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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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It's Late
Sheetmusicplus
Not classified
1,212
Piano & keyboards
Piano solo
608
Piano, Voice
196
Piano, Vocal and Guitar
137
Easy Piano
137
Piano Accompaniment
71
C Instruments
64
Organ
37
1 Piano, 4 hands
30
2 Pianos, 4 hands
11
Piano Quartet: piano, violin, viola, cello
10
Piano Trio: piano, violin, cello
9
Piano Quartet: piano, 2 violins, cello
5
Piano (band part)
3
2 Pianos, 8 hands
2
Accordion
2
Harpsichord
2
Big Note Piano
2
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
67
Guitar notes and tablatures
46
Melody line, (Lyrics) and Chords
25
Ukulele
18
Bass guitar
11
Piano, Guitar (duet)
9
2 Guitars (duet)
8
Guitar (band part)
4
Lyrics and Chords
4
Banjo
3
Dobro
1
Mandolin, Guitar (duet)
1
Mandolin
1
Guitar Ensemble
1
3 Guitars (trio)
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
229
Tenor voice, Piano
71
Alto voice, Piano
69
Soprano voice, Piano
61
Choral 3-part
61
Choral TTBB
45
Choral 2-part
43
Choral SSAA
36
Baritone voice, Piano
29
Choral Unison
18
High voice
6
Vocal duet, Piano
6
Tenor voice
6
Medium voice, Piano
6
Voice solo
4
Choral
3
Vocal duet
1
Choral SSATTB
1
Soprano voice
1
+ 14 instrumentations
-
Retract
Woodwind
Flute and Piano
111
Saxophone Quartet: 4 saxophones
92
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
85
Clarinet and Piano
75
Oboe, Piano (duet)
66
2 Saxophones (duet)
60
Clarinet Quartet: 4 clarinets
58
Tenor Saxophone and Piano
58
Alto Saxophone and Piano
58
Saxophone (band part)
47
Saxophone Quintet: 5 Saxophones
45
Flute, Oboe, Clarinet, Bassoon
40
Soprano Saxophone and Piano
40
Baritone Saxophone, Piano
36
English horn, Piano
32
2 Clarinets (duet)
32
Flute
30
Clarinet
29
Clarinet Ensemble
27
2 Flutes (duet)
26
Oboe (band part)
24
Flute ensemble
23
Alto Saxophone
22
Flute Quartet: 4 flutes
20
Bass Clarinet, Piano
20
Flute, Clarinet (duet)
19
Tenor Saxophone
17
Saxophone ensemble
16
3 Saxophones (trio)
16
Clarinet Quintet: 5 clarinets
16
Flute Quintet : 5 flutes
14
3 Clarinets (trio)
14
Saxophone, Clarinet (duet)
13
Descant (Soprano) Recorder
10
2 Oboes (duet)
10
Clarinet, Violin (duet)
9
Oboe, Clarinet (duet)
8
Oboe, Bassoon (duet)
8
Clarinet, Trumpet (duet)
7
Clarinet, Bassoon (duet)
7
Clarinet and Viola
6
2 Recorders (duet)
6
Flute Trio: 3 flutes
6
Flute (band part)
5
Flute, Violin
5
Recorder Quartet
5
Flute, Saxophone (duet)
5
Flute and Guitar
5
Flute, Viola (duet)
5
Recorder
4
Clarinet, Guitar (duet)
4
Oboe, Flute
4
Flute, Trumpet (duet)
4
Clarinet, Cello (duet)
4
Treble (Alto) Recorder, Piano
3
Oboe
3
Flute, Oboe, Clarinet (trio)
3
Clarinet (band part)
3
3 Recorders (trio)
3
Recorder Ensemble
3
Flute, Violoncello
3
Piccolo, Piano
3
Tenor Recorder
3
Descent (Soprano) Recorder, Piano
3
5 Recorders
2
Saxophone and Organ
2
Flute, Violin, Violoncello and Piano
2
Treble (Alto) Recorder
2
Soprano Saxophone
2
Flute, Clarinet, Piano (trio)
2
2 Flutes, Piano
2
Flute, Oboe, Piano (trio)
2
Flute, Clarinet and Bassoon.
1
English Horn, Guitar (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe (duet)
1
Flute and Strings Trio
1
Flute, Bassoon, and Piano
1
Oboe and viola (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
English horn, Harp (duet)
1
Oboe ensemble
1
4 Oboes
1
2 Recorders, Guitar
1
Flute, Violin, Piano
1
Harmonica
1
Flute, harp and violin
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Cello
1
Clarinet, Cello, Piano (trio)
1
Bass Clarinet
1
2 Saxophones, Piano
1
Flute, Cello, Piano (trio)
1
2 Clarinets, Piano
1
+ 89 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
116
Trombone and Piano
62
Brass quartet : 2 trumpets, trombone, tuba
56
French Horn and Piano
41
Trumpet
41
Trumpet, Piano
37
Euphonium, Piano (duet)
36
English horn, Piano
32
Trombone (band part)
25
Trumpet (band part)
21
Brass Quartet: 2 trumpets, horn, trombone
21
Trumpet, Trombone (duet)
18
Tuba and Piano
17
2 Trumpets (duet)
15
Trombone
14
2 Trombones (duet)
14
French horn
13
2 French horns (duet)
11
Tuba
11
Trombone ensemble
11
Trumpet, Saxophone (duet)
10
Brass Quartet
9
Brass Quartet: 4 trombones
9
Trumpet ensemble
8
Trumpet, Horn (duert)
6
French horn (band part)
5
Horn Ensemble
4
Brass Quartet: 4 trumpets
4
Brass Quartet: 4 horns
4
Trombone, Horn (duet)
4
Tuba and Organ
3
Euphonium
3
3 Tubas (trio)
3
2 Tubas (duet)
3
Tuba (band part)
3
3 Trombones (trio)
3
Brass Trio
2
Horn, Tuba (duet)
2
3 French horns (trio)
2
Trumpet, Tuba (duet)
2
Trombone, Tuba (duet)
2
4 Tubas
2
English Horn, Guitar (duet)
1
English horn, Harp (duet)
1
Euphonium, Tuba (duet)
1
2 Euphoniums and 2 Tubas
1
3 Trumpets (trio)
1
2 Euphoniums (duet)
1
Trumpet, Euphonium (duet)
1
+ 44 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
175
Violin and Piano
101
Viola, Piano
63
Cello, Piano
58
Violin
45
Harp
38
Violin, Cello (duet)
34
Cello
31
2 Violins (duet)
27
Violin, Viola (duet)
21
String Trio: violin, viola, cello
18
Viola
15
2 Cellos (duet)
15
2 Violas (duet)
14
String Trio: 2 violins, cello
14
2 Harps (duet)
10
Violin, Guitar (duet)
9
Viola (band part)
8
4 Cellos
8
Viola, Cello (duet)
6
Piano Trio: Violin, Viola, Piano
6
Double Bass
6
String Quintet: 2 violins, viola, cello, bass
5
Violin (band part)
5
Violin ensemble
5
Double bass, Piano (duet)
5
String Trio: 3 violins
4
String quartet: 4 violins
4
Viola ensemble
4
Doublebass (band part)
4
String Trio: 3 cellos
4
String Quartet : 4 violas
3
Cello, String Bass (duet)
3
String Trio: 3 violas
3
Harp, Voice
3
2 Double basses (duet)
2
Harp, Flute (duet)
2
Violin, Clarinet, Piano (trio)
1
Violin, Bassoon (duet)
1
Cello, Guitar (duet)
1
Harp and Piano
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
277
Orchestra
95
String Orchestra
73
Brass ensemble
41
Jazz Ensemble
36
Chamber Orchestra
31
Handbells
25
Jazz combo
13
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11
Marching band
8
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4
Piano and Orchestra
4
Marimba
3
Drums
3
Vibraphone
3
Percussion (band part)
2
Vibraphone (band part)
1
Orchestra, Violin
1
+ 13 instrumentations
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Retract
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--INSTRUMENTS--
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7,095 sheet music found
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7076
Jeep's Blues: E-flat Alto Saxophone
#
Saxophone (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: E-flat Alto Saxo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_AX1 E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Ins...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_AX1 E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_AX1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 2nd B-flat Tenor Saxophone
#
Saxophone (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: 2nd B-flat Tenor
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TX2 2nd B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TX2 2nd B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TX2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: String Bass
#
Doublebass (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_SB String Bass. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional....
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_SB String Bass. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_SB). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: Piano Accompaniment
#
Piano (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: Piano Accompanim
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_K Piano Accompaniment. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instruc...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_K Piano Accompaniment. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_K). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 2nd Trombone
#
Trombone (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: 2nd Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN2 2nd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructiona...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN2 2nd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 4th B-flat Trumpet
#
Trumpet (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: 4th B-flat Trump
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T4 4th B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instruc...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T4 4th B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T4). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: E-flat Baritone Saxophone
#
Saxophone (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: E-flat Baritone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_BTX E-flat Baritone Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges....
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_BTX E-flat Baritone Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_BTX). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 1st B-flat Trumpet
#
Trumpet (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: 1st B-flat Trump
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T1 1st B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instruc...
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T1 1st B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: B-flat Tenor Saxophone
#
Saxophone (band part)
#
Instructional
#
David Berger, Duke Ellington,
#
Jeep's Blues: B-flat Tenor Sax
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TX1 B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. In...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TX1 B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TX1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 3rd B-flat Trumpet
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Trumpet (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: 3rd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T3 3rd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instruc...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T3 3rd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T3). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: Drums
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Drum (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_D Drums. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_D Drums. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_D). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 2nd E-flat Alto Saxophone
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Saxophone (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: 2nd E-flat Alto
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_AX2 2nd E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges....
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_AX2 2nd E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_AX2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 2nd B-flat Trumpet
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Trombone (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: 2nd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T2 2nd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instruc...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_T2 2nd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 1st Trombone
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Trombone (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN1 1st Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructiona...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN1 1st Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Jeep's Blues: 3rd Trombone
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Trombone (band part)
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Instructional
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David Berger, Duke Ellington,
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Jeep's Blues: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN3 3rd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructiona...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014296_TN3 3rd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN3). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00
Treasure Chest (a chocolate song)
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Choral 2-part
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EASY
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Sally Whitwell
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Treasure Chest
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #386901...
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by Sally Whitwell (A0.873031). Composer’s Note - Treasure ChestI w​as commissioned by the Canberra International Music Festival in 2016 to write a work for children’s chorus. The concert was a Mothers’ Day event, sponsored by a couple of local boutique chocolatiers, so the works on the program were all chocolate and coffee themed, including J S Bach’s Coffee Cantata and a bunch of songs from Charlie and the Chocolate Factory. The festival’s Artistic Director Roland Peelman asked me if I could write a new piece on this theme.So I got thinking about chocolate and about Mothers’ Day and about how when you’re a little kid and have no earnings, you still give your mum a present for her special day (that is, your dad pays for it and you sign the card!). And if it’s chocolate, you might give her ​your​ favourite chocolate instead of ​hers,​ and all you are really waiting for is for her to offer you one. When I was a child, I always used to think of chocolate boxes as treasure chests, full of shining precious things only consumed on very special occasions. Because they were such a rarity, you really had to savour each sweet taste and gooey texture. I​ ’m sure from this song, you’ll be able to tell that I am a big sweet tooth!-- Sally Whitwell
$1.99
It's So Still in Bethlehem
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Choral SATB
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EASY
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Christmas
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Arr
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Ruth Elaine Schram
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It's So Still in Bethlehem
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - early intermediate - Digital Download SKU: C7.CGE259 Still, Still, Still with O Little Town of Bethlehem. Composed by Arr. Ruth Elai...
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SATB chorus - early intermediate - Digital Download SKU: C7.CGE259 Still, Still, Still with O Little Town of Bethlehem. Composed by Arr. Ruth Elaine Schram. Arranged by Ruth Elaine Schram. Christmas. Sing! With Opt. Handchimes. Octavo. 12 pages. Chorister's Guild - Digital #CGE259. Published by Chorister's Guild - Digital (C7.CGE259). UPC: 749193027851.A memorable, pentatonic setting of selected lines from The Gift to Sing by James Weldon Johnson that speaks to the heart of all who find comfort and hope in song. Choirs, audiences and directors can all relate to the fact that there are times in life when blackening clouds seem to surround us. But the soaring melodic refrain reminds us that the magic way to turn the gloom to day is to sing and sing and sing. The accompaniment swells with wave-like motion under vocal lines that capture the joyful flight of hearts that take wing when we sing.
$2.45
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jm...
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCA...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
#
Giovanni Gabrieli
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James M
#
Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Enjoy Yourself (it's Later Than You Think)
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Choral TTBB
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EASY
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Contemporary
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Carl Sigman and Herb Magidson
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Jim Shubert
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Enjoy Yourself
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James W. Shubert
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971370 Composed by Carl Sigman and Herb Magidson. Arranged by Jim Shubert. Contemporary. Octavo....
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971370 Composed by Carl Sigman and Herb Magidson. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6401509. Published by James W. Shubert (A0.971370). 4 part Male Barbershop arrangement (TTBB) Early Intermediate Level. A big hit for Guy Lombardo and his Royal Canadians in 1949, and covered by various artists, including Bing Crosby, Doris Day,Louis Prima. A lively calypso beat carries a message that is as relevant today as it was when written. Your older audiences will love it and remember it, your younger audiences will enjoy it. A bit different than most barbershop arrangements.
$1.99
Enjoy Yourself (it's Later Than You Think)
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Contemporary
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Carl Sigman and Herb Magidson
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Dr
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Enjoy Yourself
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 19 pages. Michael McDonough A.S.C.A.P. #6439471. Published by Michael McDonough A.S.C.A.P. (A0.965539). This is a swing version of a great tune. All tenor parts get to play lead. Give this fun arrangement a try.
$15.00
It's Too Late
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Contemporary
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Gloria Estefan
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Joseph Pugh
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It's Too Late
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Joseph Pugh
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Josep...
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Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6610465. Published by Joseph Pugh (A0.855318). Copyright © 1971 Colgems-EMI Music Inc. Copyright RenewedIt's Too Late is a song from Carole King's 1971 album Tapestry. Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later gold-certified by the RIAA. Billboard ranked It's Too Late and its fellow A-side, I Feel the Earth Move, as the No. 3 record for 1971.This is a shortened jazz flute solo version of the song by, Joseph Pugh.
$7.99
Father of my Heart - A Father's Day Song [vocals/piano]
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Piano, Voice
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EASY
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by Australian composer, Rebecc
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Father of my Heart - A Father'
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Rebecca Summers
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages....
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers #3884837. Published by Rebecca Summers (A0.1007857). Perfect for a school Father's Day ceremony, uplifting lyrics, intermediate keyboard part.LyricsCan't you understand you're number one?Important as the moonshine, essential as the sunthat shines so bright when we're togetherI hate when we're apartYou're in my soul forever, the father of my heart.You're in my soul forever, the father of my heart.Can't you understand you matter morethan any other person, it's you I'm searching foramongst the crowded rows of peopleat the finish and the start.I'll look to you forever, the father of my heart.I'll look to you forever, the father of my heart.ChorusIt's not too late. It's not too late.It's not too late we've got the day together.It's not too late I don't care 'bout the weather.It's not too late and some day when we're older my baby sitting on your shoulderI hope I'm wonderin' if she feels the same.Don't you understand it's not too lateTo throw out your 'to-do' list and to celebratea Happy Father's Day together this year's our brand new start.Do you hear my wishes, the father of my heart.Do you hear my wishes, the father of my heart.
$12.99
It's A Most Unusual Day
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Piano solo
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INTERMEDIATE/ADVANCED
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Andy Williams
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John Fries
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It's A Most Unusual Day
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John Fries
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1330406 By Andy Williams. By Harold Adamson and Jimmy McHugh. Arranged by John Fries. 20th Century,Jazz,S...
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Piano Solo - Level 4 - Digital Download SKU: A0.1330406 By Andy Williams. By Harold Adamson and Jimmy McHugh. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #918275. Published by John Fries (A0.1330406). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This song is considered part of the Great American Songbook. It was introduced in the film A Date With Judy when it was sung by Jane Powell in the opening scene with the school orchestra and is later sung in the film by Elizabeth Taylor (dubbed by Jean McLaren) and in the finale in an ensemble]. Beverly Kenney recorded It's a Most Unusual Day in 1957 for her album Beverly Kenney sings for Playboys which is featured in a Lincoln automobile commercial for television as of late 2021. The original arrangement was in 3/4 time. This is a swing version.
$5.99
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