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You've selected:
Is There Anything Else That I Can Do For You
Sheetmusic to print
5 sheet music found
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1
Is There Anything Else That I Can Do For You
Piano, Voice
Piano and voice - Digital Download SKU: LV.21612 Composed by Ted Snyder. Portraits,…
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Piano and voice - Digital Download SKU: LV.21612 Composed by Ted Snyder. Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21612). Is There Anything Else That I Can Do For You. Words By Irving Berlin. Music By Ted Snyder. Published 1910 by Ted Snyder Co., 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. First line reads Pretty young Mabel was helping her mother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voice
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Irving Berlin
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Ted Snyder
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Is There Anything Else That I Can Do For You
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Chord Progression Generator for Guitar
Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Compos…
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Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
4.52 €
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Brian Streckfus
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Chord Progression Generator for Guitar
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Brian Streckfus
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SheetMusicPlus
In Your Slumber
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.59 €
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Concert band
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Shallow (from "A Star Is Born") - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By Lady Gaga. Arranged by Mario Stallbau…
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Piano Solo - Intermediate - Digital Download By Lady Gaga. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Shallow” by Lady Gaga & Bradley Cooper (from their film “A Star Is Born”) on piano.<br> <br> It's an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic!<br> The whole melody is included in the piano part, so it's a great instrumental version which doesn't lack anything.<br> But of course, you can also use these piano sheets to accompany singers, or sing along yourself!<br> <br> FYI:<br> I also have a version of this arrangement which includes the song's full lyrics:<br> https://www.sheetmusicplus.com/title/21134754<br> <br> And if this piano version looks a bit too hard for you, there's also an easy piano arrangement available:<br> https://www.sheetmusicplus.com/title/21143810<br> <br> "Shallow" is a beautiful duet by Lady Gaga and Bradley Cooper, from their 2018 film "A Star Is Born". It was released in September 2018 as the lead single from the film's soundtrack (a week before the film's release in US theaters).<br> <br> "Shallow" is a catchy, emotional pop song, and sounds great on piano!<br> <br> Here are the full lyrics for “Shallow”:<br> <br> Tell me somethin', girl<br> Are you happy in this modern world?<br> Or do you need more?<br> Is there somethin' else you're searchin' for?<br> I'm falling<br> In all the good times I find myself<br> Longin' for change<br> And in the bad times I fear myself<br> Tell me something, boy<br> Aren't you tired tryin' to fill that void?<br> Or do you need more?<br> Ain't it hard keeping it so hardcore?<br> I'm falling<br> In all the good times I find myself<br> Longing for change<br> And in the bad times I fear myself<br> I'm off the deep end, watch as I dive in<br> I'll never meet the ground<br> Crash through the surface, where they can't hurt us<br> We're far from the shallow now<br> In the shallow, shallow<br> In the shallow, shallow<br> In the shallow, shallow<br> We're far from the shallow now<br> Oh, oh, oh, oh<br> Whoah!<br> I'm off the deep end, watch as I dive in<br> I'll never meet the ground<br> Crash through the surface, where they can't hurt us<br> We're far from the shallow now<br> In the shallow, shallow<br> In the shallow, shallow<br> In the shallow, shallow<br> We're far from the shallow now
$5.99
5.43 €
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Piano solo
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Lady Gaga
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Shallow
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Mario Stallbaumer
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SheetMusicPlus
Highlands [2 violins]
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
1.81 €
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2 Violins (duet)
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John Winstead and Miguel Angel Cotignola
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
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