Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
2,191
Digital Sheet Music
6,080
Sheet Music Books
7,700
Music Equipment
1,097
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1217
PIANO & KEYBOARDS
Piano solo
525
Piano, Voice
271
Easy Piano
130
Piano, Vocal and Guitar
91
C Instruments
39
Organ
27
Piano Quartet: piano, violin, viola, cello
9
1 Piano, 4 hands
7
Piano Trio: piano, violin, cello
7
Piano (band part)
5
2 Pianos, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion
2
2 Pianos, 8 hands
2
Piano Accompaniment
1
Accordion ensemble
1
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
60
Guitar
49
Melody line, (Lyrics) and Chords
23
Ukulele
17
Bass guitar
14
Lyrics and Chords
5
Guitar (band part)
5
2 Guitars (duet)
3
Banjo
3
Dulcimer
3
4 Guitars (Quartet)
2
Guitar Ensemble
2
Mandolin, Guitar (duet)
2
Guitar, Violin, Cello (trio)
1
Electric Bass (band part)
1
Mandolin
1
Piano, Guitar (duet)
1
Ukulele Ensemble
1
3 Guitars (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
198
Choral 3-part
65
Choral 2-part
39
Choral TTBB
33
Choral SSAA
25
Choral Unison
17
Soprano voice, Piano
14
Alto voice, Piano
12
Vocal duet
8
High voice
5
Baritone voice, Piano
4
Soprano voice
3
Vocal duet, Piano
3
Medium voice, Piano
2
Tenor voice, Piano
2
Tenor voice
2
Low voice, Piano
1
Choral SSAB, Piano
1
Soli, Mixted choir and accompaniment
1
Voice solo
1
Choral SSATTB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quintet: 5 Saxophones
114
Saxophone ensemble
100
Saxophone Quartet: 4 saxophones
91
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
77
Flute and Piano
63
Clarinet and Piano
50
Oboe, Piano (duet)
50
Clarinet Ensemble
41
Alto Saxophone and Piano
38
Flute, Oboe, Clarinet, Bassoon
38
2 Flutes (duet)
31
2 Saxophones (duet)
30
Tenor Saxophone and Piano
29
Saxophone (band part)
27
Baritone Saxophone, Piano
26
Flute
26
Soprano Saxophone and Piano
26
Clarinet Quartet: 4 clarinets
25
Flute ensemble
24
Clarinet
24
English horn, Piano
21
Bass Clarinet, Piano
19
Flute Quintet : 5 flutes
19
Flute Quartet: 4 flutes
17
2 Clarinets (duet)
15
Oboe (band part)
13
Flute, Trombone (duet)
10
Tenor Saxophone
10
Clarinet Quintet: 5 clarinets
10
3 Saxophones (trio)
10
Alto Saxophone
10
Harmonica
8
Descant (Soprano) Recorder
7
Flute and Guitar
6
2 Recorders (duet)
5
3 Clarinets (trio)
5
Clarinet (band part)
4
Flute Trio: 3 flutes
4
Recorder
4
Clarinet, Guitar (duet)
4
Recorder Quartet
4
Clarinet, Bassoon (duet)
3
Oboe, Bassoon (duet)
3
Flute (band part)
3
2 Oboes (duet)
3
Piccolo, Piano
2
5 Recorders
2
Flute, Violoncello
2
Saxophone, Clarinet (duet)
2
Clarinet, Harp (duet)
2
Oboe
2
Flute, Clarinet (duet)
2
Treble (Alto) Recorder, Piano
2
Clarinet, Cello, Piano (trio)
1
Flute, Oboe, Bassoon
1
2 English horns and Pianoforte
1
Flute, Bassoon, and Piano
1
Treble (Alto) Recorder
1
Clarinet and Viola
1
Tenor Recorder
1
Clarinet, Cello (duet)
1
Pennywhistle
1
Flute, Saxophone (duet)
1
Descent (Soprano) Recorder, Piano
1
Bass Clarinet
1
English horn, Harp (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
3 Recorders (trio)
1
Saxophone
1
Oboe, Clarinet (duet)
1
Oboe, Guitar (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Harp
1
Clarinet, Violin (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
117
Brass quartet : 2 trumpets, trombone, tuba
98
Brass Quartet: 2 trumpets, horn, trombone
51
Trombone and Piano
42
Trombone ensemble
37
Euphonium, Piano (duet)
31
Trumpet ensemble
28
Trumpet
28
French Horn and Piano
27
Trumpet, Piano
27
English horn, Piano
21
Trumpet (band part)
19
Trombone (band part)
17
Trombone
15
Brass Quartet
14
Tuba
13
Tuba and Piano
13
French horn
12
2 Trombones (duet)
7
2 Trumpets (duet)
7
Horn Ensemble
6
Brass Quartet: 4 trombones
5
Brass Quartet: 4 horns
5
Trumpet, Trombone (duet)
5
Brass Quartet: 4 trumpets
3
4 Tubas
2
Tuba (band part)
2
2 French horns (duet)
2
Euphonium
2
Tuba and Organ
2
2 Euphoniums and 2 Tubas
2
Brass Trio
2
2 Euphoniums (duet)
2
2 Tubas (duet)
1
French horn (band part)
1
2 English horns and Pianoforte
1
Trumpet, Euphonium (duet)
1
English horn, Harp (duet)
1
Bass Trombone and Piano
1
Tuba or Euphonium or Saxhorn
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
204
Violin and Piano
60
Viola, Piano
39
Cello, Piano
38
String Trio: violin, viola, cello
34
Violin
34
Cello
28
Violin, Cello (duet)
28
Viola ensemble
21
Violin ensemble
20
Harp
20
String Trio: 2 violins, cello
19
String Quintet: 2 violins, viola, cello, bass
17
2 Violins (duet)
10
Double bass, Piano (duet)
9
4 Cellos
8
Double Bass
7
Viola
7
2 Cellos (duet)
7
2 Violas (duet)
6
Violin, Viola (duet)
5
Viola (band part)
5
Harp, Flute (duet)
5
String Quintet: 2 violins, 2 violas, cello
5
Violin (band part)
4
String quartet: 4 violins
4
String Trio: 3 cellos
3
Doublebass (band part)
3
Viola, Cello (duet)
3
String Quartet : 4 violas
3
Violin, Guitar (duet)
2
Cello, Guitar (duet)
2
Harp, Voice
2
String Trio: 3 violins
2
Cello (band part)
1
String Trio: 3 violas
1
Violin, Organ
1
Harp, Violin, Violoncello
1
Harp and Piano
1
2 Double basses (duet)
1
Violin, Bassoon (duet)
1
Cello Ensemble
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
188
Orchestra
79
Jazz Ensemble
58
String Orchestra
58
Brass ensemble
30
Marching band
21
Chamber Orchestra
18
Jazz combo
17
Percussion Ensemble
13
Handbells
6
Drums
4
Percussion
3
Drum (band part)
3
Orchestra, Violin
2
Xylophone, Piano
2
2 Xylophones
1
Marimba
1
Xylophone
1
Xylophone or Marimba or Vibraphone
1
Vibraphone and Marimba
1
Brass Quintet: other combinaisons
1
Percussion (band part)
1
Piano and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Music Theory
1
You've selected:
It's Like That
Sheetmusic to print
6,080 sheet music found
<
1
26
51
....
6076
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.83 €
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross
Choral SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.77 €
#
Choral SSATTB
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.75 €
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
It's Beginning To Look Like Christmas
Trumpet (band part)
Trumpet Solo - Level 4 - Digital Download SKU: A0.839688 Composed by Meredith Wills…
(+)
Trumpet Solo - Level 4 - Digital Download SKU: A0.839688 Composed by Meredith Willson. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #6596533. Published by Bobby Hesch (A0.839688). IT'S BEGINNING TO LOOK A LOT LIKE CHRISTMAS!!! BUT THE PRETTIEST SIGHT TO SEE IS THE HOLLY THAT WILL BE ON YOUR OWN FRONT DOOR!!! LET'S PLAY SOME JAZZ!!! WRITTEN IN 1951 BY THE GREAT MEREDITH WILSON!!! KEY OF C!!! LOW G - HIGH A!!! MP3 FOR JAZZ STYLE & INTERPRETATION!! CHALLENGING PASSAGES!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS!!! I CAN HELP!!! HAVE FUN PLAYING THIS HOLIDAY CLASSIC!!!
$4.99
4.6 €
#
Trumpet (band part)
#
Meredith Willson
#
It's Beginning To Look Like Christmas
#
Bobby Hesch
#
SheetMusicPlus
It's So Still in Bethlehem
Choral SATB
SATB chorus - early intermediate - Digital Download SKU: C7.CGE259 Still, Still,…
(+)
SATB chorus - early intermediate - Digital Download SKU: C7.CGE259 Still, Still, Still with O Little Town of Bethlehem. Composed by Arr. Ruth Elaine Schram. Arranged by Ruth Elaine Schram. Christmas. Sing! With Opt. Handchimes. Octavo. 12 pages. Chorister's Guild - Digital #CGE259. Published by Chorister's Guild - Digital (C7.CGE259). UPC: 749193027851.A memorable, pentatonic setting of selected lines from The Gift to Sing by James Weldon Johnson that speaks to the heart of all who find comfort and hope in song. Choirs, audiences and directors can all relate to the fact that there are times in life when blackening clouds seem to surround us. But the soaring melodic refrain reminds us that the magic way to turn the gloom to day is to sing and sing and sing. The accompaniment swells with wave-like motion under vocal lines that capture the joyful flight of hearts that take wing when we sing.
$2.45
2.26 €
#
Choral SATB
#
Arr
#
It's So Still in Bethlehem
#
Chorister's Guild - Digital
#
SheetMusicPlus
On That Cross - Piano part only
Piano (band part)
Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$1.99
1.83 €
#
Piano (band part)
#
Stuart Brown
#
On That Cross - Piano part only
#
Stuart Brown Music
#
SheetMusicPlus
There's No One Like Her (Piano & Ensemble)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.867985 Composed by Ric Flaudi…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.867985 Composed by Ric Flauding. 20th Century,Holiday,Jazz,Latin,Love. Score and parts. 32 pages. Denise Lea Flauding #4295655. Published by Denise Lea Flauding (A0.867985). Romantic Cinematic Jazz Bossa. REVIEWS: Great feel!, it's like Adele with a lite jazz overtone. / OMG. That is beautiful! / One of the best love songs of the decade!! Live premiere by The Mansfield Philharmonic (Texas). For: Piano / Bass / Drums (Perc.) / Orchestral Instruments. Includes a Lead Sheet. flaudingmusic.com
$15.00
13.83 €
#
String Orchestra
#
Ric Flauding
#
There's No One Like Her
#
Denise Lea Flauding
#
SheetMusicPlus
It's Sleuthing Time! - Piano Solo
Piano (band part)
Jazz Combo Piano Solo - Level 2 - Digital Download SKU: A0.836640 Composed by Charl…
(+)
Jazz Combo Piano Solo - Level 2 - Digital Download SKU: A0.836640 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score. 4 pages. Charles E. and Maria A. Davis #5888243. Published by Charles E. and Maria A. Davis (A0.836640). This dramatic piece, written for the advanced beginner or intermediate piano student, combines a haunting melody with mysterious blues harmonies to create an unforgettable piano piece that will be enjoyable for both performer and audience alike. This piece is not only for solo performance, but may also be used by a jazz combo/ensemble to improvise a longer piece from the music provided.
$3.99
3.68 €
#
Piano (band part)
#
Charles E
#
It's Sleuthing Time! - Piano Solo
#
Charles E. and Maria A. Davis
#
SheetMusicPlus
Feelslikeimfallinginlove
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1486722 By Coldplay F…
(+)
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1486722 By Coldplay Feat. John Metcalfe. By Apple Martin, Chris Martin, Guy Berryman, Jon Buckland, Jon Hopkins, Max Martin, Tim Rutili, and Will Champion. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock,Wedding. Score. 5 pages. Paul Lorenz #1063788. Published by Paul Lorenz (A0.1486722). Discover the Magic of Feelslikeimfallinginlove Sheet Music by Coldplay Unlock the beautiful melodies of Coldplay’s Feelslikeimfallinginlove with our expertly arranged sheet music, brought to you by the renowned Paul Lorenz. Perfect for voice, piano, and chords, this edition is a must-have for musicians and Coldplay fans alike. Elevate your musical journey and bring the magic of Coldplay to your fingertips. Experience the Feelslikeimfallinginlove Sheet Music Paul Lorenz's arrangement of Feelslikeimfallinginlove offers a seamless blend of voice, piano, and chords, making it an ideal choice for performers and music enthusiasts. Whether you're a seasoned musician or a passionate amateur, this sheet music provides an unparalleled experience that captures the essence of Coldplay’s original composition. Why Choose Feelslikeimfallinginlove Sheet Music by Paul Lorenz? Authentic Arrangement: Paul Lorenz’s arrangement stays true to Coldplay’s iconic sound, ensuring that every note resonates with the song's original charm. Versatility: Arranged for voice, piano, and chords, this sheet music is perfect for solo performances, duets, or ensemble pieces. Accessibility: Available in PDF format, you can conveniently download and print the sheet music from sheetmusicdirect.com, making it accessible anytime, anywhere. Key Features of Feelslikeimfallinginlove Piano Sheet Music Comprehensive Arrangement: Our sheet music includes detailed notations for voice, piano, and chords, providing a complete musical experience. High-Quality Print: Ensure a professional look for your performances with our crisp, clear sheet music. Expertly Crafted: Paul Lorenz, known for his collaborations with the London Symphonic Orchestra and recordings at Abbey Road Studios, brings his expertise to this arrangement, guaranteeing top-notch quality. Benefits of Feelslikeimfallinginlove Sheet Music PDF Downloading the Feelslikeimfallinginlove sheet music in PDF format offers numerous benefits: Immediate Access: No waiting for shipping. Download and start playing instantly. Portability: Store the sheet music on your device and take it wherever you go. Ease of Use: Print only the pages you need, or use a tablet for a modern, paperless experience. Join the Coldplay Community By adding Feelslikeimfallinginlove sheet music to your repertoire, you become part of a global community of musicians who appreciate and perform Coldplay’s timeless music. Share your performances on social media and connect with fellow fans using the hashtags #FeelslikeimfallinginloveSheetMusic and #ColdplaySheetMusic. Purchase Your Feelslikeimfallinginlove Sheet Music Today Don't miss the opportunity to own this beautifully arranged piece by Paul Lorenz. Visit sheetmusicdirect.com to purchase your copy of the Feelslikeimfallinginlove sheet music today. Transform your music collection with this exquisite arrangement and let the enchanting melodies of Coldplay inspire your next performance.Experience the joy of playing Feelslikeimfallinginlove and bring the essence of Coldplay into your home, studio, or concert hall. Order now and start your musical journey with one of the most beloved bands of our time. Maximize your musical potential with the Feelslikeimfallinginlove sheet music by Coldplay, arranged by Paul Lorenz. With detailed notations for voice, piano, and chords, this edition is perfect for all musicians, ensuring a high-quality, authentic performance every time. Download your PDF copy from sheetmusicdirect.com and join the global community of Coldplay enthusiasts today.
$5.99
5.52 €
#
Piano, Vocal and Guitar
#
Coldplay Feat
#
Feelslikeimfallinginlove
#
Paul Lorenz
#
SheetMusicPlus
I Don't LIke Winter and Other Songs to Celebrate the Winter Season
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496482 Composed by Tiffany …
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496482 Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children,Christmas,Holiday. Score. 79 pages. Swimming Tigress Music #1073003. Published by Swimming Tigress Music (A0.1496482). I Don't Like Winter and Other Songs to Celebrate the Winter Season is a collection of 11 songs for young singers filled with tunes about all aspects of the winter season - from skating alone on the pond in the backyard, picking out presents for siblings, spending time with the family, embracing the cold, wanting to escape the cold, going to visit Santa for the first time, and being so enthusiastic to celebrate all of the special days that happen at this time of year!This collection was inspired by a voice teacher friend of mine - serendipitously also named Tiffany :-) - who was looking for songs about the season that were non-traditional and relatable to a wider range of singers. It's my pleasure to offer up some options!I had so much fun writing these songs and I hope students, teachers, and audiences alike enjoy them just as much! May you laugh as you state your case to go on a winter vacation. May you cry at the idea of wearing a special hat made with a grandmother's love. May you be left breathless with joy as you glide on a frozen pond with no one else around. In addition to all of these brand-spankin' new tunes, I also included the previously-released Everyone's a Kid at Christmas because, well, it's a hoot!These are crowd pleasers perfect for holiday recitals, and some can be performed in a group as well as solos.A note for teachers: These songs do have varying ranges. I, for the most part, notated them as I conceived of them. But I did my best to provide alternate pitches in case the melody goes a little high or a little low. So, I invite to you peruse a song in it's entirety and see where there may be options even if the designated range may seem a little wide. It is my intention to make these songs as accessible to as many singers as possible.
$19.99
18.43 €
#
Piano, Voice
#
Tiffany Prochera
#
I Don't LIke Winter and Other Songs to Celebrate the Winter Season
#
Swimming Tigress Music
#
SheetMusicPlus
(there's No Place Like) Home For The Holidays
Dulcimer
Dulcimer,Instrumental Solo - Level 3 - Digital Download SKU: A0.898381 By Perry Com…
(+)
Dulcimer,Instrumental Solo - Level 3 - Digital Download SKU: A0.898381 By Perry Como. By Robert Allen. Arranged by Dr. Joe Collins. Jazz. Individual part. 6 pages. Joe Collins #6532089. Published by Joe Collins (A0.898381). This iconic tune will bring out all kinds of Christmas nostalgia when you play it on your dulcimer. It's a holiday hit that has been covered by the likes of Karen Carpenter, Garth Brooks, and even the Muppets after it was released by Perry Como in 1954.
$4.99
4.6 €
#
Dulcimer
#
Perry Como
#
(there's No Place Like) Home For The Holidays
#
Joe Collins
#
SheetMusicPlus
A Whole New World (aladdin's Theme)
Oboe (band part)
Oboe Solo - Level 2 - Digital Download SKU: A0.1259081 By Peabo Bryson And Regina B…
(+)
Oboe Solo - Level 2 - Digital Download SKU: A0.1259081 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. 20th Century,Children,Film/TV,Wedding. Individual part. 2 pages. Avery Lynn Jordan #852346. Published by Avery Lynn Jordan (A0.1259081). If you are a fan of the movie Aladdin and the song A Whole New World, you will love this simplified sheet music for Oboe Solo that we made for you. It is ideal for beginners who want to learn how to play this beautiful song that talks about the love and freedom of Aladdin and Jasmine. You will feel like you are flying on a magic carpet with them while playing the chords and notes of the melody. This sheet music is also great for teachers who want to teach their students in a fun and effective way, using a song that everyone knows and likes. And if you have children who are starting in music, this sheet music is a perfect gift to motivate and inspire them. Don't miss this opportunity and buy your sheet music of A Whole New World now!
$4.99
4.6 €
#
Oboe (band part)
#
Peabo Bryson And Regina Belle
#
A Whole New World
#
Avery Lynn Jordan
#
SheetMusicPlus
A Whole New World (aladdin's Theme)
Oboe (band part)
Oboe Solo - Level 1 - Digital Download SKU: A0.1259083 By Peabo Bryson And Regina B…
(+)
Oboe Solo - Level 1 - Digital Download SKU: A0.1259083 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. 20th Century,Children,Film/TV,Wedding. Individual part. 2 pages. Avery Lynn Jordan #852349. Published by Avery Lynn Jordan (A0.1259083). If you are a fan of the movie Aladdin and the song A Whole New World, you will love this simplified sheet music for Oboe Solo with Chords that we made for you. It is ideal for beginners who want to learn how to play this beautiful song that talks about the love and freedom of Aladdin and Jasmine. You will feel like you are flying on a magic carpet with them while playing the chords and notes of the melody. This sheet music is also great for teachers who want to teach their students in a fun and effective way, using a song that everyone knows and likes. And if you have children who are starting in music, this sheet music is a perfect gift to motivate and inspire them. Don't miss this opportunity and buy your sheet music of A Whole New World now!
$4.99
4.6 €
#
Oboe (band part)
#
Peabo Bryson And Regina Belle
#
A Whole New World
#
Avery Lynn Jordan
#
SheetMusicPlus
A Whole New World (aladdin's Theme)
Viola (band part)
Viola Solo - Level 2 - Digital Download SKU: A0.1259200 By Peabo Bryson And Regina …
(+)
Viola Solo - Level 2 - Digital Download SKU: A0.1259200 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. 20th Century,Children,Film/TV,Wedding. Individual part. 2 pages. Avery Lynn Jordan #852472. Published by Avery Lynn Jordan (A0.1259200). If you are a fan of the movie Aladdin and the song A Whole New World, you will love this simplified sheet music for Viola Solo that we made for you. It is ideal for beginners who want to learn how to play this beautiful song that talks about the love and freedom of Aladdin and Jasmine. You will feel like you are flying on a magic carpet with them while playing the chords and notes of the melody. This sheet music is also great for teachers who want to teach their students in a fun and effective way, using a song that everyone knows and likes. And if you have children who are starting in music, this sheet music is a perfect gift to motivate and inspire them. Don't miss this opportunity and buy your sheet music of A Whole New World now!
$4.99
4.6 €
#
Viola (band part)
#
Peabo Bryson And Regina Belle
#
A Whole New World
#
Avery Lynn Jordan
#
SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.53 €
#
Cello, Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Cello - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.53 €
#
Tuba
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Tuba solo - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.45 €
#
Alto Saxophone and Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Alto Sax - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Mozart's Sleigh Ride
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.927172 Composed by Wolfgang Amade…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.927172 Composed by Wolfgang Amadeus Mozart. Arranged by George Willson. Christmas,Classical. Score and parts. 44 pages. George Willson #4592559. Published by George Willson (A0.927172). Before Leroy Anderson's iconic Sleigh Ride, there was Mozart's. The last of his Three German Dances was most likely composed for a ball in Vienna's Imperial Court, and like many artists today, Mozart took a just add sleigh bells approach to creating a wintry atmosphere. Sleigh rides were a popular winter pastime in Vienna during Mozart's time, and it is said that the composer wrote this piece to mimic the sensation of going up and down the snow-covered hills on an 18th century sleigh.
$20.00
18.44 €
#
Concert band
#
Wolfgang Amadeus Mozart
#
Mozart's Sleigh Ride
#
George Willson
#
SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
(+)
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.09 €
#
Concert band
#
A
#
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
#
Stephen Davies
#
SheetMusicPlus
CASSANDRA'S VISION
Violin and Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
(+)
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.61 €
#
Violin and Piano
#
Monica Bergo
#
CASSANDRA'S VISION
#
Moni Bergo
#
SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.83 €
#
Piano, Voice
#
Arthur Le Clerq
#
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
#
Kim Kirkman
#
SheetMusicPlus
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse Di…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99
15.66 €
#
Piano solo
#
Nicole Elyse DiPaolo
#
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
(+)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.83 €
#
Arthur Le Clerq
#
Nobody Love a Fairy When She's Forty - in C major
#
Kim Kirkman
#
SheetMusicPlus
It's Beginning To Look Like Christmas
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1104075 Composed by Meredith Willso…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1104075 Composed by Meredith Willson. Arranged by Catherine Wilson. Christmas,Contemporary. Score. 3 pages. Catherine Wilson #707336. Published by Catherine Wilson (A0.1104075). Do you want to learn more up-to-date Christmas pieces that are short enough to easily share on social media? Do you want to play a well known Christmas song but still be challenged? Do you want a Christmas arrangement that's specifically designed to be pianistic? If so, here’s It's Beginning to Look Like Christmas, for level 2 piano! Pianists can focus on: - Expanding technique - Improving fluency - Expressive playing It's Beginning to Look Like Christmas can be used for: - Sharing on social media, for example as a reel - Recitals / Concerts - Broadening repertoire - Playing for fun! Approximate duration (including any repeats): Just under 1 minute Approximate Guidance for American / UK and Australian levels: Level 1 = Easy or Beginner / Grade 0 - 1 Level 2 = Early Intermediate / Grade 2 - 3 Level 3 = Intermediate / Grade 4 - 5 Level 4 = Advanced Intermediate / Grade 6 - 7 Level 5 = Advanced / Grade 8+ Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces. www.greensidemusic.co.uk Please check out Catherine’s other arrangements and original compositions here: www.sheetmusicplus.com/publishers/catherine-wilson/19224
$4.99
4.6 €
#
Piano solo
#
Meredith Willson
#
It's Beginning To Look Like Christmas
#
Catherine Wilson
#
SheetMusicPlus
<
1
26
51
....
6076
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
