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You've selected:
Is She Not Passing
Sheetmusic to print
287 sheet music found
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276
Is She Not Passing (E Major)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884717 Composed by Edward El…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884717 Composed by Edward Elgar. Arranged by Jonathan Prentice. Romantic Period. Score. 7 pages. Jonathan Prentice #5771079. Published by Jonathan Prentice (A0.884717). Edward Elgar's wonderfully uplifting setting of Charles, Duke of Orléans's romantic poem, in E Major (suitable for mezzos and baritones)
$1.99
1.82 €
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Piano, Voice
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Edward Elgar
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Is She Not Passing
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Jonathan Prentice
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SheetMusicPlus
Is She Not Passing (F Major)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884719 Composed by Edward El…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884719 Composed by Edward Elgar. Arranged by Jonathan Prentice. Romantic Period. Score. 7 pages. Jonathan Prentice #5771087. Published by Jonathan Prentice (A0.884719). Edward Elgar's wonderfully uplifting setting of Charles, Duke of Orléans's romantic poem, in F Major (suitable for mezzos and baritones).
$1.99
1.82 €
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Piano, Voice
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Edward Elgar
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Is She Not Passing
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Jonathan Prentice
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SheetMusicPlus
Is She Not Passing (Eb Major)
Small Ensemble - Digital Download SKU: A0.884720 Arranged by Jonathan Prentice. Con…
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Small Ensemble - Digital Download SKU: A0.884720 Arranged by Jonathan Prentice. Contemporary. Score and parts. 7 pages. Jonathan Prentice #5771099. Published by Jonathan Prentice (A0.884720).
$1.99
1.82 €
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Is She Not Passing
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Jonathan Prentice
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SheetMusicPlus
Are You Washed in the Blood
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.1477384 By Elisha Albright Hoffman.…
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Flute Solo - Level 2 - Digital Download SKU: A0.1477384 By Elisha Albright Hoffman. By Elisha Albright Hoffman. Arranged by Barry Caldwell. Christian,Praise & Worship,Religious,Spiritual,Traditional. Individual part. 1 pages. Passing Notes Press #1054324. Published by Passing Notes Press (A0.1477384). With this arrangement download, you will receive a PDF of the sheet music of the classic traditional hymn Are You Washed in the Blood. This piece is arranged for playing on Native American Style Flutes (NASF or NAF) and notated in NAF TAB also called Nakai/DeMars Tablature. By using NAF TAB as the notation method the hymn sheet music may be used to play the piece on any modern 6 hole Native American Style Flute (Native American Flute) without needing to worry about what key the flute is voiced. If the user of the sheet music is not familiar with NAF TAB there are a number of excellent resources on the web to learn how to read NAF TAB / Nakai/DeMars Tablature. The piece does not include finger note diagrams. or Finger Tab.
$3.00
2.74 €
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Flute
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Elisha Albright Hoffman
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Are You Washed in the Blood
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Passing Notes Press
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SheetMusicPlus
Just Another Day
Level 4 - Digital Download SKU: A0.1391109 By J. Westerman. By J. Westerman. Arrang…
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Level 4 - Digital Download SKU: A0.1391109 By J. Westerman. By J. Westerman. Arranged by J. Westerman. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Full Performance. Duration 255. Passing Lane Music #974639. Published by Passing Lane Music (A0.1391109). Just Another Day is the thirteenth single released by J. Westerman of Passing Lane Music Studio. The sheet music for this title is also available here on SheetMusicPlus.com. For more info. about J. Westerman and his music visit passinglanemusic.wixsite.com.
$1.99
1.82 €
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J
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Just Another Day
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Passing Lane Music
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SheetMusicPlus
Just Another Day
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1391119 By J. Westerm…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1391119 By J. Westerman. By J. Westerman. Arranged by J. Westerman. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Score. 6 pages. Passing Lane Music #974649. Published by Passing Lane Music (A0.1391119). Just Another Day is the thirteenth single released by J. Westerman of Passing Lane Music Studio. An Mp3 of this song is available here on SheetMusicPlus.com. For more info. about J. Westerman and his music visit passinglanemusic.wixsite.com.
$5.99
5.48 €
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Piano, Vocal and Guitar
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J
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Just Another Day
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Passing Lane Music
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SheetMusicPlus
Melody: Passing Notes educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569831 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569831 Composed by Austin Ralphson. Instructional. Score and parts. 57 pages. Austin Ralphson #4626517. Published by Austin Ralphson (A0.569831). Melody: Passing Notes - Perform, Compose, Understand Series. This pack comprises a piece called Missing Links, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
5.48 €
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Austin Ralphson
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Melody: Passing Notes educational pack - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
45.7 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Post Age
Guitar notes and tablatures
Guitar Tab - Early Intermediate - Digital Download Composed by Michael Mccabe. Cont…
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Guitar Tab - Early Intermediate - Digital Download Composed by Michael Mccabe. Contemporary Classical, Neo- Classical, New Age. Score, Sheet Music Single, Solo Part, Tablature. 5 pages. Published by Published by Jjam Music ASCAP
"Post Age", from the record "Letters to a Friend", is a delightfully lovely fingerstyle guitar composition encompassing up to the 12th fret. As you wisp through the flourishes and experience the melody's you gain a sense of peacefulness and cherish the journey until the next time you perform "Post Age". "Post Age" is a concert piece and to be performed in a more casual setting. "Post Age" recording includes Oboe, Timpani, and Synth Strings that do not need to be performed as "Post Age" is a stand alone guitar piece. Appropriate for schools and students. Standard tuning.
$5.00
4.57 €
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Guitar notes and tablatures
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Michael Mccabe
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Post Age
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SheetMusicPlus
One Day Is Not Enough
Choral SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5835L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5835L Composed by Larry Shackley. Sacred Anthem, Thanksgiving. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5835L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5835L). “For the rise and the fall of the sun and the moon...for each lifelong friendship and those passing through...for families of faith we express gratitude. One day is not enough to thank You.†These heartfelt words, penned by Pamela Stewart, are beautifully set by Larry Shackley. Bless your congregation with this encouragement to be thankful not only on Thanksgiving Day but all year long.
$2.50
2.29 €
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Choral SATB
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Larry Shackley
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One Day Is Not Enough
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
68.57 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
It Is Not Death to Die
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
2.06 €
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Choral SATB
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.65 €
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Piano, Voice
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
Sheep May Safely Graze for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732599 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Sacred,Wedding. Score and parts. 8 pages. Prudon String Ensembles #4286291. Published by Prudon String Ensembles (A0.732599). Here is a very thoughtful and touching arrangement of this very beautiful standard. With careful use of passing tones & suspensions, the inner parts not only enhance the melody, they are also a joy to play. To give the ensemble another performance option, a Violin 2 part that works perfectly with the other two parts is included in this set.Do a search for: Prudon String Ensembles Sheet Music, and you'll find hundreds of nice arrangements for strings.
$9.99
9.13 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
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Sheep May Safely Graze for String Trio
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Prudon String Ensembles
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.93 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
CPE Bach - Solfegietto - Large Note Version - (Key Map Tablature)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.984690 Composed by Carl Philipp Ema…
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Piano Solo - Level 3 - Digital Download SKU: A0.984690 Composed by Carl Philipp Emanuel Bach. Arranged by John M. Honeycutt. Baroque. Score. 14 pages. Music Innovators Workshop #4356261. Published by Music Innovators Workshop (A0.984690). This piece has been arranged as a large note version on a key map tablature. 14 PagesThis piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
1.83 €
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Piano solo
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Carl Philipp Emanuel Bach
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CPE Bach - Solfegietto - Large Note Version -
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Music Innovators Workshop
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SheetMusicPlus
Jazzin' the Blues
Easy Piano
Piano and keyboard - Intermediate - Digital Download For the intermediate pianist. …
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Piano and keyboard - Intermediate - Digital Download For the intermediate pianist. Composed by Vince Corozine. Jazz. E-book and online audio. 112 pages. Mel Bay Publications - Digital Sheet Music #30640MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117723.<br> <br> Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, "filler" chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping); in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio.
$17.99
16.45 €
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Easy Piano
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Vince Corozine
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Jazzin' the Blues
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Love is everything
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1368426 By Jose Valladares. By Jose…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368426 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Music #952772. Published by Circlesquare Music (A0.1368426). Introducing Love is Everything, a deeply moving piano composition that resonates with the profound truth that love is the quintessence of life's most cherished moments. This soul-stirring piece, from the evocative album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a heartfelt homage to the all-encompassing power of love to transform, heal, and illuminate our lives.With a reflective tempo of 60, Love is Everything gently unfolds, each note a tender caress, each chord a deep sigh of the heart. The composition is an intimate dialogue, a lyrical confession that speaks of love's countless forms and faces – from the gentle embrace of a parent to the passionate ardor of a lover, from the steadfast loyalty of a friend to the innocent affection of a child. It's a melody that weaves through the tapestry of human experience, binding us together in its universal embrace.Love is Everything is not merely a musical piece; it's an anthem that celebrates the very essence of our existence. It invites listeners to pause, reflect, and immerse themselves in the profound realization that in the grand scheme of life, love is the melody that gives meaning to our days, the harmony that aligns our souls, and the rhythm that dances in our every heartbeat.This composition is perfect for those who seek to cherish and honor the love in their lives, for pianists who aspire to express the depth of their emotions through the gentle touch of ivory keys, and for anyone who believes in the transformative power of love to bring light into the darkest corners.Let Love is Everything envelop you in its tender embrace, nurturing your soul with its poignant melody, and reminding you of the infinite strength and grace that love bestows. This piece is a testament to love's enduring legacy, a soothing lullaby for the spirit, and a celebration of the most profound truth we know – that in the end, love truly is everything.Embrace the gentle flow of Love is Everything. Allow this piece to be a constant reminder of the love that surrounds you, a musical tribute to the enduring power of love to guide, uplift, and inspire. Secure your copy today, and let Love is Everything resonate within your heart, echoing the truth that love, indeed, is the essence of everything beautiful in life.
$8.99
8.22 €
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Piano solo
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Jose Valladares
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Love is everything
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Circlesquare Music
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SheetMusicPlus
Burattino innamorato
Piano solo
Piano Solo - Digital Download SKU: A0.976875 Composed by Monica Bergo. Children,Con…
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Piano Solo - Digital Download SKU: A0.976875 Composed by Monica Bergo. Children,Contemporary. Score. 6 pages. Monica Bergo #3244245. Published by Monica Bergo (A0.976875). 2017 Holiday Contest EntryPUPPET IN LOVE Months and then years of this shelf People passing and laughing at me Old, torn, there is never a child Who wants to buy me to shake him Wax heart in this body of mine But an emotion I can also feel I quiver in love for those eyes, a small doll you are And I never get tired of looking at you You who have a lit light bulb in that your red heart, tell me if It will shine a bit 'for me Puppet in love Be careful that your heart it can dissolve to the heat while she calls you love Strange mockery of fate your dream is nearby and You can not love her anymore And a wax tear down Small doll, small doll I that wanted to love you Now that I can do melted is this my heart And I can not feel anything but pain more Here I stand, with the heart and a dream tigthen in hand Infuse life into this body of mine Only with you I feel alive me too piece of wood, spirit does not With you comes alive It is an explosion, it is clear madness And I know for sure that you'll be mine Maybe not now, in this reality But one day will happen Puppet in love Sweet summer wind Long nights lit And the morning light it will find my puppet Always there on the shelf No heart, no love, no nothing to hope You will dance with me like if I was free from my wires I will dance with you and there is no limit to your dreams The small doll that has already decided Ripping her heart from the breast out and gives it to him If you love me only half ... a only heart just enough The bulb will shine for us It will turn in a star It will be a refuge for people like us to love never stops Sunshine On that shelf My puppet now where is ? Dirty wax can no longer serve, rests in the fire his ashes Turned off the light of a bulb My small doll no longer shine ... You will dance with me like I was free from my wires I will dance with you and there is no limit to your dreams ... .. Monica Bergo
$3.99
3.65 €
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Piano solo
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Monica Bergo
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Burattino innamorato
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Monica Bergo
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SheetMusicPlus
PUPPET IN LOVE
Piano solo
Piano Solo - Digital Download SKU: A0.1012731 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012731 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5743213. Published by Moni Bergo (A0.1012731). Music and song composed by mePUPPET IN LOVE Months and then years of this shelf People passing and laughing at me Old, torn, there is never a child Who wants to buy me to shake him Wax heart in this body of mine But an emotion I can also feel I quiver in love for those eyes, a small doll you are And I never get tired of looking at you You who have a lit light bulb in that your red heart, tell me if It will shine a bit 'for me Puppet in love Be careful that your heart it can dissolve to the heat while she calls you love Strange mockery of fate your dream is nearby and You can not love her anymore And a wax tear down Small doll, small doll I that wanted to love you Now that I can do melted is this my heart And I can not feel anything but pain more Here I stand, with the heart and a dream tigthen in hand Infuse life into this body of mine Only with you I feel alive me too piece of wood, spirit does not With you comes alive It is an explosion, it is clear madness And I know for sure that you'll be mine Maybe not now, in this reality But one day will happen Puppet in love Sweet summer wind Long nights lit And the morning light it will find my puppet Always there on the shelf No heart, no love, no nothing to hope You will dance with me like if I was free from my wires I will dance with you and there is no limit to your dreams The small doll that has already decided Ripping her heart from the breast out and gives it to him If you love me only half ... a only heart just enough The bulb will shine for us It will turn in a star It will be a refuge for people like us to love never stops Sunshine On that shelf My puppet now where is ? Dirty wax can no longer serve, rests in the fire his ashes Turned off the light of a bulb My small doll no longer shine ... You will dance with me like I was free from my wires I will dance with you and there is no limit to your dreams ... .. Monica Bergo
$5.00
4.57 €
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Piano solo
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Monica Bergo
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PUPPET IN LOVE
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Moni Bergo
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SheetMusicPlus
This World Is Not My Home (i'm Just Passing Thru)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1161327 Composed by Albert…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1161327 Composed by Albert E. Brumley. Arranged by Bob Eggers. 20th Century,A Cappella,Christian,Spiritual. Octavo. 6 pages. ROBERT J EGGERS #761670. Published by ROBERT J EGGERS (A0.1161327). An inspiring gospel piece with a sweet melody that will delight all audiences. This arrangement is scored for a tenor soloist plus TTBB a cappella accompaniment. My own a cappella group performed it for many years and it was one of our most requested numbers. We often closed our performances with it. It's great for school or collegiate groups, and very easy to learn and sing. The feel of this arrangement is much like Geoff Muldaur's setting with guitar on The Secret Handshake.This song dates back 1o 1919, but Brumley codified it in 1937 with his arrangement in Favorite Radio Songs. Woodie Guthrie loved the song, but created his own set of more secular lyrics. This arrangement bridges both settings, with Woody's lyrics for the concluding verse, which nonetheless fit the gospel message quite well.
$1.99
1.82 €
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Choral TTBB
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Albert E
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This World Is Not My Home
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ROBERT J EGGERS
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SheetMusicPlus
Scale Degree Explanation: Music Theory Worksheet
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1162912 Composed by Brian Streckfus…
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Easy Piano - Level 1 - Digital Download SKU: A0.1162912 Composed by Brian Streckfus. Instructional. Score. 2 pages. Brian Streckfus #763269. Published by Brian Streckfus (A0.1162912). If you were ever confused when a musician said something like, add a b5 to that chord, this theory worksheet should help your understanding. Tips:1. Understanding scale degrees also aids greatly in understand how chords work, and more specifically, why chords are named the way they are (such as b9). 2. Understanding scale degrees can also aid in transposing music to different keys.3. Understanding scale degrees can aid in copying another musician's essence rather than stealing their exact notes. Instead of saying I like that A G# G on top of an Am7 chord. That's a very good start, but it is even more amibigous (and therefore all-encompassing) to say, I like that 8 7 b7 on top of a i7 chord. The second way is better for composing because now you understand that sound in every possible context, which in turn adds that composing trick to a fluent part of your musical language.
$1.99
1.82 €
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Easy Piano
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Brian Streckfus
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Scale Degree Explanation: Music Theory Worksheet
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Brian Streckfus
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SheetMusicPlus
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