditionnelle. LilyPond est un logiciel libre rattaché au projet GNU.French National Anthem Marseillaise with chordsinternational chordnameskey signature: G majorEngraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.französische Nationalhymne Marseillaise, mit AkkordbezeichnungenTonart: G-Durinternationale Akkordbezeichnungengesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.
$2.00
1.84 €
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Piano solo
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The computer
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La Marseillaise
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Manuela
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SheetMusicPlus
La Marseillaise (French national anthem; F+G major)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1453056 By The computer. By Claude …
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Piano Solo - Level 2 - Digital Download SKU: A0.1453056 By The computer. By Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic,Standards. Score. 8 pages. Manuela #1032305. Published by Manuela (A0.1453056). La Marseillaise avec des accordsarmature de la clé fa+sol majeurnoms d'accords internationauxgravé avec LilypondLilyPond est un logiciel de gravure musicale, destiné à produire des partitions de qualité optimale. Ce projet apporte à l’édition musicale informatisée l’esthétique typographique de la gravure traditionnelle. LilyPond est un logiciel libre rattaché au projet GNU.French National Anthem Marseillaise with chordsinternational chordnameskey signature: F, G majorEngraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.französische Nationalhymne Marseillaise, mit AkkordbezeichnungenTonart: F-Dur, G-Durinternationale Akkordbezeichnungengesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.
$3.00
2.75 €
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Piano solo
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The computer
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La Marseillaise
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Manuela
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SheetMusicPlus
La Marseillaise (French national anthem; F major)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1453057 By The computer. By Claude …
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Piano Solo - Level 2 - Digital Download SKU: A0.1453057 By The computer. By Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic,Standards. Score. 6 pages. Manuela #1032306. Published by Manuela (A0.1453057). La Marseillaise avec des accordsarmature de la clé fa majeurnoms d'accords internationauxgravé avec LilypondLilyPond est un logiciel de gravure musicale, destiné à produire des partitions de qualité optimale. Ce projet apporte à l’édition musicale informatisée l’esthétique typographique de la gravure traditionnelle. LilyPond est un logiciel libre rattaché au projet GNU.French National Anthem Marseillaise with chordsinternational chordnameskey signature: F majorEngraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.französische Nationalhymne Marseillaise, mit AkkordbezeichnungenTonart: F-Durinternationale Akkordbezeichnungengesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.
$2.00
1.84 €
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Piano solo
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The computer
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La Marseillaise
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Manuela
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SheetMusicPlus
Four Directional Fanfares for Brass Quintet and optional Timpani
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fr…
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Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fritze. Neo-Classical, Easter, Wedding, Graduation, Recital. Score, Set of Parts. 32 pages. Published by Musica Nova USA
Four Directional Fanfares for Brass Quintet and optional tympani) was arranged and compiled in 2020 expressly for the Spanish Brass. Each fanfare is named after the four directions of the compass with each having a different duration. I. North (70 seconds), II. South (50 seconds), III. East (20 seconds) and IV. West (2 Minuets and 30 seconds).<br> <br> An optional timpani part has been added in the score and may be used to enhance the sound in ceremonial situations.<br> <br> The composer has played and conducted in many brass ensembles over the years as well as composing many fanfares of different lengths to suit the occasion. A brass ensemble can always use new fanfares. These fanfares were recorded by the Spanish Brass in 2020 on the CD “Music for Brass Quintet by Gregory Fritze” on the Spanish Brass label. These fanfares are also on YouTube and Soundcloud.
$15.00
13.77 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gregory Fritze
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Four Directional Fanfares for Brass Quintet and optional Timpani
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Musica Nova USA
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SheetMusicPlus
Five-Minute Musicals: Noah and the Ark
Choral Unison
Unison/2-part choir - Digital Download SKU: LX.10-1880K A railwayman's worksong
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Unison/2-part choir - Digital Download SKU: LX.10-1880K A railwayman's worksong. Composed by Sam Pottle. Arranged by Gregg Sewell. Choral Cantatas. 24 pages. Triune Music Inc #e10/1880K. Published by Triune Music Inc (LX.10-1880K). UPC: 000308041286. Text: Grace Hawthorne.Unison/Two-part - Optional Solos Take four Old Testament stories, dress them in the garb of American folk-lore; add the cool, sophisticated music of Sam Pottle (composer for Sesame Street) and the clever, humorous lyrics of Grace Hawthorne...the result is a dynamite collection of four Five minute musicals that can be performed separately or combined into a 20 minute concert segment. These excellent pieces are ideal for use in secular settings as well as in church Sing them in concert or stage them for a very entertaining set of lessons from the Bible.10/1881K Jonah and the Whale10/1882K Samson and Delilah10/1883K David and Goliath99/1232K Perf Ct of four musicals99/1233K Accmp Ct of four musicals.
$3.15
2.89 €
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Choral Unison
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Sam Pottle
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Five-Minute Musicals: Noah and the Ark
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Triune Music Inc
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitar
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.93 €
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Guitar
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Das Rheingold
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
44.07 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
Sing Christmas
Choral SATB
SATB Score-Digital Version - Digital Download Arranged by Mary McDonald and Joel Raney. …
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SATB Score-Digital Version - Digital Download Arranged by Mary McDonald and Joel Raney. Musicals for Adults. Christmas, Sacred. Choral score. 116 pages. Hope Publishing - Digital #8901DP. Published by Hope Publishing - Digital
In this collaboration between two of the most popular sacred music arrangers in the country, Mary McDonald's exuberant, dynamic style blends seamlessly with Joel Raney's rhythmic and beautifully emotional music to provide your musicians with a unique Christmas event that is sure to become the highlight of the season. The work is composed of four stand-alone suites. Each movement includes original music combined with favorite carols, creating a perfect blend of familiar and new. The writing is accessible for most groups yet contains enough richness to provide any choir with a fulfilling choral experience. The optional two-person narration knits the suites into a thrilling and complete re-telling of the Christmas story. Performance time is 45 minutes. Full Orchestrations by Michael Lawrence includes: Conductor's Score, Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, Bass Clarinet (substitute for Bassoon), 3 Trumpets, 2 Horns, Alto Sax (substitute for Horn 1 and 2), 3 Trombones, Tenor Sax/Baritone T.C. (substitute for Trombone 1 and 2), Tuba, Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, String Bass, String Reduction. Included in the Percussion are: Timpani, Bells, Sus. Cymbal, Crash Cymbals, Chimes, Mark Tree (Windchimes), Finger Cymbal, Bell Tree, Triangle, Sleigh Bells, Congas (opt. D'jembe), Tambourine, Shaker).
$12.95
11.89 €
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Choral SATB
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Sing Christmas
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Hope Publishing - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (Preview CD) SKU: HL.8739104 Composed by Allan Robert Petker and B…
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Children's Choir (Preview CD) SKU: HL.8739104 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. CD only. Fred Bock Music Company #BG7572. Published by Fred Bock Music Company (HL.8739104). UPC: 073999391046. 5.5x5 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$14.95
13.73 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (director man) SKU: HL.8739103 Composed by Allan Robert Petker and…
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Children's Choir (director man) SKU: HL.8739103 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. Fred Bock Music Company #BG0971. Published by Fred Bock Music Company (HL.8739103). UPC: 073999970753. 9x12 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$24.95
22.91 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
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